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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53D601 it is the complementary color #AC29FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53D601. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53D601 shade: #58D600, #69E80F, #7AFA22, #8BFF35 and #9CFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53D601. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53D601 shade: #53D601, #42C400, #31B200, #20A000 and #0F8E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53D601 shade: #53D501, #8CD501, #C5D501, #D5AC01 and #D57301

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53D601 shade: #53D501, #1AD501, #01D522, #01D55B and #01D594

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53D601 shade matches the following richer shades: #53D501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53D601 shade: #53D501, #57C412, #5BB224, #5FA135 and #639046

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53D601 shade: #C7D501, #8ED501, #56D501, #1DD501 and #01D51D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53D601 shade: #338301, #43AC01, #53D501, #63FE02 and #7CFE2B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53D601 shade: #53D601, #01D5AB and #D501AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53D601 shade: #53D601, #0156D5 and #D50156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53D601 shade: #53D601, #01D5AB, #8001D5 and #D5012B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53D601 shade: #53D601, #01C0D5, #8001D5 and #D51601

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 100 / 16

HEX #53D601

RGB 83 214 1

HSL 96.9, 0.99%, 0.42%

LAB 76.03, -65.5, 74.17

 

Complementary color

CMYK 32 / 84 / 0 / 0

HEX #AC29FE

RGB 172 41 254

HSL 276.9, 0.99%, 0.58%

LAB 48.9, 81, -79.39

 

CMYK 59 / 0 / 100 / 16

HEX #58D600

RGB 88 214 0

HSL 95.33, 1%, 0.42%

LAB 76.17, -64.32, 74.44

 

CMYK 55 / 0 / 94 / 9

HEX #69E80F

RGB 105 232 15

HSL 95.12, 0.88%, 0.48%

LAB 82.24, -65.88, 78.12

 

CMYK 51 / 0 / 86 / 2

HEX #7AFA22

RGB 122 250 34

HSL 95.56, 0.96%, 0.56%

LAB 88.27, -67.09, 80.56

 

CMYK 45 / 0 / 79 / 0

HEX #8BFF35

RGB 139 255 53

HSL 94.46, 1%, 0.6%

LAB 90.44, -63.28, 78.42

 

CMYK 39 / 0 / 72 / 0

HEX #9CFF48

RGB 156 255 72

HSL 92.46, 1%, 0.64%

LAB 91.26, -56.98, 73.72

 

CMYK 61 / 0 / 100 / 16

HEX #53D601

RGB 83 214 1

HSL 96.9, 0.99%, 0.42%

LAB 76.03, -65.5, 74.17

 

CMYK 66 / 0 / 100 / 23

HEX #42C400

RGB 66 196 0

HSL 99.8, 1%, 0.38%

LAB 69.92, -63.42, 69.24

 

CMYK 72 / 0 / 100 / 30

HEX #31B200

RGB 49 178 0

HSL 103.48, 1%, 0.35%

LAB 63.75, -61, 64.17

 

CMYK 80 / 0 / 100 / 37

HEX #20A000

RGB 32 160 0

HSL 108, 1%, 0.31%

LAB 57.51, -58.14, 59.07

 

CMYK 89 / 0 / 100 / 44

HEX #0F8E00

RGB 15 142 0

HSL 113.66, 1%, 0.28%

LAB 51.21, -54.67, 53.94

 

CMYK 61 / 0 / 100 / 16

HEX #53D501

RGB 83 213 1

HSL 96.79, 0.99%, 0.42%

LAB 75.72, -65.17, 73.93

 

CMYK 34 / 0 / 100 / 16

HEX #8CD501

RGB 140 213 1

HSL 80.66, 0.99%, 0.42%

LAB 77.97, -47.99, 76.66

 

CMYK 8 / 0 / 100 / 16

HEX #C5D501

RGB 197 213 1

HSL 64.53, 0.99%, 0.42%

LAB 81.54, -25.55, 80.94

 

CMYK 0 / 19 / 100 / 16

HEX #D5AC01

RGB 213 172 1

HSL 48.4, 0.99%, 0.42%

LAB 72, 2.14, 74.65

 

CMYK 0 / 46 / 100 / 16

HEX #D57301

RGB 213 115 1

HSL 32.26, 0.99%, 0.42%

LAB 58.42, 32.66, 65.61

 

CMYK 61 / 0 / 100 / 16

HEX #53D501

RGB 83 213 1

HSL 96.79, 0.99%, 0.42%

LAB 75.72, -65.17, 73.93

 

CMYK 88 / 0 / 100 / 16

HEX #1AD501

RGB 26 213 1

HSL 112.92, 0.99%, 0.42%

LAB 74.71, -73.95, 72.69

 

CMYK 100 / 0 / 84 / 16

HEX #01D522

RGB 1 213 34

HSL 129.34, 0.99%, 0.42%

LAB 74.64, -74.25, 67.72

 

CMYK 100 / 0 / 57 / 16

HEX #01D55B

RGB 1 213 91

HSL 145.47, 0.99%, 0.42%

LAB 75.05, -69.14, 47.46

 

CMYK 100 / 0 / 31 / 16

HEX #01D594

RGB 1 213 148

HSL 161.6, 0.99%, 0.42%

LAB 75.91, -58.95, 20.06

 

CMYK 61 / 0 / 100 / 16

HEX #53D501

RGB 83 213 1

HSL 96.79, 0.99%, 0.42%

LAB 75.72, -65.17, 73.93

 

CMYK 61 / 0 / 100 / 16

HEX #53D501

RGB 83 213 1

HSL 96.79, 0.99%, 0.42%

LAB 75.72, -65.17, 73.93

 

