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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53AF3E it is the complementary color #AC50C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53AF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53AF3E shade: #58AF39, #69C14C, #7AD35F, #8BE572 and #9CF785

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53AF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53AF3E shade: #53AF3E, #429D2B, #318B18, #207905 and #0F6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53AF3E shade: #52AE3D, #70AE3D, #8FAE3D, #ADAE3D and #AE903D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53AF3E shade: #52AE3D, #3DAE46, #3DAE65, #3DAE83 and #3DAEA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53AF3E shade matches the following richer shades: #52AE3D, #46C12A, #3AD417 and #2EE704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53AF3E shade: #52AE3D, #5E9B50, #6A8863, #767576 and #826289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53AF3E shade: #90AE3D, #72AE3D, #54AE3D, #3DAE45 and #3DAE63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53AF3E shade: #357128, #448F32, #52AE3D, #67C252 and #81CD70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53AF3E shade: #53AF3E, #3DAEAE and #AE3D81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53AF3E shade: #53AF3E, #3D54AE and #AE3D54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53AF3E shade: #53AF3E, #3DAEAE, #973DAE and #AE3D3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53AF3E shade: #53AF3E, #3D8CAE, #973DAE and #AE5F3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 65 / 31

HEX #53AF3E

RGB 83 175 62

HSL 108.85, 0.48%, 0.46%

LAB 64.04, -48.75, 48.2

 

Complementary color

CMYK 11 / 59 / 0 / 24

HEX #AC50C1

RGB 172 80 193

HSL 288.85, 0.48%, 0.54%

LAB 49.93, 54.39, -43.1

 

CMYK 50 / 0 / 67 / 31

HEX #58AF39

RGB 88 175 57

HSL 104.24, 0.51%, 0.45%

LAB 64.19, -47.77, 50.53

 

CMYK 46 / 0 / 61 / 24

HEX #69C14C

RGB 105 193 76

HSL 105.13, 0.49%, 0.53%

LAB 70.64, -48.04, 49.65

 

CMYK 42 / 0 / 55 / 17

HEX #7AD35F

RGB 122 211 95

HSL 106.03, 0.57%, 0.6%

LAB 77.01, -48.13, 48.57

 

CMYK 39 / 0 / 50 / 10

HEX #8BE572

RGB 139 229 114

HSL 106.96, 0.69%, 0.67%

LAB 83.31, -48.1, 47.41

 

CMYK 37 / 0 / 46 / 3

HEX #9CF785

RGB 156 247 133

HSL 107.89, 0.88%, 0.75%

LAB 89.53, -48.01, 46.22

 

CMYK 53 / 0 / 65 / 31

HEX #53AF3E

RGB 83 175 62

HSL 108.85, 0.48%, 0.46%

LAB 64.04, -48.75, 48.2

 

CMYK 58 / 0 / 73 / 38

HEX #429D2B

RGB 66 157 43

HSL 107.89, 0.57%, 0.39%

LAB 57.51, -48.22, 48.89

 

CMYK 65 / 0 / 83 / 45

HEX #318B18

RGB 49 139 24

HSL 106.96, 0.71%, 0.32%

LAB 50.9, -47.21, 48.83

 

CMYK 74 / 0 / 96 / 53

HEX #207905

RGB 32 121 5

HSL 106.03, 0.92%, 0.25%

LAB 44.22, -45.5, 47.36

 

CMYK 85 / 0 / 100 / 60

HEX #0F6700

RGB 15 103 0

HSL 111.26, 1%, 0.2%

LAB 37.48, -42.6, 42.96

 

CMYK 53 / 0 / 65 / 32

HEX #52AE3D

RGB 82 174 61

HSL 108.85, 0.48%, 0.46%

LAB 63.67, -48.74, 48.22

 

CMYK 36 / 0 / 65 / 32

HEX #70AE3D

RGB 112 174 61

HSL 92.92, 0.48%, 0.46%

LAB 65.01, -39.12, 50.05

 

CMYK 18 / 0 / 65 / 32

HEX #8FAE3D

RGB 143 174 61

HSL 76.46, 0.48%, 0.46%

LAB 66.86, -27.24, 52.6

 

