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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53B0D1 it is the complementary color #AC4F2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53B0D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53B0D1 shade: #58B0CC, #69C2DF, #7AD4F2, #8BE6FF and #9CF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53B0D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53B0D1 shade: #53B0D1, #429EBE, #318CAB, #207A98 and #0F6885

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53B0D1 shade: #52B0D1, #528DD1, #526BD1, #5B52D1 and #7D52D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53B0D1 shade: #52B0D1, #528DD1, #526BD1 and #5252D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53B0D1 shade matches the following richer shades: #52B0D1, #40B8E3 and #2EC1F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53B0D1 shade: #52B0D1, #63A7BF, #759FAD, #87969C and #998E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53B0D1 shade: #52D1AD, #52D1CF, #52B1D1, #528FD1 and #526DD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53B0D1 shade: #2C85A4, #349FC5, #52B0D1, #72BFDA and #93CEE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53B0D1 shade: #53B0D1, #8B52D1 and #D1BE52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53B0D1 shade: #53B0D1, #D152B1 and #B1D152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53B0D1 shade: #53B0D1, #8B52D1, #D17252 and #98D152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53B0D1 shade: #53B0D1, #B152D1, #D17252 and #72D152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 16 / 0 / 18

HEX #53B0D1

RGB 83 176 209

HSL 195.71, 0.58%, 0.57%

LAB 67.65, -17.85, -25

 

Complementary color

CMYK 0 / 54 / 73 / 33

HEX #AC4F2E

RGB 172 79 46

HSL 15.71, 0.58%, 0.43%

LAB 45.03, 35.85, 36.98

 

CMYK 57 / 14 / 0 / 20

HEX #58B0CC

RGB 88 176 204

HSL 194.48, 0.53%, 0.57%

LAB 67.64, -18.39, -22.24

 

CMYK 53 / 13 / 0 / 13

HEX #69C2DF

RGB 105 194 223

HSL 194.75, 0.65%, 0.64%

LAB 74.14, -18.76, -22.66

 

CMYK 50 / 12 / 0 / 5

HEX #7AD4F2

RGB 122 212 242

HSL 195, 0.82%, 0.71%

LAB 80.54, -19.05, -23.06

 

CMYK 45 / 10 / 0 / 0

HEX #8BE6FF

RGB 139 230 255

HSL 192.93, 1%, 0.77%

LAB 86.65, -20.84, -20.59

 

CMYK 39 / 3 / 0 / 0

HEX #9CF8FF

RGB 156 248 255

HSL 184.24, 1%, 0.81%

LAB 92.32, -25.64, -12.01

 

CMYK 60 / 16 / 0 / 18

HEX #53B0D1

RGB 83 176 209

HSL 195.71, 0.58%, 0.57%

LAB 67.65, -17.85, -25

 

CMYK 65 / 17 / 0 / 25

HEX #429EBE

RGB 66 158 190

HSL 195.48, 0.49%, 0.5%

LAB 61.07, -17.2, -24.57

 

CMYK 71 / 18 / 0 / 33

HEX #318CAB

RGB 49 140 171

HSL 195.25, 0.55%, 0.43%

LAB 54.4, -16.32, -24.09

 

CMYK 79 / 20 / 0 / 40

HEX #207A98

RGB 32 122 152

HSL 195, 0.65%, 0.36%

LAB 47.61, -15.12, -23.56

 

CMYK 89 / 22 / 0 / 48

HEX #0F6885

RGB 15 104 133

HSL 194.75, 0.8%, 0.29%

LAB 40.73, -13.45, -22.93

 

CMYK 61 / 16 / 0 / 18

HEX #52B0D1

RGB 82 176 209

HSL 195.59, 0.58%, 0.57%

LAB 67.61, -18.03, -25.05

 

CMYK 61 / 33 / 0 / 18

HEX #528DD1

RGB 82 141 209

HSL 212.13, 0.58%, 0.57%

LAB 57.51, 1.42, -40.74

 

