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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53E580 it is the complementary color #AC1A7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53E580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53E580 shade: #58E57B, #69F78E, #7AFFA1, #8BFFB4 and #9CFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53E580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53E580 shade: #53E580, #42D36D, #31C15A, #20AF47 and #0F9D34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53E580 shade: #52E57F, #52E558, #74E552, #9CE552 and #C3E552

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53E580 shade: #52E57F, #52E5A7, #52E5CF, #52D4E5 and #52ACE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53E580 shade matches the following richer shades: #52E57F and #42F579

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53E580 shade: #52E57F, #62D585, #72C58C, #82B592 and #92A598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53E580 shade: #74E552, #52E557, #52E57E, #52E5A5 and #52E5CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53E580 shade: #1EC752, #2EE065, #52E57F, #76EB9A and #9AF0B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53E580 shade: #53E580, #529CE5 and #E55261

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53E580 shade: #53E580, #7E52E5 and #E57E52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53E580 shade: #53E580, #529CE5, #E552B9 and #E59C52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53E580 shade: #53E580, #526FE5, #E552B9 and #E5C852

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 44 / 10

HEX #53E580

RGB 83 229 128

HSL 138.49, 0.74%, 0.61%

LAB 81.53, -60.37, 37.98

 

Complementary color

CMYK 0 / 85 / 26 / 33

HEX #AC1A7F

RGB 172 26 127

HSL 318.49, 0.74%, 0.39%

LAB 39.65, 63.42, -19.77

 

CMYK 62 / 0 / 46 / 10

HEX #58E57B

RGB 88 229 123

HSL 134.89, 0.73%, 0.62%

LAB 81.59, -60.16, 40.54

 

CMYK 57 / 0 / 43 / 3

HEX #69F78E

RGB 105 247 142

HSL 135.63, 0.9%, 0.69%

LAB 87.72, -60.36, 39.17

 

CMYK 52 / 0 / 37 / 0

HEX #7AFFA1

RGB 122 255 161

HSL 137.59, 1%, 0.74%

LAB 90.89, -56.5, 34.03

 

CMYK 45 / 0 / 29 / 0

HEX #8BFFB4

RGB 139 255 180

HSL 141.21, 1%, 0.77%

LAB 91.82, -48.99, 25.85

 

CMYK 39 / 0 / 22 / 0

HEX #9CFFC7

RGB 156 255 199

HSL 146.06, 1%, 0.81%

LAB 92.89, -40.95, 17.76

 

CMYK 64 / 0 / 44 / 10

HEX #53E580

RGB 83 229 128

HSL 138.49, 0.74%, 0.61%

LAB 81.53, -60.37, 37.98

 

CMYK 69 / 0 / 48 / 17

HEX #42D36D

RGB 66 211 109

HSL 137.79, 0.62%, 0.54%

LAB 75.36, -59.9, 39.44

 

CMYK 75 / 0 / 53 / 24

HEX #31C15A

RGB 49 193 90

HSL 137.08, 0.6%, 0.47%

LAB 69.13, -59.12, 40.95

 

CMYK 82 / 0 / 59 / 31

HEX #20AF47

RGB 32 175 71

HSL 136.36, 0.69%, 0.41%

LAB 62.86, -57.86, 42.46

 

CMYK 90 / 0 / 67 / 38

HEX #0F9D34

RGB 15 157 52

HSL 135.63, 0.83%, 0.34%

LAB 56.55, -55.93, 43.86

 

CMYK 64 / 0 / 45 / 10

HEX #52E57F

RGB 82 229 127

HSL 138.37, 0.74%, 0.61%

LAB 81.49, -60.72, 38.42

 

CMYK 64 / 0 / 62 / 10

HEX #52E558

RGB 82 229 88

HSL 122.45, 0.74%, 0.61%

LAB 81.04, -65.92, 55.98

 

