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Color name
HEX #53920F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53920F it is the complementary color #AC6DF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53920F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53920F shade: #58920A, #69A41D, #7AB630, #8BC843 and #9CDA56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53920F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53920F shade: #53920F, #428000, #316E00, #205C00 and #0F4A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53920F shade: #549410, #789410, #948C10, #946810 and #944510

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53920F shade: #549410, #309410, #109412, #109436 and #109459

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53920F shade matches the following richer shades: #549410 and #55A102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53920F shade: #549410, #54861D, #53792A, #536C37 and #525F44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53920F shade: #948B10, #799410, #569410, #339410 and #109410

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53920F shade: #2A4908, #3F6E0C, #549410, #69B913 and #7FDE17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53920F shade: #53920F, #109468 and #94108B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53920F shade: #53920F, #105694 and #941056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53920F shade: #53920F, #109468, #4D1094 and #94103C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53920F shade: #53920F, #10948F, #4D1094 and #941014

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 90 / 43

HEX #53920F

RGB 83 146 15

HSL 88.85, 0.81%, 0.32%

LAB 54.48, -40.17, 54.77

 

Complementary color

CMYK 28 / 55 / 0 / 6

HEX #AC6DF0

RGB 172 109 240

HSL 268.85, 0.81%, 0.68%

LAB 58.04, 49.9, -56.83

 

CMYK 40 / 0 / 93 / 43

HEX #58920A

RGB 88 146 10

HSL 85.59, 0.87%, 0.31%

LAB 54.71, -38.51, 55.98

 

CMYK 36 / 0 / 82 / 36

HEX #69A41D

RGB 105 164 29

HSL 86.22, 0.7%, 0.38%

LAB 61.34, -39.38, 57.82

 

CMYK 33 / 0 / 74 / 29

HEX #7AB630

RGB 122 182 48

HSL 86.87, 0.58%, 0.45%

LAB 67.88, -39.96, 58.27

 

CMYK 31 / 0 / 67 / 22

HEX #8BC843

RGB 139 200 67

HSL 87.52, 0.55%, 0.52%

LAB 74.32, -40.33, 57.96

 

CMYK 28 / 0 / 61 / 15

HEX #9CDA56

RGB 156 218 86

HSL 88.18, 0.64%, 0.6%

LAB 80.67, -40.57, 57.23

 

CMYK 43 / 0 / 90 / 43

HEX #53920F

RGB 83 146 15

HSL 88.85, 0.81%, 0.32%

LAB 54.48, -40.17, 54.77

 

CMYK 48 / 0 / 100 / 50

HEX #428000

RGB 66 128 0

HSL 89.06, 1%, 0.25%

LAB 47.75, -39, 51.75

 

CMYK 55 / 0 / 100 / 57

HEX #316E00

RGB 49 110 0

HSL 93.27, 1%, 0.22%

LAB 40.9, -37.28, 46.07

 

CMYK 65 / 0 / 100 / 64

HEX #205C00

RGB 32 92 0

HSL 99.13, 1%, 0.18%

LAB 33.9, -35.25, 40.28

 

CMYK 80 / 0 / 100 / 71

HEX #0F4A00

RGB 15 74 0

HSL 107.84, 1%, 0.15%

LAB 26.73, -32.66, 34.28

 

CMYK 43 / 0 / 89 / 42

HEX #549410

RGB 84 148 16

HSL 89.09, 0.8%, 0.32%

LAB 55.18, -40.62, 55.18

 

CMYK 19 / 0 / 89 / 42

HEX #789410

RGB 120 148 16

HSL 72.73, 0.8%, 0.32%

LAB 57.28, -26.47, 57.79

 

CMYK 0 / 5 / 89 / 42

HEX #948C10

RGB 148 140 16

HSL 56.36, 0.8%, 0.32%

LAB 57.16, -9.84, 58.62

 

CMYK 0 / 30 / 89 / 42

HEX #946810

RGB 148 104 16

HSL 40, 0.8%, 0.32%

LAB 47.28, 10.36, 50.68

 

CMYK 0 / 53 / 89 / 42

HEX #944510

RGB 148 69 16

HSL 24.09, 0.8%, 0.32%

LAB 38.88, 30.21, 43.92

 

CMYK 43 / 0 / 89 / 42

HEX #549410

RGB 84 148 16

HSL 89.09, 0.8%, 0.32%

LAB 55.18, -40.62, 55.18

 

CMYK 68 / 0 / 89 / 42

HEX #309410

RGB 48 148 16

HSL 105.45, 0.8%, 0.32%

LAB 53.86, -50.98, 53.53

 

CMYK 89 / 0 / 88 / 42

HEX #109412

RGB 16 148 18

HSL 120.91, 0.8%, 0.32%

LAB 53.31, -55.75, 52.39

 

CMYK 89 / 0 / 64 / 42

HEX #109436

RGB 16 148 54

HSL 137.27, 0.8%, 0.32%

LAB 53.55, -52.72, 39.62

 

CMYK 89 / 0 / 40 / 42

HEX #109459

RGB 16 148 89

HSL 153.18, 0.8%, 0.32%

LAB 54.04, -46.9, 22.19

 

CMYK 43 / 0 / 89 / 42

HEX #549410

RGB 84 148 16

HSL 89.09, 0.8%, 0.32%

LAB 55.18, -40.62, 55.18

 

CMYK 47 / 0 / 99 / 37

HEX #55A102

RGB 85 161 2

HSL 88.68, 0.98%, 0.32%

LAB 59.37, -45.92, 60.89

 

