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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #542078 it is the complementary color #ABDF87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #542078. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #542078 shade: #592073, #6A3286, #7B4499, #8C56AC and #9D68BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #542078. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #542078 shade: #542078, #430E65, #320052, #21003F and #10002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #542078 shade: #552079, #6C2079, #79206D, #792055 and #79203D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #542078 shade: #552079, #3D2079, #252079 and #202079

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #542078 shade matches the following richer shades: #552079, #571485 and #590792

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #542078 shade: #552079, #522D6C, #503960, #4E4554 and #4C5247

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #542078 shade: #252079, #3C2079, #542079, #6C2079 and #79206F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #542078 shade: #270F38, #3E1758, #552079, #6B2999 and #8231BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #542078 shade: #542078, #792033 and #207930

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #542078 shade: #542078, #795420 and #207954

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #542078 shade: #542078, #792033, #457920 and #207966

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #542078 shade: #542078, #792820, #457920 and #207179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 73 / 0 / 53

HEX #542078

RGB 84 32 120

HSL 275.45, 0.58%, 0.3%

LAB 24.56, 40.24, -40.24

 

Complementary color

CMYK 23 / 0 / 39 / 13

HEX #ABDF87

RGB 171 223 135

HSL 95.45, 0.58%, 0.7%

LAB 83.54, -32.11, 37.81

 

CMYK 23 / 72 / 0 / 55

HEX #592073

RGB 89 32 115

HSL 281.2, 0.56%, 0.29%

LAB 24.94, 40.19, -36.39

 

CMYK 21 / 63 / 0 / 47

HEX #6A3286

RGB 106 50 134

HSL 280, 0.46%, 0.36%

LAB 31.96, 39.77, -36.97

 

CMYK 20 / 56 / 0 / 40

HEX #7B4499

RGB 123 68 153

HSL 278.82, 0.38%, 0.43%

LAB 38.98, 39.03, -37.28

 

CMYK 19 / 50 / 0 / 33

HEX #8C56AC

RGB 140 86 172

HSL 277.67, 0.34%, 0.51%

LAB 45.92, 38.18, -37.46

 

CMYK 18 / 46 / 0 / 25

HEX #9D68BF

RGB 157 104 191

HSL 276.55, 0.4%, 0.58%

LAB 52.76, 37.32, -37.59

 

CMYK 30 / 73 / 0 / 53

HEX #542078

RGB 84 32 120

HSL 275.45, 0.58%, 0.3%

LAB 24.56, 40.24, -40.24

 

CMYK 34 / 86 / 0 / 60

HEX #430E65

RGB 67 14 101

HSL 276.55, 0.76%, 0.23%

LAB 17.68, 39.92, -39.22

 

CMYK 39 / 100 / 0 / 68

HEX #320052

RGB 50 0 82

HSL 276.59, 1%, 0.16%

LAB 11.19, 37.94, -37.18

 

CMYK 48 / 100 / 0 / 75

HEX #21003F

RGB 33 0 63

HSL 271.43, 1%, 0.12%

LAB 6.16, 30.57, -32.21

 

CMYK 64 / 100 / 0 / 83

HEX #10002C

RGB 16 0 44

HSL 261.82, 1%, 0.09%

LAB 2.64, 16.01, -23.97

 

CMYK 30 / 74 / 0 / 53

HEX #552079

RGB 85 32 121

HSL 275.73, 0.58%, 0.3%

LAB 24.78, 40.7, -40.5

 

CMYK 11 / 74 / 0 / 53

HEX #6C2079

RGB 108 32 121

HSL 291.24, 0.58%, 0.3%

LAB 28.38, 45.92, -34.52

 

CMYK 0 / 74 / 10 / 53

HEX #79206D

RGB 121 32 109

HSL 308.09, 0.58%, 0.3%

LAB 29.92, 46.94, -24.3

 

CMYK 0 / 74 / 30 / 53

HEX #792055

RGB 121 32 85

HSL 324.27, 0.58%, 0.3%

LAB 28.78, 43.34, -10.47

 

CMYK 0 / 74 / 50 / 53

HEX #79203D

RGB 121 32 61

HSL 340.45, 0.58%, 0.3%

LAB 27.94, 40.54, 4.25

 

CMYK 30 / 74 / 0 / 53

HEX #552079

RGB 85 32 121

HSL 275.73, 0.58%, 0.3%

LAB 24.78, 40.7, -40.5

 

CMYK 50 / 74 / 0 / 53

HEX #3D2079

RGB 61 32 121

HSL 259.55, 0.58%, 0.3%

LAB 21.6, 35.82, -45.82

 

CMYK 69 / 74 / 0 / 53

HEX #252079

RGB 37 32 121

HSL 243.37, 0.58%, 0.3%

LAB 19.25, 31.97, -49.76

 

CMYK 74 / 74 / 0 / 53

HEX #202079

RGB 32 32 121

HSL 240, 0.58%, 0.3%

LAB 18.89, 31.35, -50.37

 

CMYK 30 / 74 / 0 / 53

HEX #552079

RGB 85 32 121

HSL 275.73, 0.58%, 0.3%

LAB 24.78, 40.7, -40.5

 

CMYK 35 / 85 / 0 / 48

HEX #571485

RGB 87 20 133

HSL 275.58, 0.74%, 0.3%

LAB 24.39, 48.76, -48.72

 

CMYK 39 / 95 / 0 / 43

HEX #590792

RGB 89 7 146

HSL 275.4, 0.91%, 0.3%

LAB 24.8, 55.23, -56.14

 

