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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53ECDF it is the complementary color #AC1320. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53ECDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53ECDF shade: #58ECDA, #69FEED, #7AFFFF, #8BFFFF and #9CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53ECDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53ECDF shade: #53ECDF, #42DACC, #31C8B9, #20B6A6 and #0FA493

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53ECDF shade: #55ECDF, #55ECB7, #55EC8E, #55EC65 and #6EEC55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53ECDF shade: #55ECDF, #55D0EC, #55A8EC, #557FEC and #5556EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53ECDF shade matches the following richer shades: #55ECDF and #46FBEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53ECDF shade: #55ECDF, #64DDD3, #74CEC6, #83BEB9 and #92AFAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53ECDF shade: #55EC8D, #55ECB5, #55ECDD, #55D3EC and #55ABEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53ECDF shade: #18D7C7, #30E8D8, #55ECDF, #7AF0E6 and #9FF4ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53ECDF shade: #53ECDF, #6455EC and #ECA155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53ECDF shade: #53ECDF, #DD55EC and #ECDD55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53ECDF shade: #53ECDF, #6455EC, #EC5564 and #DDEC55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53ECDF shade: #53ECDF, #9255EC, #EC5564 and #B0EC55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 6 / 7

HEX #53ECDF

RGB 83 236 223

HSL 174.9, 0.8%, 0.63%

LAB 85.58, -42.8, -5.55

 

Complementary color

CMYK 0 / 89 / 81 / 33

HEX #AC1320

RGB 172 19 32

HSL 354.9, 0.8%, 0.37%

LAB 36.63, 57.62, 35.89

 

CMYK 63 / 0 / 8 / 7

HEX #58ECDA

RGB 88 236 218

HSL 172.7, 0.8%, 0.64%

LAB 85.57, -43.32, -2.93

 

CMYK 59 / 0 / 7 / 0

HEX #69FEED

RGB 105 254 237

HSL 173.15, 0.99%, 0.7%

LAB 91.69, -43.62, -3.81

 

CMYK 52 / 0 / 0 / 0

HEX #7AFFFF

RGB 122 255 255

HSL 180, 1%, 0.74%

LAB 92.96, -36.41, -11.19

 

CMYK 45 / 0 / 0 / 0

HEX #8BFFFF

RGB 139 255 255

HSL 180, 1%, 0.77%

LAB 93.55, -32.91, -10.25

 

CMYK 39 / 0 / 0 / 0

HEX #9CFFFF

RGB 156 255 255

HSL 180, 1%, 0.81%

LAB 94.23, -28.99, -9.17

 

CMYK 65 / 0 / 6 / 7

HEX #53ECDF

RGB 83 236 223

HSL 174.9, 0.8%, 0.63%

LAB 85.58, -42.8, -5.55

 

CMYK 70 / 0 / 6 / 15

HEX #42DACC

RGB 66 218 204

HSL 174.47, 0.67%, 0.56%

LAB 79.42, -42.25, -4.62

 

CMYK 76 / 0 / 8 / 22

HEX #31C8B9

RGB 49 200 185

HSL 174.04, 0.61%, 0.49%

LAB 73.2, -41.49, -3.6

 

CMYK 82 / 0 / 9 / 29

HEX #20B6A6

RGB 32 182 166

HSL 173.6, 0.7%, 0.42%

LAB 66.91, -40.45, -2.46

 

CMYK 91 / 0 / 10 / 36

HEX #0FA493

RGB 15 164 147

HSL 173.15, 0.83%, 0.35%

LAB 60.57, -39.03, -1.19

 

CMYK 64 / 0 / 6 / 7

HEX #55ECDF

RGB 85 236 223

HSL 174.83, 0.8%, 0.63%

LAB 85.63, -42.5, -5.48

 

CMYK 64 / 0 / 22 / 7

HEX #55ECB7

RGB 85 236 183

HSL 158.94, 0.8%, 0.63%

LAB 84.66, -52.17, 14.09

 

