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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53B90B it is the complementary color #AC46F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53B90B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53B90B shade: #58B906, #69CB19, #7ADD2C, #8BEF3F and #9CFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53B90B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53B90B shade: #53B90B, #42A700, #319500, #208300 and #0F7100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53B90B shade: #52B70B, #81B70B, #AFB70B, #B7910B and #B7620B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53B90B shade: #52B70B, #24B70B, #0BB720, #0BB74F and #0BB77D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53B90B shade matches the following richer shades: #52B70B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53B90B shade: #52B70B, #55A71A, #57982A, #5A883A and #5D7849

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53B90B shade: #AFB70B, #81B70B, #53B70B, #25B70B and #0BB71F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53B90B shade: #2F6906, #419008, #52B70B, #64DE0D and #78F222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53B90B shade: #53B90B, #0BB792 and #B70B98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53B90B shade: #53B90B, #0B53B7 and #B70B53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53B90B shade: #53B90B, #0BB792, #6F0BB7 and #B70B30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53B90B shade: #53B90B, #0BA9B7, #6F0BB7 and #B7190B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 94 / 27

HEX #53B90B

RGB 83 185 11

HSL 95.17, 0.89%, 0.38%

LAB 66.95, -55.37, 65.79

 

Complementary color

CMYK 30 / 71 / 0 / 4

HEX #AC46F4

RGB 172 70 244

HSL 275.17, 0.89%, 0.62%

LAB 51.48, 69.34, -69.61

 

CMYK 52 / 0 / 97 / 27

HEX #58B906

RGB 88 185 6

HSL 92.51, 0.94%, 0.37%

LAB 67.12, -54.05, 66.59

 

CMYK 48 / 0 / 88 / 20

HEX #69CB19

RGB 105 203 25

HSL 93.03, 0.78%, 0.45%

LAB 73.41, -55.24, 69.29

 

CMYK 45 / 0 / 80 / 13

HEX #7ADD2C

RGB 122 221 44

HSL 93.56, 0.72%, 0.52%

LAB 79.63, -56.1, 70.65

 

CMYK 42 / 0 / 74 / 6

HEX #8BEF3F

RGB 139 239 63

HSL 94.09, 0.85%, 0.59%

LAB 85.8, -56.7, 71.06

 

CMYK 39 / 0 / 68 / 0

HEX #9CFF52

RGB 156 255 82

HSL 94.34, 1%, 0.66%

LAB 91.32, -56.32, 70.26

 

CMYK 55 / 0 / 94 / 27

HEX #53B90B

RGB 83 185 11

HSL 95.17, 0.89%, 0.38%

LAB 66.95, -55.37, 65.79

 

CMYK 60 / 0 / 100 / 35

HEX #42A700

RGB 66 167 0

HSL 96.29, 1%, 0.33%

LAB 60.6, -53.72, 61.86

 

CMYK 67 / 0 / 100 / 42

HEX #319500

RGB 49 149 0

HSL 100.27, 1%, 0.29%

LAB 54.18, -51.58, 56.57

 

CMYK 76 / 0 / 100 / 49

HEX #208300

RGB 32 131 0

HSL 105.34, 1%, 0.26%

LAB 47.67, -49.02, 51.22

 

CMYK 87 / 0 / 100 / 56

HEX #0F7100

RGB 15 113 0

HSL 112.04, 1%, 0.22%

LAB 41.08, -45.81, 45.83

 

CMYK 55 / 0 / 94 / 28

HEX #52B70B

RGB 82 183 11

HSL 95.23, 0.89%, 0.38%

LAB 66.28, -54.92, 65.23

 

CMYK 30 / 0 / 94 / 28

HEX #81B70B

RGB 129 183 11

HSL 78.84, 0.89%, 0.38%

LAB 68.43, -39.15, 67.86

 

CMYK 4 / 0 / 94 / 28

HEX #AFB70B

RGB 175 183 11

HSL 62.79, 0.89%, 0.38%

LAB 71.56, -20.14, 71.65

 

CMYK 0 / 21 / 94 / 28

HEX #B7910B

RGB 183 145 11

HSL 46.74, 0.89%, 0.38%

LAB 61.95, 3.36, 64.7

 

CMYK 0 / 46 / 94 / 28

HEX #B7620B

RGB 183 98 11

HSL 30.35, 0.89%, 0.38%

LAB 50.48, 29.27, 56.39

 

CMYK 55 / 0 / 94 / 28

HEX #52B70B

RGB 82 183 11

HSL 95.23, 0.89%, 0.38%

LAB 66.28, -54.92, 65.23

 

CMYK 80 / 0 / 94 / 28

HEX #24B70B

RGB 36 183 11

HSL 111.28, 0.89%, 0.38%

LAB 65.17, -64.24, 63.86

 

CMYK 94 / 0 / 83 / 28

HEX #0BB720

RGB 11 183 32

HSL 127.33, 0.89%, 0.38%

LAB 65, -65.59, 59.44

 

CMYK 94 / 0 / 57 / 28

HEX #0BB74F

RGB 11 183 79

HSL 143.72, 0.89%, 0.38%

LAB 65.36, -61.01, 41.58

 

CMYK 94 / 0 / 32 / 28

HEX #0BB77D

RGB 11 183 125

HSL 159.77, 0.89%, 0.38%

LAB 66.07, -52.59, 18.8

 

CMYK 55 / 0 / 94 / 28

HEX #52B70B

RGB 82 183 11

HSL 95.23, 0.89%, 0.38%

LAB 66.28, -54.92, 65.23

 

CMYK 55 / 0 / 94 / 28

HEX #52B70B

RGB 82 183 11

HSL 95.23, 0.89%, 0.38%

LAB 66.28, -54.92, 65.23

 

