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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53D901 it is the complementary color #AC26FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53D901. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53D901 shade: #58D900, #69EB0F, #7AFD22, #8BFF35 and #9CFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53D901. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53D901 shade: #53D901, #42C700, #31B500, #20A300 and #0F9100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53D901 shade: #54DA01, #8EDA01, #C9DA01, #DAB101 and #DA7701

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53D901 shade: #54DA01, #19DA01, #01DA24, #01DA5E and #01DA99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53D901 shade matches the following richer shades: #54DA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53D901 shade: #54DA01, #58C813, #5CB725, #60A536 and #659348

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53D901 shade: #C8DA01, #8EDA01, #54DA01, #1ADA01 and #01DA22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53D901 shade: #348801, #44B101, #54DA01, #65FE07 and #7EFE30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53D901 shade: #53D901, #01DAB2 and #DA01AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53D901 shade: #53D901, #0154DA and #DA0154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53D901 shade: #53D901, #01DAB2, #8701DA and #DA0129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53D901 shade: #53D901, #01C1DA, #8701DA and #DA1A01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 100 / 15

HEX #53D901

RGB 83 217 1

HSL 97.22, 0.99%, 0.43%

LAB 76.96, -66.48, 74.91

 

Complementary color

CMYK 32 / 85 / 0 / 0

HEX #AC26FE

RGB 172 38 254

HSL 277.22, 0.99%, 0.57%

LAB 48.65, 81.73, -79.8

 

CMYK 59 / 0 / 100 / 15

HEX #58D900

RGB 88 217 0

HSL 95.67, 1%, 0.43%

LAB 77.1, -65.32, 75.18

 

CMYK 55 / 0 / 94 / 8

HEX #69EB0F

RGB 105 235 15

HSL 95.45, 0.88%, 0.49%

LAB 83.15, -66.9, 78.87

 

CMYK 52 / 0 / 87 / 1

HEX #7AFD22

RGB 122 253 34

HSL 95.89, 0.98%, 0.56%

LAB 89.16, -68.13, 81.32

 

CMYK 45 / 0 / 79 / 0

HEX #8BFF35

RGB 139 255 53

HSL 94.46, 1%, 0.6%

LAB 90.44, -63.28, 78.42

 

CMYK 39 / 0 / 72 / 0

HEX #9CFF48

RGB 156 255 72

HSL 92.46, 1%, 0.64%

LAB 91.26, -56.98, 73.72

 

CMYK 62 / 0 / 100 / 15

HEX #53D901

RGB 83 217 1

HSL 97.22, 0.99%, 0.43%

LAB 76.96, -66.48, 74.91

 

CMYK 67 / 0 / 100 / 22

HEX #42C700

RGB 66 199 0

HSL 100.1, 1%, 0.39%

LAB 70.87, -64.38, 70

 

CMYK 73 / 0 / 100 / 29

HEX #31B500

RGB 49 181 0

HSL 103.76, 1%, 0.35%

LAB 64.72, -61.94, 64.95

 

CMYK 80 / 0 / 100 / 36

HEX #20A300

RGB 32 163 0

HSL 108.22, 1%, 0.32%

LAB 58.51, -59.05, 59.87

 

CMYK 90 / 0 / 100 / 43

HEX #0F9100

RGB 15 145 0

HSL 113.79, 1%, 0.28%

LAB 52.23, -55.56, 54.76

 

CMYK 61 / 0 / 100 / 15

HEX #54DA01

RGB 84 218 1

HSL 97.05, 0.99%, 0.43%

LAB 77.3, -66.58, 75.19

 

CMYK 35 / 0 / 100 / 15

HEX #8EDA01

RGB 142 218 1

HSL 81.01, 0.99%, 0.43%

LAB 79.55, -49.33, 77.93

 

CMYK 8 / 0 / 100 / 15

HEX #C9DA01

RGB 201 218 1

HSL 64.7, 0.99%, 0.43%

LAB 83.21, -26.27, 82.31

 

CMYK 0 / 19 / 100 / 15

HEX #DAB101

RGB 218 177 1

HSL 48.66, 0.99%, 0.43%

LAB 73.77, 1.71, 76.13

 

CMYK 0 / 45 / 100 / 15

HEX #DA7701

RGB 218 119 1

HSL 32.63, 0.99%, 0.43%

LAB 59.98, 32.63, 66.92

 

CMYK 61 / 0 / 100 / 15

HEX #54DA01

RGB 84 218 1

HSL 97.05, 0.99%, 0.43%

LAB 77.3, -66.58, 75.19

 

CMYK 89 / 0 / 100 / 15

HEX #19DA01

RGB 25 218 1

HSL 113.36, 0.99%, 0.43%

LAB 76.28, -75.39, 73.95

 

CMYK 100 / 0 / 83 / 15

HEX #01DA24

RGB 1 218 36

HSL 129.68, 0.99%, 0.43%

LAB 76.24, -75.51, 68.69

 

CMYK 100 / 0 / 57 / 15

HEX #01DA5E

RGB 1 218 94

HSL 145.71, 0.99%, 0.43%

LAB 76.65, -70.26, 47.99

 

CMYK 100 / 0 / 30 / 15

HEX #01DA99

RGB 1 218 153

HSL 162.03, 0.99%, 0.43%

LAB 77.55, -59.67, 19.7

 

CMYK 61 / 0 / 100 / 15

HEX #54DA01

RGB 84 218 1

HSL 97.05, 0.99%, 0.43%

LAB 77.3, -66.58, 75.19

 

CMYK 61 / 0 / 100 / 15

HEX #54DA01

RGB 84 218 1

HSL 97.05, 0.99%, 0.43%

LAB 77.3, -66.58, 75.19

 

