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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #539B8D it is the complementary color #AC6472. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #539B8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #539B8D shade: #589B88, #69AD9B, #7ABFAE, #8BD1C1 and #9CE3D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #539B8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #539B8D shade: #539B8D, #42897A, #317767, #206554 and #0F5341

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #539B8D shade: #549C8E, #549C7A, #549C67, #549C54 and #689C54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #539B8D shade: #549C8E, #54969C, #54839C, #54709C and #545C9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #539B8D shade matches the following richer shades: #549C8E, #41AF9A, #2DC3A6, #1AD6B1 and #06E9BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #539B8D shade: #549C8E, #678882, #7B7576, #8E626A and #A14E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #539B8D shade: #549C67, #549C7A, #549C8D, #54979C and #54849C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #539B8D shade: #37665D, #458175, #549C8E, #6AAFA1 and #85BDB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #539B8D shade: #539B8D, #54549C and #9C7154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #539B8D shade: #539B8D, #8D549C and #9C8D54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #539B8D shade: #539B8D, #54549C, #9C5462 and #9C9C54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #539B8D shade: #539B8D, #69549C, #9C5462 and #869C54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 9 / 39

HEX #539B8D

RGB 83 155 141

HSL 168.33, 0.3%, 0.47%

LAB 59.16, -26.11, 0.34

 

Complementary color

CMYK 0 / 42 / 34 / 33

HEX #AC6472

RGB 172 100 114

HSL 348.33, 0.3%, 0.53%

LAB 50.8, 30.73, 4.79

 

CMYK 43 / 0 / 12 / 39

HEX #589B88

RGB 88 155 136

HSL 162.99, 0.28%, 0.48%

LAB 59.25, -26, 3.32

 

CMYK 39 / 0 / 10 / 32

HEX #69AD9B

RGB 105 173 155

HSL 164.12, 0.29%, 0.55%

LAB 65.95, -25.82, 2.47

 

CMYK 36 / 0 / 9 / 25

HEX #7ABFAE

RGB 122 191 174

HSL 165.22, 0.35%, 0.61%

LAB 72.53, -25.64, 1.69

 

CMYK 33 / 0 / 8 / 18

HEX #8BD1C1

RGB 139 209 193

HSL 166.29, 0.43%, 0.68%

LAB 79.01, -25.46, 0.95

 

CMYK 31 / 0 / 7 / 11

HEX #9CE3D4

RGB 156 227 212

HSL 167.32, 0.56%, 0.75%

LAB 85.38, -25.29, 0.25

 

CMYK 46 / 0 / 9 / 39

HEX #539B8D

RGB 83 155 141

HSL 168.33, 0.3%, 0.47%

LAB 59.16, -26.11, 0.34

 

CMYK 52 / 0 / 11 / 46

HEX #42897A

RGB 66 137 122

HSL 167.32, 0.35%, 0.4%

LAB 52.35, -26.18, 1.22

 

CMYK 59 / 0 / 13 / 53

HEX #317767

RGB 49 119 103

HSL 166.29, 0.42%, 0.33%

LAB 45.39, -26.16, 2.22

 

CMYK 68 / 0 / 17 / 60

HEX #206554

RGB 32 101 84

HSL 165.22, 0.52%, 0.26%

LAB 38.3, -25.96, 3.36

 

CMYK 82 / 0 / 22 / 67

HEX #0F5341

RGB 15 83 65

HSL 164.12, 0.69%, 0.19%

LAB 31.04, -25.38, 4.73

 

CMYK 46 / 0 / 9 / 39

HEX #549C8E

RGB 84 156 142

HSL 168.33, 0.3%, 0.47%

LAB 59.54, -26.1, 0.32

 

CMYK 46 / 0 / 22 / 39

HEX #549C7A

RGB 84 156 122

HSL 151.67, 0.3%, 0.47%

LAB 59.04, -30.78, 10.9

 

CMYK 46 / 0 / 34 / 39

HEX #549C67

RGB 84 156 103

HSL 135.83, 0.3%, 0.47%

LAB 58.64, -34.63, 20.94

 

