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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53A719 it is the complementary color #AC58E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53A719. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53A719 shade: #58A714, #69B927, #7ACB3A, #8BDD4D and #9CEF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53A719. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53A719 shade: #53A719, #429506, #318300, #207100 and #0F5F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53A719 shade: #54A919, #7AA919, #A1A919, #A98919 and #A96319

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53A719 shade: #54A919, #2DA919, #19A92C, #19A953 and #19A979

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53A719 shade matches the following richer shades: #54A919 and #51B80A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53A719 shade: #54A919, #579929, #5A8939, #5C7A48 and #5F6A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53A719 shade: #A1A919, #7BA919, #55A919, #2FA919 and #19A92A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53A719 shade: #30610E, #428514, #54A919, #66CD1F and #7AE134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53A719 shade: #53A719, #19A98A and #A9198E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53A719 shade: #53A719, #1955A9 and #A91955

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53A719 shade: #53A719, #19A98A, #6D19A9 and #A91938

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53A719 shade: #53A719, #199DA9, #6D19A9 and #A92519

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 85 / 35

HEX #53A719

RGB 83 167 25

HSL 95.49, 0.74%, 0.38%

LAB 61.26, -48.24, 58.4

 

Complementary color

CMYK 25 / 62 / 0 / 10

HEX #AC58E6

RGB 172 88 230

HSL 275.49, 0.74%, 0.62%

LAB 53.45, 58.28, -58.57

 

CMYK 47 / 0 / 88 / 35

HEX #58A714

RGB 88 167 20

HSL 92.24, 0.79%, 0.37%

LAB 61.45, -46.86, 59.78

 

CMYK 43 / 0 / 79 / 27

HEX #69B927

RGB 105 185 39

HSL 92.88, 0.65%, 0.44%

LAB 67.91, -47.67, 60.96

 

CMYK 40 / 0 / 71 / 20

HEX #7ACB3A

RGB 122 203 58

HSL 93.52, 0.58%, 0.51%

LAB 74.29, -48.19, 61.09

 

CMYK 37 / 0 / 65 / 13

HEX #8BDD4D

RGB 139 221 77

HSL 94.17, 0.68%, 0.58%

LAB 80.59, -48.51, 60.62

 

CMYK 35 / 0 / 60 / 6

HEX #9CEF60

RGB 156 239 96

HSL 94.83, 0.82%, 0.66%

LAB 86.82, -48.69, 59.83

 

CMYK 50 / 0 / 85 / 35

HEX #53A719

RGB 83 167 25

HSL 95.49, 0.74%, 0.38%

LAB 61.26, -48.24, 58.4

 

CMYK 56 / 0 / 96 / 42

HEX #429506

RGB 66 149 6

HSL 94.83, 0.92%, 0.3%

LAB 54.73, -47.06, 56.24

 

CMYK 63 / 0 / 100 / 49

HEX #318300

RGB 49 131 0

HSL 97.56, 1%, 0.26%

LAB 48.12, -45.28, 51.76

 

CMYK 72 / 0 / 100 / 56

HEX #207100

RGB 32 113 0

HSL 103.01, 1%, 0.22%

LAB 41.4, -42.94, 46.23

 

CMYK 84 / 0 / 100 / 63

HEX #0F5F00

RGB 15 95 0

HSL 110.53, 1%, 0.19%

LAB 34.57, -39.97, 40.64

 

CMYK 50 / 0 / 85 / 34

HEX #54A919

RGB 84 169 25

HSL 95.42, 0.74%, 0.38%

LAB 61.94, -48.71, 59.02

 

CMYK 28 / 0 / 85 / 34

HEX #7AA919

RGB 122 169 25

HSL 79.58, 0.74%, 0.38%

LAB 63.82, -35.27, 61.4

 

CMYK 5 / 0 / 85 / 34

HEX #A1A919

RGB 161 169 25

HSL 63.33, 0.74%, 0.38%

LAB 66.54, -18.92, 64.78

 

CMYK 0 / 19 / 85 / 34

HEX #A98919

RGB 169 137 25

HSL 46.67, 0.74%, 0.38%

LAB 58.41, 1.67, 58.28

 

CMYK 0 / 41 / 85 / 34

HEX #A96319

RGB 169 99 25

HSL 30.83, 0.74%, 0.38%

LAB 48.8, 22.98, 50.15

 

CMYK 50 / 0 / 85 / 34

HEX #54A919

RGB 84 169 25

HSL 95.42, 0.74%, 0.38%

LAB 61.94, -48.71, 59.02

 

CMYK 73 / 0 / 85 / 34

HEX #2DA919

RGB 45 169 25

HSL 111.67, 0.74%, 0.38%

LAB 60.79, -58.12, 57.55

 

CMYK 85 / 0 / 74 / 34

HEX #19A92C

RGB 25 169 44

HSL 127.92, 0.74%, 0.38%

LAB 60.57, -59.59, 51.36

 

CMYK 85 / 0 / 51 / 34

HEX #19A953

RGB 25 169 83

HSL 144.17, 0.74%, 0.38%

LAB 60.96, -54.8, 34.29

 

CMYK 85 / 0 / 28 / 34

HEX #19A979

RGB 25 169 121

HSL 160, 0.74%, 0.38%

LAB 61.62, -47.23, 14.86

 

CMYK 50 / 0 / 85 / 34

HEX #54A919

RGB 84 169 25

HSL 95.42, 0.74%, 0.38%

LAB 61.94, -48.71, 59.02

 

CMYK 56 / 0 / 95 / 28

HEX #51B80A

RGB 81 184 10

HSL 95.52, 0.9%, 0.38%

LAB 66.56, -55.58, 65.56

 