CMYK 56 / 0 / 91 / 22

HEX #58C813

RGB 88 200 19

HSL 97.13, 0.83%, 0.43%

LAB 71.85, -59.16, 68.78

 

CMYK 50 / 0 / 80 / 28

HEX #5CB725

RGB 92 183 37

HSL 97.4, 0.66%, 0.43%

LAB 66.73, -51.09, 60.26

 

CMYK 42 / 0 / 67 / 35

HEX #60A536

RGB 96 165 54

HSL 97.3, 0.51%, 0.43%

LAB 61.36, -41.39, 48.87

 

CMYK 31 / 0 / 51 / 42

HEX #659348

RGB 101 147 72

HSL 96.8, 0.34%, 0.43%

LAB 56.19, -29.61, 34.57

 

CMYK 8 / 0 / 100 / 15

HEX #C8DA01

RGB 200 218 1

HSL 64.98, 0.99%, 0.43%

LAB 83.14, -26.69, 82.22

 

CMYK 35 / 0 / 100 / 15

HEX #8EDA01

RGB 142 218 1

HSL 81.01, 0.99%, 0.43%

LAB 79.55, -49.33, 77.93

 

CMYK 61 / 0 / 100 / 15

HEX #54DA01

RGB 84 218 1

HSL 97.05, 0.99%, 0.43%

LAB 77.3, -66.58, 75.19

 

CMYK 88 / 0 / 100 / 15

HEX #1ADA01

RGB 26 218 1

HSL 113.09, 0.99%, 0.43%

LAB 76.29, -75.32, 73.96

 

CMYK 100 / 0 / 84 / 15

HEX #01DA22

RGB 1 218 34

HSL 129.12, 0.99%, 0.43%

LAB 76.23, -75.61, 69.15

 

CMYK 62 / 0 / 99 / 47

HEX #348801

RGB 52 136 1

HSL 97.33, 0.99%, 0.27%

LAB 49.91, -46.27, 53.03

 

CMYK 62 / 0 / 99 / 31

HEX #44B101

RGB 68 177 1

HSL 97.16, 0.99%, 0.35%

LAB 63.9, -56.66, 64.36

 

CMYK 61 / 0 / 100 / 15

HEX #54DA01

RGB 84 218 1

HSL 97.05, 0.99%, 0.43%

LAB 77.3, -66.58, 75.19

 

CMYK 60 / 0 / 97 / 0

HEX #65FE07

RGB 101 254 7

HSL 97.17, 0.99%, 0.51%

LAB 88.76, -74.25, 84.03

 

CMYK 50 / 0 / 81 / 0

HEX #7EFE30

RGB 126 254 48

HSL 97.28, 0.99%, 0.59%

LAB 89.64, -66.87, 78.79

 

CMYK 62 / 0 / 100 / 15

HEX #53D901

RGB 83 217 1

HSL 97.22, 0.99%, 0.43%

LAB 76.96, -66.48, 74.91

 

CMYK 100 / 0 / 18 / 15

HEX #01DAB2

RGB 1 218 178

HSL 168.94, 0.99%, 0.43%

LAB 78.09, -53.71, 7.23

 

CMYK 0 / 100 / 22 / 15

HEX #DA01AB

RGB 218 1 171

HSL 313, 0.99%, 0.43%

LAB 49.33, 81.07, -30.67

 

CMYK 62 / 0 / 100 / 15

HEX #53D901

RGB 83 217 1

HSL 97.22, 0.99%, 0.43%

LAB 76.96, -66.48, 74.91

 

CMYK 100 / 61 / 0 / 15

HEX #0154DA

RGB 1 84 218

HSL 217.05, 0.99%, 0.43%

LAB 40.26, 32.64, -73.7

 

CMYK 0 / 100 / 61 / 15

HEX #DA0154

RGB 218 1 84

HSL 337.05, 0.99%, 0.43%

LAB 46.4, 73.43, 18.01

 

CMYK 62 / 0 / 100 / 15

HEX #53D901

RGB 83 217 1

HSL 97.22, 0.99%, 0.43%

LAB 76.96, -66.48, 74.91

 

CMYK 100 / 0 / 18 / 15

HEX #01DAB2

RGB 1 218 178

HSL 168.94, 0.99%, 0.43%

LAB 78.09, -53.71, 7.23

 

CMYK 38 / 100 / 0 / 15

HEX #8701DA

RGB 135 1 218

HSL 277.05, 0.99%, 0.43%

LAB 38.26, 76.14, -76.65

 

CMYK 0 / 100 / 81 / 15

HEX #DA0129

RGB 218 1 41

HSL 348.94, 0.99%, 0.43%

LAB 45.75, 71.68, 43.1

 

CMYK 62 / 0 / 100 / 15

HEX #53D901

RGB 83 217 1

HSL 97.22, 0.99%, 0.43%

LAB 76.96, -66.48, 74.91

 

CMYK 100 / 11 / 0 / 15

HEX #01C1DA

RGB 1 193 218

HSL 186.91, 0.99%, 0.43%

LAB 71.7, -31.12, -23.84

 

CMYK 38 / 100 / 0 / 15

HEX #8701DA

RGB 135 1 218

HSL 277.05, 0.99%, 0.43%

LAB 38.26, 76.14, -76.65

 

CMYK 0 / 88 / 100 / 15

HEX #DA1A01

RGB 218 26 1

HSL 6.91, 0.99%, 0.43%

LAB 46.51, 68.29, 59.77

 

Description

Color code: HEX #53D901 | qconv.com Color code: HEX #53D901 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 217 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 217 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 100 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 100% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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