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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53EB40 it is the complementary color #AC14BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53EB40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53EB40 shade: #58EB3B, #69FD4E, #7AFF61, #8BFF74 and #9CFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53EB40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53EB40 shade: #53EB40, #42D92D, #31C71A, #20B507 and #0FA300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53EB40 shade: #55EB42, #82EB42, #B0EB42, #DEEB42 and #EBCB42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53EB40 shade: #55EB42, #42EB5D, #42EB8A, #42EBB8 and #42EBE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53EB40 shade matches the following richer shades: #55EB42 and #47FC31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53EB40 shade: #55EB42, #62DA53, #6FC964, #7CB875 and #89A785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53EB40 shade: #B0EB42, #83EB42, #56EB42, #42EB5B and #42EB88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53EB40 shade: #28C615, #33E71C, #55EB42, #76EF67 and #98F38C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53EB40 shade: #53EB40, #42DDEB and #EB4299

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53EB40 shade: #53EB40, #4256EB and #EB4256

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53EB40 shade: #53EB40, #42DDEB, #D742EB and #EB5042

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53EB40 shade: #53EB40, #42AAEB, #D742EB and #EB8342

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 73 / 8

HEX #53EB40

RGB 83 235 64

HSL 113.33, 0.81%, 0.59%

LAB 82.71, -69.86, 67.03

 

Complementary color

CMYK 10 / 90 / 0 / 25

HEX #AC14BF

RGB 172 20 191

HSL 293.33, 0.81%, 0.41%

LAB 42.81, 73.83, -53.31

 

CMYK 63 / 0 / 75 / 8

HEX #58EB3B

RGB 88 235 59

HSL 110.11, 0.81%, 0.58%

LAB 82.81, -69.16, 68.83

 

CMYK 58 / 0 / 69 / 1

HEX #69FD4E

RGB 105 253 78

HSL 110.74, 0.98%, 0.65%

LAB 88.83, -70.03, 68.54

 

CMYK 52 / 0 / 62 / 0

HEX #7AFF61

RGB 122 255 97

HSL 110.51, 1%, 0.69%

LAB 90.1, -64.93, 62.7

 

CMYK 45 / 0 / 55 / 0

HEX #8BFF74

RGB 139 255 116

HSL 110.07, 1%, 0.73%

LAB 90.9, -58.35, 55.61

 

CMYK 39 / 0 / 47 / 0

HEX #9CFF87

RGB 156 255 135

HSL 109.5, 1%, 0.76%

LAB 91.84, -51.09, 48.15

 

CMYK 65 / 0 / 73 / 8

HEX #53EB40

RGB 83 235 64

HSL 113.33, 0.81%, 0.59%

LAB 82.71, -69.86, 67.03

 

CMYK 70 / 0 / 79 / 15

HEX #42D92D

RGB 66 217 45

HSL 112.67, 0.69%, 0.51%

LAB 76.66, -68.58, 66.98

 

CMYK 75 / 0 / 87 / 22

HEX #31C71A

RGB 49 199 26

HSL 112.02, 0.77%, 0.44%

LAB 70.58, -66.75, 66.03

 

CMYK 82 / 0 / 96 / 29

HEX #20B507

RGB 32 181 7

HSL 111.38, 0.93%, 0.37%

LAB 64.46, -64.23, 63.74

 

CMYK 91 / 0 / 100 / 36

HEX #0FA300

RGB 15 163 0

HSL 114.48, 1%, 0.32%

LAB 58.32, -60.79, 59.63

 

CMYK 64 / 0 / 72 / 8

HEX #55EB42

RGB 85 235 66

HSL 113.25, 0.81%, 0.59%

LAB 82.78, -69.3, 66.42

 

CMYK 45 / 0 / 72 / 8

HEX #82EB42

RGB 130 235 66

HSL 97.28, 0.81%, 0.59%

LAB 84.25, -57.76, 68.4

 