CMYK 46 / 0 / 46 / 39

HEX #549C54

RGB 84 156 84

HSL 120, 0.3%, 0.47%

LAB 58.32, -37.84, 30.78

 

CMYK 33 / 0 / 46 / 39

HEX #689C54

RGB 104 156 84

HSL 103.33, 0.3%, 0.47%

LAB 59.31, -31.23, 32.23

 

CMYK 46 / 0 / 9 / 39

HEX #549C8E

RGB 84 156 142

HSL 168.33, 0.3%, 0.47%

LAB 59.54, -26.1, 0.32

 

CMYK 46 / 4 / 0 / 39

HEX #54969C

RGB 84 150 156

HSL 185, 0.3%, 0.47%

LAB 58.13, -19.36, -9.72

 

CMYK 46 / 16 / 0 / 39

HEX #54839C

RGB 84 131 156

HSL 200.83, 0.3%, 0.47%

LAB 52.42, -8.98, -18.36

 

CMYK 46 / 28 / 0 / 39

HEX #54709C

RGB 84 112 156

HSL 216.67, 0.3%, 0.47%

LAB 46.81, 2.16, -27

 

CMYK 46 / 41 / 0 / 39

HEX #545C9C

RGB 84 92 156

HSL 233.33, 0.3%, 0.47%

LAB 41.12, 14.57, -35.92

 

CMYK 46 / 0 / 9 / 39

HEX #549C8E

RGB 84 156 142

HSL 168.33, 0.3%, 0.47%

LAB 59.54, -26.1, 0.32

 

CMYK 63 / 0 / 12 / 31

HEX #41AF9A

RGB 65 175 154

HSL 168.55, 0.46%, 0.47%

LAB 65.06, -36.26, 1.55

 

CMYK 77 / 0 / 15 / 24

HEX #2DC3A6

RGB 45 195 166

HSL 168.4, 0.63%, 0.47%

LAB 71.11, -44.83, 3.67

 

CMYK 88 / 0 / 17 / 16

HEX #1AD6B1

RGB 26 214 177

HSL 168.19, 0.78%, 0.47%

LAB 76.97, -51.44, 6.18

 

CMYK 97 / 0 / 19 / 9

HEX #06E9BD

RGB 6 233 189

HSL 168.37, 0.95%, 0.47%

LAB 82.91, -56.7, 8.33

 

CMYK 46 / 0 / 9 / 39

HEX #549C8E

RGB 84 156 142

HSL 168.33, 0.3%, 0.47%

LAB 59.54, -26.1, 0.32

 

CMYK 24 / 0 / 4 / 47

HEX #678882

RGB 103 136 130

HSL 169.09, 0.14%, 0.47%

LAB 54.14, -12.93, -0.58

 

CMYK 0 / 5 / 4 / 52

HEX #7B7576

RGB 123 117 118

HSL 350, 0.03%, 0.47%

LAB 49.79, 2.49, 0.27

 

CMYK 0 / 31 / 25 / 44

HEX #8E626A

RGB 142 98 106

HSL 349.09, 0.18%, 0.47%

LAB 46.35, 19.05, 2.67

 

CMYK 0 / 52 / 42 / 37

HEX #A14E5E

RGB 161 78 94

HSL 348.43, 0.35%, 0.47%

LAB 43.99, 36.01, 6.93

 

CMYK 46 / 0 / 34 / 39

HEX #549C67

RGB 84 156 103

HSL 135.83, 0.3%, 0.47%

LAB 58.64, -34.63, 20.94

 

CMYK 46 / 0 / 22 / 39

HEX #549C7A

RGB 84 156 122

HSL 151.67, 0.3%, 0.47%

LAB 59.04, -30.78, 10.9

 

CMYK 46 / 0 / 10 / 39

HEX #549C8D

RGB 84 156 141

HSL 167.5, 0.3%, 0.47%

LAB 59.51, -26.35, 0.85

 

CMYK 46 / 3 / 0 / 39

HEX #54979C

RGB 84 151 156

HSL 184.17, 0.3%, 0.47%

LAB 58.43, -19.89, -9.27

 

