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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53A019 it is the complementary color #AC5FE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53A019. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53A019 shade: #58A014, #69B227, #7AC43A, #8BD64D and #9CE860

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53A019. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53A019 shade: #53A019, #428E06, #317C00, #206A00 and #0F5800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53A019 shade: #529F19, #779F19, #9B9F19, #9F7F19 and #9F5B19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53A019 shade: #529F19, #2E9F19, #199F27, #199F4C and #199F70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53A019 shade matches the following richer shades: #529F19 and #50AE0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53A019 shade: #529F19, #549028, #578136, #597245 and #5B6354

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53A019 shade: #9A9F19, #779F19, #539F19, #2F9F19 and #199F26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53A019 shade: #2D570E, #407B13, #529F19, #65C31E and #79DE2C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53A019 shade: #53A019, #199F80 and #9F1988

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53A019 shade: #53A019, #19539F and #9F1953

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53A019 shade: #53A019, #199F80, #65199F and #9F1938

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53A019 shade: #53A019, #19969F, #65199F and #9F2219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 84 / 37

HEX #53A019

RGB 83 160 25

HSL 94.22, 0.73%, 0.36%

LAB 59.02, -45.5, 56.41

 

Complementary color

CMYK 25 / 59 / 0 / 10

HEX #AC5FE6

RGB 172 95 230

HSL 274.22, 0.73%, 0.64%

LAB 54.73, 54.84, -56.53

 

CMYK 45 / 0 / 88 / 37

HEX #58A014

RGB 88 160 20

HSL 90.86, 0.78%, 0.35%

LAB 59.22, -44.06, 57.86

 

CMYK 41 / 0 / 78 / 30

HEX #69B227

RGB 105 178 39

HSL 91.51, 0.64%, 0.43%

LAB 65.74, -44.82, 58.92

 

CMYK 38 / 0 / 70 / 23

HEX #7AC43A

RGB 122 196 58

HSL 92.17, 0.54%, 0.5%

LAB 72.18, -45.3, 58.95

 

CMYK 35 / 0 / 64 / 16

HEX #8BD64D

RGB 139 214 77

HSL 92.85, 0.63%, 0.57%

LAB 78.53, -45.58, 58.4

 

CMYK 33 / 0 / 59 / 9

HEX #9CE860

RGB 156 232 96

HSL 93.53, 0.75%, 0.64%

LAB 84.81, -45.74, 57.56

 

CMYK 48 / 0 / 84 / 37

HEX #53A019

RGB 83 160 25

HSL 94.22, 0.73%, 0.36%

LAB 59.02, -45.5, 56.41

 

CMYK 54 / 0 / 96 / 44

HEX #428E06

RGB 66 142 6

HSL 93.53, 0.92%, 0.29%

LAB 52.42, -44.4, 54.35

 

CMYK 60 / 0 / 100 / 51

HEX #317C00

RGB 49 124 0

HSL 96.29, 1%, 0.24%

LAB 45.73, -42.7, 49.87

 

CMYK 70 / 0 / 100 / 58

HEX #206A00

RGB 32 106 0

HSL 101.89, 1%, 0.21%

LAB 38.92, -40.47, 44.26

 

CMYK 83 / 0 / 100 / 65

HEX #0F5800

RGB 15 88 0

HSL 109.77, 1%, 0.17%

LAB 31.99, -37.6, 38.58

 

CMYK 48 / 0 / 84 / 38

HEX #529F19

RGB 82 159 25

HSL 94.48, 0.73%, 0.36%

LAB 58.66, -45.42, 56.07

 

CMYK 25 / 0 / 84 / 38

HEX #779F19

RGB 119 159 25

HSL 77.91, 0.73%, 0.36%

LAB 60.59, -31.86, 58.52

 

CMYK 3 / 0 / 84 / 38

HEX #9B9F19

RGB 155 159 25

HSL 61.79, 0.73%, 0.36%

LAB 63.21, -16.45, 61.79

 

CMYK 0 / 20 / 84 / 38

HEX #9F7F19

RGB 159 127 25

HSL 45.67, 0.73%, 0.36%

LAB 54.68, 2.64, 54.7

 

CMYK 0 / 43 / 84 / 38

HEX #9F5B19

RGB 159 91 25

HSL 29.55, 0.73%, 0.36%

LAB 45.53, 23.06, 46.77

 

CMYK 48 / 0 / 84 / 38

HEX #529F19

RGB 82 159 25

HSL 94.48, 0.73%, 0.36%

LAB 58.66, -45.42, 56.07

 

CMYK 71 / 0 / 84 / 38

HEX #2E9F19

RGB 46 159 25

HSL 110.6, 0.73%, 0.36%

LAB 57.51, -54.69, 54.6

 

CMYK 84 / 0 / 75 / 38

HEX #199F27

RGB 25 159 39

HSL 126.27, 0.73%, 0.36%

LAB 57.22, -56.9, 49.8

 

CMYK 84 / 0 / 52 / 38

HEX #199F4C

RGB 25 159 76

HSL 142.84, 0.73%, 0.36%

LAB 57.58, -52.46, 33.66

 

CMYK 84 / 0 / 30 / 38

HEX #199F70

RGB 25 159 112

HSL 158.96, 0.73%, 0.36%

LAB 58.2, -45.35, 15.1

 

CMYK 48 / 0 / 84 / 38

HEX #529F19

RGB 82 159 25

HSL 94.48, 0.73%, 0.36%

LAB 58.66, -45.42, 56.07

 

CMYK 54 / 0 / 94 / 32

HEX #50AE0A

RGB 80 174 10

HSL 94.39, 0.89%, 0.36%

LAB 63.34, -52.23, 62.92

 