CMYK 25 / 0 / 72 / 8

HEX #B0EB42

RGB 176 235 66

HSL 80.95, 0.81%, 0.59%

LAB 86.52, -42.1, 71.4

 

CMYK 6 / 0 / 72 / 8

HEX #DEEB42

RGB 222 235 66

HSL 64.62, 0.81%, 0.59%

LAB 89.55, -24.11, 75.38

 

CMYK 0 / 14 / 72 / 8

HEX #EBCB42

RGB 235 203 66

HSL 48.64, 0.81%, 0.59%

LAB 82.25, -2.85, 68.7

 

CMYK 64 / 0 / 72 / 8

HEX #55EB42

RGB 85 235 66

HSL 113.25, 0.81%, 0.59%

LAB 82.78, -69.3, 66.42

 

CMYK 72 / 0 / 60 / 8

HEX #42EB5D

RGB 66 235 93

HSL 129.59, 0.81%, 0.59%

LAB 82.57, -70.2, 55.49

 

CMYK 72 / 0 / 41 / 8

HEX #42EB8A

RGB 66 235 138

HSL 145.56, 0.81%, 0.59%

LAB 83.13, -63.72, 35.01

 

CMYK 72 / 0 / 22 / 8

HEX #42EBB8

RGB 66 235 184

HSL 161.89, 0.81%, 0.59%

LAB 83.98, -54.39, 12.56

 

CMYK 72 / 0 / 2 / 8

HEX #42EBE6

RGB 66 235 230

HSL 178.22, 0.81%, 0.59%

LAB 85.14, -42.72, -9.93

 

CMYK 64 / 0 / 72 / 8

HEX #55EB42

RGB 85 235 66

HSL 113.25, 0.81%, 0.59%

LAB 82.78, -69.3, 66.42

 

CMYK 72 / 0 / 81 / 1

HEX #47FC31

RGB 71 252 49

HSL 113.5, 0.97%, 0.59%

LAB 87.57, -78.21, 76.1

 

CMYK 64 / 0 / 72 / 8

HEX #55EB42

RGB 85 235 66

HSL 113.25, 0.81%, 0.59%

LAB 82.78, -69.3, 66.42

 

CMYK 55 / 0 / 62 / 15

HEX #62DA53

RGB 98 218 83

HSL 113.33, 0.65%, 0.59%

LAB 78.09, -58.92, 54.92

 

CMYK 45 / 0 / 50 / 21

HEX #6FC964

RGB 111 201 100

HSL 113.47, 0.48%, 0.59%

LAB 73.59, -46.72, 41.96

 

CMYK 33 / 0 / 36 / 28

HEX #7CB875

RGB 124 184 117

HSL 113.73, 0.32%, 0.59%

LAB 69.36, -32.64, 28.05

 

CMYK 18 / 0 / 20 / 35

HEX #89A785

RGB 137 167 133

HSL 112.94, 0.16%, 0.59%

LAB 65.47, -17.04, 14.23

 

CMYK 25 / 0 / 72 / 8

HEX #B0EB42

RGB 176 235 66

HSL 80.95, 0.81%, 0.59%

LAB 86.52, -42.1, 71.4

 

CMYK 44 / 0 / 72 / 8

HEX #83EB42

RGB 131 235 66

HSL 96.92, 0.81%, 0.59%

LAB 84.3, -57.45, 68.45

 

CMYK 63 / 0 / 72 / 8

HEX #56EB42

RGB 86 235 66

HSL 112.9, 0.81%, 0.59%

LAB 82.8, -69.1, 66.46

 

CMYK 72 / 0 / 61 / 8

HEX #42EB5B

RGB 66 235 91

HSL 128.88, 0.81%, 0.59%

LAB 82.56, -70.42, 56.33

 

CMYK 72 / 0 / 42 / 8

HEX #42EB88

RGB 66 235 136

HSL 144.85, 0.81%, 0.59%

LAB 83.1, -64.06, 35.97

 

