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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #540FD5 it is the complementary color #ABF02A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #540FD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #540FD5 shade: #590FD0, #6A21E3, #7B33F6, #8C45FF and #9D57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #540FD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #540FD5 shade: #540FD5, #4300C2, #3200AF, #21009C and #100089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #540FD5 shade: #550FD7, #8A0FD7, #C00FD7, #D70FB7 and #D70F81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #540FD5 shade: #550FD7, #1F0FD7 and #0F0FD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #540FD5 shade matches the following richer shades: #550FD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #540FD5 shade: #550FD7, #5A21C4, #6034B1, #65479F and #6B598C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #540FD5 shade: #0F37D7, #1C0FD7, #510FD7, #870FD7 and #BC0FD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #540FD5 shade: #360A89, #450CB0, #550FD7, #681FEF and #8246F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #540FD5 shade: #540FD5, #D70F6C and #1CD70F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #540FD5 shade: #540FD5, #D7510F and #0FD751

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #540FD5 shade: #540FD5, #D70F6C, #94D70F and #0FD779

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #540FD5 shade: #540FD5, #D70F30, #94D70F and #0FD7B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 93 / 0 / 16

HEX #540FD5

RGB 84 15 213

HSL 260.91, 0.87%, 0.45%

LAB 31.88, 68.77, -84.53

 

Complementary color

CMYK 29 / 0 / 83 / 6

HEX #ABF02A

RGB 171 240 42

HSL 80.91, 0.87%, 0.55%

LAB 87.56, -47.16, 79.13

 

CMYK 57 / 93 / 0 / 18

HEX #590FD0

RGB 89 15 208

HSL 263.01, 0.87%, 0.44%

LAB 31.85, 67.94, -81.65

 

CMYK 53 / 85 / 0 / 11

HEX #6A21E3

RGB 106 33 227

HSL 262.58, 0.78%, 0.51%

LAB 37.29, 69.42, -83.53

 

CMYK 50 / 79 / 0 / 4

HEX #7B33F6

RGB 123 51 246

HSL 262.15, 0.92%, 0.58%

LAB 43.11, 69.73, -84.64

 

CMYK 45 / 73 / 0 / 0

HEX #8C45FF

RGB 140 69 255

HSL 262.9, 1%, 0.64%

LAB 48.33, 66.89, -81.05

 

CMYK 38 / 66 / 0 / 0

HEX #9D57FF

RGB 157 87 255

HSL 265, 1%, 0.67%

LAB 53.17, 61.46, -73.07

 

CMYK 61 / 93 / 0 / 16

HEX #540FD5

RGB 84 15 213

HSL 260.91, 0.87%, 0.45%

LAB 31.88, 68.77, -84.53

 

CMYK 65 / 100 / 0 / 24

HEX #4300C2

RGB 67 0 194

HSL 260.72, 1%, 0.38%

LAB 26.98, 65.92, -81.6

 

CMYK 71 / 100 / 0 / 31

HEX #3200AF

RGB 50 0 175

HSL 257.14, 1%, 0.34%

LAB 22.91, 60.64, -77.12

 

CMYK 79 / 100 / 0 / 39

HEX #21009C

RGB 33 0 156

HSL 252.69, 1%, 0.31%

LAB 18.9, 55.37, -72.28

 

CMYK 88 / 100 / 0 / 46

HEX #100089

RGB 16 0 137

HSL 247.01, 1%, 0.27%

LAB 15.04, 50.1, -66.94

 

CMYK 60 / 93 / 0 / 16

HEX #550FD7

RGB 85 15 215

HSL 261, 0.87%, 0.45%

LAB 32.21, 69.32, -85.13

 

CMYK 36 / 93 / 0 / 16

HEX #8A0FD7

RGB 138 15 215

HSL 276.9, 0.87%, 0.45%

LAB 38.99, 74.19, -73.72

 

CMYK 11 / 93 / 0 / 16

HEX #C00FD7

RGB 192 15 215

HSL 293.1, 0.87%, 0.45%

LAB 47.57, 81.56, -59.38

 

CMYK 0 / 93 / 15 / 16

HEX #D70FB7

RGB 215 15 183

HSL 309.6, 0.87%, 0.45%

LAB 49.75, 80.84, -37.12

 

CMYK 0 / 93 / 40 / 16

HEX #D70F81

RGB 215 15 129

HSL 325.8, 0.87%, 0.45%

LAB 47.46, 74.87, -8.36

 

CMYK 60 / 93 / 0 / 16

HEX #550FD7

RGB 85 15 215

HSL 261, 0.87%, 0.45%

LAB 32.21, 69.32, -85.13

 

CMYK 86 / 93 / 0 / 16

HEX #1F0FD7

RGB 31 15 215

HSL 244.8, 0.87%, 0.45%

LAB 28.22, 67.03, -91.88

 

CMYK 93 / 93 / 0 / 16

HEX #0F0FD7

RGB 15 15 215

HSL 240, 0.87%, 0.45%

LAB 27.71, 66.77, -92.75

 

CMYK 60 / 93 / 0 / 16

HEX #550FD7

RGB 85 15 215

HSL 261, 0.87%, 0.45%

LAB 32.21, 69.32, -85.13

 

CMYK 60 / 93 / 0 / 16

HEX #550FD7

RGB 85 15 215

HSL 261, 0.87%, 0.45%

LAB 32.21, 69.32, -85.13

 

CMYK 54 / 83 / 0 / 23

HEX #5A21C4

RGB 90 33 196

HSL 260.98, 0.71%, 0.45%

LAB 32.36, 60.08, -73.79

 