CMYK 61 / 49 / 0 / 18

HEX #526BD1

RGB 82 107 209

HSL 228.19, 0.58%, 0.57%

LAB 48.15, 22.1, -55.63

 

CMYK 56 / 61 / 0 / 18

HEX #5B52D1

RGB 91 82 209

HSL 244.25, 0.58%, 0.57%

LAB 42.55, 39.14, -64.65

 

CMYK 40 / 61 / 0 / 18

HEX #7D52D1

RGB 125 82 209

HSL 260.31, 0.58%, 0.57%

LAB 45.63, 45.85, -59.51

 

CMYK 61 / 16 / 0 / 18

HEX #52B0D1

RGB 82 176 209

HSL 195.59, 0.58%, 0.57%

LAB 67.61, -18.03, -25.05

 

CMYK 61 / 33 / 0 / 18

HEX #528DD1

RGB 82 141 209

HSL 212.13, 0.58%, 0.57%

LAB 57.51, 1.42, -40.74

 

CMYK 61 / 49 / 0 / 18

HEX #526BD1

RGB 82 107 209

HSL 228.19, 0.58%, 0.57%

LAB 48.15, 22.1, -55.63

 

CMYK 61 / 61 / 0 / 18

HEX #5252D1

RGB 82 82 209

HSL 240, 0.58%, 0.57%

LAB 41.89, 37.62, -65.75

 

CMYK 61 / 16 / 0 / 18

HEX #52B0D1

RGB 82 176 209

HSL 195.59, 0.58%, 0.57%

LAB 67.61, -18.03, -25.05

 

CMYK 72 / 19 / 0 / 11

HEX #40B8E3

RGB 64 184 227

HSL 195.83, 0.74%, 0.57%

LAB 70.12, -19.35, -31.1

 

CMYK 81 / 21 / 0 / 4

HEX #2EC1F4

RGB 46 193 244

HSL 195.45, 0.9%, 0.57%

LAB 73.06, -20.35, -35.8

 

CMYK 61 / 16 / 0 / 18

HEX #52B0D1

RGB 82 176 209

HSL 195.59, 0.58%, 0.57%

LAB 67.61, -18.03, -25.05

 

CMYK 48 / 13 / 0 / 25

HEX #63A7BF

RGB 99 167 191

HSL 195.65, 0.42%, 0.57%

LAB 65, -15.01, -19.01

 

CMYK 32 / 8 / 0 / 32

HEX #759FAD

RGB 117 159 173

HSL 195, 0.25%, 0.57%

LAB 63.01, -10.74, -11.86

 

CMYK 13 / 4 / 0 / 39

HEX #87969C

RGB 135 150 156

HSL 197.14, 0.1%, 0.57%

LAB 61.1, -4.06, -4.98

 

CMYK 0 / 7 / 10 / 40

HEX #998E8A

RGB 153 142 138

HSL 16, 0.07%, 0.57%

LAB 59.85, 3.36, 3.59

 

CMYK 61 / 0 / 17 / 18

HEX #52D1AD

RGB 82 209 173

HSL 162.99, 0.58%, 0.57%

LAB 76.32, -43.62, 7.51

 

CMYK 61 / 0 / 1 / 18

HEX #52D1CF

RGB 82 209 207

HSL 179.06, 0.58%, 0.57%

LAB 77.22, -34.96, -9.45

 

CMYK 61 / 15 / 0 / 18

HEX #52B1D1

RGB 82 177 209

HSL 195.12, 0.58%, 0.57%

LAB 67.9, -18.56, -24.61

 

CMYK 61 / 32 / 0 / 18

HEX #528FD1

RGB 82 143 209

HSL 211.18, 0.58%, 0.57%

LAB 58.08, 0.25, -39.85

 

CMYK 61 / 48 / 0 / 18

HEX #526DD1

RGB 82 109 209

HSL 227.24, 0.58%, 0.57%

LAB 48.68, 20.85, -54.78

 

