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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #541F44 it is the complementary color #ABE0BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #541F44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #541F44 shade: #591F3F, #6A3152, #7B4365, #8C5578 and #9D678B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #541F44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #541F44 shade: #541F44, #430D31, #32001E, #21000B and #100000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #541F44 shade: #562045, #562037, #562028 and #562020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #541F44 shade: #562045, #562054, #492056, #3A2056 and #2C2056

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #541F44 shade matches the following richer shades: #562045, #5F1649, #690D4D and #720351

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #541F44 shade: #562045, #4C2942, #43333E, #393C3A and #304636

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #541F44 shade: #492056, #562054, #562045, #562037 and #562029

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #541F44 shade: #190915, #38152D, #562045, #742B5E and #923676

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #541F44 shade: #541F44, #563B20 and #205650

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #541F44 shade: #541F44, #455620 and #204556

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #541F44 shade: #541F44, #563B20, #205630 and #203B56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #541F44 shade: #541F44, #564B20, #205630 and #202A56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 19 / 67

HEX #541F44

RGB 84 31 68

HSL 318.11, 0.46%, 0.23%

LAB 21.14, 29.6, -11.34

 

Complementary color

CMYK 24 / 0 / 17 / 12

HEX #ABE0BB

RGB 171 224 187

HSL 138.11, 0.46%, 0.77%

LAB 84.77, -24.32, 12.64

 

CMYK 0 / 65 / 29 / 65

HEX #591F3F

RGB 89 31 63

HSL 326.9, 0.48%, 0.24%

LAB 21.81, 30.51, -6.82

 

CMYK 0 / 54 / 23 / 58

HEX #6A3152

RGB 106 49 82

HSL 325.26, 0.37%, 0.3%

LAB 29.08, 29.85, -8.3

 

CMYK 0 / 46 / 18 / 52

HEX #7B4365

RGB 123 67 101

HSL 323.57, 0.29%, 0.37%

LAB 36.3, 29.01, -9.36

 

CMYK 0 / 39 / 14 / 45

HEX #8C5578

RGB 140 85 120

HSL 321.82, 0.24%, 0.44%

LAB 43.4, 28.16, -10.2

 

CMYK 0 / 34 / 11 / 38

HEX #9D678B

RGB 157 103 139

HSL 320, 0.22%, 0.51%

LAB 50.37, 27.35, -10.92

 

CMYK 0 / 63 / 19 / 67

HEX #541F44

RGB 84 31 68

HSL 318.11, 0.46%, 0.23%

LAB 21.14, 29.6, -11.34

 

CMYK 0 / 81 / 27 / 74

HEX #430D31

RGB 67 13 49

HSL 320, 0.68%, 0.16%

LAB 13.84, 29.61, -9.46

 

CMYK 0 / 100 / 40 / 80

HEX #32001E

RGB 50 0 30

HSL 324, 1%, 0.1%

LAB 6.97, 27.77, -6.05

 

CMYK 0 / 100 / 67 / 87

HEX #21000B

RGB 33 0 11

HSL 340, 1%, 0.06%

LAB 3.14, 14.64, 0.44

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 63 / 20 / 66

HEX #562045

RGB 86 32 69

HSL 318.89, 0.46%, 0.23%

LAB 21.73, 29.92, -11.09

 

CMYK 0 / 63 / 36 / 66

HEX #562037

RGB 86 32 55

HSL 334.44, 0.46%, 0.23%

LAB 21.16, 27.72, -2.32

 

CMYK 0 / 63 / 53 / 66

HEX #562028

RGB 86 32 40

HSL 351.11, 0.46%, 0.23%

LAB 20.69, 25.85, 7.43

 

CMYK 0 / 63 / 63 / 66

HEX #562020

RGB 86 32 32

HSL 0, 0.46%, 0.23%

LAB 20.5, 25.07, 12.71

 

CMYK 0 / 63 / 20 / 66

HEX #562045

RGB 86 32 69

HSL 318.89, 0.46%, 0.23%

LAB 21.73, 29.92, -11.09

 

CMYK 0 / 63 / 2 / 66

HEX #562054

RGB 86 32 84

HSL 302.22, 0.46%, 0.23%

LAB 22.48, 32.7, -20.05

 

CMYK 15 / 63 / 0 / 66

HEX #492056

RGB 73 32 86

HSL 285.56, 0.46%, 0.23%

LAB 20.52, 29.21, -24.62

 

CMYK 33 / 63 / 0 / 66

HEX #3A2056

RGB 58 32 86

HSL 268.89, 0.46%, 0.23%

LAB 18.38, 24.85, -28.16

 

CMYK 49 / 63 / 0 / 66

HEX #2C2056

RGB 44 32 86

HSL 253.33, 0.46%, 0.23%

LAB 16.7, 21.08, -30.95

 

CMYK 0 / 63 / 20 / 66

HEX #562045

RGB 86 32 69

HSL 318.89, 0.46%, 0.23%

LAB 21.73, 29.92, -11.09

 

CMYK 0 / 77 / 23 / 63

HEX #5F1649

RGB 95 22 73

HSL 318.08, 0.62%, 0.23%

LAB 21.9, 38.01, -13.41

 

CMYK 0 / 88 / 27 / 59

HEX #690D4D

RGB 105 13 77

HSL 318.26, 0.78%, 0.23%

LAB 23.09, 44.13, -14.13

 

CMYK 0 / 97 / 29 / 55

HEX #720351

RGB 114 3 81

HSL 317.84, 0.95%, 0.23%

LAB 24.44, 48.91, -14.59

 