CMYK 30 / 74 / 0 / 53

HEX #552079

RGB 85 32 121

HSL 275.73, 0.58%, 0.3%

LAB 24.78, 40.7, -40.5

 

CMYK 24 / 58 / 0 / 58

HEX #522D6C

RGB 82 45 108

HSL 275.24, 0.41%, 0.3%

LAB 26.02, 29.7, -30.22

 

CMYK 17 / 41 / 0 / 62

HEX #503960

RGB 80 57 96

HSL 275.38, 0.25%, 0.3%

LAB 28.05, 18.53, -19.3

 

CMYK 7 / 18 / 0 / 67

HEX #4E4554

RGB 78 69 84

HSL 276, 0.1%, 0.3%

LAB 30.68, 7.08, -7.54

 

CMYK 7 / 0 / 13 / 68

HEX #4C5247

RGB 76 82 71

HSL 92.73, 0.07%, 0.3%

LAB 34.04, -4.75, 5.64

 

CMYK 69 / 74 / 0 / 53

HEX #252079

RGB 37 32 121

HSL 243.37, 0.58%, 0.3%

LAB 19.25, 31.97, -49.76

 

CMYK 50 / 74 / 0 / 53

HEX #3C2079

RGB 60 32 121

HSL 258.88, 0.58%, 0.3%

LAB 21.48, 35.63, -46.01

 

CMYK 31 / 74 / 0 / 53

HEX #542079

RGB 84 32 121

HSL 275.06, 0.58%, 0.3%

LAB 24.63, 40.49, -40.75

 

CMYK 11 / 74 / 0 / 53

HEX #6C2079

RGB 108 32 121

HSL 291.24, 0.58%, 0.3%

LAB 28.38, 45.92, -34.52

 

CMYK 0 / 74 / 8 / 53

HEX #79206F

RGB 121 32 111

HSL 306.74, 0.58%, 0.3%

LAB 30.02, 47.27, -25.41

 

CMYK 30 / 73 / 0 / 78

HEX #270F38

RGB 39 15 56

HSL 275.12, 0.58%, 0.14%

LAB 9.47, 21.52, -21.76

 

CMYK 30 / 74 / 0 / 65

HEX #3E1758

RGB 62 23 88

HSL 276, 0.59%, 0.22%

LAB 17.19, 31.66, -31.4

 

CMYK 30 / 74 / 0 / 53

HEX #552079

RGB 85 32 121

HSL 275.73, 0.58%, 0.3%

LAB 24.78, 40.7, -40.5

 

CMYK 30 / 73 / 0 / 40

HEX #6B2999

RGB 107 41 153

HSL 275.36, 0.58%, 0.38%

LAB 31.83, 48.81, -48.85

 

CMYK 30 / 74 / 0 / 27

HEX #8231BA

RGB 130 49 186

HSL 275.47, 0.58%, 0.46%

LAB 38.7, 57.42, -57.33

 

CMYK 30 / 73 / 0 / 53

HEX #542078

RGB 84 32 120

HSL 275.45, 0.58%, 0.3%

LAB 24.56, 40.24, -40.24

 

CMYK 0 / 74 / 58 / 53

HEX #792033

RGB 121 32 51

HSL 347.19, 0.58%, 0.3%

LAB 27.67, 39.64, 10.59

 

CMYK 74 / 0 / 60 / 53

HEX #207930

RGB 32 121 48

HSL 130.79, 0.58%, 0.3%

LAB 44.51, -42.01, 32.16

 

CMYK 30 / 73 / 0 / 53

HEX #542078

RGB 84 32 120

HSL 275.45, 0.58%, 0.3%

LAB 24.56, 40.24, -40.24

 

CMYK 0 / 31 / 74 / 53

HEX #795420

RGB 121 84 32

HSL 35.06, 0.58%, 0.3%

LAB 38.74, 10.02, 35.36

 

CMYK 74 / 0 / 31 / 53

HEX #207954

RGB 32 121 84

HSL 155.06, 0.58%, 0.3%

LAB 45.11, -35.24, 12.98

 

CMYK 30 / 73 / 0 / 53

HEX #542078

RGB 84 32 120

HSL 275.45, 0.58%, 0.3%

LAB 24.56, 40.24, -40.24

 

CMYK 0 / 74 / 58 / 53

HEX #792033

RGB 121 32 51

HSL 347.19, 0.58%, 0.3%

LAB 27.67, 39.64, 10.59

 

CMYK 43 / 0 / 74 / 53

HEX #457920

RGB 69 121 32

HSL 95.06, 0.58%, 0.3%

LAB 45.69, -33.46, 41.2

 

CMYK 74 / 0 / 16 / 53

HEX #207966

RGB 32 121 102

HSL 167.19, 0.58%, 0.3%

LAB 45.55, -30.61, 2.98

 

CMYK 30 / 73 / 0 / 53

HEX #542078

RGB 84 32 120

HSL 275.45, 0.58%, 0.3%

LAB 24.56, 40.24, -40.24

 

CMYK 0 / 67 / 74 / 53

HEX #792820

RGB 121 40 32

HSL 5.39, 0.58%, 0.3%

LAB 28.61, 34.81, 24.19

 

CMYK 43 / 0 / 74 / 53

HEX #457920

RGB 69 121 32

HSL 95.06, 0.58%, 0.3%

LAB 45.69, -33.46, 41.2

 

CMYK 74 / 7 / 0 / 53

HEX #207179

RGB 32 113 121

HSL 185.39, 0.58%, 0.3%

LAB 43.5, -20.82, -11.42

 

Description

Color code: HEX #542078 | qconv.com Color code: HEX #542078 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 32 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 32 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 73 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 73% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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