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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53DE5F it is the complementary color #AC21A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53DE5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53DE5F shade: #58DE5A, #69F06D, #7AFF80, #8BFF93 and #9CFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53DE5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53DE5F shade: #53DE5F, #42CC4C, #31BA39, #20A826 and #0F9613

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53DE5F shade: #54DE60, #6DDE54, #92DE54, #B8DE54 and #DDDE54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53DE5F shade: #54DE60, #54DE85, #54DEAA, #54DED0 and #54C7DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53DE5F shade matches the following richer shades: #54DE60 and #43EF52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53DE5F shade: #54DE60, #64CE6D, #75BD7B, #85AD89 and #969C96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53DE5F shade: #92DE54, #6DDE54, #54DE5F, #54DE84 and #54DEA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53DE5F shade: #24BC31, #31D83F, #54DE60, #76E580 and #99ECA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53DE5F shade: #53DE5F, #54B7DE and #DE5480

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53DE5F shade: #53DE5F, #5F54DE and #DE5F54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53DE5F shade: #53DE5F, #54B7DE, #DE54D3 and #DE7B54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53DE5F shade: #53DE5F, #548DDE, #DE54D3 and #DEA554

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 57 / 13

HEX #53DE5F

RGB 83 222 95

HSL 125.18, 0.68%, 0.6%

LAB 78.99, -62.49, 50.56

 

Complementary color

CMYK 0 / 81 / 7 / 33

HEX #AC21A0

RGB 172 33 160

HSL 305.18, 0.68%, 0.4%

LAB 41.84, 66.29, -36.48

 

CMYK 60 / 0 / 59 / 13

HEX #58DE5A

RGB 88 222 90

HSL 120.9, 0.67%, 0.61%

LAB 79.07, -61.99, 52.92

 

CMYK 56 / 0 / 55 / 6

HEX #69F06D

RGB 105 240 109

HSL 121.78, 0.82%, 0.68%

LAB 85.21, -62.37, 51.72

 

CMYK 52 / 0 / 50 / 0

HEX #7AFF80

RGB 122 255 128

HSL 122.71, 1%, 0.74%

LAB 90.42, -61.42, 49.4

 

CMYK 45 / 0 / 42 / 0

HEX #8BFF93

RGB 139 255 147

HSL 124.14, 1%, 0.77%

LAB 91.29, -54.36, 41.56

 

CMYK 39 / 0 / 35 / 0

HEX #9CFFA6

RGB 156 255 166

HSL 126.06, 1%, 0.81%

LAB 92.28, -46.69, 33.63

 

CMYK 63 / 0 / 57 / 13

HEX #53DE5F

RGB 83 222 95

HSL 125.18, 0.68%, 0.6%

LAB 78.99, -62.49, 50.56

 

CMYK 68 / 0 / 63 / 20

HEX #42CC4C

RGB 66 204 76

HSL 124.35, 0.58%, 0.53%

LAB 72.8, -61.8, 51.75

 

CMYK 74 / 0 / 69 / 27

HEX #31BA39

RGB 49 186 57

HSL 123.5, 0.58%, 0.46%

LAB 66.57, -60.69, 52.73

 

CMYK 81 / 0 / 77 / 34

HEX #20A826

RGB 32 168 38

HSL 122.65, 0.68%, 0.39%

LAB 60.3, -58.97, 53.23

 

CMYK 90 / 0 / 87 / 41

HEX #0F9613

RGB 15 150 19

HSL 121.78, 0.82%, 0.32%

LAB 53.99, -56.38, 52.75

 

CMYK 62 / 0 / 57 / 13

HEX #54DE60

RGB 84 222 96

HSL 125.22, 0.68%, 0.6%

LAB 79.03, -62.16, 50.15

 

CMYK 51 / 0 / 62 / 13

HEX #6DDE54

RGB 109 222 84

HSL 109.13, 0.68%, 0.6%

LAB 79.69, -57.42, 56.39

 

