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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53F024 it is the complementary color #AC0FDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53F024. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53F024 shade: #58F01F, #69FF32, #7AFF45, #8BFF58 and #9CFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53F024. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53F024 shade: #53F024, #42DE11, #31CC00, #20BA00 and #0FA800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53F024 shade: #53F024, #8AF024, #C1F024, #F0E824 and #F0B124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53F024 shade: #53F024, #24F02C, #24F063, #24F09A and #24F0D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53F024 shade matches the following richer shades: #53F024

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53F024 shade: #53F024, #5DDD37, #67CA4A, #71B75D and #7CA470

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53F024 shade: #C0F024, #8AF024, #53F024, #24F02A and #24F061

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53F024 shade: #33B40D, #3EDB0F, #53F024, #71F24A and #8FF571

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53F024 shade: #53F024, #24F0E9 and #F024A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53F024 shade: #53F024, #2453F0 and #F02453

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53F024 shade: #53F024, #24F0E9, #C024F0 and #F0242A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53F024 shade: #53F024, #24B9F0, #C024F0 and #F05A24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 85 / 6

HEX #53F024

RGB 83 240 36

HSL 106.18, 0.87%, 0.54%

LAB 84.11, -72.99, 76.11

 

Complementary color

CMYK 21 / 93 / 0 / 14

HEX #AC0FDB

RGB 172 15 219

HSL 286.18, 0.87%, 0.46%

LAB 44.56, 79.3, -66.7

 

CMYK 63 / 0 / 87 / 6

HEX #58F01F

RGB 88 240 31

HSL 103.64, 0.87%, 0.53%

LAB 84.22, -72.14, 77.24

 

CMYK 59 / 0 / 80 / 0

HEX #69FF32

RGB 105 255 50

HSL 103.9, 1%, 0.6%

LAB 89.28, -72.46, 77.71

 

CMYK 52 / 0 / 73 / 0

HEX #7AFF45

RGB 122 255 69

HSL 102.9, 1%, 0.64%

LAB 89.9, -67.17, 72.92

 

CMYK 45 / 0 / 65 / 0

HEX #8BFF58

RGB 139 255 88

HSL 101.68, 1%, 0.67%

LAB 90.65, -61.06, 67.07

 

CMYK 39 / 0 / 58 / 0

HEX #9CFF6B

RGB 156 255 107

HSL 100.14, 1%, 0.71%

LAB 91.53, -54.22, 60.46

 

CMYK 65 / 0 / 85 / 6

HEX #53F024

RGB 83 240 36

HSL 106.18, 0.87%, 0.54%

LAB 84.11, -72.99, 76.11

 

CMYK 70 / 0 / 92 / 13

HEX #42DE11

RGB 66 222 17

HSL 105.66, 0.86%, 0.47%

LAB 78.13, -71.21, 74.08

 

CMYK 76 / 0 / 100 / 20

HEX #31CC00

RGB 49 204 0

HSL 105.59, 1%, 0.4%

LAB 72.12, -68.89, 70.84

 

CMYK 83 / 0 / 100 / 27

HEX #20BA00

RGB 32 186 0

HSL 109.68, 1%, 0.36%

LAB 66.08, -65.83, 65.91

 

CMYK 91 / 0 / 100 / 34

HEX #0FA800

RGB 15 168 0

HSL 114.64, 1%, 0.33%

LAB 59.99, -62.21, 60.97

 

CMYK 65 / 0 / 85 / 6

HEX #53F024

RGB 83 240 36

HSL 106.18, 0.87%, 0.54%

LAB 84.11, -72.99, 76.11

 

CMYK 43 / 0 / 85 / 6

HEX #8AF024

RGB 138 240 36

HSL 90, 0.87%, 0.54%

LAB 85.93, -58.64, 78.4

 

CMYK 20 / 0 / 85 / 6

HEX #C1F024

RGB 193 240 36

HSL 73.82, 0.87%, 0.54%

LAB 88.82, -39.06, 82.01

 

CMYK 0 / 3 / 85 / 6

HEX #F0E824

RGB 240 232 36

HSL 57.65, 0.87%, 0.54%

LAB 90.03, -16.26, 84.38

 

CMYK 0 / 26 / 85 / 6

HEX #F0B124

RGB 240 177 36

HSL 41.47, 0.87%, 0.54%

LAB 76.13, 11.77, 73.03

 

CMYK 65 / 0 / 85 / 6

HEX #53F024

RGB 83 240 36

HSL 106.18, 0.87%, 0.54%

LAB 84.11, -72.99, 76.11

 

CMYK 85 / 0 / 82 / 6

HEX #24F02C

RGB 36 240 44

HSL 122.35, 0.87%, 0.54%

LAB 83.38, -79.28, 73.33

 

CMYK 85 / 0 / 59 / 6

HEX #24F063

RGB 36 240 99

HSL 138.53, 0.87%, 0.54%

LAB 83.76, -74.56, 54.14

 

CMYK 85 / 0 / 36 / 6

HEX #24F09A

RGB 36 240 154

HSL 154.71, 0.87%, 0.54%

LAB 84.5, -65.75, 28.69

 

CMYK 85 / 0 / 13 / 6

HEX #24F0D1

RGB 36 240 209

HSL 170.88, 0.87%, 0.54%

LAB 85.65, -53.15, 1.81

 

CMYK 65 / 0 / 85 / 6

HEX #53F024

RGB 83 240 36

HSL 106.18, 0.87%, 0.54%

LAB 84.11, -72.99, 76.11

 

CMYK 65 / 0 / 85 / 6

HEX #53F024

RGB 83 240 36

HSL 106.18, 0.87%, 0.54%

LAB 84.11, -72.99, 76.11

 

