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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #541E93 it is the complementary color #ABE16C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #541E93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #541E93 shade: #591E8E, #6A30A1, #7B42B4, #8C54C7 and #9D66DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #541E93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #541E93 shade: #541E93, #430C80, #32006D, #21005A and #100047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #541E93 shade: #551E94, #741E94, #941E94, #941E74 and #941E55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #541E93 shade: #551E94, #351E94 and #1E1E94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #541E93 shade matches the following richer shades: #551E94, #5410A3 and #5201B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #541E93 shade: #551E94, #562D86, #573B77, #584A69 and #59585A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #541E93 shade: #1E2894, #341E94, #531E94, #731E94 and #921E94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #541E93 shade: #2E1050, #411772, #551E94, #6825B6 and #7C30D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #541E93 shade: #541E93, #941E48 and #1E9424

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #541E93 shade: #541E93, #94531E and #1E9453

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #541E93 shade: #541E93, #941E48, #5F941E and #1E946B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #541E93 shade: #541E93, #941E24, #5F941E and #1E948E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 80 / 0 / 42

HEX #541E93

RGB 84 30 147

HSL 267.69, 0.66%, 0.35%

LAB 26.51, 47.9, -53.99

 

Complementary color

CMYK 24 / 0 / 52 / 12

HEX #ABE16C

RGB 171 225 108

HSL 87.69, 0.66%, 0.65%

LAB 83.75, -36.19, 51.15

 

CMYK 37 / 79 / 0 / 44

HEX #591E8E

RGB 89 30 142

HSL 271.61, 0.65%, 0.34%

LAB 26.75, 47.5, -50.47

 

CMYK 34 / 70 / 0 / 37

HEX #6A30A1

RGB 106 48 161

HSL 270.8, 0.54%, 0.41%

LAB 33.46, 47.26, -51.08

 

CMYK 32 / 63 / 0 / 29

HEX #7B42B4

RGB 123 66 180

HSL 270, 0.46%, 0.48%

LAB 40.25, 46.55, -51.34

 

CMYK 30 / 58 / 0 / 22

HEX #8C54C7

RGB 140 84 199

HSL 269.22, 0.51%, 0.55%

LAB 47.03, 45.65, -51.43

 

CMYK 28 / 53 / 0 / 15

HEX #9D66DA

RGB 157 102 218

HSL 268.45, 0.61%, 0.63%

LAB 53.74, 44.71, -51.44

 

CMYK 43 / 80 / 0 / 42

HEX #541E93

RGB 84 30 147

HSL 267.69, 0.66%, 0.35%

LAB 26.51, 47.9, -53.99

 

CMYK 48 / 91 / 0 / 50

HEX #430C80

RGB 67 12 128

HSL 268.45, 0.83%, 0.27%

LAB 20.1, 47.19, -52.7

 

CMYK 54 / 100 / 0 / 57

HEX #32006D

RGB 50 0 109

HSL 267.52, 1%, 0.21%

LAB 14.3, 44.4, -50.12

 

CMYK 63 / 100 / 0 / 65

HEX #21005A

RGB 33 0 90

HSL 262, 1%, 0.18%

LAB 9.49, 38.27, -45.51

 

CMYK 77 / 100 / 0 / 72

HEX #100047

RGB 16 0 71

HSL 253.52, 1%, 0.14%

LAB 5.1, 30.15, -39.72

 

CMYK 43 / 80 / 0 / 42

HEX #551E94

RGB 85 30 148

HSL 267.97, 0.66%, 0.35%

LAB 26.73, 48.32, -54.23

 

CMYK 22 / 80 / 0 / 42

HEX #741E94

RGB 116 30 148

HSL 283.73, 0.66%, 0.35%

LAB 31.3, 53.82, -46.59

 

CMYK 0 / 80 / 0 / 42

HEX #941E94

RGB 148 30 148

HSL 300, 0.66%, 0.35%

LAB 36.67, 60.21, -37.68

 

CMYK 0 / 80 / 22 / 42

HEX #941E74

RGB 148 30 116

HSL 316.27, 0.66%, 0.35%

LAB 34.97, 55.38, -20.49

 

CMYK 0 / 80 / 43 / 42

HEX #941E55

RGB 148 30 85

HSL 332.03, 0.66%, 0.35%

LAB 33.73, 51.67, -2.52

 

CMYK 43 / 80 / 0 / 42

HEX #551E94

RGB 85 30 148

HSL 267.97, 0.66%, 0.35%

LAB 26.73, 48.32, -54.23

 

CMYK 64 / 80 / 0 / 42

HEX #351E94

RGB 53 30 148

HSL 251.69, 0.66%, 0.35%

LAB 23.08, 43.87, -60.36

 

CMYK 80 / 80 / 0 / 42

HEX #1E1E94

RGB 30 30 148

HSL 240, 0.66%, 0.35%

LAB 21.37, 41.77, -63.25

 

CMYK 43 / 80 / 0 / 42

HEX #551E94

RGB 85 30 148

HSL 267.97, 0.66%, 0.35%

LAB 26.73, 48.32, -54.23

 

CMYK 48 / 90 / 0 / 36

HEX #5410A3

RGB 84 16 163

HSL 267.76, 0.82%, 0.35%

LAB 26.45, 56.59, -63.88

 

CMYK 54 / 99 / 0 / 31

HEX #5201B1

RGB 82 1 177

HSL 267.61, 0.99%, 0.35%

LAB 26.71, 62.69, -71.91

 

CMYK 43 / 80 / 0 / 42

HEX #551E94

RGB 85 30 148

HSL 267.97, 0.66%, 0.35%

LAB 26.73, 48.32, -54.23

 

