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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53F450 it is the complementary color #AC0BAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53F450. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53F450 shade: #58F44B, #69FF5E, #7AFF71, #8BFF84 and #9CFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53F450. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53F450 shade: #53F450, #42E23D, #31D02A, #20BE17 and #0FAC04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53F450 shade: #55F452, #81F452, #ADF452, #D8F452 and #F4E452

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53F450 shade: #55F452, #52F47B, #52F4A7, #52F4D2 and #52EAF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53F450 shade matches the following richer shades: #55F452

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53F450 shade: #55F452, #64E561, #72D670, #80C77F and #8FB98E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53F450 shade: #AEF452, #83F452, #58F452, #52F478 and #52F4A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53F450 shade: #13E50F, #2FF22C, #55F452, #7BF679 and #A2F9A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53F450 shade: #53F450, #52D9F4 and #F45298

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53F450 shade: #53F450, #5258F4 and #F45258

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53F450 shade: #53F450, #52D9F4, #EF52F4 and #F46D52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53F450 shade: #53F450, #52A9F4, #EF52F4 and #F49E52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 67 / 4

HEX #53F450

RGB 83 244 80

HSL 118.9, 0.88%, 0.64%

LAB 85.56, -71.49, 64.19

 

Complementary color

CMYK 2 / 94 / 0 / 31

HEX #AC0BAF

RGB 172 11 175

HSL 298.9, 0.88%, 0.36%

LAB 41.38, 72.47, -46.17

 

CMYK 64 / 0 / 69 / 4

HEX #58F44B

RGB 88 244 75

HSL 115.38, 0.88%, 0.63%

LAB 85.65, -70.94, 66.18

 

CMYK 59 / 0 / 63 / 0

HEX #69FF5E

RGB 105 255 94

HSL 115.9, 1%, 0.68%

LAB 89.55, -69.32, 63.16

 

CMYK 52 / 0 / 56 / 0

HEX #7AFF71

RGB 122 255 113

HSL 116.2, 1%, 0.72%

LAB 90.25, -63.25, 56.02

 

CMYK 45 / 0 / 48 / 0

HEX #8BFF84

RGB 139 255 132

HSL 116.59, 1%, 0.76%

LAB 91.09, -56.42, 48.48

 

CMYK 39 / 0 / 41 / 0

HEX #9CFF97

RGB 156 255 151

HSL 117.12, 1%, 0.8%

LAB 92.05, -48.95, 40.74

 

CMYK 66 / 0 / 67 / 4

HEX #53F450

RGB 83 244 80

HSL 118.9, 0.88%, 0.64%

LAB 85.56, -71.49, 64.19

 

CMYK 71 / 0 / 73 / 11

HEX #42E23D

RGB 66 226 61

HSL 118.18, 0.74%, 0.56%

LAB 79.55, -70.34, 64.75

 

CMYK 76 / 0 / 80 / 18

HEX #31D02A

RGB 49 208 42

HSL 117.47, 0.66%, 0.49%

LAB 73.5, -68.7, 64.75

 

CMYK 83 / 0 / 88 / 25

HEX #20BE17

RGB 32 190 23

HSL 116.77, 0.78%, 0.42%

LAB 67.42, -66.39, 63.79

 

CMYK 91 / 0 / 98 / 33

HEX #0FAC04

RGB 15 172 4

HSL 116.07, 0.95%, 0.35%

LAB 61.32, -63.25, 61.49

 

CMYK 65 / 0 / 66 / 4

HEX #55F452

RGB 85 244 82

HSL 118.89, 0.88%, 0.64%

LAB 85.63, -70.93, 63.5

 

CMYK 47 / 0 / 66 / 4

HEX #81F452

RGB 129 244 82

HSL 102.59, 0.88%, 0.64%

LAB 86.99, -60.29, 65.36

 

CMYK 29 / 0 / 66 / 4

HEX #ADF452

RGB 173 244 82

HSL 86.3, 0.88%, 0.64%

LAB 89.01, -46.06, 68.11

 

CMYK 11 / 0 / 66 / 4

HEX #D8F452

RGB 216 244 82

HSL 70.37, 0.88%, 0.64%

LAB 91.64, -29.9, 71.66

 

CMYK 0 / 7 / 66 / 4

HEX #F4E452

RGB 244 228 82

HSL 54.07, 0.88%, 0.64%

LAB 89.55, -10.9, 70.19

 

CMYK 65 / 0 / 66 / 4

HEX #55F452

RGB 85 244 82

HSL 118.89, 0.88%, 0.64%

LAB 85.63, -70.93, 63.5

 

CMYK 66 / 0 / 50 / 4

HEX #52F47B

RGB 82 244 123

HSL 135.19, 0.88%, 0.64%

LAB 85.97, -66.69, 46

 

CMYK 66 / 0 / 32 / 4

HEX #52F4A7

RGB 82 244 167

HSL 151.48, 0.88%, 0.64%

LAB 86.65, -59.18, 25.1

 

CMYK 66 / 0 / 14 / 4

HEX #52F4D2

RGB 82 244 210

HSL 167.41, 0.88%, 0.64%

LAB 87.56, -49.68, 4.14

 

CMYK 66 / 4 / 0 / 4

HEX #52EAF4

RGB 82 234 244

HSL 183.7, 0.88%, 0.64%

LAB 85.59, -36.34, -16.6

 

CMYK 65 / 0 / 66 / 4

HEX #55F452

RGB 85 244 82

HSL 118.89, 0.88%, 0.64%

LAB 85.63, -70.93, 63.5

 

CMYK 65 / 0 / 66 / 4

HEX #55F452

RGB 85 244 82

HSL 118.89, 0.88%, 0.64%

LAB 85.63, -70.93, 63.5

 

