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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #538120 it is the complementary color #AC7EDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #538120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #538120 shade: #58811B, #69932E, #7AA541, #8BB754 and #9CC967

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #538120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #538120 shade: #538120, #426F0D, #315D00, #204B00 and #0F3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #538120 shade: #548321, #6F8321, #837C21, #836221 and #834721

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #538120 shade: #548321, #3A8321, #218322, #21833C and #218357

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #538120 shade matches the following richer shades: #548321, #559013 and #559D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #538120 shade: #548321, #53752E, #53683B, #525B48 and #514E55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #538120 shade: #837C21, #6F8321, #558321, #3B8321 and #218321

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #538120 shade: #2A4110, #3F6218, #548321, #69A429 and #7FC531

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #538120 shade: #538120, #218362 and #83217C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #538120 shade: #538120, #215583 and #832155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #538120 shade: #538120, #218362, #4E2183 and #832141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #538120 shade: #538120, #21837F, #4E2183 and #832124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 75 / 49

HEX #538120

RGB 83 129 32

HSL 88.45, 0.6%, 0.32%

LAB 49.06, -31.87, 44.83

 

Complementary color

CMYK 23 / 43 / 0 / 13

HEX #AC7EDF

RGB 172 126 223

HSL 268.45, 0.6%, 0.68%

LAB 60.8, 36.64, -42.97

 

CMYK 32 / 0 / 79 / 49

HEX #58811B

RGB 88 129 27

HSL 84.12, 0.65%, 0.31%

LAB 49.32, -30.21, 46.99

 

CMYK 29 / 0 / 69 / 42

HEX #69932E

RGB 105 147 46

HSL 84.95, 0.52%, 0.38%

LAB 56.16, -30.68, 46.86

 

CMYK 26 / 0 / 61 / 35

HEX #7AA541

RGB 122 165 65

HSL 85.8, 0.43%, 0.45%

LAB 62.87, -30.94, 46.09

 

CMYK 24 / 0 / 54 / 28

HEX #8BB754

RGB 139 183 84

HSL 86.67, 0.41%, 0.52%

LAB 69.47, -31.08, 45.06

 

CMYK 22 / 0 / 49 / 21

HEX #9CC967

RGB 156 201 103

HSL 87.55, 0.48%, 0.6%

LAB 75.96, -31.14, 43.93

 

CMYK 36 / 0 / 75 / 49

HEX #538120

RGB 83 129 32

HSL 88.45, 0.6%, 0.32%

LAB 49.06, -31.87, 44.83

 

CMYK 41 / 0 / 88 / 56

HEX #426F0D

RGB 66 111 13

HSL 87.55, 0.79%, 0.24%

LAB 42.09, -31.22, 44.21

 

CMYK 47 / 0 / 100 / 64

HEX #315D00

RGB 49 93 0

HSL 88.39, 1%, 0.18%

LAB 34.97, -30.1, 41.42

 

CMYK 57 / 0 / 100 / 71

HEX #204B00

RGB 32 75 0

HSL 94.4, 1%, 0.15%

LAB 27.68, -28.32, 35.33

 

CMYK 74 / 0 / 100 / 78

HEX #0F3900

RGB 15 57 0

HSL 104.21, 1%, 0.11%

LAB 20.15, -26.11, 27.64

 

CMYK 36 / 0 / 75 / 49

HEX #548321

RGB 84 131 33

HSL 88.78, 0.6%, 0.32%

LAB 49.77, -32.33, 45.17

 

CMYK 15 / 0 / 75 / 49

HEX #6F8321

RGB 111 131 33

HSL 72.24, 0.6%, 0.32%

LAB 51.52, -21.16, 47.48

 

CMYK 0 / 5 / 75 / 49

HEX #837C21

RGB 131 124 33

HSL 55.71, 0.6%, 0.32%

LAB 51.09, -8.36, 47.65

 

CMYK 0 / 25 / 75 / 49

HEX #836221

RGB 131 98 33

HSL 39.8, 0.6%, 0.32%

LAB 43.76, 6.5, 40.42

 

CMYK 0 / 46 / 75 / 49

HEX #834721

RGB 131 71 33

HSL 23.27, 0.6%, 0.32%

LAB 36.82, 22.37, 33.22

 

CMYK 36 / 0 / 75 / 49

HEX #548321

RGB 84 131 33

HSL 88.78, 0.6%, 0.32%

LAB 49.77, -32.33, 45.17

 

CMYK 56 / 0 / 75 / 49

HEX #3A8321

RGB 58 131 33

HSL 104.69, 0.6%, 0.32%

LAB 48.56, -41.18, 43.57

 

CMYK 75 / 0 / 74 / 49

HEX #218322

RGB 33 131 34

HSL 120.61, 0.6%, 0.32%

LAB 47.84, -47.02, 42.2

 

CMYK 75 / 0 / 54 / 49

HEX #21833C

RGB 33 131 60

HSL 136.53, 0.6%, 0.32%

LAB 48.11, -43.82, 30.3

 

CMYK 75 / 0 / 34 / 49

HEX #218357

RGB 33 131 87

HSL 153.06, 0.6%, 0.32%

LAB 48.57, -38.67, 15.98

 