CMYK 56 / 0 / 91 / 23

HEX #57C412

RGB 87 196 18

HSL 96.74, 0.83%, 0.42%

LAB 70.56, -58.04, 67.85

 

CMYK 49 / 0 / 80 / 30

HEX #5BB224

RGB 91 178 36

HSL 96.76, 0.66%, 0.42%

LAB 65.11, -49.52, 59.03

 

CMYK 41 / 0 / 67 / 37

HEX #5FA135

RGB 95 161 53

HSL 96.67, 0.5%, 0.42%

LAB 60.05, -40.11, 47.87

 

CMYK 31 / 0 / 51 / 44

HEX #639046

RGB 99 144 70

HSL 96.49, 0.35%, 0.42%

LAB 55.11, -29.17, 34.26

 

CMYK 7 / 0 / 100 / 16

HEX #C7D501

RGB 199 213 1

HSL 63.96, 0.99%, 0.42%

LAB 81.69, -24.71, 81.11

 

CMYK 33 / 0 / 100 / 16

HEX #8ED501

RGB 142 213 1

HSL 80.09, 0.99%, 0.42%

LAB 78.08, -47.27, 76.78

 

CMYK 60 / 0 / 100 / 16

HEX #56D501

RGB 86 213 1

HSL 95.94, 0.99%, 0.42%

LAB 75.8, -64.46, 74.03

 

CMYK 86 / 0 / 100 / 16

HEX #1DD501

RGB 29 213 1

HSL 112.08, 0.99%, 0.42%

LAB 74.73, -73.71, 72.72

 

CMYK 100 / 0 / 86 / 16

HEX #01D51D

RGB 1 213 29

HSL 127.92, 0.99%, 0.42%

LAB 74.62, -74.47, 68.81

 

CMYK 61 / 0 / 99 / 49

HEX #338301

RGB 51 131 1

HSL 96.92, 0.98%, 0.26%

LAB 48.18, -44.71, 51.64

 

CMYK 61 / 0 / 99 / 33

HEX #43AC01

RGB 67 172 1

HSL 96.84, 0.99%, 0.34%

LAB 62.25, -55.19, 63.04

 

CMYK 61 / 0 / 100 / 16

HEX #53D501

RGB 83 213 1

HSL 96.79, 0.99%, 0.42%

LAB 75.72, -65.17, 73.93

 

CMYK 61 / 0 / 99 / 0

HEX #63FE02

RGB 99 254 2

HSL 96.9, 0.99%, 0.5%

LAB 88.7, -74.76, 84.34

 

CMYK 51 / 0 / 83 / 0

HEX #7CFE2B

RGB 124 254 43

HSL 96.97, 0.99%, 0.58%

LAB 89.55, -67.63, 79.86

 

CMYK 61 / 0 / 100 / 16

HEX #53D601

RGB 83 214 1

HSL 96.9, 0.99%, 0.42%

LAB 76.03, -65.5, 74.17

 

CMYK 100 / 0 / 20 / 16

HEX #01D5AB

RGB 1 213 171

HSL 168.11, 0.99%, 0.42%

LAB 76.4, -53.51, 8.54

 

CMYK 0 / 100 / 20 / 16

HEX #D501AB

RGB 213 1 171

HSL 311.89, 0.99%, 0.42%

LAB 48.4, 80.14, -32.21

 

CMYK 61 / 0 / 100 / 16

HEX #53D601

RGB 83 214 1

HSL 96.9, 0.99%, 0.42%

LAB 76.03, -65.5, 74.17

 

CMYK 100 / 60 / 0 / 16

HEX #0156D5

RGB 1 86 213

HSL 215.94, 0.99%, 0.42%

LAB 40.35, 29.38, -70.68

 

CMYK 0 / 100 / 60 / 16

HEX #D50156

RGB 213 1 86

HSL 335.94, 0.99%, 0.42%

LAB 45.41, 72.4, 15.25

 

CMYK 61 / 0 / 100 / 16

HEX #53D601

RGB 83 214 1

HSL 96.9, 0.99%, 0.42%

LAB 76.03, -65.5, 74.17

 

CMYK 100 / 0 / 20 / 16

HEX #01D5AB

RGB 1 213 171

HSL 168.11, 0.99%, 0.42%

LAB 76.4, -53.51, 8.54

 

CMYK 40 / 100 / 0 / 16

HEX #8001D5

RGB 128 1 213

HSL 275.94, 0.99%, 0.42%

LAB 36.77, 74.44, -76.26

 

CMYK 0 / 100 / 80 / 16

HEX #D5012B

RGB 213 1 43

HSL 348.11, 0.99%, 0.42%

LAB 44.72, 70.52, 40.59

 

CMYK 61 / 0 / 100 / 16

HEX #53D601

RGB 83 214 1

HSL 96.9, 0.99%, 0.42%

LAB 76.03, -65.5, 74.17

 

CMYK 100 / 10 / 0 / 16

HEX #01C0D5

RGB 1 192 213

HSL 185.94, 0.99%, 0.42%

LAB 71.22, -32.25, -21.84

 

CMYK 40 / 100 / 0 / 16

HEX #8001D5

RGB 128 1 213

HSL 275.94, 0.99%, 0.42%

LAB 36.77, 74.44, -76.26

 

CMYK 0 / 90 / 100 / 16

HEX #D51601

RGB 213 22 1

HSL 5.94, 0.99%, 0.42%

LAB 45.25, 67.62, 58.65

 

Description

Color code: HEX #53D601 | qconv.com Color code: HEX #53D601 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 214 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 214 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 100 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 100% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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