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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5393D400 it is the complementary color #AC6C2B00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5393D400. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5393D400 shade: #5893CF00, #69A5E200, #7AB7F500, #8BC9FF00 and #9CDBFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5393D400. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5393D400 shade: #5393D400, #4281C100, #316FAE00, #205D9B00 and #0F4B8800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5393D400 shade: #5493D4, #5471D4, #5954D4, #7C54D4 and #9F54D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5393D400 shade: #5493D4, #5471D4 and #5454D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5393D400 shade matches the following richer shades: #5493D4, #4293E5 and #3193F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5393D400 shade: #5493D4, #6594C3, #7694B2, #8894A0 and #99948F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5393D400 shade: #54D4D0, #54B6D4, #5494D4, #5472D4 and #5854D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5393D400 shade: #2B6AAB, #337FCC, #5493D4, #75A8DC and #96BDE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5393D400 shade: #5393D4, #AE54D4 and #C7D454

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5393D400 shade: #5393D4, #D45494 and #94D454

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5393D400 shade: #5393D4, #AE54D4, #D49454 and #7AD454

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5393D400 shade: #5393D4, #D454D4, #D49454 and #54D454

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #5393D400

RGBA 83 147 212 0

HSLA 210.23, 0.6%, 0.58%, 0

LABA 59.4, -0.9, -39.46, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #AC6C2B00

RGBA 172 108 43 0

HSLA 30.23, 0.6%, 0.42%, 0

LABA 51.46, 19.94, 45.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5893CF00

RGBA 88 147 207 0

HSLA 210.25, 0.55%, 0.58%, 0

LABA 59.39, -1.53, -36.66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #69A5E200

RGBA 105 165 226 0

HSLA 210.25, 0.68%, 0.65%, 0

LABA 66.06, -2.27, -36.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7AB7F500

RGBA 122 183 245 0

HSLA 210.24, 0.86%, 0.72%, 0

LABA 72.63, -2.87, -36.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8BC9FF00

RGBA 139 201 255 0

HSLA 207.93, 1%, 0.77%, 0

LABA 78.74, -5.87, -32.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9CDBFF00

RGBA 156 219 255 0

HSLA 201.82, 1%, 0.81%, 0

LABA 84.46, -11.14, -23.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5393D400

RGBA 83 147 212 0

HSLA 210.23, 0.6%, 0.58%, 0

LABA 59.4, -0.9, -39.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4281C100

RGBA 66 129 193 0

HSLA 210.24, 0.51%, 0.51%, 0

LABA 52.63, 0.2, -39.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #316FAE00

RGBA 49 111 174 0

HSLA 210.24, 0.56%, 0.44%, 0

LABA 45.74, 1.6, -39.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #205D9B00

RGBA 32 93 155 0

HSLA 210.24, 0.66%, 0.37%, 0

LABA 38.73, 3.45, -39.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0F4B8800

RGBA 15 75 136 0

HSLA 210.25, 0.8%, 0.3%, 0

LABA 31.6, 5.95, -39.15, 0

 

CMYK 60 / 31 / 0 / 17

HEX #5493D4

RGB 84 147 212

HSL 210.47, 0.6%, 0.58%

LAB 59.44, -0.71, -39.39

 

CMYK 60 / 47 / 0 / 17

HEX #5471D4

RGB 84 113 212

HSL 226.41, 0.6%, 0.58%

LAB 50.04, 19.75, -54.3

 

CMYK 58 / 60 / 0 / 17

HEX #5954D4

RGB 89 84 212

HSL 242.34, 0.6%, 0.58%

LAB 43.09, 38.54, -65.5

 

CMYK 42 / 60 / 0 / 17

HEX #7C54D4

RGB 124 84 212

HSL 258.75, 0.6%, 0.58%

LAB 46.15, 45.34, -60.4

 

CMYK 25 / 60 / 0 / 17

HEX #9F54D4

RGB 159 84 212

HSL 275.16, 0.6%, 0.58%

LAB 50.06, 53.24, -53.91

 

CMYK 60 / 31 / 0 / 17

HEX #5493D4

RGB 84 147 212

HSL 210.47, 0.6%, 0.58%

LAB 59.44, -0.71, -39.39

 

CMYK 60 / 47 / 0 / 17

HEX #5471D4

RGB 84 113 212

HSL 226.41, 0.6%, 0.58%

LAB 50.04, 19.75, -54.3

 

CMYK 60 / 60 / 0 / 17

HEX #5454D4

RGB 84 84 212

HSL 240, 0.6%, 0.58%

LAB 42.73, 37.71, -66.1

 

CMYK 60 / 31 / 0 / 17

HEX #5493D4

RGB 84 147 212

HSL 210.47, 0.6%, 0.58%

LAB 59.44, -0.71, -39.39

 

CMYK 71 / 36 / 0 / 10

HEX #4293E5

RGB 66 147 229

HSL 210.18, 0.76%, 0.58%

LAB 59.6, 2.1, -48.65

 