CMYK 58 / 0 / 75 / 13

HEX #5DDD37

RGB 93 221 55

HSL 106.27, 0.71%, 0.54%

LAB 78.65, -63.56, 66.08

 

CMYK 49 / 0 / 63 / 21

HEX #67CA4A

RGB 103 202 74

HSL 106.41, 0.55%, 0.54%

LAB 73.3, -52.41, 53.47

 

CMYK 38 / 0 / 49 / 28

HEX #71B75D

RGB 113 183 93

HSL 106.67, 0.38%, 0.54%

LAB 68.14, -39.29, 38.73

 

CMYK 24 / 0 / 32 / 36

HEX #7CA470

RGB 124 164 112

HSL 106.15, 0.22%, 0.54%

LAB 63.35, -23.75, 22.71

 

CMYK 20 / 0 / 85 / 6

HEX #C0F024

RGB 192 240 36

HSL 74.12, 0.87%, 0.54%

LAB 88.76, -39.44, 81.93

 

CMYK 43 / 0 / 85 / 6

HEX #8AF024

RGB 138 240 36

HSL 90, 0.87%, 0.54%

LAB 85.93, -58.64, 78.4

 

CMYK 65 / 0 / 85 / 6

HEX #53F024

RGB 83 240 36

HSL 106.18, 0.87%, 0.54%

LAB 84.11, -72.99, 76.11

 

CMYK 85 / 0 / 83 / 6

HEX #24F02A

RGB 36 240 42

HSL 121.76, 0.87%, 0.54%

LAB 83.37, -79.38, 73.81

 

CMYK 85 / 0 / 60 / 6

HEX #24F061

RGB 36 240 97

HSL 137.94, 0.87%, 0.54%

LAB 83.74, -74.8, 54.99

 

CMYK 72 / 0 / 93 / 29

HEX #33B40D

RGB 51 180 13

HSL 106.35, 0.87%, 0.38%

LAB 64.46, -60.98, 63.1

 

CMYK 72 / 0 / 93 / 14

HEX #3EDB0F

RGB 62 219 15

HSL 106.18, 0.87%, 0.46%

LAB 77.11, -71.04, 73.45

 

CMYK 65 / 0 / 85 / 6

HEX #53F024

RGB 83 240 36

HSL 106.18, 0.87%, 0.54%

LAB 84.11, -72.99, 76.11

 

CMYK 53 / 0 / 69 / 5

HEX #71F24A

RGB 113 242 74

HSL 106.07, 0.87%, 0.62%

LAB 85.76, -64.56, 66.89

 

CMYK 42 / 0 / 54 / 4

HEX #8FF571

RGB 143 245 113

HSL 106.36, 0.87%, 0.7%

LAB 88.13, -53.56, 53.71

 

CMYK 65 / 0 / 85 / 6

HEX #53F024

RGB 83 240 36

HSL 106.18, 0.87%, 0.54%

LAB 84.11, -72.99, 76.11

 

CMYK 85 / 0 / 3 / 6

HEX #24F0E9

RGB 36 240 233

HSL 177.94, 0.87%, 0.54%

LAB 86.29, -46.68, -9.84

 

CMYK 0 / 85 / 31 / 6

HEX #F024A5

RGB 240 36 165

HSL 322.06, 0.87%, 0.54%

LAB 54.56, 80.77, -18.73

 

CMYK 65 / 0 / 85 / 6

HEX #53F024

RGB 83 240 36

HSL 106.18, 0.87%, 0.54%

LAB 84.11, -72.99, 76.11

 

CMYK 85 / 65 / 0 / 6

HEX #2453F0

RGB 36 83 240

HSL 226.18, 0.87%, 0.54%

LAB 42.54, 42.81, -82.42

 

CMYK 0 / 85 / 65 / 6

HEX #F02453

RGB 240 36 83

HSL 346.18, 0.87%, 0.54%

LAB 52.3, 74.36, 27.18

 

CMYK 65 / 0 / 85 / 6

HEX #53F024

RGB 83 240 36

HSL 106.18, 0.87%, 0.54%

LAB 84.11, -72.99, 76.11

 

CMYK 85 / 0 / 3 / 6

HEX #24F0E9

RGB 36 240 233

HSL 177.94, 0.87%, 0.54%

LAB 86.29, -46.68, -9.84

 

CMYK 20 / 85 / 0 / 6

HEX #C024F0

RGB 192 36 240

HSL 285.88, 0.87%, 0.54%

LAB 50.4, 82.43, -68.98

 

CMYK 0 / 85 / 83 / 6

HEX #F0242A

RGB 240 36 42

HSL 358.24, 0.87%, 0.54%

LAB 51.79, 72.85, 49.88

 

CMYK 65 / 0 / 85 / 6

HEX #53F024

RGB 83 240 36

HSL 106.18, 0.87%, 0.54%

LAB 84.11, -72.99, 76.11

 

CMYK 85 / 23 / 0 / 6

HEX #24B9F0

RGB 36 185 240

HSL 196.18, 0.87%, 0.54%

LAB 70.43, -18.29, -37.73

 

CMYK 20 / 85 / 0 / 6

HEX #C024F0

RGB 192 36 240

HSL 285.88, 0.87%, 0.54%

LAB 50.4, 82.43, -68.98

 

CMYK 0 / 63 / 85 / 6

HEX #F05A24

RGB 240 90 36

HSL 15.88, 0.87%, 0.54%

LAB 58, 55.43, 58.05

 

Description

Color code: HEX #53F024 | qconv.com Color code: HEX #53F024 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 240 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 240 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 85 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 85% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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