CMYK 34 / 0 / 62 / 13

HEX #92DE54

RGB 146 222 84

HSL 93.04, 0.68%, 0.6%

LAB 81.29, -45.98, 58.61

 

CMYK 17 / 0 / 62 / 13

HEX #B8DE54

RGB 184 222 84

HSL 76.52, 0.68%, 0.6%

LAB 83.48, -32.04, 61.63

 

CMYK 0 / 0 / 62 / 13

HEX #DDDE54

RGB 221 222 84

HSL 60.43, 0.68%, 0.6%

LAB 86.13, -17.26, 65.26

 

CMYK 62 / 0 / 57 / 13

HEX #54DE60

RGB 84 222 96

HSL 125.22, 0.68%, 0.6%

LAB 79.03, -62.16, 50.15

 

CMYK 62 / 0 / 40 / 13

HEX #54DE85

RGB 84 222 133

HSL 141.3, 0.68%, 0.6%

LAB 79.51, -56.71, 32.86

 

CMYK 62 / 0 / 23 / 13

HEX #54DEAA

RGB 84 222 170

HSL 157.39, 0.68%, 0.6%

LAB 80.2, -49.45, 14.61

 

CMYK 62 / 0 / 6 / 13

HEX #54DED0

RGB 84 222 208

HSL 173.91, 0.68%, 0.6%

LAB 81.12, -40.31, -4.21

 

CMYK 62 / 10 / 0 / 13

HEX #54C7DE

RGB 84 199 222

HSL 190, 0.68%, 0.6%

LAB 74.83, -25.55, -21.13

 

CMYK 62 / 0 / 57 / 13

HEX #54DE60

RGB 84 222 96

HSL 125.22, 0.68%, 0.6%

LAB 79.03, -62.16, 50.15

 

CMYK 72 / 0 / 66 / 6

HEX #43EF52

RGB 67 239 82

HSL 125.23, 0.84%, 0.6%

LAB 83.72, -72.47, 61.33

 

CMYK 62 / 0 / 57 / 13

HEX #54DE60

RGB 84 222 96

HSL 125.22, 0.68%, 0.6%

LAB 79.03, -62.16, 50.15

 

CMYK 51 / 0 / 47 / 19

HEX #64CE6D

RGB 100 206 109

HSL 125.09, 0.52%, 0.6%

LAB 74.8, -50.61, 38.94

 

CMYK 38 / 0 / 35 / 26

HEX #75BD7B

RGB 117 189 123

HSL 125, 0.35%, 0.6%

LAB 70.6, -36.24, 26.46

 

CMYK 23 / 0 / 21 / 32

HEX #85AD89

RGB 133 173 137

HSL 126, 0.2%, 0.6%

LAB 67.04, -20.8, 14.17

 

CMYK 4 / 0 / 4 / 39

HEX #969C96

RGB 150 156 150

HSL 120, 0.03%, 0.6%

LAB 63.72, -3.31, 2.38

 

CMYK 34 / 0 / 62 / 13

HEX #92DE54

RGB 146 222 84

HSL 93.04, 0.68%, 0.6%

LAB 81.29, -45.98, 58.61

 

CMYK 51 / 0 / 62 / 13

HEX #6DDE54

RGB 109 222 84

HSL 109.13, 0.68%, 0.6%

LAB 79.69, -57.42, 56.39

 

CMYK 62 / 0 / 57 / 13

HEX #54DE5F

RGB 84 222 95

HSL 124.78, 0.68%, 0.6%

LAB 79.01, -62.28, 50.59

 

CMYK 62 / 0 / 41 / 13

HEX #54DE84

RGB 84 222 132

HSL 140.87, 0.68%, 0.6%

LAB 79.5, -56.89, 33.35

 

CMYK 62 / 0 / 24 / 13

HEX #54DEA9

RGB 84 222 169

HSL 156.96, 0.68%, 0.6%

LAB 80.18, -49.67, 15.11

 