CMYK 80 / 40 / 0 / 3

HEX #3193F7

RGB 49 147 247

HSL 210.3, 0.93%, 0.58%

LAB 60.1, 6.6, -57.83

 

CMYK 60 / 31 / 0 / 17

HEX #5493D4

RGB 84 147 212

HSL 210.47, 0.6%, 0.58%

LAB 59.44, -0.71, -39.39

 

CMYK 48 / 24 / 0 / 24

HEX #6594C3

RGB 101 148 195

HSL 210, 0.44%, 0.58%

LAB 59.79, -2.89, -29.24

 

CMYK 34 / 17 / 0 / 30

HEX #7694B2

RGB 118 148 178

HSL 210, 0.28%, 0.58%

LAB 60.11, -3.08, -19.06

 

CMYK 15 / 7 / 0 / 37

HEX #8894A0

RGB 136 148 160

HSL 210, 0.11%, 0.58%

LAB 60.74, -1.73, -7.78

 

CMYK 0 / 3 / 7 / 40

HEX #99948F

RGB 153 148 143

HSL 30, 0.05%, 0.58%

LAB 61.6, 0.91, 3.28

 

CMYK 60 / 0 / 2 / 17

HEX #54D4D0

RGB 84 212 208

HSL 178.13, 0.6%, 0.58%

LAB 78.18, -35.75, -8.54

 

CMYK 60 / 14 / 0 / 17

HEX #54B6D4

RGB 84 182 212

HSL 194.06, 0.6%, 0.58%

LAB 69.54, -19.89, -23.75

 

CMYK 60 / 30 / 0 / 17

HEX #5494D4

RGB 84 148 212

HSL 210, 0.6%, 0.58%

LAB 59.72, -1.28, -38.94

 

CMYK 60 / 46 / 0 / 17

HEX #5472D4

RGB 84 114 212

HSL 225.94, 0.6%, 0.58%

LAB 50.3, 19.14, -53.88

 

CMYK 58 / 60 / 0 / 17

HEX #5854D4

RGB 88 84 212

HSL 241.88, 0.6%, 0.58%

LAB 43.02, 38.37, -65.63

 

CMYK 75 / 38 / 0 / 33

HEX #2B6AAB

RGB 43 106 171

HSL 210.47, 0.6%, 0.42%

LAB 43.89, 2.74, -40.54

 

CMYK 75 / 38 / 0 / 20

HEX #337FCC

RGB 51 127 204

HSL 210.2, 0.6%, 0.5%

LAB 52.11, 3.09, -46.53

 

CMYK 60 / 31 / 0 / 17

HEX #5493D4

RGB 84 147 212

HSL 210.47, 0.6%, 0.58%

LAB 59.44, -0.71, -39.39

 

CMYK 47 / 24 / 0 / 14

HEX #75A8DC

RGB 117 168 220

HSL 210.29, 0.6%, 0.66%

LAB 67.24, -2.98, -31.55

 

CMYK 34 / 17 / 0 / 10

HEX #96BDE5

RGB 150 189 229

HSL 210.38, 0.6%, 0.74%

LAB 75.16, -3.48, -24.14

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 18 / 60 / 0 / 17

HEX #AE54D4

RGB 174 84 212

HSL 282.19, 0.6%, 0.58%

LAB 51.94, 56.82, -50.79

 

CMYK 6 / 0 / 60 / 17

HEX #C7D454

RGB 199 212 84

HSL 66.09, 0.6%, 0.58%

LAB 81.77, -21.32, 60.08

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 0 / 60 / 30 / 17

HEX #D45494

RGB 212 84 148

HSL 330, 0.6%, 0.58%

LAB 54.53, 56.64, -9.23

 

CMYK 30 / 0 / 60 / 17

HEX #94D454

RGB 148 212 84

HSL 90, 0.6%, 0.58%

LAB 78.48, -40.97, 55.52

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 18 / 60 / 0 / 17

HEX #AE54D4

RGB 174 84 212

HSL 282.19, 0.6%, 0.58%

LAB 51.94, 56.82, -50.79

 

CMYK 0 / 30 / 60 / 17

HEX #D49454

RGB 212 148 84

HSL 30, 0.6%, 0.58%

LAB 66.38, 17.54, 42.98

 

CMYK 42 / 0 / 60 / 17

HEX #7AD454

RGB 122 212 84

HSL 102.19, 0.6%, 0.58%

LAB 77.2, -49.7, 53.74

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 0 / 60 / 0 / 17

HEX #D454D4

RGB 212 84 212

HSL 300, 0.6%, 0.58%

LAB 57.16, 66.1, -42.18

 

CMYK 0 / 30 / 60 / 17

HEX #D49454

RGB 212 148 84

HSL 30, 0.6%, 0.58%

LAB 66.38, 17.54, 42.98

 

CMYK 60 / 0 / 60 / 17

HEX #54D454

RGB 84 212 84

HSL 120, 0.6%, 0.58%

LAB 75.83, -59.99, 51.82

 

Description

Color code: HEX #5393D400 | qconv.com Color code: HEX #5393D400 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 147 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 147 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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