CMYK 64 / 0 / 40 / 7

HEX #55EC8E

RGB 85 236 142

HSL 142.65, 0.8%, 0.63%

LAB 83.9, -60.26, 34.09

 

CMYK 64 / 0 / 57 / 7

HEX #55EC65

RGB 85 236 101

HSL 126.36, 0.8%, 0.63%

LAB 83.37, -66.25, 53.01

 

CMYK 53 / 0 / 64 / 7

HEX #6EEC55

RGB 110 236 85

HSL 110.07, 0.8%, 0.63%

LAB 83.95, -62.25, 60.69

 

CMYK 64 / 0 / 6 / 7

HEX #55ECDF

RGB 85 236 223

HSL 174.83, 0.8%, 0.63%

LAB 85.63, -42.5, -5.48

 

CMYK 64 / 12 / 0 / 7

HEX #55D0EC

RGB 85 208 236

HSL 191.13, 0.8%, 0.63%

LAB 77.93, -25.74, -23.93

 

CMYK 64 / 29 / 0 / 7

HEX #55A8EC

RGB 85 168 236

HSL 207.02, 0.8%, 0.63%

LAB 66.51, -4.64, -41.58

 

CMYK 64 / 46 / 0 / 7

HEX #557FEC

RGB 85 127 236

HSL 223.31, 0.8%, 0.63%

LAB 55.24, 19.46, -59.45

 

CMYK 64 / 64 / 0 / 7

HEX #5556EC

RGB 85 86 236

HSL 239.6, 0.8%, 0.63%

LAB 45.14, 44.45, -75.81

 

CMYK 64 / 0 / 6 / 7

HEX #55ECDF

RGB 85 236 223

HSL 174.83, 0.8%, 0.63%

LAB 85.63, -42.5, -5.48

 

CMYK 72 / 0 / 6 / 2

HEX #46FBEC

RGB 70 251 236

HSL 175.03, 0.96%, 0.63%

LAB 90.02, -47.63, -5.83

 

CMYK 64 / 0 / 6 / 7

HEX #55ECDF

RGB 85 236 223

HSL 174.83, 0.8%, 0.63%

LAB 85.63, -42.5, -5.48

 

CMYK 55 / 0 / 5 / 13

HEX #64DDD3

RGB 100 221 211

HSL 175.04, 0.64%, 0.63%

LAB 81.36, -36.21, -5.39

 

CMYK 44 / 0 / 4 / 19

HEX #74CEC6

RGB 116 206 198

HSL 174.67, 0.48%, 0.63%

LAB 77.24, -28.88, -4.45

 

CMYK 31 / 0 / 3 / 25

HEX #83BEB9

RGB 131 190 185

HSL 174.92, 0.31%, 0.63%

LAB 72.99, -20.06, -3.58

 

CMYK 17 / 0 / 1 / 31

HEX #92AFAD

RGB 146 175 173

HSL 175.86, 0.15%, 0.63%

LAB 69.32, -10.3, -2.3

 

CMYK 64 / 0 / 40 / 7

HEX #55EC8D

RGB 85 236 141

HSL 142.25, 0.8%, 0.63%

LAB 83.89, -60.43, 34.57

 

CMYK 64 / 0 / 23 / 7

HEX #55ECB5

RGB 85 236 181

HSL 158.15, 0.8%, 0.63%

LAB 84.62, -52.61, 15.08

 

CMYK 64 / 0 / 6 / 7

HEX #55ECDD

RGB 85 236 221

HSL 174.04, 0.8%, 0.63%

LAB 85.58, -43.02, -4.51

 

CMYK 64 / 11 / 0 / 7

HEX #55D3EC

RGB 85 211 236

HSL 189.93, 0.8%, 0.63%

LAB 78.8, -27.22, -22.62

 

CMYK 64 / 28 / 0 / 7

HEX #55ABEC

RGB 85 171 236

HSL 205.83, 0.8%, 0.63%

LAB 67.36, -6.31, -40.25

 

