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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53D31B it is the complementary color #AC2CE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53D31B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53D31B shade: #58D316, #69E529, #7AF73C, #8BFF4F and #9CFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53D31B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53D31B shade: #53D31B, #42C108, #31AF00, #209D00 and #0F8B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53D31B shade: #54D41C, #86D41C, #B7D41C, #D4BF1C and #D48D1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53D31B shade: #54D41C, #22D41C, #1CD447, #1CD479 and #1CD4AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53D31B shade matches the following richer shades: #54D41C and #4CE808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53D31B shade: #54D41C, #5BC12F, #63AD42, #6B9A56 and #728769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53D31B shade: #B8D41C, #87D41C, #56D41C, #25D41C and #1CD444

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53D31B shade: #378B12, #45B017, #54D41C, #6AE534 and #85E959

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53D31B shade: #53D31B, #1CD4BF and #D41CA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53D31B shade: #53D31B, #1C56D4 and #D41C56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53D31B shade: #53D31B, #1CD4BF, #9A1CD4 and #D41C31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53D31B shade: #53D31B, #1CB2D4, #9A1CD4 and #D43D1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 87 / 17

HEX #53D31B

RGB 83 211 27

HSL 101.74, 0.77%, 0.47%

LAB 75.14, -63.93, 70.11

 

Complementary color

CMYK 25 / 81 / 0 / 11

HEX #AC2CE4

RGB 172 44 228

HSL 281.74, 0.77%, 0.53%

LAB 47.2, 75.12, -67.54

 

CMYK 58 / 0 / 90 / 17

HEX #58D316

RGB 88 211 22

HSL 99.05, 0.81%, 0.46%

LAB 75.28, -62.88, 71.18

 

CMYK 54 / 0 / 82 / 10

HEX #69E529

RGB 105 229 41

HSL 99.57, 0.78%, 0.53%

LAB 81.4, -64.05, 72.8

 

CMYK 51 / 0 / 76 / 3

HEX #7AF73C

RGB 122 247 60

HSL 100.11, 0.92%, 0.6%

LAB 87.48, -64.88, 73.41

 

CMYK 45 / 0 / 69 / 0

HEX #8BFF4F

RGB 139 255 79

HSL 99.55, 1%, 0.65%

LAB 90.58, -61.75, 70.36

 

CMYK 39 / 0 / 62 / 0

HEX #9CFF62

RGB 156 255 98

HSL 97.83, 1%, 0.69%

LAB 91.45, -55.05, 64.15

 

CMYK 61 / 0 / 87 / 17

HEX #53D31B

RGB 83 211 27

HSL 101.74, 0.77%, 0.47%

LAB 75.14, -63.93, 70.11

 

CMYK 66 / 0 / 96 / 24

HEX #42C108

RGB 66 193 8

HSL 101.19, 0.92%, 0.39%

LAB 68.98, -62.3, 67.59

 

CMYK 72 / 0 / 100 / 31

HEX #31AF00

RGB 49 175 0

HSL 103.2, 1%, 0.34%

LAB 62.77, -60.06, 63.39

 

CMYK 80 / 0 / 100 / 38

HEX #209D00

RGB 32 157 0

HSL 107.77, 1%, 0.31%

LAB 56.51, -57.23, 58.27

 

CMYK 89 / 0 / 100 / 45

HEX #0F8B00

RGB 15 139 0

HSL 113.53, 1%, 0.27%

LAB 50.18, -53.78, 53.11

 

CMYK 60 / 0 / 87 / 17

HEX #54D41C

RGB 84 212 28

HSL 101.74, 0.77%, 0.47%

LAB 75.49, -64, 70.22

 

CMYK 37 / 0 / 87 / 17

HEX #86D41C

RGB 134 212 28

HSL 85.43, 0.77%, 0.47%

LAB 77.42, -49.2, 72.65

 