CMYK 56 / 0 / 58 / 10

HEX #64E561

RGB 100 229 97

HSL 118.64, 0.72%, 0.64%

LAB 81.63, -60.95, 52.86

 

CMYK 47 / 0 / 48 / 16

HEX #72D670

RGB 114 214 112

HSL 118.82, 0.55%, 0.64%

LAB 77.78, -49.6, 41.31

 

CMYK 36 / 0 / 36 / 22

HEX #80C77F

RGB 128 199 127

HSL 119.17, 0.39%, 0.64%

LAB 74.17, -36.69, 29.2

 

CMYK 23 / 0 / 23 / 27

HEX #8FB98E

RGB 143 185 142

HSL 118.6, 0.23%, 0.64%

LAB 71.21, -22.5, 17.35

 

CMYK 29 / 0 / 66 / 4

HEX #AEF452

RGB 174 244 82

HSL 85.93, 0.88%, 0.64%

LAB 89.07, -45.71, 68.19

 

CMYK 46 / 0 / 66 / 4

HEX #83F452

RGB 131 244 82

HSL 101.85, 0.88%, 0.64%

LAB 87.06, -59.71, 65.46

 

CMYK 64 / 0 / 66 / 4

HEX #58F452

RGB 88 244 82

HSL 117.78, 0.88%, 0.64%

LAB 85.7, -70.34, 63.6

 

CMYK 66 / 0 / 51 / 4

HEX #52F478

RGB 82 244 120

HSL 134.07, 0.88%, 0.64%

LAB 85.93, -67.12, 47.36

 

CMYK 66 / 0 / 33 / 4

HEX #52F4A3

RGB 82 244 163

HSL 150, 0.88%, 0.64%

LAB 86.57, -59.96, 27.04

 

CMYK 92 / 0 / 93 / 10

HEX #13E50F

RGB 19 229 15

HSL 118.88, 0.88%, 0.48%

LAB 79.73, -78.48, 75.41

 

CMYK 81 / 0 / 82 / 5

HEX #2FF22C

RGB 47 242 44

HSL 119.09, 0.88%, 0.56%

LAB 84.12, -78.78, 74.05

 

CMYK 65 / 0 / 66 / 4

HEX #55F452

RGB 85 244 82

HSL 118.89, 0.88%, 0.64%

LAB 85.63, -70.93, 63.5

 

CMYK 50 / 0 / 51 / 4

HEX #7BF679

RGB 123 246 121

HSL 119.04, 0.87%, 0.72%

LAB 87.73, -58.64, 49.37

 

CMYK 35 / 0 / 36 / 2

HEX #A2F9A0

RGB 162 249 160

HSL 118.65, 0.88%, 0.8%

LAB 90.77, -43.24, 34.66

 

CMYK 66 / 0 / 67 / 4

HEX #53F450

RGB 83 244 80

HSL 118.9, 0.88%, 0.64%

LAB 85.56, -71.49, 64.19

 

CMYK 66 / 11 / 0 / 4

HEX #52D9F4

RGB 82 217 244

HSL 190, 0.88%, 0.64%

LAB 80.71, -28.26, -23.98

 

CMYK 0 / 66 / 38 / 4

HEX #F45298

RGB 244 82 152

HSL 334.07, 0.88%, 0.64%

LAB 59.47, 67.26, -3.68

 

CMYK 66 / 0 / 67 / 4

HEX #53F450

RGB 83 244 80

HSL 118.9, 0.88%, 0.64%

LAB 85.56, -71.49, 64.19

 

CMYK 66 / 64 / 0 / 4

HEX #5258F4

RGB 82 88 244

HSL 237.78, 0.88%, 0.64%

LAB 46.05, 45.47, -78.83

 

CMYK 0 / 66 / 64 / 4

HEX #F45258

RGB 244 82 88

HSL 357.78, 0.88%, 0.64%

LAB 58.01, 62.09, 31.64

 

CMYK 66 / 0 / 67 / 4

HEX #53F450

RGB 83 244 80

HSL 118.9, 0.88%, 0.64%

LAB 85.56, -71.49, 64.19

 

CMYK 66 / 11 / 0 / 4

HEX #52D9F4

RGB 82 217 244

HSL 190, 0.88%, 0.64%

LAB 80.71, -28.26, -23.98

 

CMYK 2 / 66 / 0 / 4

HEX #EF52F4

RGB 239 82 244

HSL 298.15, 0.88%, 0.64%

LAB 62.44, 78.42, -51.52

 

CMYK 0 / 55 / 66 / 4

HEX #F46D52

RGB 244 109 82

HSL 10, 0.88%, 0.64%

LAB 62.32, 50.08, 40.25

 

CMYK 66 / 0 / 67 / 4

HEX #53F450

RGB 83 244 80

HSL 118.9, 0.88%, 0.64%

LAB 85.56, -71.49, 64.19

 

CMYK 66 / 31 / 0 / 4

HEX #52A9F4

RGB 82 169 244

HSL 207.78, 0.88%, 0.64%

LAB 67.05, -3.06, -45.11

 

CMYK 2 / 66 / 0 / 4

HEX #EF52F4

RGB 239 82 244

HSL 298.15, 0.88%, 0.64%

LAB 62.44, 78.42, -51.52

 

CMYK 0 / 35 / 66 / 4

HEX #F49E52

RGB 244 158 82

HSL 28.15, 0.88%, 0.64%

LAB 72.43, 25.31, 51.9

 

Description

Color code: HEX #53F450 | qconv.com Color code: HEX #53F450 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 244 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 244 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 67 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 67% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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