CMYK 1 / 0 / 65 / 32

HEX #ADAE3D

RGB 173 174 61

HSL 60.53, 0.48%, 0.46%

LAB 69.11, -14.67, 55.64

 

CMYK 0 / 17 / 65 / 32

HEX #AE903D

RGB 174 144 61

HSL 44.07, 0.48%, 0.46%

LAB 61.03, 1.74, 47.08

 

CMYK 53 / 0 / 65 / 32

HEX #52AE3D

RGB 82 174 61

HSL 108.85, 0.48%, 0.46%

LAB 63.67, -48.74, 48.22

 

CMYK 65 / 0 / 60 / 32

HEX #3DAE46

RGB 61 174 70

HSL 124.78, 0.48%, 0.46%

LAB 63.1, -52.93, 43.35

 

CMYK 65 / 0 / 42 / 32

HEX #3DAE65

RGB 61 174 101

HSL 141.24, 0.48%, 0.46%

LAB 63.51, -48.28, 28.34

 

CMYK 65 / 0 / 25 / 32

HEX #3DAE83

RGB 61 174 131

HSL 157.17, 0.48%, 0.46%

LAB 64.08, -42.16, 12.88

 

CMYK 65 / 0 / 7 / 32

HEX #3DAEA2

RGB 61 174 162

HSL 173.63, 0.48%, 0.46%

LAB 64.86, -34.36, -3.2

 

CMYK 53 / 0 / 65 / 32

HEX #52AE3D

RGB 82 174 61

HSL 108.85, 0.48%, 0.46%

LAB 63.67, -48.74, 48.22

 

CMYK 64 / 0 / 78 / 24

HEX #46C12A

RGB 70 193 42

HSL 108.87, 0.64%, 0.46%

LAB 69.19, -60.14, 60.82

 

CMYK 73 / 0 / 89 / 17

HEX #3AD417

RGB 58 212 23

HSL 108.89, 0.8%, 0.46%

LAB 74.86, -69.38, 70.36

 

CMYK 80 / 0 / 98 / 9

HEX #2EE704

RGB 46 231 4

HSL 108.9, 0.97%, 0.46%

LAB 80.59, -76.97, 77.24

 

CMYK 53 / 0 / 65 / 32

HEX #52AE3D

RGB 82 174 61

HSL 108.85, 0.48%, 0.46%

LAB 63.67, -48.74, 48.22

 

CMYK 39 / 0 / 48 / 39

HEX #5E9B50

RGB 94 155 80

HSL 108.8, 0.32%, 0.46%

LAB 58.42, -34.77, 33.09

 

CMYK 22 / 0 / 27 / 47

HEX #6A8863

RGB 106 136 99

HSL 108.65, 0.16%, 0.46%

LAB 53.57, -18.16, 16.49

 

CMYK 0 / 1 / 0 / 54

HEX #767576

RGB 118 117 118

HSL 300, 0%, 0.46%

LAB 49.35, 0.58, -0.42

 

CMYK 5 / 28 / 0 / 46

HEX #826289

RGB 130 98 137

HSL 289.23, 0.17%, 0.46%

LAB 46.03, 20.25, -16.6

 

CMYK 17 / 0 / 65 / 32

HEX #90AE3D

RGB 144 174 61

HSL 75.93, 0.48%, 0.46%

LAB 66.93, -26.83, 52.69

 

CMYK 34 / 0 / 65 / 32

HEX #72AE3D

RGB 114 174 61

HSL 91.86, 0.48%, 0.46%

LAB 65.11, -38.41, 50.2

 

CMYK 52 / 0 / 65 / 32

HEX #54AE3D

RGB 84 174 61

HSL 107.79, 0.48%, 0.46%

LAB 63.75, -48.17, 48.32

 

CMYK 65 / 0 / 60 / 32

HEX #3DAE45

RGB 61 174 69

HSL 124.25, 0.48%, 0.46%

LAB 63.09, -53.05, 43.8

 