CMYK 49 / 0 / 64 / 10

HEX #74E552

RGB 116 229 82

HSL 106.12, 0.74%, 0.61%

LAB 82.03, -58.32, 59.88

 

CMYK 32 / 0 / 64 / 10

HEX #9CE552

RGB 156 229 82

HSL 89.8, 0.74%, 0.61%

LAB 83.82, -45.66, 62.33

 

CMYK 15 / 0 / 64 / 10

HEX #C3E552

RGB 195 229 82

HSL 73.88, 0.74%, 0.61%

LAB 86.13, -31.16, 65.49

 

CMYK 64 / 0 / 45 / 10

HEX #52E57F

RGB 82 229 127

HSL 138.37, 0.74%, 0.61%

LAB 81.49, -60.72, 38.42

 

CMYK 64 / 0 / 27 / 10

HEX #52E5A7

RGB 82 229 167

HSL 154.69, 0.74%, 0.61%

LAB 82.18, -53.3, 18.94

 

CMYK 64 / 0 / 10 / 10

HEX #52E5CF

RGB 82 229 207

HSL 171.02, 0.74%, 0.61%

LAB 83.09, -44, -0.78

 

CMYK 64 / 7 / 0 / 10

HEX #52D4E5

RGB 82 212 229

HSL 186.94, 0.74%, 0.61%

LAB 78.77, -30.21, -18.92

 

CMYK 64 / 25 / 0 / 10

HEX #52ACE5

RGB 82 172 229

HSL 203.27, 0.74%, 0.61%

LAB 67.24, -9.62, -36.61

 

CMYK 64 / 0 / 45 / 10

HEX #52E57F

RGB 82 229 127

HSL 138.37, 0.74%, 0.61%

LAB 81.49, -60.72, 38.42

 

CMYK 73 / 0 / 51 / 4

HEX #42F579

RGB 66 245 121

HSL 138.44, 0.9%, 0.61%

LAB 85.93, -69.87, 46.82

 

CMYK 64 / 0 / 45 / 10

HEX #52E57F

RGB 82 229 127

HSL 138.37, 0.74%, 0.61%

LAB 81.49, -60.72, 38.42

 

CMYK 54 / 0 / 38 / 16

HEX #62D585

RGB 98 213 133

HSL 138.26, 0.58%, 0.61%

LAB 77.21, -50.11, 29.9

 

CMYK 42 / 0 / 29 / 23

HEX #72C58C

RGB 114 197 140

HSL 138.8, 0.42%, 0.61%

LAB 73.16, -37.77, 20.88

 

CMYK 28 / 0 / 19 / 29

HEX #82B592

RGB 130 181 146

HSL 138.82, 0.26%, 0.61%

LAB 69.38, -24.13, 12.51

 

CMYK 12 / 0 / 8 / 35

HEX #92A598

RGB 146 165 152

HSL 138.95, 0.1%, 0.61%

LAB 65.97, -9.24, 4.48

 

CMYK 49 / 0 / 64 / 10

HEX #74E552

RGB 116 229 82

HSL 106.12, 0.74%, 0.61%

LAB 82.03, -58.32, 59.88

 

CMYK 64 / 0 / 62 / 10

HEX #52E557

RGB 82 229 87

HSL 122.04, 0.74%, 0.61%

LAB 81.03, -66.02, 56.39

 

CMYK 64 / 0 / 45 / 10

HEX #52E57E

RGB 82 229 126

HSL 137.96, 0.74%, 0.61%

LAB 81.48, -60.88, 38.89

 

CMYK 64 / 0 / 28 / 10

HEX #52E5A5

RGB 82 229 165

HSL 153.88, 0.74%, 0.61%

LAB 82.14, -53.72, 19.93

 

CMYK 64 / 0 / 10 / 10

HEX #52E5CD

RGB 82 229 205

HSL 170.2, 0.74%, 0.61%

LAB 83.04, -44.5, 0.2

 

