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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53E568 it is the complementary color #AC1A97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53E568. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53E568 shade: #58E563, #69F776, #7AFF89, #8BFF9C and #9CFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53E568. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53E568 shade: #53E568, #42D355, #31C142, #20AF2F and #0F9D1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53E568 shade: #52E567, #64E552, #8CE552, #B4E552 and #DCE552

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53E568 shade: #52E567, #52E58F, #52E5B7, #52E5DE and #52C4E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53E568 shade matches the following richer shades: #52E567 and #42F55C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53E568 shade: #52E567, #62D573, #72C57E, #82B58A and #92A595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53E568 shade: #8DE552, #66E552, #52E566, #52E58D and #52E5B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53E568 shade: #1EC736, #2EE048, #52E567, #76EB87 and #9AF0A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53E568 shade: #53E568, #52B4E5 and #E55279

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53E568 shade: #53E568, #6652E5 and #E56652

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53E568 shade: #53E568, #52B4E5, #E552D2 and #E58352

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53E568 shade: #53E568, #5288E5, #E552D2 and #E5AF52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 55 / 10

HEX #53E568

RGB 83 229 104

HSL 128.63, 0.74%, 0.61%

LAB 81.22, -63.84, 49.1

 

Complementary color

CMYK 0 / 85 / 12 / 33

HEX #AC1A97

RGB 172 26 151

HSL 308.63, 0.74%, 0.39%

LAB 40.81, 66.58, -32.68

 

CMYK 62 / 0 / 57 / 10

HEX #58E563

RGB 88 229 99

HSL 124.68, 0.73%, 0.62%

LAB 81.3, -63.43, 51.5

 

CMYK 57 / 0 / 52 / 3

HEX #69F776

RGB 105 247 118

HSL 125.49, 0.9%, 0.69%

LAB 87.4, -63.79, 50.23

 

CMYK 52 / 0 / 46 / 0

HEX #7AFF89

RGB 122 255 137

HSL 126.77, 1%, 0.74%

LAB 90.53, -60.2, 45.29

 

CMYK 45 / 0 / 39 / 0

HEX #8BFF9C

RGB 139 255 156

HSL 128.79, 1%, 0.77%

LAB 91.42, -53.01, 37.32

 

CMYK 39 / 0 / 31 / 0

HEX #9CFFAF

RGB 156 255 175

HSL 131.52, 1%, 0.81%

LAB 92.43, -45.23, 29.33

 

CMYK 64 / 0 / 55 / 10

HEX #53E568

RGB 83 229 104

HSL 128.63, 0.74%, 0.61%

LAB 81.22, -63.84, 49.1

 

CMYK 69 / 0 / 60 / 17

HEX #42D355

RGB 66 211 85

HSL 127.86, 0.62%, 0.54%

LAB 75.08, -63.16, 50.39

 

CMYK 75 / 0 / 66 / 24

HEX #31C142

RGB 49 193 66

HSL 127.08, 0.6%, 0.47%

LAB 68.89, -62.09, 51.56

 

CMYK 82 / 0 / 73 / 31

HEX #20AF2F

RGB 32 175 47

HSL 126.29, 0.69%, 0.41%

LAB 62.65, -60.44, 52.4

 

CMYK 90 / 0 / 82 / 38

HEX #0F9D1C

RGB 15 157 28

HSL 125.49, 0.83%, 0.34%

LAB 56.39, -57.99, 52.56

 

CMYK 64 / 0 / 55 / 10

HEX #52E567

RGB 82 229 103

HSL 128.57, 0.74%, 0.61%

LAB 81.19, -64.16, 49.51

 

CMYK 56 / 0 / 64 / 10

HEX #64E552

RGB 100 229 82

HSL 112.65, 0.74%, 0.61%

LAB 81.49, -62.51, 59.12

 

CMYK 39 / 0 / 64 / 10

HEX #8CE552

RGB 140 229 82

HSL 96.33, 0.74%, 0.61%

LAB 83.03, -51.05, 61.25

 

CMYK 21 / 0 / 64 / 10

HEX #B4E552

RGB 180 229 82

HSL 80, 0.74%, 0.61%

LAB 85.18, -36.92, 64.19

 

CMYK 4 / 0 / 64 / 10

HEX #DCE552

RGB 220 229 82

HSL 63.67, 0.74%, 0.61%

LAB 87.9, -21.2, 67.89

 

CMYK 64 / 0 / 55 / 10

HEX #52E567

RGB 82 229 103

HSL 128.57, 0.74%, 0.61%

LAB 81.19, -64.16, 49.51

 

CMYK 64 / 0 / 38 / 10

HEX #52E58F

RGB 82 229 143

HSL 144.9, 0.74%, 0.61%

LAB 81.74, -58, 30.72

 

CMYK 64 / 0 / 20 / 10

HEX #52E5B7

RGB 82 229 183

HSL 161.22, 0.74%, 0.61%

LAB 82.51, -49.79, 11.04

 

CMYK 64 / 0 / 3 / 10

HEX #52E5DE

RGB 82 229 222

HSL 177.14, 0.74%, 0.61%

LAB 83.5, -40.09, -8.12

 

CMYK 64 / 14 / 0 / 10

HEX #52C4E5

RGB 82 196 229

HSL 193.47, 0.74%, 0.61%

LAB 74.15, -22.29, -25.96

 

CMYK 64 / 0 / 55 / 10

HEX #52E567

RGB 82 229 103

HSL 128.57, 0.74%, 0.61%

LAB 81.19, -64.16, 49.51

 

CMYK 73 / 0 / 62 / 4

HEX #42F55C

RGB 66 245 92

HSL 128.72, 0.9%, 0.61%

LAB 85.62, -73.5, 59.36

 