CMYK 46 / 15 / 0 / 39

HEX #54849C

RGB 84 132 156

HSL 200, 0.3%, 0.47%

LAB 52.72, -9.55, -17.9

 

CMYK 46 / 0 / 9 / 60

HEX #37665D

RGB 55 102 93

HSL 168.51, 0.3%, 0.31%

LAB 39.76, -18.48, 0.08

 

CMYK 47 / 0 / 9 / 49

HEX #458175

RGB 69 129 117

HSL 168, 0.3%, 0.39%

LAB 49.8, -22.64, 0.44

 

CMYK 46 / 0 / 9 / 39

HEX #549C8E

RGB 84 156 142

HSL 168.33, 0.3%, 0.47%

LAB 59.54, -26.1, 0.32

 

CMYK 39 / 0 / 8 / 31

HEX #6AAFA1

RGB 106 175 161

HSL 167.83, 0.3%, 0.55%

LAB 66.75, -25.14, 0.31

 

CMYK 30 / 0 / 6 / 26

HEX #85BDB2

RGB 133 189 178

HSL 168.21, 0.3%, 0.63%

LAB 72.63, -20.56, -0.29

 

CMYK 46 / 0 / 9 / 39

HEX #539B8D

RGB 83 155 141

HSL 168.33, 0.3%, 0.47%

LAB 59.16, -26.11, 0.34

 

CMYK 46 / 46 / 0 / 39

HEX #54549C

RGB 84 84 156

HSL 240, 0.3%, 0.47%

LAB 38.94, 19.65, -39.38

 

CMYK 0 / 28 / 46 / 39

HEX #9C7154

RGB 156 113 84

HSL 24.17, 0.3%, 0.47%

LAB 51.29, 13.27, 22.76

 

CMYK 46 / 0 / 9 / 39

HEX #539B8D

RGB 83 155 141

HSL 168.33, 0.3%, 0.47%

LAB 59.16, -26.11, 0.34

 

CMYK 10 / 46 / 0 / 39

HEX #8D549C

RGB 141 84 156

HSL 287.5, 0.3%, 0.47%

LAB 44.81, 36.07, -29.74

 

CMYK 0 / 10 / 46 / 39

HEX #9C8D54

RGB 156 141 84

HSL 47.5, 0.3%, 0.47%

LAB 58.75, -2.54, 32.35

 

CMYK 46 / 0 / 9 / 39

HEX #539B8D

RGB 83 155 141

HSL 168.33, 0.3%, 0.47%

LAB 59.16, -26.11, 0.34

 

CMYK 46 / 46 / 0 / 39

HEX #54549C

RGB 84 84 156

HSL 240, 0.3%, 0.47%

LAB 38.94, 19.65, -39.38

 

CMYK 0 / 46 / 37 / 39

HEX #9C5462

RGB 156 84 98

HSL 348.33, 0.3%, 0.47%

LAB 44.65, 31.38, 5.31

 

CMYK 0 / 0 / 46 / 39

HEX #9C9C54

RGB 156 156 84

HSL 60, 0.3%, 0.47%

LAB 62.91, -10.66, 37.5

 

CMYK 46 / 0 / 9 / 39

HEX #539B8D

RGB 83 155 141

HSL 168.33, 0.3%, 0.47%

LAB 59.16, -26.11, 0.34

 

CMYK 33 / 46 / 0 / 39

HEX #69549C

RGB 105 84 156

HSL 257.5, 0.3%, 0.47%

LAB 40.81, 25.33, -36.3

 

CMYK 0 / 46 / 37 / 39

HEX #9C5462

RGB 156 84 98

HSL 348.33, 0.3%, 0.47%

LAB 44.65, 31.38, 5.31

 

CMYK 14 / 0 / 46 / 39

HEX #869C54

RGB 134 156 84

HSL 78.33, 0.3%, 0.47%

LAB 61.21, -19.77, 35.02

 

Description

Color code: HEX #539B8D | qconv.com Color code: HEX #539B8D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 155 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 155 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 9 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 9% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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