CMYK 36 / 66 / 0 / 47

HEX #562D86

RGB 86 45 134

HSL 267.64, 0.5%, 0.35%

LAB 28.32, 37.54, -42.96

 

CMYK 27 / 50 / 0 / 53

HEX #573B77

RGB 87 59 119

HSL 268, 0.34%, 0.35%

LAB 30.61, 25.51, -29.89

 

CMYK 16 / 30 / 0 / 59

HEX #584A69

RGB 88 74 105

HSL 267.1, 0.17%, 0.35%

LAB 33.97, 12.72, -15.82

 

CMYK 1 / 2 / 0 / 65

HEX #59585A

RGB 89 88 90

HSL 270, 0.01%, 0.35%

LAB 37.56, 0.83, -1.02

 

CMYK 80 / 73 / 0 / 42

HEX #1E2894

RGB 30 40 148

HSL 234.92, 0.66%, 0.35%

LAB 23.44, 35.9, -59.82

 

CMYK 65 / 80 / 0 / 42

HEX #341E94

RGB 52 30 148

HSL 251.19, 0.66%, 0.35%

LAB 22.99, 43.76, -60.52

 

CMYK 44 / 80 / 0 / 42

HEX #531E94

RGB 83 30 148

HSL 266.95, 0.66%, 0.35%

LAB 26.46, 48, -54.68

 

CMYK 22 / 80 / 0 / 42

HEX #731E94

RGB 115 30 148

HSL 283.22, 0.66%, 0.35%

LAB 31.14, 53.63, -46.86

 

CMYK 1 / 80 / 0 / 42

HEX #921E94

RGB 146 30 148

HSL 298.98, 0.66%, 0.35%

LAB 36.32, 59.8, -38.25

 

CMYK 43 / 80 / 0 / 69

HEX #2E1050

RGB 46 16 80

HSL 268.13, 0.67%, 0.19%

LAB 12.8, 29.54, -33.19

 

CMYK 43 / 80 / 0 / 55

HEX #411772

RGB 65 23 114

HSL 267.69, 0.66%, 0.27%

LAB 19.85, 39.15, -44.17

 

CMYK 43 / 80 / 0 / 42

HEX #551E94

RGB 85 30 148

HSL 267.97, 0.66%, 0.35%

LAB 26.73, 48.32, -54.23

 

CMYK 43 / 80 / 0 / 29

HEX #6825B6

RGB 104 37 182

HSL 267.72, 0.66%, 0.43%

LAB 33.23, 56.88, -64.04

 

CMYK 42 / 77 / 0 / 16

HEX #7C30D5

RGB 124 48 213

HSL 267.64, 0.66%, 0.51%

LAB 39.92, 63.04, -71.11

 

CMYK 43 / 80 / 0 / 42

HEX #541E93

RGB 84 30 147

HSL 267.69, 0.66%, 0.35%

LAB 26.51, 47.9, -53.99

 

CMYK 0 / 80 / 51 / 42

HEX #941E48

RGB 148 30 72

HSL 338.64, 0.66%, 0.35%

LAB 33.33, 50.45, 5.38

 

CMYK 80 / 0 / 76 / 42

HEX #1E9424

RGB 30 148 36

HSL 123.05, 0.66%, 0.35%

LAB 53.58, -53.03, 47.26

 

CMYK 43 / 80 / 0 / 42

HEX #541E93

RGB 84 30 147

HSL 267.69, 0.66%, 0.35%

LAB 26.51, 47.9, -53.99

 

CMYK 0 / 44 / 80 / 42

HEX #94531E

RGB 148 83 30

HSL 26.95, 0.66%, 0.35%

LAB 42.12, 22.9, 40.91

 

CMYK 80 / 0 / 44 / 42

HEX #1E9453

RGB 30 148 83

HSL 146.95, 0.66%, 0.35%

LAB 54.11, -46.68, 25.59

 

CMYK 43 / 80 / 0 / 42

HEX #541E93

RGB 84 30 147

HSL 267.69, 0.66%, 0.35%

LAB 26.51, 47.9, -53.99

 

CMYK 0 / 80 / 51 / 42

HEX #941E48

RGB 148 30 72

HSL 338.64, 0.66%, 0.35%

LAB 33.33, 50.45, 5.38

 

CMYK 36 / 0 / 80 / 42

HEX #5F941E

RGB 95 148 30

HSL 86.95, 0.66%, 0.35%

LAB 55.79, -36.02, 52.23

 

CMYK 80 / 0 / 28 / 42

HEX #1E946B

RGB 30 148 107

HSL 159.15, 0.66%, 0.35%

LAB 54.57, -41.53, 12.87

 

CMYK 43 / 80 / 0 / 42

HEX #541E93

RGB 84 30 147

HSL 267.69, 0.66%, 0.35%

LAB 26.51, 47.9, -53.99

 

CMYK 0 / 80 / 76 / 42

HEX #941E24

RGB 148 30 36

HSL 356.95, 0.66%, 0.35%

LAB 32.59, 48.12, 27.68

 

CMYK 36 / 0 / 80 / 42

HEX #5F941E

RGB 95 148 30

HSL 86.95, 0.66%, 0.35%

LAB 55.79, -36.02, 52.23

 

CMYK 80 / 0 / 4 / 42

HEX #1E948E

RGB 30 148 142

HSL 176.95, 0.66%, 0.35%

LAB 55.49, -32.03, -5.81

 

Description

Color code: HEX #541E93 | qconv.com Color code: HEX #541E93 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 30 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 30 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 80 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 80% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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