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Color name
HEX #53F337

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53F337 it is the complementary color #AC0CC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53F337. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53F337 shade: #58F332, #69FF45, #7AFF58, #8BFF6B and #9CFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53F337. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53F337 shade: #53F337, #42E124, #31CF11, #20BD00 and #0FAB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53F337 shade: #51F335, #84F335, #B8F335, #EBF335 and #F3C835

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53F337 shade: #51F335, #35F34C, #35F37F, #35F3B2 and #35F3E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53F337 shade matches the following richer shades: #51F335

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53F337 shade: #51F335, #5DE246, #69D157, #75BF69 and #82AE7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53F337 shade: #B7F335, #84F335, #51F335, #35F34B and #35F37E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53F337 shade: #28CA0C, #30F10E, #51F335, #73F55C and #94F883

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53F337 shade: #53F337, #35EAF3 and #F3359D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53F337 shade: #53F337, #3551F3 and #F33551

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53F337 shade: #53F337, #35EAF3, #D735F3 and #F33E35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53F337 shade: #53F337, #35B0F3, #D735F3 and #F37735

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 77 / 5

HEX #53F337

RGB 83 243 55

HSL 111.06, 0.89%, 0.58%

LAB 85.11, -73.01, 72.23

 

Complementary color

CMYK 14 / 94 / 0 / 22

HEX #AC0CC8

RGB 172 12 200

HSL 291.06, 0.89%, 0.42%

LAB 43.07, 76.37, -58.15

 

CMYK 64 / 0 / 79 / 5

HEX #58F332

RGB 88 243 50

HSL 108.19, 0.89%, 0.57%

LAB 85.2, -72.29, 73.78

 

CMYK 59 / 0 / 73 / 0

HEX #69FF45

RGB 105 255 69

HSL 108.39, 1%, 0.64%

LAB 89.37, -71.36, 72.22

 

CMYK 52 / 0 / 65 / 0

HEX #7AFF58

RGB 122 255 88

HSL 107.78, 1%, 0.67%

LAB 90.03, -65.74, 66.21

 

CMYK 45 / 0 / 58 / 0

HEX #8BFF6B

RGB 139 255 107

HSL 107.03, 1%, 0.71%

LAB 90.81, -59.31, 59.46

 

CMYK 39 / 0 / 51 / 0

HEX #9CFF7E

RGB 156 255 126

HSL 106.05, 1%, 0.75%

LAB 91.73, -52.19, 52.22

 

CMYK 66 / 0 / 77 / 5

HEX #53F337

RGB 83 243 55

HSL 111.06, 0.89%, 0.58%

LAB 85.11, -73.01, 72.23

 

CMYK 71 / 0 / 84 / 12

HEX #42E124

RGB 66 225 36

HSL 110.48, 0.76%, 0.51%

LAB 79.12, -71.5, 71.54

 

CMYK 76 / 0 / 92 / 19

HEX #31CF11

RGB 49 207 17

HSL 109.89, 0.85%, 0.44%

LAB 73.1, -69.44, 69.75

 

CMYK 83 / 0 / 100 / 26

HEX #20BD00

RGB 32 189 0

HSL 109.84, 1%, 0.37%

LAB 67.05, -66.7, 66.69

 

CMYK 91 / 0 / 100 / 33

HEX #0FAB00

RGB 15 171 0

HSL 114.74, 1%, 0.34%

LAB 60.98, -63.07, 61.77

 

CMYK 67 / 0 / 78 / 5

HEX #51F335

RGB 81 243 53

HSL 111.16, 0.89%, 0.58%

LAB 85.05, -73.51, 72.74

 

CMYK 46 / 0 / 78 / 5

HEX #84F335

RGB 132 243 53

HSL 95.05, 0.89%, 0.58%

LAB 86.63, -60.92, 74.79

 

CMYK 24 / 0 / 78 / 5

HEX #B8F335

RGB 184 243 53

HSL 78.63, 0.89%, 0.58%

LAB 89.18, -43.22, 78.07

 

CMYK 3 / 0 / 78 / 5

HEX #EBF335

RGB 235 243 53

HSL 62.53, 0.89%, 0.58%

LAB 92.58, -23.15, 82.4

 

CMYK 0 / 18 / 78 / 5

HEX #F3C835

RGB 243 200 53

HSL 46.42, 0.89%, 0.58%

LAB 82.17, 1.56, 73.38

 

CMYK 67 / 0 / 78 / 5

HEX #51F335

RGB 81 243 53

HSL 111.16, 0.89%, 0.58%

LAB 85.05, -73.51, 72.74

 

CMYK 78 / 0 / 69 / 5

HEX #35F34C

RGB 53 243 76

HSL 127.26, 0.89%, 0.58%

LAB 84.68, -76.18, 64.59

 

CMYK 78 / 0 / 48 / 5

HEX #35F37F

RGB 53 243 127

HSL 143.37, 0.89%, 0.58%

LAB 85.2, -69.96, 43.01

 

CMYK 78 / 0 / 27 / 5

HEX #35F3B2

RGB 53 243 178

HSL 159.47, 0.89%, 0.58%

LAB 86.04, -60.35, 18.54

 

CMYK 78 / 0 / 5 / 5

HEX #35F3E6

RGB 53 243 230

HSL 175.89, 0.89%, 0.58%

LAB 87.28, -47.53, -6.79

 

CMYK 67 / 0 / 78 / 5

HEX #51F335

RGB 81 243 53

HSL 111.16, 0.89%, 0.58%

LAB 85.05, -73.51, 72.74

 

CMYK 67 / 0 / 78 / 5

HEX #51F335

RGB 81 243 53

HSL 111.16, 0.89%, 0.58%

LAB 85.05, -73.51, 72.74

 

