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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53F137 it is the complementary color #AC0EC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53F137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53F137 shade: #58F132, #69FF45, #7AFF58, #8BFF6B and #9CFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53F137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53F137 shade: #53F137, #42DF24, #31CD11, #20BB00 and #0FA900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53F137 shade: #53F137, #85F137, #B7F137, #EAF137 and #F1C637

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53F137 shade: #53F137, #37F14D, #37F17F, #37F1B1 and #37F1E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53F137 shade matches the following richer shades: #53F137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53F137 shade: #53F137, #5FE048, #6BCE59, #77BD6B and #83AC7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53F137 shade: #B9F137, #87F137, #56F137, #37F149 and #37F17B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53F137 shade: #2AC70E, #32EE11, #53F137, #74F45D and #95F684

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53F137 shade: #53F137, #37EBF1 and #F137A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53F137 shade: #53F137, #3756F1 and #F13756

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53F137 shade: #53F137, #37EBF1, #D237F1 and #F13D37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53F137 shade: #53F137, #37B3F1, #D237F1 and #F17537

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 77 / 5

HEX #53F137

RGB 83 241 55

HSL 110.97, 0.87%, 0.58%

LAB 84.5, -72.38, 71.65

 

Complementary color

CMYK 14 / 93 / 0 / 22

HEX #AC0EC8

RGB 172 14 200

HSL 290.97, 0.87%, 0.42%

LAB 43.14, 76.15, -58.03

 

CMYK 63 / 0 / 79 / 5

HEX #58F132

RGB 88 241 50

HSL 108.06, 0.87%, 0.57%

LAB 84.59, -71.65, 73.21

 

CMYK 59 / 0 / 73 / 0

HEX #69FF45

RGB 105 255 69

HSL 108.39, 1%, 0.64%

LAB 89.37, -71.36, 72.22

 

CMYK 52 / 0 / 65 / 0

HEX #7AFF58

RGB 122 255 88

HSL 107.78, 1%, 0.67%

LAB 90.03, -65.74, 66.21

 

CMYK 45 / 0 / 58 / 0

HEX #8BFF6B

RGB 139 255 107

HSL 107.03, 1%, 0.71%

LAB 90.81, -59.31, 59.46

 

CMYK 39 / 0 / 51 / 0

HEX #9CFF7E

RGB 156 255 126

HSL 106.05, 1%, 0.75%

LAB 91.73, -52.19, 52.22

 

CMYK 66 / 0 / 77 / 5

HEX #53F137

RGB 83 241 55

HSL 110.97, 0.87%, 0.58%

LAB 84.5, -72.38, 71.65

 

CMYK 70 / 0 / 84 / 13

HEX #42DF24

RGB 66 223 36

HSL 110.37, 0.75%, 0.51%

LAB 78.5, -70.89, 70.99

 

CMYK 76 / 0 / 92 / 20

HEX #31CD11

RGB 49 205 17

HSL 109.79, 0.85%, 0.44%

LAB 72.47, -68.84, 69.22

 

CMYK 83 / 0 / 100 / 27

HEX #20BB00

RGB 32 187 0

HSL 109.73, 1%, 0.37%

LAB 66.4, -66.12, 66.17

 

CMYK 91 / 0 / 100 / 34

HEX #0FA900

RGB 15 169 0

HSL 114.67, 1%, 0.33%

LAB 60.32, -62.5, 61.23

 

CMYK 66 / 0 / 77 / 5

HEX #53F137

RGB 83 241 55

HSL 110.97, 0.87%, 0.58%

LAB 84.5, -72.38, 71.65

 

CMYK 45 / 0 / 77 / 5

HEX #85F137

RGB 133 241 55

HSL 94.84, 0.87%, 0.58%

LAB 86.09, -59.77, 73.73

 

CMYK 24 / 0 / 77 / 5

HEX #B7F137

RGB 183 241 55

HSL 78.71, 0.87%, 0.58%

LAB 88.57, -42.65, 76.93

 

CMYK 3 / 0 / 77 / 5

HEX #EAF137

RGB 234 241 55

HSL 62.26, 0.87%, 0.58%

LAB 91.99, -22.53, 81.3

 

CMYK 0 / 18 / 77 / 5

HEX #F1C637

RGB 241 198 55

HSL 46.13, 0.87%, 0.58%

LAB 81.49, 1.82, 72.04

 

CMYK 66 / 0 / 77 / 5

HEX #53F137

RGB 83 241 55

HSL 110.97, 0.87%, 0.58%

LAB 84.5, -72.38, 71.65

 

CMYK 77 / 0 / 68 / 5

HEX #37F14D

RGB 55 241 77

HSL 127.1, 0.87%, 0.58%

LAB 84.1, -75.25, 63.61

 

CMYK 77 / 0 / 47 / 5

HEX #37F17F

RGB 55 241 127

HSL 143.23, 0.87%, 0.58%

LAB 84.62, -69.06, 42.28

 

CMYK 77 / 0 / 27 / 5

HEX #37F1B1

RGB 55 241 177

HSL 159.35, 0.87%, 0.58%

LAB 85.45, -59.6, 18.24

 

CMYK 77 / 0 / 5 / 5

HEX #37F1E4

RGB 55 241 228

HSL 175.81, 0.87%, 0.58%

LAB 86.66, -47.03, -6.64

 

CMYK 66 / 0 / 77 / 5

HEX #53F137

RGB 83 241 55

HSL 110.97, 0.87%, 0.58%

LAB 84.5, -72.38, 71.65

 

CMYK 66 / 0 / 77 / 5

HEX #53F137

RGB 83 241 55

HSL 110.97, 0.87%, 0.58%

LAB 84.5, -72.38, 71.65

 