CMYK 73 / 19 / 0 / 36

HEX #2C85A4

RGB 44 133 164

HSL 195.5, 0.58%, 0.41%

LAB 51.83, -15.55, -24.03

 

CMYK 74 / 19 / 0 / 23

HEX #349FC5

RGB 52 159 197

HSL 195.72, 0.58%, 0.49%

LAB 61.27, -17.51, -28.22

 

CMYK 61 / 16 / 0 / 18

HEX #52B0D1

RGB 82 176 209

HSL 195.59, 0.58%, 0.57%

LAB 67.61, -18.03, -25.05

 

CMYK 48 / 12 / 0 / 15

HEX #72BFDA

RGB 114 191 218

HSL 195.58, 0.58%, 0.65%

LAB 73.48, -16.63, -20.91

 

CMYK 35 / 9 / 0 / 11

HEX #93CEE2

RGB 147 206 226

HSL 195.19, 0.58%, 0.73%

LAB 79.52, -14.02, -15.94

 

CMYK 60 / 16 / 0 / 18

HEX #53B0D1

RGB 83 176 209

HSL 195.71, 0.58%, 0.57%

LAB 67.65, -17.85, -25

 

CMYK 33 / 61 / 0 / 18

HEX #8B52D1

RGB 139 82 209

HSL 266.93, 0.58%, 0.57%

LAB 47.14, 48.94, -57

 

CMYK 0 / 9 / 61 / 18

HEX #D1BE52

RGB 209 190 82

HSL 51.02, 0.58%, 0.57%

LAB 76.67, -6.24, 55.6

 

CMYK 60 / 16 / 0 / 18

HEX #53B0D1

RGB 83 176 209

HSL 195.71, 0.58%, 0.57%

LAB 67.65, -17.85, -25

 

CMYK 0 / 61 / 15 / 18

HEX #D152B1

RGB 209 82 177

HSL 315.12, 0.58%, 0.57%

LAB 54.83, 60.6, -25.77

 

CMYK 15 / 0 / 61 / 18

HEX #B1D152

RGB 177 209 82

HSL 75.12, 0.58%, 0.57%

LAB 79.36, -28.83, 57.86

 

CMYK 60 / 16 / 0 / 18

HEX #53B0D1

RGB 83 176 209

HSL 195.71, 0.58%, 0.57%

LAB 67.65, -17.85, -25

 

CMYK 33 / 61 / 0 / 18

HEX #8B52D1

RGB 139 82 209

HSL 266.93, 0.58%, 0.57%

LAB 47.14, 48.94, -57

 

CMYK 0 / 45 / 61 / 18

HEX #D17252

RGB 209 114 82

HSL 15.12, 0.58%, 0.57%

LAB 58.23, 34.42, 34.11

 

CMYK 27 / 0 / 61 / 18

HEX #98D152

RGB 152 209 82

HSL 86.93, 0.58%, 0.57%

LAB 77.81, -38.37, 55.7

 

CMYK 60 / 16 / 0 / 18

HEX #53B0D1

RGB 83 176 209

HSL 195.71, 0.58%, 0.57%

LAB 67.65, -17.85, -25

 

CMYK 15 / 61 / 0 / 18

HEX #B152D1

RGB 177 82 209

HSL 284.88, 0.58%, 0.57%

LAB 51.82, 57.87, -49.25

 

CMYK 0 / 45 / 61 / 18

HEX #D17252

RGB 209 114 82

HSL 15.12, 0.58%, 0.57%

LAB 58.23, 34.42, 34.11

 

CMYK 45 / 0 / 61 / 18

HEX #72D152

RGB 114 209 82

HSL 104.88, 0.58%, 0.57%

LAB 75.94, -51.14, 53.1

 

Description

Color code: HEX #53B0D1 | qconv.com Color code: HEX #53B0D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 176 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 176 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 16 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 16% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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