CMYK 64 / 0 / 55 / 10

HEX #52E567

RGB 82 229 103

HSL 128.57, 0.74%, 0.61%

LAB 81.19, -64.16, 49.51

 

CMYK 54 / 0 / 46 / 16

HEX #62D573

RGB 98 213 115

HSL 128.87, 0.58%, 0.61%

LAB 76.93, -53.01, 38.65

 

CMYK 42 / 0 / 36 / 23

HEX #72C57E

RGB 114 197 126

HSL 128.67, 0.42%, 0.61%

LAB 72.9, -40.25, 27.92

 

CMYK 28 / 0 / 24 / 29

HEX #82B58A

RGB 130 181 138

HSL 129.41, 0.26%, 0.61%

LAB 69.2, -25.63, 16.62

 

CMYK 12 / 0 / 10 / 35

HEX #92A595

RGB 146 165 149

HSL 129.47, 0.1%, 0.61%

LAB 65.9, -9.82, 6.04

 

CMYK 38 / 0 / 64 / 10

HEX #8DE552

RGB 141 229 82

HSL 95.92, 0.74%, 0.61%

LAB 83.08, -50.73, 61.32

 

CMYK 55 / 0 / 64 / 10

HEX #66E552

RGB 102 229 82

HSL 111.84, 0.74%, 0.61%

LAB 81.55, -62.02, 59.21

 

CMYK 64 / 0 / 55 / 10

HEX #52E566

RGB 82 229 102

HSL 128.16, 0.74%, 0.61%

LAB 81.18, -64.29, 49.95

 

CMYK 64 / 0 / 38 / 10

HEX #52E58D

RGB 82 229 141

HSL 144.08, 0.74%, 0.61%

LAB 81.71, -58.35, 31.69

 

CMYK 64 / 0 / 21 / 10

HEX #52E5B4

RGB 82 229 180

HSL 160, 0.74%, 0.61%

LAB 82.45, -50.47, 12.52

 

CMYK 85 / 0 / 73 / 22

HEX #1EC736

RGB 30 199 54

HSL 128.52, 0.74%, 0.45%

LAB 70.45, -67.38, 57.8

 

CMYK 79 / 0 / 68 / 12

HEX #2EE048

RGB 46 224 72

HSL 128.76, 0.74%, 0.53%

LAB 78.67, -71.64, 59.71

 

CMYK 64 / 0 / 55 / 10

HEX #52E567

RGB 82 229 103

HSL 128.57, 0.74%, 0.61%

LAB 81.19, -64.16, 49.51

 

CMYK 50 / 0 / 43 / 8

HEX #76EB87

RGB 118 235 135

HSL 128.72, 0.75%, 0.69%

LAB 84.49, -53.68, 38.54

 

CMYK 36 / 0 / 31 / 6

HEX #9AF0A6

RGB 154 240 166

HSL 128.37, 0.74%, 0.77%

LAB 87.94, -40.74, 27.79

 

CMYK 64 / 0 / 55 / 10

HEX #53E568

RGB 83 229 104

HSL 128.63, 0.74%, 0.61%

LAB 81.22, -63.84, 49.1

 

CMYK 64 / 21 / 0 / 10

HEX #52B4E5

RGB 82 180 229

HSL 200, 0.74%, 0.61%

LAB 69.54, -13.95, -33.05

 

CMYK 0 / 64 / 47 / 10

HEX #E55279

RGB 229 82 121

HSL 344.08, 0.74%, 0.61%

LAB 56.16, 59.81, 9.43

 

CMYK 64 / 0 / 55 / 10

HEX #53E568

RGB 83 229 104

HSL 128.63, 0.74%, 0.61%

LAB 81.22, -63.84, 49.1

 

CMYK 55 / 64 / 0 / 10

HEX #6652E5

RGB 102 82 229

HSL 248.16, 0.74%, 0.61%

LAB 44.96, 47.16, -72.1

 

CMYK 0 / 55 / 64 / 10

HEX #E56652

RGB 229 102 82

HSL 8.16, 0.74%, 0.61%

LAB 58.76, 47.99, 35.42

 

CMYK 64 / 0 / 55 / 10

HEX #53E568

RGB 83 229 104

HSL 128.63, 0.74%, 0.61%

LAB 81.22, -63.84, 49.1

 

CMYK 64 / 21 / 0 / 10

HEX #52B4E5

RGB 82 180 229

HSL 200, 0.74%, 0.61%

LAB 69.54, -13.95, -33.05

 

CMYK 0 / 64 / 8 / 10

HEX #E552D2

RGB 229 82 210

HSL 307.76, 0.74%, 0.61%

LAB 59.29, 70.75, -37.52

 

CMYK 0 / 43 / 64 / 10

HEX #E58352

RGB 229 131 82

HSL 20, 0.74%, 0.61%

LAB 64.56, 33.44, 42.38

 

CMYK 64 / 0 / 55 / 10

HEX #53E568

RGB 83 229 104

HSL 128.63, 0.74%, 0.61%

LAB 81.22, -63.84, 49.1

 

CMYK 64 / 41 / 0 / 10

HEX #5288E5

RGB 82 136 229

HSL 217.96, 0.74%, 0.61%

LAB 57.13, 11.11, -52.54

 

CMYK 0 / 64 / 8 / 10

HEX #E552D2

RGB 229 82 210

HSL 307.76, 0.74%, 0.61%

LAB 59.29, 70.75, -37.52

 

CMYK 0 / 24 / 64 / 10

HEX #E5AF52

RGB 229 175 82

HSL 37.96, 0.74%, 0.61%

LAB 74.78, 10.08, 54.05

 

Description

Color code: HEX #53E568 | qconv.com Color code: HEX #53E568 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 229 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 229 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 55 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 55% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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