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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53A704 it is the complementary color #AC58FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53A704. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53A704 shade: #58A700, #69B912, #7ACB25, #8BDD38 and #9CEF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53A704. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53A704 shade: #53A704, #429500, #318300, #207100 and #0F5F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53A704 shade: #54A904, #81A904, #A9A504, #A97904 and #A94C04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53A704 shade: #54A904, #28A904, #04A90D, #04A93A and #04A966

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53A704 shade matches the following richer shades: #54A904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53A704 shade: #54A904, #559B12, #558D20, #557F2E and #56713C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53A704 shade: #A9A404, #83A904, #57A904, #2BA904 and #04A90A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53A704 shade: #2C5902, #408103, #54A904, #68D105 and #7CF907

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53A704 shade: #53A704, #04A978 and #A90499

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53A704 shade: #53A704, #0457A9 and #A90457

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53A704 shade: #53A704, #04A978, #5704A9 and #A90436

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53A704 shade: #53A704, #04A9A9, #5704A9 and #A90404

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 98 / 35

HEX #53A704

RGB 83 167 4

HSL 90.92, 0.95%, 0.34%

LAB 61.21, -48.84, 62.03

 

Complementary color

CMYK 31 / 65 / 0 / 2

HEX #AC58FB

RGB 172 88 251

HSL 270.92, 0.95%, 0.66%

LAB 54.78, 62.99, -68.17

 

CMYK 47 / 0 / 100 / 35

HEX #58A700

RGB 88 167 0

HSL 88.38, 1%, 0.33%

LAB 61.41, -47.35, 62.83

 

CMYK 43 / 0 / 90 / 27

HEX #69B912

RGB 105 185 18

HSL 88.74, 0.82%, 0.4%

LAB 67.83, -48.49, 65.85

 

CMYK 40 / 0 / 82 / 20

HEX #7ACB25

RGB 122 203 37

HSL 89.28, 0.69%, 0.47%

LAB 74.18, -49.35, 67.55

 

CMYK 37 / 0 / 75 / 13

HEX #8BDD38

RGB 139 221 56

HSL 89.82, 0.71%, 0.54%

LAB 80.45, -49.95, 68.13

 

CMYK 35 / 0 / 69 / 6

HEX #9CEF4B

RGB 156 239 75

HSL 90.37, 0.84%, 0.62%

LAB 86.66, -50.36, 68.01

 

CMYK 50 / 0 / 98 / 35

HEX #53A704

RGB 83 167 4

HSL 90.92, 0.95%, 0.34%

LAB 61.21, -48.84, 62.03

 

CMYK 56 / 0 / 100 / 42

HEX #429500

RGB 66 149 0

HSL 93.42, 1%, 0.29%

LAB 54.71, -47.22, 57.21

 

CMYK 63 / 0 / 100 / 49

HEX #318300

RGB 49 131 0

HSL 97.56, 1%, 0.26%

LAB 48.12, -45.28, 51.76

 

CMYK 72 / 0 / 100 / 56

HEX #207100

RGB 32 113 0

HSL 103.01, 1%, 0.22%

LAB 41.4, -42.94, 46.23

 

CMYK 84 / 0 / 100 / 63

HEX #0F5F00

RGB 15 95 0

HSL 110.53, 1%, 0.19%

LAB 34.57, -39.97, 40.64

 

CMYK 50 / 0 / 98 / 34

HEX #54A904

RGB 84 169 4

HSL 90.91, 0.95%, 0.34%

LAB 61.89, -49.3, 62.59

 

CMYK 24 / 0 / 98 / 34

HEX #81A904

RGB 129 169 4

HSL 74.55, 0.95%, 0.34%

LAB 64.2, -32.94, 65.4

 

CMYK 0 / 2 / 98 / 34

HEX #A9A504

RGB 169 165 4

HSL 58.55, 0.95%, 0.34%

LAB 66.02, -13.73, 68.09

 

CMYK 0 / 28 / 98 / 34

HEX #A97904

RGB 169 121 4

HSL 42.55, 0.95%, 0.34%

LAB 54.15, 10.19, 59.49

 

CMYK 0 / 55 / 98 / 34

HEX #A94C04

RGB 169 76 4

HSL 26.18, 0.95%, 0.34%

LAB 43.67, 34.98, 52.48

 

CMYK 50 / 0 / 98 / 34

HEX #54A904

RGB 84 169 4

HSL 90.91, 0.95%, 0.34%

LAB 61.89, -49.3, 62.59

 

CMYK 76 / 0 / 98 / 34

HEX #28A904

RGB 40 169 4

HSL 106.91, 0.95%, 0.34%

LAB 60.64, -59.62, 61.06

 

CMYK 98 / 0 / 92 / 34

HEX #04A90D

RGB 4 169 13

HSL 123.27, 0.95%, 0.34%

LAB 60.28, -62.78, 59.35

 

CMYK 98 / 0 / 66 / 34

HEX #04A93A

RGB 4 169 58

HSL 139.64, 0.95%, 0.34%

LAB 60.52, -59.63, 45.62

 

CMYK 98 / 0 / 40 / 34

HEX #04A966

RGB 4 169 102

HSL 155.64, 0.95%, 0.34%

LAB 61.1, -52.63, 24.48

 

CMYK 50 / 0 / 98 / 34

HEX #54A904

RGB 84 169 4

HSL 90.91, 0.95%, 0.34%

LAB 61.89, -49.3, 62.59

 

CMYK 50 / 0 / 98 / 34

HEX #54A904

RGB 84 169 4

HSL 90.91, 0.95%, 0.34%

LAB 61.89, -49.3, 62.59

 