CMYK 81 / 0 / 74 / 26

HEX #24BC31

RGB 36 188 49

HSL 125.13, 0.68%, 0.44%

LAB 66.95, -63.83, 56.06

 

CMYK 77 / 0 / 71 / 15

HEX #31D83F

RGB 49 216 63

HSL 125.03, 0.68%, 0.52%

LAB 76.15, -69.63, 60.47

 

CMYK 62 / 0 / 57 / 13

HEX #54DE60

RGB 84 222 96

HSL 125.22, 0.68%, 0.6%

LAB 79.03, -62.16, 50.15

 

CMYK 48 / 0 / 44 / 10

HEX #76E580

RGB 118 229 128

HSL 125.41, 0.68%, 0.68%

LAB 82.62, -52.31, 39.59

 

CMYK 35 / 0 / 32 / 7

HEX #99ECA0

RGB 153 236 160

HSL 125.06, 0.69%, 0.76%

LAB 86.65, -40.25, 29.09

 

CMYK 63 / 0 / 57 / 13

HEX #53DE5F

RGB 83 222 95

HSL 125.18, 0.68%, 0.6%

LAB 78.99, -62.49, 50.56

 

CMYK 62 / 18 / 0 / 13

HEX #54B7DE

RGB 84 183 222

HSL 196.96, 0.68%, 0.6%

LAB 70.19, -17.38, -28.21

 

CMYK 0 / 62 / 42 / 13

HEX #DE5480

RGB 222 84 128

HSL 340.87, 0.68%, 0.6%

LAB 55.51, 57.47, 4.21

 

CMYK 63 / 0 / 57 / 13

HEX #53DE5F

RGB 83 222 95

HSL 125.18, 0.68%, 0.6%

LAB 78.99, -62.49, 50.56

 

CMYK 57 / 62 / 0 / 13

HEX #5F54DE

RGB 95 84 222

HSL 244.78, 0.68%, 0.6%

LAB 44.3, 42.71, -69.23

 

CMYK 0 / 57 / 62 / 13

HEX #DE5F54

RGB 222 95 84

HSL 4.78, 0.68%, 0.6%

LAB 56.44, 48.9, 31.19

 

CMYK 63 / 0 / 57 / 13

HEX #53DE5F

RGB 83 222 95

HSL 125.18, 0.68%, 0.6%

LAB 78.99, -62.49, 50.56

 

CMYK 62 / 18 / 0 / 13

HEX #54B7DE

RGB 84 183 222

HSL 196.96, 0.68%, 0.6%

LAB 70.19, -17.38, -28.21

 

CMYK 0 / 62 / 5 / 13

HEX #DE54D3

RGB 222 84 211

HSL 304.78, 0.68%, 0.6%

LAB 58.58, 68.39, -39.29

 

CMYK 0 / 45 / 62 / 13

HEX #DE7B54

RGB 222 123 84

HSL 16.96, 0.68%, 0.6%

LAB 61.94, 34.97, 37.97

 

CMYK 63 / 0 / 57 / 13

HEX #53DE5F

RGB 83 222 95

HSL 125.18, 0.68%, 0.6%

LAB 78.99, -62.49, 50.56

 

CMYK 62 / 36 / 0 / 13

HEX #548DDE

RGB 84 141 222

HSL 215.22, 0.68%, 0.6%

LAB 58.23, 6.11, -46.88

 

CMYK 0 / 62 / 5 / 13

HEX #DE54D3

RGB 222 84 211

HSL 304.78, 0.68%, 0.6%

LAB 58.58, 68.39, -39.29

 

CMYK 0 / 26 / 62 / 13

HEX #DEA554

RGB 222 165 84

HSL 35.22, 0.68%, 0.6%

LAB 71.61, 12.59, 49.34

 

Description

Color code: HEX #53DE5F | qconv.com Color code: HEX #53DE5F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 222 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 222 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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