CMYK 65 / 0 / 43 / 32

HEX #3DAE63

RGB 61 174 99

HSL 140.18, 0.48%, 0.46%

LAB 63.48, -48.63, 29.35

 

CMYK 53 / 0 / 65 / 56

HEX #357128

RGB 53 113 40

HSL 109.32, 0.48%, 0.3%

LAB 42.34, -34.59, 33.8

 

CMYK 52 / 0 / 65 / 44

HEX #448F32

RGB 68 143 50

HSL 108.39, 0.48%, 0.38%

LAB 53.06, -41.52, 41.24

 

CMYK 53 / 0 / 65 / 32

HEX #52AE3D

RGB 82 174 61

HSL 108.85, 0.48%, 0.46%

LAB 63.67, -48.74, 48.22

 

CMYK 47 / 0 / 58 / 24

HEX #67C252

RGB 103 194 82

HSL 108.75, 0.48%, 0.54%

LAB 70.92, -48.41, 47.24

 

CMYK 37 / 0 / 45 / 20

HEX #81CD70

RGB 129 205 112

HSL 109.03, 0.48%, 0.62%

LAB 75.76, -41.25, 38.92

 

CMYK 53 / 0 / 65 / 31

HEX #53AF3E

RGB 83 175 62

HSL 108.85, 0.48%, 0.46%

LAB 64.04, -48.75, 48.2

 

CMYK 65 / 0 / 0 / 32

HEX #3DAEAE

RGB 61 174 174

HSL 180, 0.48%, 0.46%

LAB 65.22, -30.99, -9.35

 

CMYK 0 / 65 / 26 / 32

HEX #AE3D81

RGB 174 61 129

HSL 323.89, 0.48%, 0.46%

LAB 44.12, 52.83, -14.13

 

CMYK 53 / 0 / 65 / 31

HEX #53AF3E

RGB 83 175 62

HSL 108.85, 0.48%, 0.46%

LAB 64.04, -48.75, 48.2

 

CMYK 65 / 52 / 0 / 32

HEX #3D54AE

RGB 61 84 174

HSL 227.79, 0.48%, 0.46%

LAB 38.53, 20.8, -50.85

 

CMYK 0 / 65 / 52 / 32

HEX #AE3D54

RGB 174 61 84

HSL 347.79, 0.48%, 0.46%

LAB 42.73, 47.81, 11.62

 

CMYK 53 / 0 / 65 / 31

HEX #53AF3E

RGB 83 175 62

HSL 108.85, 0.48%, 0.46%

LAB 64.04, -48.75, 48.2

 

CMYK 65 / 0 / 0 / 32

HEX #3DAEAE

RGB 61 174 174

HSL 180, 0.48%, 0.46%

LAB 65.22, -30.99, -9.35

 

CMYK 13 / 65 / 0 / 32

HEX #973DAE

RGB 151 61 174

HSL 287.79, 0.48%, 0.46%

LAB 42.72, 54.21, -43.63

 

CMYK 0 / 65 / 65 / 32

HEX #AE3D3D

RGB 174 61 61

HSL 0, 0.48%, 0.46%

LAB 42.27, 46.08, 25.17

 

CMYK 53 / 0 / 65 / 31

HEX #53AF3E

RGB 83 175 62

HSL 108.85, 0.48%, 0.46%

LAB 64.04, -48.75, 48.2

 

CMYK 65 / 20 / 0 / 32

HEX #3D8CAE

RGB 61 140 174

HSL 198.05, 0.48%, 0.46%

LAB 54.87, -13.42, -25.05

 

CMYK 13 / 65 / 0 / 32

HEX #973DAE

RGB 151 61 174

HSL 287.79, 0.48%, 0.46%

LAB 42.72, 54.21, -43.63

 

CMYK 0 / 45 / 65 / 32

HEX #AE5F3D

RGB 174 95 61

HSL 18.05, 0.48%, 0.46%

LAB 48.91, 29.02, 33.28

 

Description

Color code: HEX #53AF3E | qconv.com Color code: HEX #53AF3E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 175 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 175 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 65 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 65% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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