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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53B2D9 it is the complementary color #AC4D26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53B2D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53B2D9 shade: #58B2D4, #69C4E7, #7AD6FA, #8BE8FF and #9CFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53B2D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53B2D9 shade: #53B2D9, #42A0C6, #318EB3, #207CA0 and #0F6A8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53B2D9 shade: #54B2D9, #548ED9, #546AD9, #6154D9 and #8554D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53B2D9 shade: #54B2D9, #548ED9, #546AD9 and #5454D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53B2D9 shade matches the following richer shades: #54B2D9, #43B9EA and #32C1FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53B2D9 shade: #54B2D9, #64ABC8, #75A4B8, #869DA7 and #979696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53B2D9 shade: #54D9B8, #54D7D9, #54B3D9, #5490D9 and #546CD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53B2D9 shade: #278AB3, #32A3D2, #54B2D9, #75C2E1 and #97D1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53B2D9 shade: #53B2D9, #9454D9 and #D9CA54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53B2D9 shade: #53B2D9, #D954B3 and #B3D954

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53B2D9 shade: #53B2D9, #9454D9, #D97954 and #99D954

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53B2D9 shade: #53B2D9, #BC54D9, #D97954 and #71D954

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 18 / 0 / 15

HEX #53B2D9

RGB 83 178 217

HSL 197.46, 0.64%, 0.59%

LAB 68.53, -16.46, -28.04

 

Complementary color

CMYK 0 / 55 / 78 / 33

HEX #AC4D26

RGB 172 77 38

HSL 17.46, 0.64%, 0.41%

LAB 44.54, 36.51, 40.66

 

CMYK 58 / 16 / 0 / 17

HEX #58B2D4

RGB 88 178 212

HSL 196.45, 0.59%, 0.59%

LAB 68.51, -17.06, -25.31

 

CMYK 55 / 15 / 0 / 9

HEX #69C4E7

RGB 105 196 231

HSL 196.67, 0.72%, 0.66%

LAB 74.98, -17.51, -25.69

 

CMYK 51 / 14 / 0 / 2

HEX #7AD6FA

RGB 122 214 250

HSL 196.88, 0.93%, 0.73%

LAB 81.36, -17.86, -26.05

 

CMYK 45 / 9 / 0 / 0

HEX #8BE8FF

RGB 139 232 255

HSL 191.9, 1%, 0.77%

LAB 87.2, -21.83, -19.76

 

CMYK 39 / 2 / 0 / 0

HEX #9CFAFF

RGB 156 250 255

HSL 183.03, 1%, 0.81%

LAB 92.86, -26.6, -11.2

 

CMYK 62 / 18 / 0 / 15

HEX #53B2D9

RGB 83 178 217

HSL 197.46, 0.64%, 0.59%

LAB 68.53, -16.46, -28.04

 

CMYK 67 / 19 / 0 / 22

HEX #42A0C6

RGB 66 160 198

HSL 197.27, 0.54%, 0.52%

LAB 61.98, -15.71, -27.65

 

CMYK 73 / 21 / 0 / 30

HEX #318EB3

RGB 49 142 179

HSL 197.08, 0.57%, 0.45%

LAB 55.33, -14.72, -27.23

 

CMYK 80 / 23 / 0 / 37

HEX #207CA0

RGB 32 124 160

HSL 196.88, 0.67%, 0.38%

LAB 48.59, -13.4, -26.74

 

CMYK 89 / 25 / 0 / 45

HEX #0F6A8D

RGB 15 106 141

HSL 196.67, 0.81%, 0.31%

LAB 41.74, -11.59, -26.17

 

CMYK 61 / 18 / 0 / 15

HEX #54B2D9

RGB 84 178 217

HSL 197.59, 0.64%, 0.59%

LAB 68.56, -16.28, -27.99

 

CMYK 61 / 35 / 0 / 15

HEX #548ED9

RGB 84 142 217

HSL 213.83, 0.64%, 0.59%

LAB 58.26, 3.86, -44.03

 

