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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53BD0F it is the complementary color #AC42F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53BD0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53BD0F shade: #58BD0A, #69CF1D, #7AE130, #8BF343 and #9CFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53BD0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53BD0F shade: #53BD0F, #42AB00, #319900, #208700 and #0F7500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53BD0F shade: #53BD0F, #82BD0F, #B1BD0F, #BD9A0F and #BD6B0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53BD0F shade: #53BD0F, #24BD0F, #0FBD29, #0FBD58 and #0FBD87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53BD0F shade matches the following richer shades: #53BD0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53BD0F shade: #53BD0F, #57AC20, #5A9C30, #5E8B41 and #617B51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53BD0F shade: #B1BD0F, #83BD0F, #55BD0F, #26BD0F and #0FBD26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53BD0F shade: #317009, #42970C, #53BD0F, #64E312 and #7BEE30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53BD0F shade: #53BD0F, #0FBD9A and #BD0F9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53BD0F shade: #53BD0F, #0F55BD and #BD0F55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53BD0F shade: #53BD0F, #0FBD9A, #770FBD and #BD0F32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53BD0F shade: #53BD0F, #0FABBD, #770FBD and #BD210F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 92 / 26

HEX #53BD0F

RGB 83 189 15

HSL 96.55, 0.85%, 0.4%

LAB 68.22, -56.71, 66.3

 

Complementary color

CMYK 28 / 73 / 0 / 6

HEX #AC42F0

RGB 172 66 240

HSL 276.55, 0.85%, 0.6%

LAB 50.64, 70.09, -68.73

 

CMYK 53 / 0 / 95 / 26

HEX #58BD0A

RGB 88 189 10

HSL 93.85, 0.9%, 0.39%

LAB 68.38, -55.44, 67.15

 

CMYK 49 / 0 / 86 / 19

HEX #69CF1D

RGB 105 207 29

HSL 94.38, 0.75%, 0.46%

LAB 74.65, -56.6, 69.56

 

CMYK 46 / 0 / 79 / 12

HEX #7AE130

RGB 122 225 48

HSL 94.92, 0.75%, 0.54%

LAB 80.85, -57.43, 70.67

 

CMYK 43 / 0 / 72 / 5

HEX #8BF343

RGB 139 243 67

HSL 95.45, 0.88%, 0.61%

LAB 86.99, -58, 70.91

 

CMYK 39 / 0 / 66 / 0

HEX #9CFF56

RGB 156 255 86

HSL 95.15, 1%, 0.67%

LAB 91.35, -56.02, 68.79

 

CMYK 56 / 0 / 92 / 26

HEX #53BD0F

RGB 83 189 15

HSL 96.55, 0.85%, 0.4%

LAB 68.22, -56.71, 66.3

 

CMYK 61 / 0 / 100 / 33

HEX #42AB00

RGB 66 171 0

HSL 96.84, 1%, 0.34%

LAB 61.9, -55.11, 62.88

 

CMYK 68 / 0 / 100 / 40

HEX #319900

RGB 49 153 0

HSL 100.78, 1%, 0.3%

LAB 55.52, -52.93, 57.63

 

CMYK 76 / 0 / 100 / 47

HEX #208700

RGB 32 135 0

HSL 105.78, 1%, 0.26%

LAB 49.05, -50.32, 52.32

 

CMYK 87 / 0 / 100 / 54

HEX #0F7500

RGB 15 117 0

HSL 112.31, 1%, 0.23%

LAB 42.5, -47.06, 46.97

 

CMYK 56 / 0 / 92 / 26

HEX #53BD0F

RGB 83 189 15

HSL 96.55, 0.85%, 0.4%

LAB 68.22, -56.71, 66.3

 

CMYK 31 / 0 / 92 / 26

HEX #82BD0F

RGB 130 189 15

HSL 80.34, 0.85%, 0.4%

LAB 70.3, -41.32, 68.86

 

CMYK 6 / 0 / 92 / 26

HEX #B1BD0F

RGB 177 189 15

HSL 64.14, 0.85%, 0.4%

LAB 73.4, -22.2, 72.64

 

CMYK 0 / 19 / 92 / 26

HEX #BD9A0F

RGB 189 154 15

HSL 47.93, 0.85%, 0.4%

LAB 64.93, 1.24, 66.57

 

CMYK 0 / 43 / 92 / 26

HEX #BD6B0F

RGB 189 107 15

HSL 31.72, 0.85%, 0.4%

LAB 53.35, 27.02, 57.92

 

CMYK 56 / 0 / 92 / 26

HEX #53BD0F

RGB 83 189 15

HSL 96.55, 0.85%, 0.4%

LAB 68.22, -56.71, 66.3

 

CMYK 81 / 0 / 92 / 26

HEX #24BD0F

RGB 36 189 15

HSL 112.76, 0.85%, 0.4%

LAB 67.13, -65.91, 64.95

 

CMYK 92 / 0 / 78 / 26

HEX #0FBD29

RGB 15 189 41

HSL 128.97, 0.85%, 0.4%

LAB 67.02, -66.54, 58.74

 

CMYK 92 / 0 / 53 / 26

HEX #0FBD58

RGB 15 189 88

HSL 145.17, 0.85%, 0.4%

LAB 67.43, -61.44, 39.75

 

CMYK 92 / 0 / 29 / 26

HEX #0FBD87

RGB 15 189 135

HSL 161.38, 0.85%, 0.4%

LAB 68.2, -52.41, 16.34

 

CMYK 56 / 0 / 92 / 26

HEX #53BD0F

RGB 83 189 15

HSL 96.55, 0.85%, 0.4%

LAB 68.22, -56.71, 66.3

 

