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Color name
HEX #54217F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54217F it is the complementary color #ABDE80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54217F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54217F shade: #59217A, #6A338D, #7B45A0, #8C57B3 and #9D69C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54217F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54217F shade: #54217F, #430F6C, #320059, #210046 and #100033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54217F shade: #53207E, #6C207E, #7E2076, #7E205D and #7E2044

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54217F shade: #53207E, #3A207E, #21207E and #20207E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54217F shade matches the following richer shades: #53207E, #54148A and #550797

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54217F shade: #53207E, #522D71, #513A64, #504757 and #4F544B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54217F shade: #20207E, #39207E, #52207E, #6B207E and #7E2077

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54217F shade: #280F3C, #3D185D, #53207E, #69299E and #7E31BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54217F shade: #54217F, #7E2039 and #207E2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54217F shade: #54217F, #7E5220 and #207E52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54217F shade: #54217F, #7E2039, #4C7E20 and #207E65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54217F shade: #54217F, #7E2420, #4C7E20 and #207B7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 74 / 0 / 50

HEX #54217F

RGB 84 33 127

HSL 272.55, 0.59%, 0.31%

LAB 25.27, 41.49, -43.51

 

Complementary color

CMYK 23 / 0 / 42 / 13

HEX #ABDE80

RGB 171 222 128

HSL 92.55, 0.59%, 0.69%

LAB 83.16, -32.54, 40.8

 

CMYK 27 / 73 / 0 / 52

HEX #59217A

RGB 89 33 122

HSL 277.75, 0.57%, 0.3%

LAB 25.61, 41.35, -39.76

 

CMYK 25 / 64 / 0 / 45

HEX #6A338D

RGB 106 51 141

HSL 276.67, 0.47%, 0.38%

LAB 32.6, 40.89, -40.27

 

CMYK 23 / 57 / 0 / 37

HEX #7B45A0

RGB 123 69 160

HSL 275.6, 0.4%, 0.45%

LAB 39.59, 40.11, -40.51

 

CMYK 22 / 51 / 0 / 30

HEX #8C57B3

RGB 140 87 179

HSL 274.57, 0.38%, 0.52%

LAB 46.51, 39.23, -40.64

 

CMYK 21 / 47 / 0 / 22

HEX #9D69C6

RGB 157 105 198

HSL 273.55, 0.45%, 0.59%

LAB 53.33, 38.35, -40.72

 

CMYK 34 / 74 / 0 / 50

HEX #54217F

RGB 84 33 127

HSL 272.55, 0.59%, 0.31%

LAB 25.27, 41.49, -43.51

 

CMYK 38 / 86 / 0 / 58

HEX #430F6C

RGB 67 15 108

HSL 273.55, 0.76%, 0.24%

LAB 18.44, 41.26, -42.56

 

CMYK 44 / 100 / 0 / 65

HEX #320059

RGB 50 0 89

HSL 273.71, 1%, 0.17%

LAB 11.95, 39.58, -40.69

 

CMYK 53 / 100 / 0 / 73

HEX #210046

RGB 33 0 70

HSL 268.29, 1%, 0.14%

LAB 6.91, 32.82, -35.96

 

CMYK 69 / 100 / 0 / 80

HEX #100033

RGB 16 0 51

HSL 258.82, 1%, 0.1%

LAB 3.15, 19.64, -28.42

 

CMYK 34 / 75 / 0 / 51

HEX #53207E

RGB 83 32 126

HSL 272.55, 0.59%, 0.31%

LAB 24.88, 41.51, -43.52

 

CMYK 14 / 75 / 0 / 51

HEX #6C207E

RGB 108 32 126

HSL 288.51, 0.59%, 0.31%

LAB 28.71, 46.93, -37.15

 

CMYK 0 / 75 / 6 / 51

HEX #7E2076

RGB 126 32 118

HSL 305.11, 0.59%, 0.31%

LAB 31.29, 49.68, -27.81

 

CMYK 0 / 75 / 26 / 51

HEX #7E205D

RGB 126 32 93

HSL 321.06, 0.59%, 0.31%

LAB 30.06, 45.85, -13.68

 

CMYK 0 / 75 / 46 / 51

HEX #7E2044

RGB 126 32 68

HSL 337.02, 0.59%, 0.31%

LAB 29.12, 42.83, 1.4

 

CMYK 34 / 75 / 0 / 51

HEX #53207E

RGB 83 32 126

HSL 272.55, 0.59%, 0.31%

LAB 24.88, 41.51, -43.52

 

CMYK 54 / 75 / 0 / 51

HEX #3A207E

RGB 58 32 126

HSL 256.6, 0.59%, 0.31%

LAB 21.72, 36.79, -48.81

 

CMYK 74 / 75 / 0 / 51

HEX #21207E

RGB 33 32 126

HSL 240.64, 0.59%, 0.31%

LAB 19.49, 33.26, -52.57

 

CMYK 75 / 75 / 0 / 51

HEX #20207E

RGB 32 32 126

HSL 240, 0.59%, 0.31%

LAB 19.42, 33.15, -52.68

 

CMYK 34 / 75 / 0 / 51

HEX #53207E

RGB 83 32 126

HSL 272.55, 0.59%, 0.31%

LAB 24.88, 41.51, -43.52

 

CMYK 39 / 86 / 0 / 46

HEX #54148A

RGB 84 20 138

HSL 272.54, 0.75%, 0.31%

LAB 24.39, 49.46, -51.87

 

CMYK 44 / 95 / 0 / 41

HEX #550797

RGB 85 7 151

HSL 272.5, 0.91%, 0.31%

LAB 24.69, 55.88, -59.42

 