CMYK 14 / 0 / 87 / 17

HEX #B7D41C

RGB 183 212 28

HSL 69.46, 0.77%, 0.47%

LAB 80.31, -30.47, 76.23

 

CMYK 0 / 10 / 87 / 17

HEX #D4BF1C

RGB 212 191 28

HSL 53.15, 0.77%, 0.47%

LAB 76.89, -7.83, 74.39

 

CMYK 0 / 33 / 87 / 17

HEX #D48D1C

RGB 212 141 28

HSL 36.85, 0.77%, 0.47%

LAB 64.27, 18.73, 64.24

 

CMYK 60 / 0 / 87 / 17

HEX #54D41C

RGB 84 212 28

HSL 101.74, 0.77%, 0.47%

LAB 75.49, -64, 70.22

 

CMYK 84 / 0 / 87 / 17

HEX #22D41C

RGB 34 212 28

HSL 118.04, 0.77%, 0.47%

LAB 74.52, -72.32, 69

 

CMYK 87 / 0 / 67 / 17

HEX #1CD447

RGB 28 212 71

HSL 134.02, 0.77%, 0.47%

LAB 74.69, -69.87, 55.76

 

CMYK 87 / 0 / 43 / 17

HEX #1CD479

RGB 28 212 121

HSL 150.33, 0.77%, 0.47%

LAB 75.27, -62.82, 33.22

 

CMYK 87 / 0 / 20 / 17

HEX #1CD4AA

RGB 28 212 170

HSL 166.3, 0.77%, 0.47%

LAB 76.21, -52.27, 8.83

 

CMYK 60 / 0 / 87 / 17

HEX #54D41C

RGB 84 212 28

HSL 101.74, 0.77%, 0.47%

LAB 75.49, -64, 70.22

 

CMYK 67 / 0 / 97 / 9

HEX #4CE808

RGB 76 232 8

HSL 101.79, 0.93%, 0.47%

LAB 81.44, -72.59, 77.79

 

CMYK 60 / 0 / 87 / 17

HEX #54D41C

RGB 84 212 28

HSL 101.74, 0.77%, 0.47%

LAB 75.49, -64, 70.22

 

CMYK 53 / 0 / 76 / 24

HEX #5BC12F

RGB 91 193 47

HSL 101.92, 0.61%, 0.47%

LAB 69.87, -54.56, 60.1

 

CMYK 43 / 0 / 62 / 32

HEX #63AD42

RGB 99 173 66

HSL 101.5, 0.45%, 0.47%

LAB 64.11, -42.67, 46.69

 

CMYK 31 / 0 / 44 / 40

HEX #6B9A56

RGB 107 154 86

HSL 101.47, 0.28%, 0.47%

LAB 58.89, -28.92, 30.69

 

CMYK 16 / 0 / 22 / 47

HEX #728769

RGB 114 135 105

HSL 102, 0.13%, 0.47%

LAB 53.95, -13.55, 13.67

 

CMYK 13 / 0 / 87 / 17

HEX #B8D41C

RGB 184 212 28

HSL 69.13, 0.77%, 0.47%

LAB 80.38, -30.06, 76.31

 

CMYK 36 / 0 / 87 / 17

HEX #87D41C

RGB 135 212 28

HSL 85.11, 0.77%, 0.47%

LAB 77.47, -48.85, 72.71

 

CMYK 59 / 0 / 87 / 17

HEX #56D41C

RGB 86 212 28

HSL 101.09, 0.77%, 0.47%

LAB 75.54, -63.52, 70.29

 

CMYK 83 / 0 / 87 / 17

HEX #25D41C

RGB 37 212 28

HSL 117.07, 0.77%, 0.47%

LAB 74.55, -72.02, 69.04

 

CMYK 87 / 0 / 68 / 17

HEX #1CD444

RGB 28 212 68

HSL 133.04, 0.77%, 0.47%

LAB 74.67, -70.17, 56.93

 

