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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53CC3C it is the complementary color #AC33C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53CC3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53CC3C shade: #58CC37, #69DE4A, #7AF05D, #8BFF70 and #9CFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53CC3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53CC3C shade: #53CC3C, #42BA29, #31A816, #209603 and #0F8400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53CC3C shade: #53CC3C, #7ACC3C, #A1CC3C, #C8CC3C and #CCAA3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53CC3C shade: #53CC3C, #3CCC4C, #3CCC73, #3CCC9A and #3CCCC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53CC3C shade matches the following richer shades: #53CC3C, #45E028 and #38F414

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53CC3C shade: #53CC3C, #60B950, #6EA563, #7B9177 and #897D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53CC3C shade: #A1CC3C, #7ACC3C, #54CC3C, #3CCC4A and #3CCC71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53CC3C shade: #369125, #43B22D, #53CC3C, #70D55D and #8DDD7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53CC3C shade: #53CC3C, #3CC8CC and #CC3C8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53CC3C shade: #53CC3C, #3C54CC and #CC3C54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53CC3C shade: #53CC3C, #3CC8CC, #B43CCC and #CC413C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53CC3C shade: #53CC3C, #3C9CCC, #B43CCC and #CC6C3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 71 / 20

HEX #53CC3C

RGB 83 204 60

HSL 110.42, 0.59%, 0.52%

LAB 73.12, -59.67, 58.69

 

Complementary color

CMYK 12 / 74 / 0 / 24

HEX #AC33C3

RGB 172 51 195

HSL 290.42, 0.59%, 0.48%

LAB 45.74, 66.75, -50.94

 

CMYK 57 / 0 / 73 / 20

HEX #58CC37

RGB 88 204 55

HSL 106.71, 0.59%, 0.51%

LAB 73.24, -58.82, 60.67

 

CMYK 53 / 0 / 67 / 13

HEX #69DE4A

RGB 105 222 74

HSL 107.43, 0.69%, 0.58%

LAB 79.47, -59.42, 60.19

 

CMYK 49 / 0 / 61 / 6

HEX #7AF05D

RGB 122 240 93

HSL 108.16, 0.83%, 0.65%

LAB 85.63, -59.77, 59.36

 

CMYK 45 / 0 / 56 / 0

HEX #8BFF70

RGB 139 255 112

HSL 108.67, 1%, 0.72%

LAB 90.86, -58.79, 57.34

 

CMYK 39 / 0 / 49 / 0

HEX #9CFF83

RGB 156 255 131

HSL 107.9, 1%, 0.76%

LAB 91.79, -51.59, 49.97

 

CMYK 59 / 0 / 71 / 20

HEX #53CC3C

RGB 83 204 60

HSL 110.42, 0.59%, 0.52%

LAB 73.12, -59.67, 58.69

 

CMYK 65 / 0 / 78 / 27

HEX #42BA29

RGB 66 186 41

HSL 109.66, 0.64%, 0.45%

LAB 66.85, -58.71, 58.85

 

CMYK 71 / 0 / 87 / 34

HEX #31A816

RGB 49 168 22

HSL 108.9, 0.77%, 0.37%

LAB 60.53, -57.21, 58.06

 

CMYK 79 / 0 / 98 / 41

HEX #209603

RGB 32 150 3

HSL 108.16, 0.96%, 0.3%

LAB 54.16, -54.99, 55.9

 

CMYK 89 / 0 / 100 / 48

HEX #0F8400

RGB 15 132 0

HSL 113.18, 1%, 0.26%

LAB 47.76, -51.67, 51.18

 

CMYK 59 / 0 / 71 / 20

HEX #53CC3C

RGB 83 204 60

HSL 110.42, 0.59%, 0.52%

LAB 73.12, -59.67, 58.69

 

CMYK 40 / 0 / 71 / 20

HEX #7ACC3C

RGB 122 204 60

HSL 94.17, 0.59%, 0.52%

LAB 74.6, -48.46, 60.68

 