CMYK 0 / 63 / 20 / 66

HEX #562045

RGB 86 32 69

HSL 318.89, 0.46%, 0.23%

LAB 21.73, 29.92, -11.09

 

CMYK 0 / 46 / 13 / 70

HEX #4C2942

RGB 76 41 66

HSL 317.14, 0.3%, 0.23%

LAB 22, 20.46, -8.78

 

CMYK 0 / 24 / 7 / 74

HEX #43333E

RGB 67 51 62

HSL 318.75, 0.14%, 0.23%

LAB 23.37, 9.41, -4.13

 

CMYK 5 / 0 / 3 / 76

HEX #393C3A

RGB 57 60 58

HSL 140, 0.03%, 0.23%

LAB 24.97, -1.73, 0.79

 

CMYK 31 / 0 / 23 / 73

HEX #304636

RGB 48 70 54

HSL 136.36, 0.19%, 0.23%

LAB 27.5, -12.52, 6.93

 

CMYK 15 / 63 / 0 / 66

HEX #492056

RGB 73 32 86

HSL 285.56, 0.46%, 0.23%

LAB 20.52, 29.21, -24.62

 

CMYK 0 / 63 / 2 / 66

HEX #562054

RGB 86 32 84

HSL 302.22, 0.46%, 0.23%

LAB 22.48, 32.7, -20.05

 

CMYK 0 / 63 / 20 / 66

HEX #562045

RGB 86 32 69

HSL 318.89, 0.46%, 0.23%

LAB 21.73, 29.92, -11.09

 

CMYK 0 / 63 / 36 / 66

HEX #562037

RGB 86 32 55

HSL 334.44, 0.46%, 0.23%

LAB 21.16, 27.72, -2.32

 

CMYK 0 / 63 / 52 / 66

HEX #562029

RGB 86 32 41

HSL 350, 0.46%, 0.23%

LAB 20.72, 25.96, 6.77

 

CMYK 0 / 64 / 16 / 90

HEX #190915

RGB 25 9 21

HSL 315, 0.47%, 0.07%

LAB 4.12, 8.21, -3.82

 

CMYK 0 / 63 / 20 / 78

HEX #38152D

RGB 56 21 45

HSL 318.86, 0.45%, 0.15%

LAB 13.03, 21.02, -7.99

 

CMYK 0 / 63 / 20 / 66

HEX #562045

RGB 86 32 69

HSL 318.89, 0.46%, 0.23%

LAB 21.73, 29.92, -11.09

 

CMYK 0 / 63 / 19 / 55

HEX #742B5E

RGB 116 43 94

HSL 318.08, 0.46%, 0.31%

LAB 30.03, 38.31, -14.52

 

CMYK 0 / 63 / 19 / 43

HEX #923676

RGB 146 54 118

HSL 318.26, 0.46%, 0.39%

LAB 37.95, 46.08, -17.19

 

CMYK 0 / 63 / 19 / 67

HEX #541F44

RGB 84 31 68

HSL 318.11, 0.46%, 0.23%

LAB 21.14, 29.6, -11.34

 

CMYK 0 / 31 / 63 / 66

HEX #563B20

RGB 86 59 32

HSL 30, 0.46%, 0.23%

LAB 27.33, 8.53, 21.29

 

CMYK 63 / 0 / 7 / 66

HEX #205650

RGB 32 86 80

HSL 173.33, 0.46%, 0.23%

LAB 33.01, -19.37, -1.85

 

CMYK 0 / 63 / 19 / 67

HEX #541F44

RGB 84 31 68

HSL 318.11, 0.46%, 0.23%

LAB 21.14, 29.6, -11.34

 

CMYK 20 / 0 / 63 / 66

HEX #455620

RGB 69 86 32

HSL 78.89, 0.46%, 0.23%

LAB 34.04, -16.11, 28.7

 

CMYK 63 / 20 / 0 / 66

HEX #204556

RGB 32 69 86

HSL 198.89, 0.46%, 0.23%

LAB 27.39, -7.47, -14.14

 

CMYK 0 / 63 / 19 / 67

HEX #541F44

RGB 84 31 68

HSL 318.11, 0.46%, 0.23%

LAB 21.14, 29.6, -11.34

 

CMYK 0 / 31 / 63 / 66

HEX #563B20

RGB 86 59 32

HSL 30, 0.46%, 0.23%

LAB 27.33, 8.53, 21.29

 

CMYK 63 / 0 / 44 / 66

HEX #205630

RGB 32 86 48

HSL 137.78, 0.46%, 0.23%

LAB 32.2, -27.47, 16.92

 

CMYK 63 / 31 / 0 / 66

HEX #203B56

RGB 32 59 86

HSL 210, 0.46%, 0.23%

LAB 24.02, -0.95, -19.37

 

CMYK 0 / 63 / 19 / 67

HEX #541F44

RGB 84 31 68

HSL 318.11, 0.46%, 0.23%

LAB 21.14, 29.6, -11.34

 

CMYK 0 / 13 / 63 / 66

HEX #564B20

RGB 86 75 32

HSL 47.78, 0.46%, 0.23%

LAB 32.07, -1.52, 26.87

 

CMYK 63 / 0 / 44 / 66

HEX #205630

RGB 32 86 48

HSL 137.78, 0.46%, 0.23%

LAB 32.2, -27.47, 16.92

 

CMYK 63 / 51 / 0 / 66

HEX #202A56

RGB 32 42 86

HSL 228.89, 0.46%, 0.23%

LAB 18.52, 11.02, -28.09

 

Description

Color code: HEX #541F44 | qconv.com Color code: HEX #541F44 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 31 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 31 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 19 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 19% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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