CMYK 61 / 51 / 0 / 15

HEX #546AD9

RGB 84 106 217

HSL 230.08, 0.64%, 0.59%

LAB 48.51, 25.79, -59.59

 

CMYK 55 / 61 / 0 / 15

HEX #6154D9

RGB 97 84 217

HSL 245.86, 0.64%, 0.59%

LAB 44.08, 41.5, -66.73

 

CMYK 39 / 61 / 0 / 15

HEX #8554D9

RGB 133 84 217

HSL 262.11, 0.64%, 0.59%

LAB 47.41, 48.59, -61.17

 

CMYK 61 / 18 / 0 / 15

HEX #54B2D9

RGB 84 178 217

HSL 197.59, 0.64%, 0.59%

LAB 68.56, -16.28, -27.99

 

CMYK 61 / 35 / 0 / 15

HEX #548ED9

RGB 84 142 217

HSL 213.83, 0.64%, 0.59%

LAB 58.26, 3.86, -44.03

 

CMYK 61 / 51 / 0 / 15

HEX #546AD9

RGB 84 106 217

HSL 230.08, 0.64%, 0.59%

LAB 48.51, 25.79, -59.59

 

CMYK 61 / 61 / 0 / 15

HEX #5454D9

RGB 84 84 217

HSL 240, 0.64%, 0.59%

LAB 43.12, 39.33, -68.34

 

CMYK 61 / 18 / 0 / 15

HEX #54B2D9

RGB 84 178 217

HSL 197.59, 0.64%, 0.59%

LAB 68.56, -16.28, -27.99

 

CMYK 71 / 21 / 0 / 8

HEX #43B9EA

RGB 67 185 234

HSL 197.6, 0.8%, 0.59%

LAB 70.75, -17.22, -33.92

 

CMYK 80 / 23 / 0 / 2

HEX #32C1FB

RGB 50 193 251

HSL 197.31, 0.96%, 0.59%

LAB 73.4, -17.68, -39.03

 

CMYK 61 / 18 / 0 / 15

HEX #54B2D9

RGB 84 178 217

HSL 197.59, 0.64%, 0.59%

LAB 68.56, -16.28, -27.99

 

CMYK 50 / 15 / 0 / 22

HEX #64ABC8

RGB 100 171 200

HSL 197.4, 0.48%, 0.59%

LAB 66.52, -14.35, -21.69

 

CMYK 36 / 11 / 0 / 28

HEX #75A4B8

RGB 117 164 184

HSL 197.91, 0.32%, 0.59%

LAB 64.8, -10.65, -15.33

 

CMYK 20 / 6 / 0 / 35

HEX #869DA7

RGB 134 157 167

HSL 198.18, 0.16%, 0.59%

LAB 63.32, -5.82, -7.91

 

CMYK 0 / 1 / 1 / 41

HEX #979696

RGB 151 150 150

HSL 0, 0%, 0.59%

LAB 62.16, 0.37, 0.12

 

CMYK 61 / 0 / 15 / 15

HEX #54D9B8

RGB 84 217 184

HSL 165.11, 0.64%, 0.59%

LAB 79.02, -44.11, 5.52

 

CMYK 61 / 1 / 0 / 15

HEX #54D7D9

RGB 84 215 217

HSL 180.9, 0.64%, 0.59%

LAB 79.33, -34.7, -11.66

 

CMYK 61 / 18 / 0 / 15

HEX #54B3D9

RGB 84 179 217

HSL 197.14, 0.64%, 0.59%

LAB 68.85, -16.81, -27.54

 

CMYK 61 / 34 / 0 / 15

HEX #5490D9

RGB 84 144 217

HSL 212.93, 0.64%, 0.59%

LAB 58.83, 2.68, -43.15

 

CMYK 61 / 50 / 0 / 15

HEX #546CD9

RGB 84 108 217

HSL 229.17, 0.64%, 0.59%

LAB 49.03, 24.55, -58.76

 