CMYK 45 / 0 / 88 / 39

HEX #559B12

RGB 85 155 18

HSL 90.66, 0.79%, 0.34%

LAB 57.48, -43.1, 56.74

 

CMYK 40 / 0 / 77 / 45

HEX #558D20

RGB 85 141 32

HSL 90.83, 0.63%, 0.34%

LAB 53.04, -36.52, 48.77

 

CMYK 33 / 0 / 64 / 50

HEX #557F2E

RGB 85 127 46

HSL 91.11, 0.47%, 0.34%

LAB 48.64, -29.01, 38.42

 

CMYK 24 / 0 / 47 / 56

HEX #56713C

RGB 86 113 60

HSL 90.57, 0.31%, 0.34%

LAB 44.4, -19.98, 26.2

 

CMYK 0 / 3 / 98 / 34

HEX #A9A404

RGB 169 164 4

HSL 58.18, 0.95%, 0.34%

LAB 65.74, -13.21, 67.89

 

CMYK 22 / 0 / 98 / 34

HEX #83A904

RGB 131 169 4

HSL 73.82, 0.95%, 0.34%

LAB 64.33, -32.12, 65.56

 

CMYK 49 / 0 / 98 / 34

HEX #57A904

RGB 87 169 4

HSL 89.82, 0.95%, 0.34%

LAB 62.01, -48.36, 62.74

 

CMYK 75 / 0 / 98 / 34

HEX #2BA904

RGB 43 169 4

HSL 105.82, 0.95%, 0.34%

LAB 60.69, -59.13, 61.13

 

CMYK 98 / 0 / 94 / 34

HEX #04A90A

RGB 4 169 10

HSL 122.18, 0.95%, 0.34%

LAB 60.27, -62.86, 59.78

 

CMYK 51 / 0 / 98 / 65

HEX #2C5902

RGB 44 89 2

HSL 91.03, 0.96%, 0.18%

LAB 33.32, -30.07, 39.35

 

CMYK 50 / 0 / 98 / 49

HEX #408103

RGB 64 129 3

HSL 90.95, 0.95%, 0.26%

LAB 48, -39.98, 51.3

 

CMYK 50 / 0 / 98 / 34

HEX #54A904

RGB 84 169 4

HSL 90.91, 0.95%, 0.34%

LAB 61.89, -49.3, 62.59

 

CMYK 50 / 0 / 98 / 18

HEX #68D105

RGB 104 209 5

HSL 90.88, 0.95%, 0.42%

LAB 75.17, -58.18, 73.39

 

CMYK 50 / 0 / 97 / 2

HEX #7CF907

RGB 124 249 7

HSL 90.99, 0.95%, 0.5%

LAB 87.99, -66.73, 83.72

 

CMYK 50 / 0 / 98 / 35

HEX #53A704

RGB 83 167 4

HSL 90.92, 0.95%, 0.34%

LAB 61.21, -48.84, 62.03

 

CMYK 98 / 0 / 29 / 34

HEX #04A978

RGB 4 169 120

HSL 162.18, 0.95%, 0.34%

LAB 61.44, -48.67, 15.14

 

CMYK 0 / 98 / 9 / 34

HEX #A90499

RGB 169 4 153

HSL 305.82, 0.95%, 0.34%

LAB 39.28, 69.45, -36.35

 

CMYK 50 / 0 / 98 / 35

HEX #53A704

RGB 83 167 4

HSL 90.92, 0.95%, 0.34%

LAB 61.21, -48.84, 62.03

 

CMYK 98 / 49 / 0 / 34

HEX #0457A9

RGB 4 87 169

HSL 209.82, 0.95%, 0.34%

LAB 37.31, 11.03, -49.94

 

CMYK 0 / 98 / 49 / 34

HEX #A90457

RGB 169 4 87

HSL 329.82, 0.95%, 0.34%

LAB 36.39, 62, 0.57

 

CMYK 50 / 0 / 98 / 35

HEX #53A704

RGB 83 167 4

HSL 90.92, 0.95%, 0.34%

LAB 61.21, -48.84, 62.03

 

CMYK 98 / 0 / 29 / 34

HEX #04A978

RGB 4 169 120

HSL 162.18, 0.95%, 0.34%

LAB 61.44, -48.67, 15.14

 

CMYK 49 / 98 / 0 / 34

HEX #5704A9

RGB 87 4 169

HSL 270.18, 0.95%, 0.34%

LAB 26.67, 60.73, -67.13

 

CMYK 0 / 98 / 68 / 34

HEX #A90436

RGB 169 4 54

HSL 341.82, 0.95%, 0.34%

LAB 35.57, 59.81, 20.88

 

CMYK 50 / 0 / 98 / 35

HEX #53A704

RGB 83 167 4

HSL 90.92, 0.95%, 0.34%

LAB 61.21, -48.84, 62.03

 

CMYK 98 / 0 / 0 / 34

HEX #04A9A9

RGB 4 169 169

HSL 180, 0.95%, 0.34%

LAB 62.73, -35.19, -10.35

 

CMYK 49 / 98 / 0 / 34

HEX #5704A9

RGB 87 4 169

HSL 270.18, 0.95%, 0.34%

LAB 26.67, 60.73, -67.13

 

CMYK 0 / 98 / 98 / 34

HEX #A90404

RGB 169 4 4

HSL 0, 0.95%, 0.34%

LAB 35.06, 58.41, 47.65

 

Description

Color code: HEX #53A704 | qconv.com Color code: HEX #53A704 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 167 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 167 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 98 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 98% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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