CMYK 85 / 0 / 59 / 22

HEX #1EC752

RGB 30 199 82

HSL 138.46, 0.74%, 0.45%

LAB 70.69, -64.43, 46.5

 

CMYK 79 / 0 / 55 / 12

HEX #2EE065

RGB 46 224 101

HSL 138.54, 0.74%, 0.53%

LAB 78.94, -68.31, 47.58

 

CMYK 64 / 0 / 45 / 10

HEX #52E57F

RGB 82 229 127

HSL 138.37, 0.74%, 0.61%

LAB 81.49, -60.72, 38.42

 

CMYK 50 / 0 / 34 / 8

HEX #76EB9A

RGB 118 235 154

HSL 138.46, 0.75%, 0.69%

LAB 84.79, -50.58, 29.4

 

CMYK 36 / 0 / 25 / 6

HEX #9AF0B4

RGB 154 240 180

HSL 138.14, 0.74%, 0.77%

LAB 88.2, -38.32, 20.97

 

CMYK 64 / 0 / 44 / 10

HEX #53E580

RGB 83 229 128

HSL 138.49, 0.74%, 0.61%

LAB 81.53, -60.37, 37.98

 

CMYK 64 / 32 / 0 / 10

HEX #529CE5

RGB 82 156 229

HSL 209.8, 0.74%, 0.61%

LAB 62.7, -0.65, -43.72

 

CMYK 0 / 64 / 58 / 10

HEX #E55261

RGB 229 82 97

HSL 353.88, 0.74%, 0.61%

LAB 55.64, 57.89, 22.86

 

CMYK 64 / 0 / 44 / 10

HEX #53E580

RGB 83 229 128

HSL 138.49, 0.74%, 0.61%

LAB 81.53, -60.37, 37.98

 

CMYK 45 / 64 / 0 / 10

HEX #7E52E5

RGB 126 82 229

HSL 257.96, 0.74%, 0.61%

LAB 47.14, 51.43, -68.46

 

CMYK 0 / 45 / 64 / 10

HEX #E57E52

RGB 229 126 82

HSL 17.96, 0.74%, 0.61%

LAB 63.5, 36.03, 41.13

 

CMYK 64 / 0 / 44 / 10

HEX #53E580

RGB 83 229 128

HSL 138.49, 0.74%, 0.61%

LAB 81.53, -60.37, 37.98

 

CMYK 64 / 32 / 0 / 10

HEX #529CE5

RGB 82 156 229

HSL 209.8, 0.74%, 0.61%

LAB 62.7, -0.65, -43.72

 

CMYK 0 / 64 / 19 / 10

HEX #E552B9

RGB 229 82 185

HSL 317.96, 0.74%, 0.61%

LAB 58.22, 67.12, -24.91

 

CMYK 0 / 32 / 64 / 10

HEX #E59C52

RGB 229 156 82

HSL 30.2, 0.74%, 0.61%

LAB 70.21, 20.2, 48.92

 

CMYK 64 / 0 / 44 / 10

HEX #53E580

RGB 83 229 128

HSL 138.49, 0.74%, 0.61%

LAB 81.53, -60.37, 37.98

 

CMYK 64 / 52 / 0 / 10

HEX #526FE5

RGB 82 111 229

HSL 228.16, 0.74%, 0.61%

LAB 50.48, 26.42, -63.21

 

CMYK 0 / 64 / 19 / 10

HEX #E552B9

RGB 229 82 185

HSL 317.96, 0.74%, 0.61%

LAB 58.22, 67.12, -24.91

 

CMYK 0 / 13 / 64 / 10

HEX #E5C852

RGB 229 200 82

HSL 48.16, 0.74%, 0.61%

LAB 81.06, -2.99, 60.89

 

Description

Color code: HEX #53E580 | qconv.com Color code: HEX #53E580 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 229 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 229 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 44 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 44% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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