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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53FFFE00 it is the complementary color #AC000100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53FFFE00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53FFFE00 shade: #58FFF900, #69FFFF00, #7AFFFF00, #8BFFFF00 and #9CFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53FFFE00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53FFFE00 shade: #53FFFE00, #42EDEB00, #31DBD800, #20C9C500 and #0FB7B200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53FFFE00 shade: #52FFFE, #52FFCF, #52FFA0, #52FF72 and #60FF52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53FFFE00 shade: #52FFFE, #52D1FF, #52A2FF, #5274FF and #5252FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53FFFE00 shade matches the following richer shades: #52FFFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53FFFE00 shade: #52FFFE, #60F1F0, #6EE3E2, #7CD5D4 and #8AC7C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53FFFE00 shade: #52FFA0, #52FFCE, #52FFFC, #52D4FF and #52A5FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53FFFE00 shade: #00FEFD, #28FFFE, #52FFFE, #7BFFFE and #A4FFFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53FFFE00 shade: #53FFFE, #7152FF and #FFB752

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53FFFE00 shade: #53FFFE, #FC52FF and #FFFC52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53FFFE00 shade: #53FFFE, #7152FF, #FF5254 and #DFFF52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53FFFE00 shade: #53FFFE, #A552FF, #FF5254 and #ABFF52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #53FFFE00

RGBA 83 255 254 0

HSLA 179.65, 1%, 0.66%, 0

LABA 91.92, -42.97, -12.34, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #AC000100

RGBA 172 0 1 0

HSLA 359.65, 1%, 0.34%, 0

LABA 35.54, 59.65, 49.48, 0

 

CMYK 0 / 0 / 0 / 0

HEX #58FFF900

RGBA 88 255 249 0

HSLA 177.84, 1%, 0.67%, 0

LABA 91.88, -43.64, -9.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #69FFFF00

RGBA 105 255 255 0

HSLA 180, 1%, 0.71%, 0

LABA 92.46, -39.46, -11.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7AFFFF00

RGBA 122 255 255 0

HSLA 180, 1%, 0.74%, 0

LABA 92.96, -36.41, -11.19, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8BFFFF00

RGBA 139 255 255 0

HSLA 180, 1%, 0.77%, 0

LABA 93.55, -32.91, -10.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9CFFFF00

RGBA 156 255 255 0

HSLA 180, 1%, 0.81%, 0

LABA 94.23, -28.99, -9.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #53FFFE00

RGBA 83 255 254 0

HSLA 179.65, 1%, 0.66%, 0

LABA 91.92, -42.97, -12.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #42EDEB00

RGBA 66 237 235 0

HSLA 179.3, 0.83%, 0.59%, 0

LABA 85.87, -42.23, -11.48, 0

 

CMYK 0 / 0 / 0 / 0

HEX #31DBD800

RGBA 49 219 216 0

HSLA 178.94, 0.7%, 0.53%, 0

LABA 79.77, -41.28, -10.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #20C9C500

RGBA 32 201 197 0

HSLA 178.58, 0.73%, 0.46%, 0

LABA 73.62, -40.05, -9.51, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0FB7B200

RGBA 15 183 178 0

HSLA 178.21, 0.85%, 0.39%, 0

LABA 67.41, -38.47, -8.37, 0

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFE

RGB 82 255 254

HSL 179.65, 1%, 0.66%

LAB 91.9, -43.1, -12.37

 

CMYK 68 / 0 / 19 / 0

HEX #52FFCF

RGB 82 255 207

HSL 163.35, 1%, 0.66%

LAB 90.7, -54.93, 10.21

 

CMYK 68 / 0 / 37 / 0

HEX #52FFA0

RGB 82 255 160

HSL 147.05, 1%, 0.66%

LAB 89.79, -64.61, 32.88

 

CMYK 68 / 0 / 55 / 0

HEX #52FF72

RGB 82 255 114

HSL 131.1, 1%, 0.66%

LAB 89.17, -71.65, 54.03

 

CMYK 62 / 0 / 68 / 0

HEX #60FF52

RGB 96 255 82

HSL 115.14, 1%, 0.66%

LAB 89.21, -72.34, 67.4

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFE

RGB 82 255 254

HSL 179.65, 1%, 0.66%

LAB 91.9, -43.1, -12.37

 

CMYK 68 / 18 / 0 / 0

HEX #52D1FF

RGB 82 209 255

HSL 195.95, 1%, 0.66%

LAB 78.82, -20.95, -32.73

 

CMYK 68 / 36 / 0 / 0

HEX #52A2FF

RGB 82 162 255

HSL 212.25, 1%, 0.66%

LAB 65.64, 4.62, -53.34

 

CMYK 68 / 55 / 0 / 0

HEX #5274FF

RGB 82 116 255

HSL 228.21, 1%, 0.66%

LAB 53.5, 32.24, -72.81

 

CMYK 68 / 68 / 0 / 0

HEX #5252FF

RGB 82 82 255

HSL 240, 1%, 0.66%

LAB 45.7, 52.46, -85.54

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFE

RGB 82 255 254

HSL 179.65, 1%, 0.66%

LAB 91.9, -43.1, -12.37

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFE

RGB 82 255 254

HSL 179.65, 1%, 0.66%

LAB 91.9, -43.1, -12.37

 