CMYK 56 / 0 / 92 / 26

HEX #53BD0F

RGB 83 189 15

HSL 96.55, 0.85%, 0.4%

LAB 68.22, -56.71, 66.3

 

CMYK 49 / 0 / 81 / 33

HEX #57AC20

RGB 87 172 32

HSL 96.43, 0.69%, 0.4%

LAB 63.04, -48.63, 58.21

 

CMYK 42 / 0 / 69 / 39

HEX #5A9C30

RGB 90 156 48

HSL 96.67, 0.53%, 0.4%

LAB 58.19, -40.09, 47.91

 

CMYK 32 / 0 / 53 / 45

HEX #5E8B41

RGB 94 139 65

HSL 96.49, 0.36%, 0.4%

LAB 53.2, -29.25, 34.44

 

CMYK 21 / 0 / 34 / 52

HEX #617B51

RGB 97 123 81

HSL 97.14, 0.21%, 0.4%

LAB 48.64, -17.75, 19.98

 

CMYK 6 / 0 / 92 / 26

HEX #B1BD0F

RGB 177 189 15

HSL 64.14, 0.85%, 0.4%

LAB 73.4, -22.2, 72.64

 

CMYK 31 / 0 / 92 / 26

HEX #83BD0F

RGB 131 189 15

HSL 80, 0.85%, 0.4%

LAB 70.35, -40.94, 68.93

 

CMYK 55 / 0 / 92 / 26

HEX #55BD0F

RGB 85 189 15

HSL 95.86, 0.85%, 0.4%

LAB 68.29, -56.17, 66.38

 

CMYK 80 / 0 / 92 / 26

HEX #26BD0F

RGB 38 189 15

HSL 112.07, 0.85%, 0.4%

LAB 67.16, -65.66, 64.98

 

CMYK 92 / 0 / 80 / 26

HEX #0FBD26

RGB 15 189 38

HSL 127.93, 0.85%, 0.4%

LAB 67, -66.74, 59.63

 

CMYK 56 / 0 / 92 / 56

HEX #317009

RGB 49 112 9

HSL 96.7, 0.85%, 0.24%

LAB 41.63, -37.72, 44.47

 

CMYK 56 / 0 / 92 / 41

HEX #42970C

RGB 66 151 12

HSL 96.69, 0.85%, 0.32%

LAB 55.4, -47.65, 55.83

 

CMYK 56 / 0 / 92 / 26

HEX #53BD0F

RGB 83 189 15

HSL 96.55, 0.85%, 0.4%

LAB 68.22, -56.71, 66.3

 

CMYK 56 / 0 / 92 / 11

HEX #64E312

RGB 100 227 18

HSL 96.46, 0.85%, 0.48%

LAB 80.57, -65.41, 76.33

 

CMYK 48 / 0 / 80 / 7

HEX #7BEE30

RGB 123 238 48

HSL 96.32, 0.85%, 0.56%

LAB 84.78, -61.97, 74.32

 

CMYK 56 / 0 / 92 / 26

HEX #53BD0F

RGB 83 189 15

HSL 96.55, 0.85%, 0.4%

LAB 68.22, -56.71, 66.3

 

CMYK 92 / 0 / 19 / 26

HEX #0FBD9A

RGB 15 189 154

HSL 167.93, 0.85%, 0.4%

LAB 68.63, -47.75, 6.61

 

CMYK 0 / 92 / 19 / 26

HEX #BD0F9A

RGB 189 15 154

HSL 312.07, 0.85%, 0.4%

LAB 43.5, 72.19, -30.05

 

CMYK 56 / 0 / 92 / 26

HEX #53BD0F

RGB 83 189 15

HSL 96.55, 0.85%, 0.4%

LAB 68.22, -56.71, 66.3

 

CMYK 92 / 55 / 0 / 26

HEX #0F55BD

RGB 15 85 189

HSL 215.86, 0.85%, 0.4%

LAB 38.33, 20.98, -60.08

 

CMYK 0 / 92 / 55 / 26

HEX #BD0F55

RGB 189 15 85

HSL 335.86, 0.85%, 0.4%

LAB 40.92, 65.3, 8.9

 

CMYK 56 / 0 / 92 / 26

HEX #53BD0F

RGB 83 189 15

HSL 96.55, 0.85%, 0.4%

LAB 68.22, -56.71, 66.3

 

CMYK 92 / 0 / 19 / 26

HEX #0FBD9A

RGB 15 189 154

HSL 167.93, 0.85%, 0.4%

LAB 68.63, -47.75, 6.61

 

CMYK 37 / 92 / 0 / 26

HEX #770FBD

RGB 119 15 189

HSL 275.86, 0.85%, 0.4%

LAB 33.85, 66.63, -67.08

 

CMYK 0 / 92 / 74 / 26

HEX #BD0F32

RGB 189 15 50

HSL 347.93, 0.85%, 0.4%

LAB 40.23, 63.37, 30.07

 

CMYK 56 / 0 / 92 / 26

HEX #53BD0F

RGB 83 189 15

HSL 96.55, 0.85%, 0.4%

LAB 68.22, -56.71, 66.3

 

CMYK 92 / 10 / 0 / 26

HEX #0FABBD

RGB 15 171 189

HSL 186.21, 0.85%, 0.4%

LAB 64.08, -29.39, -19.49

 

CMYK 37 / 92 / 0 / 26

HEX #770FBD

RGB 119 15 189

HSL 275.86, 0.85%, 0.4%

LAB 33.85, 66.63, -67.08

 

CMYK 0 / 83 / 92 / 26

HEX #BD210F

RGB 189 33 15

HSL 6.21, 0.85%, 0.4%

LAB 41.12, 58.98, 49.32

 

Description

Color code: HEX #53BD0F | qconv.com Color code: HEX #53BD0F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 189 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 189 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 92 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 92% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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