CMYK 49 / 0 / 84 / 35

HEX #55A71A

RGB 85 167 26

HSL 94.89, 0.73%, 0.38%

LAB 61.35, -47.58, 58.26

 

CMYK 43 / 0 / 72 / 40

HEX #57982A

RGB 87 152 42

HSL 95.45, 0.57%, 0.38%

LAB 56.73, -39.88, 48.76

 

CMYK 34 / 0 / 57 / 47

HEX #5A883A

RGB 90 136 58

HSL 95.38, 0.4%, 0.38%

LAB 51.94, -30.13, 36.43

 

CMYK 23 / 0 / 39 / 53

HEX #5D7849

RGB 93 120 73

HSL 94.47, 0.24%, 0.38%

LAB 47.29, -18.98, 22.7

 

CMYK 4 / 0 / 94 / 28

HEX #AFB70B

RGB 175 183 11

HSL 62.79, 0.89%, 0.38%

LAB 71.56, -20.14, 71.65

 

CMYK 30 / 0 / 94 / 28

HEX #81B70B

RGB 129 183 11

HSL 78.84, 0.89%, 0.38%

LAB 68.43, -39.15, 67.86

 

CMYK 55 / 0 / 94 / 28

HEX #53B70B

RGB 83 183 11

HSL 94.88, 0.89%, 0.38%

LAB 66.31, -54.65, 65.27

 

CMYK 80 / 0 / 94 / 28

HEX #25B70B

RGB 37 183 11

HSL 110.93, 0.89%, 0.38%

LAB 65.19, -64.11, 63.88

 

CMYK 94 / 0 / 83 / 28

HEX #0BB71F

RGB 11 183 31

HSL 126.98, 0.89%, 0.38%

LAB 64.99, -65.64, 59.7

 

CMYK 55 / 0 / 94 / 59

HEX #2F6906

RGB 47 105 6

HSL 95.15, 0.89%, 0.22%

LAB 39.11, -35.64, 43.03

 

CMYK 55 / 0 / 94 / 44

HEX #419008

RGB 65 144 8

HSL 94.85, 0.89%, 0.3%

LAB 53.05, -45.41, 54.51

 

CMYK 55 / 0 / 94 / 28

HEX #52B70B

RGB 82 183 11

HSL 95.23, 0.89%, 0.38%

LAB 66.28, -54.92, 65.23

 

CMYK 55 / 0 / 94 / 13

HEX #64DE0D

RGB 100 222 13

HSL 95.02, 0.89%, 0.46%

LAB 79.03, -63.78, 75.65

 

CMYK 50 / 0 / 86 / 5

HEX #78F222

RGB 120 242 34

HSL 95.19, 0.89%, 0.54%

LAB 85.81, -64.82, 78.42

 

CMYK 55 / 0 / 94 / 27

HEX #53B90B

RGB 83 185 11

HSL 95.17, 0.89%, 0.38%

LAB 66.95, -55.37, 65.79

 

CMYK 94 / 0 / 20 / 28

HEX #0BB792

RGB 11 183 146

HSL 167.09, 0.89%, 0.38%

LAB 66.53, -47.53, 7.99

 

CMYK 0 / 94 / 17 / 28

HEX #B70B98

RGB 183 11 152

HSL 310.81, 0.89%, 0.38%

LAB 42.11, 71.21, -31.09

 

CMYK 55 / 0 / 94 / 27

HEX #53B90B

RGB 83 185 11

HSL 95.17, 0.89%, 0.38%

LAB 66.95, -55.37, 65.79

 

CMYK 94 / 55 / 0 / 28

HEX #0B53B7

RGB 11 83 183

HSL 214.88, 0.89%, 0.38%

LAB 37.26, 19.73, -58.3

 

CMYK 0 / 94 / 55 / 28

HEX #B70B53

RGB 183 11 83

HSL 334.88, 0.89%, 0.38%

LAB 39.46, 64.2, 7.94

 

CMYK 55 / 0 / 94 / 27

HEX #53B90B

RGB 83 185 11

HSL 95.17, 0.89%, 0.38%

LAB 66.95, -55.37, 65.79

 

CMYK 94 / 0 / 20 / 28

HEX #0BB792

RGB 11 183 146

HSL 167.09, 0.89%, 0.38%

LAB 66.53, -47.53, 7.99

 

CMYK 39 / 94 / 0 / 28

HEX #6F0BB7

RGB 111 11 183

HSL 274.88, 0.89%, 0.38%

LAB 31.89, 65.1, -66.79

 

CMYK 0 / 94 / 74 / 28

HEX #B70B30

RGB 183 11 48

HSL 347.09, 0.89%, 0.38%

LAB 38.76, 62.26, 29.27

 

CMYK 55 / 0 / 94 / 27

HEX #53B90B

RGB 83 185 11

HSL 95.17, 0.89%, 0.38%

LAB 66.95, -55.37, 65.79

 

CMYK 94 / 8 / 0 / 28

HEX #0BA9B7

RGB 11 169 183

HSL 184.88, 0.89%, 0.38%

LAB 63.23, -30.51, -17.43

 

CMYK 39 / 94 / 0 / 28

HEX #6F0BB7

RGB 111 11 183

HSL 274.88, 0.89%, 0.38%

LAB 31.89, 65.1, -66.79

 

CMYK 0 / 86 / 94 / 28

HEX #B7190B

RGB 183 25 11

HSL 4.88, 0.89%, 0.38%

LAB 39.22, 59.07, 48.94

 

Description

Color code: HEX #53B90B | qconv.com Color code: HEX #53B90B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 185 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 185 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 94 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 94% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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