CMYK 21 / 0 / 71 / 20

HEX #A1CC3C

RGB 161 204 60

HSL 77.92, 0.59%, 0.52%

LAB 76.73, -34.28, 63.52

 

CMYK 2 / 0 / 71 / 20

HEX #C8CC3C

RGB 200 204 60

HSL 61.67, 0.59%, 0.52%

LAB 79.49, -18.41, 67.17

 

CMYK 0 / 17 / 71 / 20

HEX #CCAA3C

RGB 204 170 60

HSL 45.83, 0.59%, 0.52%

LAB 70.81, 0.8, 58.69

 

CMYK 59 / 0 / 71 / 20

HEX #53CC3C

RGB 83 204 60

HSL 110.42, 0.59%, 0.52%

LAB 73.12, -59.67, 58.69

 

CMYK 71 / 0 / 63 / 20

HEX #3CCC4C

RGB 60 204 76

HSL 126.67, 0.59%, 0.52%

LAB 72.67, -62.88, 51.57

 

CMYK 71 / 0 / 44 / 20

HEX #3CCC73

RGB 60 204 115

HSL 142.92, 0.59%, 0.52%

LAB 73.14, -57.39, 33.59

 

CMYK 71 / 0 / 25 / 20

HEX #3CCC9A

RGB 60 204 154

HSL 159.17, 0.59%, 0.52%

LAB 73.86, -49.59, 14.11

 

CMYK 71 / 0 / 5 / 20

HEX #3CCCC1

RGB 60 204 193

HSL 175.42, 0.59%, 0.52%

LAB 74.82, -39.77, -5.51

 

CMYK 59 / 0 / 71 / 20

HEX #53CC3C

RGB 83 204 60

HSL 110.42, 0.59%, 0.52%

LAB 73.12, -59.67, 58.69

 

CMYK 69 / 0 / 82 / 12

HEX #45E028

RGB 69 224 40

HSL 110.54, 0.75%, 0.52%

LAB 78.89, -70.49, 70.4

 

CMYK 77 / 0 / 92 / 4

HEX #38F414

RGB 56 244 20

HSL 110.36, 0.91%, 0.52%

LAB 84.79, -79.12, 79.17

 

CMYK 59 / 0 / 71 / 20

HEX #53CC3C

RGB 83 204 60

HSL 110.42, 0.59%, 0.52%

LAB 73.12, -59.67, 58.69

 

CMYK 48 / 0 / 57 / 27

HEX #60B950

RGB 96 185 80

HSL 110.86, 0.43%, 0.52%

LAB 67.85, -47.05, 44.51

 

CMYK 33 / 0 / 40 / 35

HEX #6EA563

RGB 110 165 99

HSL 110, 0.27%, 0.52%

LAB 62.61, -31.22, 28.6

 

CMYK 15 / 0 / 18 / 43

HEX #7B9177

RGB 123 145 119

HSL 110.77, 0.11%, 0.52%

LAB 57.84, -13.04, 11.23

 

CMYK 1 / 10 / 0 / 45

HEX #897D8B

RGB 137 125 139

HSL 291.43, 0.06%, 0.52%

LAB 53.87, 7.28, -5.91

 

CMYK 21 / 0 / 71 / 20

HEX #A1CC3C

RGB 161 204 60

HSL 77.92, 0.59%, 0.52%

LAB 76.73, -34.28, 63.52

 

CMYK 40 / 0 / 71 / 20

HEX #7ACC3C

RGB 122 204 60

HSL 94.17, 0.59%, 0.52%

LAB 74.6, -48.46, 60.68

 

CMYK 59 / 0 / 71 / 20

HEX #54CC3C

RGB 84 204 60

HSL 110, 0.59%, 0.52%

LAB 73.15, -59.43, 58.73

 

CMYK 71 / 0 / 64 / 20

HEX #3CCC4A

RGB 60 204 74

HSL 125.83, 0.59%, 0.52%

LAB 72.65, -63.09, 52.41

 