CMYK 60 / 0 / 0 / 5

HEX #60F1F0

RGB 96 241 240

HSL 179.59, 0.84%, 0.66%

LAB 87.82, -38.54, -11.13

 

CMYK 52 / 0 / 0 / 11

HEX #6EE3E2

RGB 110 227 226

HSL 179.49, 0.68%, 0.66%

LAB 83.83, -33.17, -9.65

 

CMYK 42 / 0 / 0 / 16

HEX #7CD5D4

RGB 124 213 212

HSL 179.33, 0.51%, 0.66%

LAB 79.97, -26.9, -7.89

 

CMYK 31 / 0 / 0 / 22

HEX #8AC7C7

RGB 138 199 199

HSL 180, 0.35%, 0.66%

LAB 76.3, -19.39, -6.26

 

CMYK 68 / 0 / 37 / 0

HEX #52FFA0

RGB 82 255 160

HSL 147.05, 1%, 0.66%

LAB 89.79, -64.61, 32.88

 

CMYK 68 / 0 / 19 / 0

HEX #52FFCE

RGB 82 255 206

HSL 163.01, 1%, 0.66%

LAB 90.67, -55.16, 10.7

 

CMYK 68 / 0 / 1 / 0

HEX #52FFFC

RGB 82 255 252

HSL 178.96, 1%, 0.66%

LAB 91.84, -43.64, -11.42

 

CMYK 68 / 17 / 0 / 0

HEX #52D4FF

RGB 82 212 255

HSL 194.91, 1%, 0.66%

LAB 79.67, -22.47, -31.42

 

CMYK 68 / 35 / 0 / 0

HEX #52A5FF

RGB 82 165 255

HSL 211.21, 1%, 0.66%

LAB 66.46, 2.89, -52.03

 

CMYK 100 / 0 / 0 / 0

HEX #00FEFD

RGB 0 254 253

HSL 179.76, 1%, 0.5%

LAB 90.77, -48.22, -13.62

 

CMYK 84 / 0 / 0 / 0

HEX #28FFFE

RGB 40 255 254

HSL 179.72, 1%, 0.58%

LAB 91.29, -47.01, -13.34

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFE

RGB 82 255 254

HSL 179.65, 1%, 0.66%

LAB 91.9, -43.1, -12.37

 

CMYK 52 / 0 / 0 / 0

HEX #7BFFFE

RGB 123 255 254

HSL 179.55, 1%, 0.74%

LAB 92.96, -36.47, -10.66

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFE

RGB 164 255 254

HSL 179.34, 1%, 0.82%

LAB 94.55, -27.24, -8.13

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFE

RGB 83 255 254

HSL 179.65, 1%, 0.66%

LAB 91.92, -42.97, -12.34

 

CMYK 56 / 68 / 0 / 0

HEX #7152FF

RGB 113 82 255

HSL 250.75, 1%, 0.66%

LAB 47.96, 56.5, -81.75

 

CMYK 0 / 28 / 68 / 0

HEX #FFB752

RGB 255 183 82

HSL 35.03, 1%, 0.66%

LAB 79.46, 16.71, 59.95

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFE

RGB 83 255 254

HSL 179.65, 1%, 0.66%

LAB 91.92, -42.97, -12.34

 

CMYK 1 / 68 / 0 / 0

HEX #FC52FF

RGB 252 82 255

HSL 298.96, 1%, 0.66%

LAB 64.92, 82.98, -53.54

 

CMYK 0 / 1 / 68 / 0

HEX #FFFC52

RGB 255 252 82

HSL 58.96, 1%, 0.66%

LAB 96.61, -18.13, 77.6

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFE

RGB 83 255 254

HSL 179.65, 1%, 0.66%

LAB 91.92, -42.97, -12.34

 

CMYK 56 / 68 / 0 / 0

HEX #7152FF

RGB 113 82 255

HSL 250.75, 1%, 0.66%

LAB 47.96, 56.5, -81.75

 

CMYK 0 / 68 / 67 / 0

HEX #FF5254

RGB 255 82 84

HSL 359.31, 1%, 0.66%

LAB 59.83, 65.31, 36.58

 

CMYK 13 / 0 / 68 / 0

HEX #DFFF52

RGB 223 255 82

HSL 71.1, 1%, 0.66%

LAB 95.08, -32.25, 75.31

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFE

RGB 83 255 254

HSL 179.65, 1%, 0.66%

LAB 91.92, -42.97, -12.34

 

CMYK 35 / 68 / 0 / 0

HEX #A552FF

RGB 165 82 255

HSL 268.79, 1%, 0.66%

LAB 53.23, 65.32, -72.94

 

CMYK 0 / 68 / 67 / 0

HEX #FF5254

RGB 255 82 84

HSL 359.31, 1%, 0.66%

LAB 59.83, 65.31, 36.58

 

CMYK 33 / 0 / 68 / 0

HEX #ABFF52

RGB 171 255 82

HSL 89.13, 1%, 0.66%

LAB 92.04, -51.36, 71.22

 

Description

Color code: HEX #53FFFE00 | qconv.com Color code: HEX #53FFFE00 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 255 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 255 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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