CMYK 59 / 0 / 69 / 11

HEX #5DE246

RGB 93 226 70

HSL 111.15, 0.73%, 0.58%

LAB 80.27, -64.19, 62.47

 

CMYK 50 / 0 / 58 / 18

HEX #69D157

RGB 105 209 87

HSL 111.15, 0.57%, 0.58%

LAB 75.63, -53.23, 50.44

 

CMYK 39 / 0 / 45 / 25

HEX #75BF69

RGB 117 191 105

HSL 111.63, 0.4%, 0.58%

LAB 70.91, -39.91, 36.2

 

CMYK 25 / 0 / 30 / 32

HEX #82AE7A

RGB 130 174 122

HSL 110.77, 0.24%, 0.58%

LAB 66.84, -24.96, 22.06

 

CMYK 25 / 0 / 78 / 5

HEX #B7F335

RGB 183 243 53

HSL 78.95, 0.89%, 0.58%

LAB 89.12, -43.6, 78

 

CMYK 46 / 0 / 78 / 5

HEX #84F335

RGB 132 243 53

HSL 95.05, 0.89%, 0.58%

LAB 86.63, -60.92, 74.79

 

CMYK 67 / 0 / 78 / 5

HEX #51F335

RGB 81 243 53

HSL 111.16, 0.89%, 0.58%

LAB 85.05, -73.51, 72.74

 

CMYK 78 / 0 / 69 / 5

HEX #35F34B

RGB 53 243 75

HSL 126.95, 0.89%, 0.58%

LAB 84.67, -76.27, 64.96

 

CMYK 78 / 0 / 48 / 5

HEX #35F37E

RGB 53 243 126

HSL 143.05, 0.89%, 0.58%

LAB 85.18, -70.11, 43.47

 

CMYK 80 / 0 / 94 / 21

HEX #28CA0C

RGB 40 202 12

HSL 111.16, 0.89%, 0.42%

LAB 71.36, -69.28, 68.9

 

CMYK 80 / 0 / 94 / 5

HEX #30F10E

RGB 48 241 14

HSL 111.01, 0.89%, 0.5%

LAB 83.74, -79.38, 78.93

 

CMYK 67 / 0 / 78 / 5

HEX #51F335

RGB 81 243 53

HSL 111.16, 0.89%, 0.58%

LAB 85.05, -73.51, 72.74

 

CMYK 53 / 0 / 62 / 4

HEX #73F55C

RGB 115 245 92

HSL 110.98, 0.88%, 0.66%

LAB 86.86, -63.57, 61.09

 

CMYK 40 / 0 / 47 / 3

HEX #94F883

RGB 148 248 131

HSL 111.28, 0.89%, 0.74%

LAB 89.43, -51.12, 46.97

 

CMYK 66 / 0 / 77 / 5

HEX #53F337

RGB 83 243 55

HSL 111.06, 0.89%, 0.58%

LAB 85.11, -73.01, 72.23

 

CMYK 78 / 4 / 0 / 5

HEX #35EAF3

RGB 53 234 243

HSL 182.84, 0.89%, 0.58%

LAB 85.03, -39.91, -16.96

 

CMYK 0 / 78 / 35 / 5

HEX #F3359D

RGB 243 53 157

HSL 327.16, 0.89%, 0.58%

LAB 56.12, 76.85, -11.6

 

CMYK 66 / 0 / 77 / 5

HEX #53F337

RGB 83 243 55

HSL 111.06, 0.89%, 0.58%

LAB 85.11, -73.01, 72.23

 

CMYK 78 / 67 / 0 / 5

HEX #3551F3

RGB 53 81 243

HSL 231.16, 0.89%, 0.58%

LAB 42.93, 46.26, -83.44

 

CMYK 0 / 78 / 67 / 5

HEX #F33551

RGB 243 53 81

HSL 351.16, 0.89%, 0.58%

LAB 54.23, 71.09, 30.93

 

CMYK 66 / 0 / 77 / 5

HEX #53F337

RGB 83 243 55

HSL 111.06, 0.89%, 0.58%

LAB 85.11, -73.01, 72.23

 

CMYK 78 / 4 / 0 / 5

HEX #35EAF3

RGB 53 234 243

HSL 182.84, 0.89%, 0.58%

LAB 85.03, -39.91, -16.96

 

CMYK 12 / 78 / 0 / 5

HEX #D735F3

RGB 215 53 243

HSL 291.16, 0.89%, 0.58%

LAB 55.55, 82.67, -62.18

 

CMYK 0 / 74 / 78 / 5

HEX #F33E35

RGB 243 62 53

HSL 2.84, 0.89%, 0.58%

LAB 54.82, 67.32, 47.34

 

CMYK 66 / 0 / 77 / 5

HEX #53F337

RGB 83 243 55

HSL 111.06, 0.89%, 0.58%

LAB 85.11, -73.01, 72.23

 

CMYK 78 / 28 / 0 / 5

HEX #35B0F3

RGB 53 176 243

HSL 201.16, 0.89%, 0.58%

LAB 68.23, -11.01, -42.78

 

CMYK 12 / 78 / 0 / 5

HEX #D735F3

RGB 215 53 243

HSL 291.16, 0.89%, 0.58%

LAB 55.55, 82.67, -62.18

 

CMYK 0 / 51 / 78 / 5

HEX #F37735

RGB 243 119 53

HSL 20.84, 0.89%, 0.58%

LAB 63.76, 43.59, 56.22

 

Description

Color code: HEX #53F337 | qconv.com Color code: HEX #53F337 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 243 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 243 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 77 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 77% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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