CMYK 46 / 71 / 0 / 31

HEX #6034B1

RGB 96 52 177

HSL 261.12, 0.55%, 0.45%

LAB 34.23, 47.49, -59.48

 

CMYK 36 / 55 / 0 / 38

HEX #65479F

RGB 101 71 159

HSL 260.45, 0.38%, 0.45%

LAB 37.44, 32.95, -43.49

 

CMYK 24 / 36 / 0 / 45

HEX #6B598C

RGB 107 89 140

HSL 261.18, 0.22%, 0.45%

LAB 41.48, 18.62, -25.62

 

CMYK 93 / 74 / 0 / 16

HEX #0F37D7

RGB 15 55 215

HSL 228, 0.87%, 0.45%

LAB 33.44, 49.89, -83.22

 

CMYK 87 / 93 / 0 / 16

HEX #1C0FD7

RGB 28 15 215

HSL 243.9, 0.87%, 0.45%

LAB 28.1, 66.97, -92.08

 

CMYK 62 / 93 / 0 / 16

HEX #510FD7

RGB 81 15 215

HSL 259.8, 0.87%, 0.45%

LAB 31.8, 69.06, -85.82

 

CMYK 37 / 93 / 0 / 16

HEX #870FD7

RGB 135 15 215

HSL 276, 0.87%, 0.45%

LAB 38.55, 73.85, -74.45

 

CMYK 13 / 93 / 0 / 16

HEX #BC0FD7

RGB 188 15 215

HSL 291.9, 0.87%, 0.45%

LAB 46.89, 80.95, -60.49

 

CMYK 61 / 93 / 0 / 46

HEX #360A89

RGB 54 10 137

HSL 260.79, 0.86%, 0.29%

LAB 19.26, 48.71, -59.83

 

CMYK 61 / 93 / 0 / 31

HEX #450CB0

RGB 69 12 176

HSL 260.85, 0.87%, 0.37%

LAB 25.75, 59.36, -72.94

 

CMYK 60 / 93 / 0 / 16

HEX #550FD7

RGB 85 15 215

HSL 261, 0.87%, 0.45%

LAB 32.21, 69.32, -85.13

 

CMYK 56 / 87 / 0 / 6

HEX #681FEF

RGB 104 31 239

HSL 261.06, 0.87%, 0.53%

LAB 38.12, 72.69, -89

 

CMYK 46 / 71 / 0 / 5

HEX #8246F2

RGB 130 70 242

HSL 260.93, 0.87%, 0.61%

LAB 46.36, 61.59, -77.04

 

CMYK 61 / 93 / 0 / 16

HEX #540FD5

RGB 84 15 213

HSL 260.91, 0.87%, 0.45%

LAB 31.88, 68.77, -84.53

 

CMYK 0 / 93 / 50 / 16

HEX #D70F6C

RGB 215 15 108

HSL 332.1, 0.87%, 0.45%

LAB 46.81, 73.1, 3.58

 

CMYK 87 / 0 / 93 / 16

HEX #1CD70F

RGB 28 215 15

HSL 116.1, 0.87%, 0.45%

LAB 75.38, -74.09, 71.82

 

CMYK 61 / 93 / 0 / 16

HEX #540FD5

RGB 84 15 213

HSL 260.91, 0.87%, 0.45%

LAB 31.88, 68.77, -84.53

 

CMYK 0 / 62 / 93 / 16

HEX #D7510F

RGB 215 81 15

HSL 19.8, 0.87%, 0.45%

LAB 52.25, 50.19, 59.02

 

CMYK 93 / 0 / 62 / 16

HEX #0FD751

RGB 15 215 81

HSL 139.8, 0.87%, 0.45%

LAB 75.64, -70.48, 52.61

 

CMYK 61 / 93 / 0 / 16

HEX #540FD5

RGB 84 15 213

HSL 260.91, 0.87%, 0.45%

LAB 31.88, 68.77, -84.53

 

CMYK 0 / 93 / 50 / 16

HEX #D70F6C

RGB 215 15 108

HSL 332.1, 0.87%, 0.45%

LAB 46.81, 73.1, 3.58

 

CMYK 31 / 0 / 93 / 16

HEX #94D70F

RGB 148 215 15

HSL 80.1, 0.87%, 0.45%

LAB 79, -45.73, 76.27

 

CMYK 93 / 0 / 44 / 16

HEX #0FD779

RGB 15 215 121

HSL 151.8, 0.87%, 0.45%

LAB 76.12, -64.58, 34.3

 

CMYK 61 / 93 / 0 / 16

HEX #540FD5

RGB 84 15 213

HSL 260.91, 0.87%, 0.45%

LAB 31.88, 68.77, -84.53

 

CMYK 0 / 93 / 78 / 16

HEX #D70F30

RGB 215 15 48

HSL 350.1, 0.87%, 0.45%

LAB 45.64, 69.88, 38.81

 

CMYK 31 / 0 / 93 / 16

HEX #94D70F

RGB 148 215 15

HSL 80.1, 0.87%, 0.45%

LAB 79, -45.73, 76.27

 

CMYK 93 / 0 / 16 / 16

HEX #0FD7B5

RGB 15 215 181

HSL 169.8, 0.87%, 0.45%

LAB 77.3, -51.33, 4.51

 

Description

Color code: HEX #540FD5 | qconv.com Color code: HEX #540FD5 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 15 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 15 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 93 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 93% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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