CMYK 89 / 0 / 7 / 16

HEX #18D7C7

RGB 24 215 199

HSL 174.97, 0.8%, 0.47%

LAB 77.83, -46.09, -4.36

 

CMYK 79 / 0 / 7 / 9

HEX #30E8D8

RGB 48 232 216

HSL 174.78, 0.8%, 0.55%

LAB 83.6, -47.06, -4.86

 

CMYK 64 / 0 / 6 / 7

HEX #55ECDF

RGB 85 236 223

HSL 174.83, 0.8%, 0.63%

LAB 85.63, -42.5, -5.48

 

CMYK 49 / 0 / 4 / 6

HEX #7AF0E6

RGB 122 240 230

HSL 174.92, 0.8%, 0.71%

LAB 88.05, -35.74, -5.46

 

CMYK 35 / 0 / 3 / 4

HEX #9FF4ED

RGB 159 244 237

HSL 175.06, 0.79%, 0.79%

LAB 90.87, -27.15, -4.79

 

CMYK 65 / 0 / 6 / 7

HEX #53ECDF

RGB 83 236 223

HSL 174.9, 0.8%, 0.63%

LAB 85.58, -42.8, -5.55

 

CMYK 58 / 64 / 0 / 7

HEX #6455EC

RGB 100 85 236

HSL 245.96, 0.8%, 0.63%

LAB 45.99, 47.26, -74.38

 

CMYK 0 / 32 / 64 / 7

HEX #ECA155

RGB 236 161 85

HSL 30.2, 0.8%, 0.63%

LAB 72.21, 20.62, 49.96

 

CMYK 65 / 0 / 6 / 7

HEX #53ECDF

RGB 83 236 223

HSL 174.9, 0.8%, 0.63%

LAB 85.58, -42.8, -5.55

 

CMYK 6 / 64 / 0 / 7

HEX #DD55EC

RGB 221 85 236

HSL 294.04, 0.8%, 0.63%

LAB 59.82, 71.93, -51.39

 

CMYK 0 / 6 / 64 / 7

HEX #ECDD55

RGB 236 221 85

HSL 54.04, 0.8%, 0.63%

LAB 87.1, -10.54, 66.24

 

CMYK 65 / 0 / 6 / 7

HEX #53ECDF

RGB 83 236 223

HSL 174.9, 0.8%, 0.63%

LAB 85.58, -42.8, -5.55

 

CMYK 58 / 64 / 0 / 7

HEX #6455EC

RGB 100 85 236

HSL 245.96, 0.8%, 0.63%

LAB 45.99, 47.26, -74.38

 

CMYK 0 / 64 / 58 / 7

HEX #EC5564

RGB 236 85 100

HSL 354.04, 0.8%, 0.63%

LAB 57.32, 59.11, 23.54

 

CMYK 6 / 0 / 64 / 7

HEX #DDEC55

RGB 221 236 85

HSL 65.96, 0.8%, 0.63%

LAB 89.87, -23.97, 68.79

 

CMYK 65 / 0 / 6 / 7

HEX #53ECDF

RGB 83 236 223

HSL 174.9, 0.8%, 0.63%

LAB 85.58, -42.8, -5.55

 

CMYK 38 / 64 / 0 / 7

HEX #9255EC

RGB 146 85 236

HSL 264.24, 0.8%, 0.63%

LAB 50.29, 55.61, -67.2

 

CMYK 0 / 64 / 58 / 7

HEX #EC5564

RGB 236 85 100

HSL 354.04, 0.8%, 0.63%

LAB 57.32, 59.11, 23.54

 

CMYK 25 / 0 / 64 / 7

HEX #B0EC55

RGB 176 236 85

HSL 83.84, 0.8%, 0.63%

LAB 86.94, -41.31, 64.8

 

Description

Color code: HEX #53ECDF | qconv.com Color code: HEX #53ECDF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 236 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 236 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 6 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 6% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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