CMYK 80 / 0 / 89 / 22

HEX #28C615

RGB 40 198 21

HSL 113.56, 0.81%, 0.43%

LAB 70.1, -67.88, 66.52

 

CMYK 78 / 0 / 88 / 9

HEX #33E71C

RGB 51 231 28

HSL 113.2, 0.81%, 0.51%

LAB 80.71, -75.83, 74.46

 

CMYK 64 / 0 / 72 / 8

HEX #55EB42

RGB 85 235 66

HSL 113.25, 0.81%, 0.59%

LAB 82.78, -69.3, 66.42

 

CMYK 51 / 0 / 57 / 6

HEX #76EF67

RGB 118 239 103

HSL 113.38, 0.81%, 0.67%

LAB 85.28, -59.43, 54.61

 

CMYK 37 / 0 / 42 / 5

HEX #98F38C

RGB 152 243 140

HSL 113.01, 0.81%, 0.75%

LAB 88.29, -46.62, 41.24

 

CMYK 65 / 0 / 73 / 8

HEX #53EB40

RGB 83 235 64

HSL 113.33, 0.81%, 0.59%

LAB 82.71, -69.86, 67.03

 

CMYK 72 / 6 / 0 / 8

HEX #42DDEB

RGB 66 221 235

HSL 184.97, 0.81%, 0.59%

LAB 81.22, -34.92, -18.46

 

CMYK 0 / 72 / 35 / 8

HEX #EB4299

RGB 235 66 153

HSL 329.11, 0.81%, 0.59%

LAB 55.95, 70.6, -9.66

 

CMYK 65 / 0 / 73 / 8

HEX #53EB40

RGB 83 235 64

HSL 113.33, 0.81%, 0.59%

LAB 82.71, -69.86, 67.03

 

CMYK 72 / 63 / 0 / 8

HEX #4256EB

RGB 66 86 235

HSL 232.9, 0.81%, 0.59%

LAB 43.96, 41.74, -77.22

 

CMYK 0 / 72 / 63 / 8

HEX #EB4256

RGB 235 66 86

HSL 352.9, 0.81%, 0.59%

LAB 54.27, 65.09, 27.73

 

CMYK 65 / 0 / 73 / 8

HEX #53EB40

RGB 83 235 64

HSL 113.33, 0.81%, 0.59%

LAB 82.71, -69.86, 67.03

 

CMYK 72 / 6 / 0 / 8

HEX #42DDEB

RGB 66 221 235

HSL 184.97, 0.81%, 0.59%

LAB 81.22, -34.92, -18.46

 

CMYK 9 / 72 / 0 / 8

HEX #D742EB

RGB 215 66 235

HSL 292.9, 0.81%, 0.59%

LAB 56.43, 77.41, -56.29

 

CMYK 0 / 66 / 72 / 8

HEX #EB5042

RGB 235 80 66

HSL 4.97, 0.81%, 0.59%

LAB 55.88, 58.88, 41.09

 

CMYK 65 / 0 / 73 / 8

HEX #53EB40

RGB 83 235 64

HSL 113.33, 0.81%, 0.59%

LAB 82.71, -69.86, 67.03

 

CMYK 72 / 28 / 0 / 8

HEX #42AAEB

RGB 66 170 235

HSL 203.08, 0.81%, 0.59%

LAB 66.45, -8.94, -41.18

 

CMYK 9 / 72 / 0 / 8

HEX #D742EB

RGB 215 66 235

HSL 292.9, 0.81%, 0.59%

LAB 56.43, 77.41, -56.29

 

CMYK 0 / 44 / 72 / 8

HEX #EB8342

RGB 235 131 66

HSL 23.08, 0.81%, 0.59%

LAB 65.19, 34.95, 51.32

 

Description

Color code: HEX #53EB40 | qconv.com Color code: HEX #53EB40 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 235 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 235 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 73 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 73% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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