CMYK 78 / 23 / 0 / 30

HEX #278AB3

RGB 39 138 179

HSL 197.57, 0.64%, 0.43%

LAB 53.88, -13.75, -29.49

 

CMYK 76 / 22 / 0 / 18

HEX #32A3D2

RGB 50 163 210

HSL 197.63, 0.64%, 0.51%

LAB 62.95, -15.53, -32.87

 

CMYK 61 / 18 / 0 / 15

HEX #54B2D9

RGB 84 178 217

HSL 197.59, 0.64%, 0.59%

LAB 68.56, -16.28, -27.99

 

CMYK 48 / 14 / 0 / 12

HEX #75C2E1

RGB 117 194 225

HSL 197.22, 0.64%, 0.67%

LAB 74.7, -15.57, -22.84

 

CMYK 35 / 10 / 0 / 9

HEX #97D1E8

RGB 151 209 232

HSL 197.04, 0.64%, 0.75%

LAB 80.74, -13.02, -17.28

 

CMYK 62 / 18 / 0 / 15

HEX #53B2D9

RGB 83 178 217

HSL 197.46, 0.64%, 0.59%

LAB 68.53, -16.46, -28.04

 

CMYK 32 / 61 / 0 / 15

HEX #9454D9

RGB 148 84 217

HSL 268.87, 0.64%, 0.59%

LAB 49.06, 51.88, -58.42

 

CMYK 0 / 7 / 61 / 15

HEX #D9CA54

RGB 217 202 84

HSL 53.23, 0.64%, 0.59%

LAB 80.53, -8.91, 59.16

 

CMYK 62 / 18 / 0 / 15

HEX #53B2D9

RGB 83 178 217

HSL 197.46, 0.64%, 0.59%

LAB 68.53, -16.46, -28.04

 

CMYK 0 / 61 / 18 / 15

HEX #D954B3

RGB 217 84 179

HSL 317.14, 0.64%, 0.59%

LAB 56.43, 62.24, -24.36

 

CMYK 18 / 0 / 61 / 15

HEX #B3D954

RGB 179 217 84

HSL 77.14, 0.64%, 0.59%

LAB 81.76, -31.66, 59.67

 

CMYK 62 / 18 / 0 / 15

HEX #53B2D9

RGB 83 178 217

HSL 197.46, 0.64%, 0.59%

LAB 68.53, -16.46, -28.04

 

CMYK 32 / 61 / 0 / 15

HEX #9454D9

RGB 148 84 217

HSL 268.87, 0.64%, 0.59%

LAB 49.06, 51.88, -58.42

 

CMYK 0 / 44 / 61 / 15

HEX #D97954

RGB 217 121 84

HSL 16.69, 0.64%, 0.59%

LAB 60.84, 34.05, 36.47

 

CMYK 29 / 0 / 61 / 15

HEX #99D954

RGB 153 217 84

HSL 88.87, 0.64%, 0.59%

LAB 80.2, -41.38, 57.51

 

CMYK 62 / 18 / 0 / 15

HEX #53B2D9

RGB 83 178 217

HSL 197.46, 0.64%, 0.59%

LAB 68.53, -16.46, -28.04

 

CMYK 13 / 61 / 0 / 15

HEX #BC54D9

RGB 188 84 217

HSL 286.92, 0.64%, 0.59%

LAB 54.07, 61.18, -50.12

 

CMYK 0 / 44 / 61 / 15

HEX #D97954

RGB 217 121 84

HSL 16.69, 0.64%, 0.59%

LAB 60.84, 34.05, 36.47

 

CMYK 48 / 0 / 61 / 15

HEX #71D954

RGB 113 217 84

HSL 106.92, 0.64%, 0.59%

LAB 78.33, -54.39, 54.91

 

Description

Color code: HEX #53B2D9 | qconv.com Color code: HEX #53B2D9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 178 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 178 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 18 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 18% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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