CMYK 60 / 0 / 87 / 45

HEX #378B12

RGB 55 139 18

HSL 101.65, 0.77%, 0.31%

LAB 51.06, -46, 50.69

 

CMYK 61 / 0 / 87 / 31

HEX #45B017

RGB 69 176 23

HSL 101.96, 0.77%, 0.39%

LAB 63.65, -55.49, 60.79

 

CMYK 60 / 0 / 87 / 17

HEX #54D41C

RGB 84 212 28

HSL 101.74, 0.77%, 0.47%

LAB 75.49, -64, 70.22

 

CMYK 54 / 0 / 77 / 10

HEX #6AE534

RGB 106 229 52

HSL 101.69, 0.77%, 0.55%

LAB 81.48, -63.24, 69.89

 

CMYK 43 / 0 / 62 / 9

HEX #85E959

RGB 133 233 89

HSL 101.67, 0.77%, 0.63%

LAB 83.96, -54.25, 59.3

 

CMYK 61 / 0 / 87 / 17

HEX #53D31B

RGB 83 211 27

HSL 101.74, 0.77%, 0.47%

LAB 75.14, -63.93, 70.11

 

CMYK 87 / 0 / 10 / 17

HEX #1CD4BF

RGB 28 212 191

HSL 173.15, 0.77%, 0.47%

LAB 76.74, -46.8, -1.67

 

CMYK 0 / 87 / 25 / 17

HEX #D41CA0

RGB 212 28 160

HSL 316.96, 0.77%, 0.47%

LAB 48.72, 75.67, -25.19

 

CMYK 61 / 0 / 87 / 17

HEX #53D31B

RGB 83 211 27

HSL 101.74, 0.77%, 0.47%

LAB 75.14, -63.93, 70.11

 

CMYK 87 / 59 / 0 / 17

HEX #1C56D4

RGB 28 86 212

HSL 221.09, 0.77%, 0.47%

LAB 40.66, 30.04, -69.58

 

CMYK 0 / 87 / 59 / 17

HEX #D41C56

RGB 212 28 86

HSL 341.09, 0.77%, 0.47%

LAB 46.31, 68.98, 16.44

 

CMYK 61 / 0 / 87 / 17

HEX #53D31B

RGB 83 211 27

HSL 101.74, 0.77%, 0.47%

LAB 75.14, -63.93, 70.11

 

CMYK 87 / 0 / 10 / 17

HEX #1CD4BF

RGB 28 212 191

HSL 173.15, 0.77%, 0.47%

LAB 76.74, -46.8, -1.67

 

CMYK 27 / 87 / 0 / 17

HEX #9A1CD4

RGB 154 28 212

HSL 281.09, 0.77%, 0.47%

LAB 41.93, 73.32, -67.08

 

CMYK 0 / 87 / 77 / 17

HEX #D41C31

RGB 212 28 49

HSL 353.15, 0.77%, 0.47%

LAB 45.7, 67.22, 38.12

 

CMYK 61 / 0 / 87 / 17

HEX #53D31B

RGB 83 211 27

HSL 101.74, 0.77%, 0.47%

LAB 75.14, -63.93, 70.11

 

CMYK 87 / 16 / 0 / 17

HEX #1CB2D4

RGB 28 178 212

HSL 191.09, 0.77%, 0.47%

LAB 67.16, -24.63, -27.5

 

CMYK 27 / 87 / 0 / 17

HEX #9A1CD4

RGB 154 28 212

HSL 281.09, 0.77%, 0.47%

LAB 41.93, 73.32, -67.08

 

CMYK 0 / 71 / 87 / 17

HEX #D43D1C

RGB 212 61 28

HSL 10.76, 0.77%, 0.47%

LAB 48.78, 57.49, 51.76

 

Description

Color code: HEX #53D31B | qconv.com Color code: HEX #53D31B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 211 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 211 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 87 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 87% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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