CMYK 43 / 0 / 89 / 42

HEX #549410

RGB 84 148 16

HSL 89.09, 0.8%, 0.32%

LAB 55.18, -40.62, 55.18

 

CMYK 37 / 0 / 78 / 47

HEX #54861D

RGB 84 134 29

HSL 88.57, 0.64%, 0.32%

LAB 50.71, -33.95, 47.55

 

CMYK 31 / 0 / 65 / 53

HEX #53792A

RGB 83 121 42

HSL 88.86, 0.48%, 0.32%

LAB 46.55, -27.28, 37.96

 

CMYK 23 / 0 / 49 / 58

HEX #536C37

RGB 83 108 55

HSL 88.3, 0.33%, 0.32%

LAB 42.52, -19.24, 26.58

 

CMYK 14 / 0 / 28 / 63

HEX #525F44

RGB 82 95 68

HSL 88.89, 0.17%, 0.32%

LAB 38.54, -10.5, 13.84

 

CMYK 0 / 6 / 89 / 42

HEX #948B10

RGB 148 139 16

HSL 55.91, 0.8%, 0.32%

LAB 56.88, -9.3, 58.39

 

CMYK 18 / 0 / 89 / 42

HEX #799410

RGB 121 148 16

HSL 72.27, 0.8%, 0.32%

LAB 57.35, -26.04, 57.88

 

CMYK 42 / 0 / 89 / 42

HEX #569410

RGB 86 148 16

HSL 88.18, 0.8%, 0.32%

LAB 55.27, -39.92, 55.3

 

CMYK 66 / 0 / 89 / 42

HEX #339410

RGB 51 148 16

HSL 104.09, 0.8%, 0.32%

LAB 53.94, -50.31, 53.63

 

CMYK 89 / 0 / 89 / 42

HEX #109410

RGB 16 148 16

HSL 120, 0.8%, 0.32%

LAB 53.31, -55.83, 52.83

 

CMYK 42 / 0 / 89 / 71

HEX #2A4908

RGB 42 73 8

HSL 88.62, 0.8%, 0.16%

LAB 27.5, -23.07, 32.17

 

CMYK 43 / 0 / 89 / 57

HEX #3F6E0C

RGB 63 110 12

HSL 88.78, 0.8%, 0.24%

LAB 41.59, -31.95, 43.97

 

CMYK 43 / 0 / 89 / 42

HEX #549410

RGB 84 148 16

HSL 89.09, 0.8%, 0.32%

LAB 55.18, -40.62, 55.18

 

CMYK 43 / 0 / 90 / 27

HEX #69B913

RGB 105 185 19

HSL 88.92, 0.81%, 0.4%

LAB 67.83, -48.46, 65.68

 

CMYK 43 / 0 / 90 / 13

HEX #7FDE17

RGB 127 222 23

HSL 88.64, 0.81%, 0.48%

LAB 80.08, -55.64, 75.62

 

CMYK 43 / 0 / 90 / 43

HEX #53920F

RGB 83 146 15

HSL 88.85, 0.81%, 0.32%

LAB 54.48, -40.17, 54.77

 

CMYK 89 / 0 / 30 / 42

HEX #109468

RGB 16 148 104

HSL 160, 0.8%, 0.32%

LAB 54.33, -43.56, 14.21

 

CMYK 0 / 89 / 6 / 42

HEX #94108B

RGB 148 16 139

HSL 304.09, 0.8%, 0.32%

LAB 35.06, 61.93, -34.71

 

CMYK 43 / 0 / 90 / 43

HEX #53920F

RGB 83 146 15

HSL 88.85, 0.81%, 0.32%

LAB 54.48, -40.17, 54.77

 

CMYK 89 / 42 / 0 / 42

HEX #105694

RGB 16 86 148

HSL 208.18, 0.8%, 0.32%

LAB 35.8, 3.67, -39.77

 

CMYK 0 / 89 / 42 / 42

HEX #941056

RGB 148 16 86

HSL 328.18, 0.8%, 0.32%

LAB 32.57, 55.21, -4.91

 

CMYK 43 / 0 / 90 / 43

HEX #53920F

RGB 83 146 15

HSL 88.85, 0.81%, 0.32%

LAB 54.48, -40.17, 54.77

 

CMYK 89 / 0 / 30 / 42

HEX #109468

RGB 16 148 104

HSL 160, 0.8%, 0.32%

LAB 54.33, -43.56, 14.21

 

CMYK 48 / 89 / 0 / 42

HEX #4D1094

RGB 77 16 148

HSL 267.73, 0.8%, 0.32%

LAB 23.96, 52.17, -58.83

 

CMYK 0 / 89 / 59 / 42

HEX #94103C

RGB 148 16 60

HSL 340, 0.8%, 0.32%

LAB 31.79, 53.03, 11.12

 

CMYK 43 / 0 / 90 / 43

HEX #53920F

RGB 83 146 15

HSL 88.85, 0.81%, 0.32%

LAB 54.48, -40.17, 54.77

 

CMYK 89 / 0 / 3 / 42

HEX #10948F

RGB 16 148 143

HSL 177.73, 0.8%, 0.32%

LAB 55.35, -32.86, -6.61

 

CMYK 48 / 89 / 0 / 42

HEX #4D1094

RGB 77 16 148

HSL 267.73, 0.8%, 0.32%

LAB 23.96, 52.17, -58.83

 

CMYK 0 / 89 / 86 / 42

HEX #941014

RGB 148 16 20

HSL 358.18, 0.8%, 0.32%

LAB 31.15, 51.19, 35.61

 

Description

Color code: HEX #53920F | qconv.com Color code: HEX #53920F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 146 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 146 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 90 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 90% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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