CMYK 48 / 0 / 84 / 38

HEX #529F19

RGB 82 159 25

HSL 94.48, 0.73%, 0.36%

LAB 58.66, -45.42, 56.07

 

CMYK 42 / 0 / 72 / 44

HEX #549028

RGB 84 144 40

HSL 94.62, 0.57%, 0.36%

LAB 54.01, -37.63, 46.72

 

CMYK 33 / 0 / 58 / 49

HEX #578136

RGB 87 129 54

HSL 93.6, 0.41%, 0.36%

LAB 49.49, -28.37, 35.53

 

CMYK 22 / 0 / 39 / 55

HEX #597245

RGB 89 114 69

HSL 93.33, 0.25%, 0.36%

LAB 45.06, -18, 22.03

 

CMYK 8 / 0 / 15 / 61

HEX #5B6354

RGB 91 99 84

HSL 92, 0.08%, 0.36%

LAB 40.88, -6.19, 7.48

 

CMYK 3 / 0 / 84 / 38

HEX #9A9F19

RGB 154 159 25

HSL 62.24, 0.73%, 0.36%

LAB 63.12, -16.9, 61.69

 

CMYK 25 / 0 / 84 / 38

HEX #779F19

RGB 119 159 25

HSL 77.91, 0.73%, 0.36%

LAB 60.59, -31.86, 58.52

 

CMYK 48 / 0 / 84 / 38

HEX #539F19

RGB 83 159 25

HSL 94.03, 0.73%, 0.36%

LAB 58.7, -45.1, 56.12

 

CMYK 70 / 0 / 84 / 38

HEX #2F9F19

RGB 47 159 25

HSL 110.15, 0.73%, 0.36%

LAB 57.53, -54.49, 54.63

 

CMYK 84 / 0 / 76 / 38

HEX #199F26

RGB 25 159 38

HSL 125.82, 0.73%, 0.36%

LAB 57.21, -56.98, 50.15

 

CMYK 48 / 0 / 84 / 66

HEX #2D570E

RGB 45 87 14

HSL 94.52, 0.72%, 0.2%

LAB 32.71, -28.16, 34.96

 

CMYK 48 / 0 / 85 / 52

HEX #407B13

RGB 64 123 19

HSL 94.04, 0.73%, 0.28%

LAB 46.05, -36.92, 46.04

 

CMYK 48 / 0 / 84 / 38

HEX #529F19

RGB 82 159 25

HSL 94.48, 0.73%, 0.36%

LAB 58.66, -45.42, 56.07

 

CMYK 48 / 0 / 85 / 24

HEX #65C31E

RGB 101 195 30

HSL 94.18, 0.73%, 0.44%

LAB 70.8, -53.26, 65.91

 

CMYK 45 / 0 / 80 / 13

HEX #79DE2C

RGB 121 222 44

HSL 94.04, 0.73%, 0.52%

LAB 79.89, -56.79, 70.87

 

CMYK 48 / 0 / 84 / 37

HEX #53A019

RGB 83 160 25

HSL 94.22, 0.73%, 0.36%

LAB 59.02, -45.5, 56.41

 

CMYK 84 / 0 / 19 / 38

HEX #199F80

RGB 25 159 128

HSL 166.12, 0.73%, 0.36%

LAB 58.57, -41.39, 6.64

 

CMYK 0 / 84 / 14 / 38

HEX #9F1988

RGB 159 25 136

HSL 310.3, 0.73%, 0.36%

LAB 37.56, 61.95, -28.78

 

CMYK 48 / 0 / 84 / 37

HEX #53A019

RGB 83 160 25

HSL 94.22, 0.73%, 0.36%

LAB 59.02, -45.5, 56.41

 

CMYK 84 / 48 / 0 / 38

HEX #19539F

RGB 25 83 159

HSL 214.03, 0.73%, 0.36%

LAB 35.78, 10.87, -46.41

 

CMYK 0 / 84 / 48 / 38

HEX #9F1953

RGB 159 25 83

HSL 334.03, 0.73%, 0.36%

LAB 35.38, 55.79, 1.45

 

CMYK 48 / 0 / 84 / 37

HEX #53A019

RGB 83 160 25

HSL 94.22, 0.73%, 0.36%

LAB 59.02, -45.5, 56.41

 

CMYK 84 / 0 / 19 / 38

HEX #199F80

RGB 25 159 128

HSL 166.12, 0.73%, 0.36%

LAB 58.57, -41.39, 6.64

 

CMYK 36 / 84 / 0 / 38

HEX #65199F

RGB 101 25 159

HSL 274.03, 0.73%, 0.36%

LAB 29.32, 55.28, -56.63

 

CMYK 0 / 84 / 65 / 38

HEX #9F1938

RGB 159 25 56

HSL 346.12, 0.73%, 0.36%

LAB 34.7, 53.79, 18.05

 

CMYK 48 / 0 / 84 / 37

HEX #53A019

RGB 83 160 25

HSL 94.22, 0.73%, 0.36%

LAB 59.02, -45.5, 56.41

 

CMYK 84 / 6 / 0 / 38

HEX #19969F

RGB 25 150 159

HSL 184.03, 0.73%, 0.36%

LAB 56.61, -28.16, -13.89

 

CMYK 36 / 84 / 0 / 38

HEX #65199F

RGB 101 25 159

HSL 274.03, 0.73%, 0.36%

LAB 29.32, 55.28, -56.63

 

CMYK 0 / 79 / 84 / 38

HEX #9F2219

RGB 159 34 25

HSL 4.03, 0.73%, 0.36%

LAB 35.17, 49.9, 37.43

 

Description

Color code: HEX #53A019 | qconv.com Color code: HEX #53A019 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 160 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 160 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 84 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 84% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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