CMYK 58 / 0 / 68 / 12

HEX #5FE048

RGB 95 224 72

HSL 110.92, 0.71%, 0.58%

LAB 79.73, -62.85, 61.16

 

CMYK 48 / 0 / 57 / 19

HEX #6BCE59

RGB 107 206 89

HSL 110.77, 0.54%, 0.58%

LAB 74.82, -51.26, 48.6

 

CMYK 37 / 0 / 43 / 26

HEX #77BD6B

RGB 119 189 107

HSL 111.22, 0.38%, 0.58%

LAB 70.44, -38.09, 34.6

 

CMYK 24 / 0 / 28 / 33

HEX #83AC7C

RGB 131 172 124

HSL 111.25, 0.22%, 0.58%

LAB 66.36, -23.28, 20.32

 

CMYK 23 / 0 / 77 / 5

HEX #B9F137

RGB 185 241 55

HSL 78.06, 0.87%, 0.58%

LAB 88.69, -41.89, 77.08

 

CMYK 44 / 0 / 77 / 5

HEX #87F137

RGB 135 241 55

HSL 94.19, 0.87%, 0.58%

LAB 86.17, -59.16, 73.83

 

CMYK 64 / 0 / 77 / 5

HEX #56F137

RGB 86 241 55

HSL 110, 0.87%, 0.58%

LAB 84.57, -71.78, 71.74

 

CMYK 77 / 0 / 70 / 5

HEX #37F149

RGB 55 241 73

HSL 125.81, 0.87%, 0.58%

LAB 84.07, -75.6, 65.07

 

CMYK 77 / 0 / 49 / 5

HEX #37F17B

RGB 55 241 123

HSL 141.94, 0.87%, 0.58%

LAB 84.56, -69.68, 44.14

 

CMYK 79 / 0 / 93 / 22

HEX #2AC70E

RGB 42 199 14

HSL 110.92, 0.87%, 0.42%

LAB 70.43, -68.11, 67.89

 

CMYK 79 / 0 / 93 / 7

HEX #32EE11

RGB 50 238 17

HSL 111.04, 0.87%, 0.5%

LAB 82.84, -78.24, 77.88

 

CMYK 66 / 0 / 77 / 5

HEX #53F137

RGB 83 241 55

HSL 110.97, 0.87%, 0.58%

LAB 84.5, -72.38, 71.65

 

CMYK 52 / 0 / 62 / 4

HEX #74F45D

RGB 116 244 93

HSL 110.86, 0.87%, 0.66%

LAB 86.61, -62.86, 60.4

 

CMYK 39 / 0 / 46 / 4

HEX #95F684

RGB 149 246 132

HSL 111.05, 0.86%, 0.74%

LAB 88.91, -49.87, 45.86

 

CMYK 66 / 0 / 77 / 5

HEX #53F137

RGB 83 241 55

HSL 110.97, 0.87%, 0.58%

LAB 84.5, -72.38, 71.65

 

CMYK 77 / 2 / 0 / 5

HEX #37EBF1

RGB 55 235 241

HSL 181.94, 0.87%, 0.58%

LAB 85.29, -40.76, -15.52

 

CMYK 0 / 77 / 34 / 5

HEX #F137A0

RGB 241 55 160

HSL 326.13, 0.87%, 0.58%

LAB 56.06, 76.15, -13.5

 

CMYK 66 / 0 / 77 / 5

HEX #53F137

RGB 83 241 55

HSL 110.97, 0.87%, 0.58%

LAB 84.5, -72.38, 71.65

 

CMYK 77 / 64 / 0 / 5

HEX #3756F1

RGB 55 86 241

HSL 230, 0.87%, 0.58%

LAB 43.97, 42.72, -80.6

 

CMYK 0 / 77 / 64 / 5

HEX #F13756

RGB 241 55 86

HSL 350, 0.87%, 0.58%

LAB 54.14, 70.24, 27.78

 

CMYK 66 / 0 / 77 / 5

HEX #53F137

RGB 83 241 55

HSL 110.97, 0.87%, 0.58%

LAB 84.5, -72.38, 71.65

 

CMYK 77 / 2 / 0 / 5

HEX #37EBF1

RGB 55 235 241

HSL 181.94, 0.87%, 0.58%

LAB 85.29, -40.76, -15.52

 

CMYK 13 / 77 / 0 / 5

HEX #D237F1

RGB 210 55 241

HSL 290, 0.87%, 0.58%

LAB 54.85, 80.88, -62.22

 

CMYK 0 / 75 / 77 / 5

HEX #F13D37

RGB 241 61 55

HSL 1.94, 0.87%, 0.58%

LAB 54.36, 67.11, 45.69

 

CMYK 66 / 0 / 77 / 5

HEX #53F137

RGB 83 241 55

HSL 110.97, 0.87%, 0.58%

LAB 84.5, -72.38, 71.65

 

CMYK 77 / 26 / 0 / 5

HEX #37B3F1

RGB 55 179 241

HSL 200, 0.87%, 0.58%

LAB 69.04, -13.12, -40.41

 

CMYK 13 / 77 / 0 / 5

HEX #D237F1

RGB 210 55 241

HSL 290, 0.87%, 0.58%

LAB 54.85, 80.88, -62.22

 

CMYK 0 / 51 / 77 / 5

HEX #F17537

RGB 241 117 55

HSL 20, 0.87%, 0.58%

LAB 63.09, 43.89, 54.57

 

Description

Color code: HEX #53F137 | qconv.com Color code: HEX #53F137 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 241 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 241 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 77 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 77% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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