CMYK 71 / 0 / 45 / 20

HEX #3CCC71

RGB 60 204 113

HSL 142.08, 0.59%, 0.52%

LAB 73.11, -57.73, 34.57

 

CMYK 63 / 0 / 74 / 43

HEX #369125

RGB 54 145 37

HSL 110.56, 0.59%, 0.36%

LAB 53.13, -47.29, 46.61

 

CMYK 62 / 0 / 75 / 30

HEX #43B22D

RGB 67 178 45

HSL 110.08, 0.6%, 0.44%

LAB 64.34, -55.45, 55.07

 

CMYK 59 / 0 / 71 / 20

HEX #53CC3C

RGB 83 204 60

HSL 110.42, 0.59%, 0.52%

LAB 73.12, -59.67, 58.69

 

CMYK 47 / 0 / 56 / 16

HEX #70D55D

RGB 112 213 93

HSL 110.5, 0.59%, 0.6%

LAB 77.18, -52.15, 49.58

 

CMYK 36 / 0 / 43 / 13

HEX #8DDD7D

RGB 141 221 125

HSL 110, 0.59%, 0.68%

LAB 81.21, -42.64, 39.48

 

CMYK 59 / 0 / 71 / 20

HEX #53CC3C

RGB 83 204 60

HSL 110.42, 0.59%, 0.52%

LAB 73.12, -59.67, 58.69

 

CMYK 71 / 2 / 0 / 20

HEX #3CC8CC

RGB 60 200 204

HSL 181.67, 0.59%, 0.52%

LAB 73.95, -34.83, -12.76

 

CMYK 0 / 71 / 30 / 20

HEX #CC3C8E

RGB 204 60 142

HSL 325.83, 0.59%, 0.52%

LAB 49.52, 63.22, -13.32

 

CMYK 59 / 0 / 71 / 20

HEX #53CC3C

RGB 83 204 60

HSL 110.42, 0.59%, 0.52%

LAB 73.12, -59.67, 58.69

 

CMYK 71 / 59 / 0 / 20

HEX #3C54CC

RGB 60 84 204

HSL 230, 0.59%, 0.52%

LAB 40.67, 31.41, -64.92

 

CMYK 0 / 71 / 59 / 20

HEX #CC3C54

RGB 204 60 84

HSL 350, 0.59%, 0.52%

LAB 47.89, 57.76, 19.53

 

CMYK 59 / 0 / 71 / 20

HEX #53CC3C

RGB 83 204 60

HSL 110.42, 0.59%, 0.52%

LAB 73.12, -59.67, 58.69

 

CMYK 71 / 2 / 0 / 20

HEX #3CC8CC

RGB 60 200 204

HSL 181.67, 0.59%, 0.52%

LAB 73.95, -34.83, -12.76

 

CMYK 12 / 71 / 0 / 20

HEX #B43CCC

RGB 180 60 204

HSL 290, 0.59%, 0.52%

LAB 48.63, 66.84, -51.45

 

CMYK 0 / 68 / 71 / 20

HEX #CC413C

RGB 204 65 60

HSL 2.08, 0.59%, 0.52%

LAB 48.19, 54.45, 34.18

 

CMYK 59 / 0 / 71 / 20

HEX #53CC3C

RGB 83 204 60

HSL 110.42, 0.59%, 0.52%

LAB 73.12, -59.67, 58.69

 

CMYK 71 / 24 / 0 / 20

HEX #3C9CCC

RGB 60 156 204

HSL 200, 0.59%, 0.52%

LAB 60.87, -12.46, -32.74

 

CMYK 12 / 71 / 0 / 20

HEX #B43CCC

RGB 180 60 204

HSL 290, 0.59%, 0.52%

LAB 48.63, 66.84, -51.45

 

CMYK 0 / 47 / 71 / 20

HEX #CC6C3C

RGB 204 108 60

HSL 20, 0.59%, 0.52%

LAB 55.98, 34.23, 43.04

 

Description

Color code: HEX #53CC3C | qconv.com Color code: HEX #53CC3C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 204 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 204 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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