CMYK 50 / 0 / 85 / 34

HEX #54A919

RGB 84 169 25

HSL 95.42, 0.74%, 0.38%

LAB 61.94, -48.71, 59.02

 

CMYK 43 / 0 / 73 / 40

HEX #579929

RGB 87 153 41

HSL 95.36, 0.58%, 0.38%

LAB 57.05, -40.38, 49.46

 

CMYK 34 / 0 / 58 / 46

HEX #5A8939

RGB 90 137 57

HSL 95.25, 0.41%, 0.38%

LAB 52.24, -30.72, 37.28

 

CMYK 25 / 0 / 41 / 52

HEX #5C7A48

RGB 92 122 72

HSL 96, 0.26%, 0.38%

LAB 47.83, -20.58, 23.96

 

CMYK 10 / 0 / 17 / 58

HEX #5F6A58

RGB 95 106 88

HSL 96.67, 0.09%, 0.38%

LAB 43.43, -7.89, 8.71

 

CMYK 5 / 0 / 85 / 34

HEX #A1A919

RGB 161 169 25

HSL 63.33, 0.74%, 0.38%

LAB 66.54, -18.92, 64.78

 

CMYK 27 / 0 / 85 / 34

HEX #7BA919

RGB 123 169 25

HSL 79.17, 0.74%, 0.38%

LAB 63.88, -34.87, 61.47

 

CMYK 50 / 0 / 85 / 34

HEX #55A919

RGB 85 169 25

HSL 95, 0.74%, 0.38%

LAB 61.98, -48.4, 59.07

 

CMYK 72 / 0 / 85 / 34

HEX #2FA919

RGB 47 169 25

HSL 110.83, 0.74%, 0.38%

LAB 60.83, -57.77, 57.61

 

CMYK 85 / 0 / 75 / 34

HEX #19A92A

RGB 25 169 42

HSL 127.08, 0.74%, 0.38%

LAB 60.56, -59.76, 52.08

 

CMYK 51 / 0 / 86 / 62

HEX #30610E

RGB 48 97 14

HSL 95.42, 0.75%, 0.22%

LAB 36.38, -31.55, 38.45

 

CMYK 50 / 0 / 85 / 48

HEX #428514

RGB 66 133 20

HSL 95.58, 0.74%, 0.3%

LAB 49.48, -40.34, 48.9

 

CMYK 50 / 0 / 85 / 34

HEX #54A919

RGB 84 169 25

HSL 95.42, 0.74%, 0.38%

LAB 61.94, -48.71, 59.02

 

CMYK 50 / 0 / 85 / 20

HEX #66CD1F

RGB 102 205 31

HSL 95.52, 0.74%, 0.46%

LAB 73.92, -56.67, 68.45

 

CMYK 46 / 0 / 77 / 12

HEX #7AE134

RGB 122 225 52

HSL 95.72, 0.74%, 0.54%

LAB 80.87, -57.22, 69.52

 

CMYK 50 / 0 / 85 / 35

HEX #53A719

RGB 83 167 25

HSL 95.49, 0.74%, 0.38%

LAB 61.26, -48.24, 58.4

 

CMYK 85 / 0 / 18 / 34

HEX #19A98A

RGB 25 169 138

HSL 167.08, 0.74%, 0.38%

LAB 62.01, -43.01, 5.97

 

CMYK 0 / 85 / 16 / 34

HEX #A9198E

RGB 169 25 142

HSL 311.25, 0.74%, 0.38%

LAB 39.72, 64.91, -28.95

 

CMYK 50 / 0 / 85 / 35

HEX #53A719

RGB 83 167 25

HSL 95.49, 0.74%, 0.38%

LAB 61.26, -48.24, 58.4

 

CMYK 85 / 50 / 0 / 34

HEX #1955A9

RGB 25 85 169

HSL 215, 0.74%, 0.38%

LAB 37.06, 13.57, -50.33

 

CMYK 0 / 85 / 50 / 34

HEX #A91955

RGB 169 25 85

HSL 335, 0.74%, 0.38%

LAB 37.46, 58.57, 3.41

 

CMYK 50 / 0 / 85 / 35

HEX #53A719

RGB 83 167 25

HSL 95.49, 0.74%, 0.38%

LAB 61.26, -48.24, 58.4

 

CMYK 85 / 0 / 18 / 34

HEX #19A98A

RGB 25 169 138

HSL 167.08, 0.74%, 0.38%

LAB 62.01, -43.01, 5.97

 

CMYK 36 / 85 / 0 / 34

HEX #6D19A9

RGB 109 25 169

HSL 275, 0.74%, 0.38%

LAB 31.37, 58.7, -59.29

 

CMYK 0 / 85 / 67 / 34

HEX #A91938

RGB 169 25 56

HSL 347.08, 0.74%, 0.38%

LAB 36.77, 56.56, 21.13

 

CMYK 50 / 0 / 85 / 35

HEX #53A719

RGB 83 167 25

HSL 95.49, 0.74%, 0.38%

LAB 61.26, -48.24, 58.4

 

CMYK 85 / 7 / 0 / 34

HEX #199DA9

RGB 25 157 169

HSL 185, 0.74%, 0.38%

LAB 59.15, -28.41, -15.74

 

CMYK 36 / 85 / 0 / 34

HEX #6D19A9

RGB 109 25 169

HSL 275, 0.74%, 0.38%

LAB 31.37, 58.7, -59.29

 

CMYK 0 / 78 / 85 / 34

HEX #A92519

RGB 169 37 25

HSL 5, 0.74%, 0.38%

LAB 37.53, 52.07, 40.33

 

Description

Color code: HEX #53A719 | qconv.com Color code: HEX #53A719 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 167 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 167 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 85 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 85% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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