CMYK 34 / 75 / 0 / 51

HEX #53207E

RGB 83 32 126

HSL 272.55, 0.59%, 0.31%

LAB 24.88, 41.51, -43.52

 

CMYK 27 / 60 / 0 / 56

HEX #522D71

RGB 82 45 113

HSL 272.65, 0.43%, 0.31%

LAB 26.34, 30.99, -32.91

 

CMYK 19 / 42 / 0 / 61

HEX #513A64

RGB 81 58 100

HSL 272.86, 0.27%, 0.31%

LAB 28.63, 19.25, -20.96

 

CMYK 8 / 18 / 0 / 66

HEX #504757

RGB 80 71 87

HSL 273.75, 0.1%, 0.31%

LAB 31.58, 7.28, -8.1

 

CMYK 6 / 0 / 11 / 67

HEX #4F544B

RGB 79 84 75

HSL 93.33, 0.06%, 0.31%

LAB 35.03, -3.92, 4.57

 

CMYK 75 / 75 / 0 / 51

HEX #20207E

RGB 32 32 126

HSL 240, 0.59%, 0.31%

LAB 19.42, 33.15, -52.68

 

CMYK 55 / 75 / 0 / 51

HEX #39207E

RGB 57 32 126

HSL 255.96, 0.59%, 0.31%

LAB 21.61, 36.62, -48.99

 

CMYK 35 / 75 / 0 / 51

HEX #52207E

RGB 82 32 126

HSL 271.91, 0.59%, 0.31%

LAB 24.74, 41.31, -43.76

 

CMYK 15 / 75 / 0 / 51

HEX #6B207E

RGB 107 32 126

HSL 287.87, 0.59%, 0.31%

LAB 28.55, 46.7, -37.42

 

CMYK 0 / 75 / 6 / 51

HEX #7E2077

RGB 126 32 119

HSL 304.47, 0.59%, 0.31%

LAB 31.35, 49.84, -28.35

 

CMYK 33 / 75 / 0 / 76

HEX #280F3C

RGB 40 15 60

HSL 273.33, 0.6%, 0.15%

LAB 9.95, 22.94, -23.86

 

CMYK 34 / 74 / 0 / 64

HEX #3D185D

RGB 61 24 93

HSL 272.17, 0.59%, 0.23%

LAB 17.63, 32.21, -34.04

 

CMYK 34 / 75 / 0 / 51

HEX #53207E

RGB 83 32 126

HSL 272.55, 0.59%, 0.31%

LAB 24.88, 41.51, -43.52

 

CMYK 34 / 74 / 0 / 38

HEX #69299E

RGB 105 41 158

HSL 272.82, 0.59%, 0.39%

LAB 31.94, 49.59, -51.74

 

CMYK 34 / 74 / 0 / 25

HEX #7E31BF

RGB 126 49 191

HSL 272.54, 0.59%, 0.47%

LAB 38.54, 57.81, -60.56

 

CMYK 34 / 74 / 0 / 50

HEX #54217F

RGB 84 33 127

HSL 272.55, 0.59%, 0.31%

LAB 25.27, 41.49, -43.51

 

CMYK 0 / 75 / 55 / 51

HEX #7E2039

RGB 126 32 57

HSL 344.04, 0.59%, 0.31%

LAB 28.81, 41.79, 8.29

 

CMYK 75 / 0 / 64 / 51

HEX #207E2D

RGB 32 126 45

HSL 128.3, 0.59%, 0.31%

LAB 46.2, -44.25, 35.58

 

CMYK 34 / 74 / 0 / 50

HEX #54217F

RGB 84 33 127

HSL 272.55, 0.59%, 0.31%

LAB 25.27, 41.49, -43.51

 

CMYK 0 / 35 / 75 / 51

HEX #7E5220

RGB 126 82 32

HSL 31.91, 0.59%, 0.31%

LAB 38.85, 13.57, 35.67

 

CMYK 75 / 0 / 35 / 51

HEX #207E52

RGB 32 126 82

HSL 151.91, 0.59%, 0.31%

LAB 46.76, -37.84, 16.39

 

CMYK 34 / 74 / 0 / 50

HEX #54217F

RGB 84 33 127

HSL 272.55, 0.59%, 0.31%

LAB 25.27, 41.49, -43.51

 

CMYK 0 / 75 / 55 / 51

HEX #7E2039

RGB 126 32 57

HSL 344.04, 0.59%, 0.31%

LAB 28.81, 41.79, 8.29

 

CMYK 40 / 0 / 75 / 51

HEX #4C7E20

RGB 76 126 32

HSL 91.91, 0.59%, 0.31%

LAB 47.7, -33.14, 43.35

 

CMYK 75 / 0 / 20 / 51

HEX #207E65

RGB 32 126 101

HSL 164.04, 0.59%, 0.31%

LAB 47.19, -33.2, 5.93

 

CMYK 34 / 74 / 0 / 50

HEX #54217F

RGB 84 33 127

HSL 272.55, 0.59%, 0.31%

LAB 25.27, 41.49, -43.51

 

CMYK 0 / 71 / 75 / 51

HEX #7E2420

RGB 126 36 32

HSL 2.55, 0.59%, 0.31%

LAB 28.91, 38.44, 24.78

 

CMYK 40 / 0 / 75 / 51

HEX #4C7E20

RGB 76 126 32

HSL 91.91, 0.59%, 0.31%

LAB 47.7, -33.14, 43.35

 

CMYK 75 / 2 / 0 / 51

HEX #207B7E

RGB 32 123 126

HSL 181.91, 0.59%, 0.31%

LAB 46.95, -24.42, -9.22

 

Description

Color code: HEX #54217F | qconv.com Color code: HEX #54217F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 33 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 33 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 74 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 74% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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