CMYK 36 / 0 / 75 / 49

HEX #548321

RGB 84 131 33

HSL 88.78, 0.6%, 0.32%

LAB 49.77, -32.33, 45.17

 

CMYK 41 / 0 / 87 / 44

HEX #559013

RGB 85 144 19

HSL 88.32, 0.77%, 0.32%

LAB 53.95, -38.47, 53.46

 

CMYK 46 / 0 / 96 / 38

HEX #559D06

RGB 85 157 6

HSL 88.61, 0.93%, 0.32%

LAB 58.09, -44.23, 59.28

 

CMYK 36 / 0 / 75 / 49

HEX #548321

RGB 84 131 33

HSL 88.78, 0.6%, 0.32%

LAB 49.77, -32.33, 45.17

 

CMYK 29 / 0 / 61 / 54

HEX #53752E

RGB 83 117 46

HSL 88.73, 0.44%, 0.32%

LAB 45.3, -24.92, 34.63

 

CMYK 20 / 0 / 43 / 59

HEX #53683B

RGB 83 104 59

HSL 88, 0.28%, 0.32%

LAB 41.3, -16.54, 22.8

 

CMYK 10 / 0 / 21 / 64

HEX #525B48

RGB 82 91 72

HSL 88.42, 0.12%, 0.32%

LAB 37.38, -7.45, 9.8

 

CMYK 5 / 8 / 0 / 67

HEX #514E55

RGB 81 78 85

HSL 265.71, 0.04%, 0.32%

LAB 33.68, 2.76, -3.68

 

CMYK 0 / 5 / 75 / 49

HEX #837C21

RGB 131 124 33

HSL 55.71, 0.6%, 0.32%

LAB 51.09, -8.36, 47.65

 

CMYK 15 / 0 / 75 / 49

HEX #6F8321

RGB 111 131 33

HSL 72.24, 0.6%, 0.32%

LAB 51.52, -21.16, 47.48

 

CMYK 35 / 0 / 75 / 49

HEX #558321

RGB 85 131 33

HSL 88.16, 0.6%, 0.32%

LAB 49.83, -31.95, 45.25

 

CMYK 55 / 0 / 75 / 49

HEX #3B8321

RGB 59 131 33

HSL 104.08, 0.6%, 0.32%

LAB 48.6, -40.89, 43.62

 

CMYK 75 / 0 / 75 / 49

HEX #218321

RGB 33 131 33

HSL 120, 0.6%, 0.32%

LAB 47.84, -47.11, 42.59

 

CMYK 35 / 0 / 75 / 75

HEX #2A4110

RGB 42 65 16

HSL 88.16, 0.6%, 0.16%

LAB 24.67, -18.38, 26.02

 

CMYK 36 / 0 / 76 / 62

HEX #3F6218

RGB 63 98 24

HSL 88.38, 0.61%, 0.24%

LAB 37.59, -25.65, 36.16

 

CMYK 36 / 0 / 75 / 49

HEX #548321

RGB 84 131 33

HSL 88.78, 0.6%, 0.32%

LAB 49.77, -32.33, 45.17

 

CMYK 36 / 0 / 75 / 36

HEX #69A429

RGB 105 164 41

HSL 88.78, 0.6%, 0.4%

LAB 61.41, -38.75, 54.09

 

CMYK 36 / 0 / 75 / 23

HEX #7FC531

RGB 127 197 49

HSL 88.38, 0.6%, 0.48%

LAB 72.67, -44.55, 62.69

 

CMYK 36 / 0 / 75 / 49

HEX #538120

RGB 83 129 32

HSL 88.45, 0.6%, 0.32%

LAB 49.06, -31.87, 44.83

 

CMYK 75 / 0 / 25 / 49

HEX #218362

RGB 33 131 98

HSL 159.8, 0.6%, 0.32%

LAB 48.81, -36.06, 9.97

 

CMYK 0 / 75 / 5 / 49

HEX #83217C

RGB 131 33 124

HSL 304.29, 0.6%, 0.32%

LAB 32.63, 51.53, -29.42

 

CMYK 36 / 0 / 75 / 49

HEX #538120

RGB 83 129 32

HSL 88.45, 0.6%, 0.32%

LAB 49.06, -31.87, 44.83

 

CMYK 75 / 35 / 0 / 49

HEX #215583

RGB 33 85 131

HSL 208.16, 0.6%, 0.32%

LAB 34.92, -0.62, -30.77

 

CMYK 0 / 75 / 35 / 49

HEX #832155

RGB 131 33 85

HSL 328.16, 0.6%, 0.32%

LAB 30.8, 45.87, -7.24

 

CMYK 36 / 0 / 75 / 49

HEX #538120

RGB 83 129 32

HSL 88.45, 0.6%, 0.32%

LAB 49.06, -31.87, 44.83

 

CMYK 75 / 0 / 25 / 49

HEX #218362

RGB 33 131 98

HSL 159.8, 0.6%, 0.32%

LAB 48.81, -36.06, 9.97

 

CMYK 40 / 75 / 0 / 49

HEX #4E2183

RGB 78 33 131

HSL 267.55, 0.6%, 0.32%

LAB 24.78, 41.32, -46.87

 

CMYK 0 / 75 / 50 / 49

HEX #832141

RGB 131 33 65

HSL 340.41, 0.6%, 0.32%

LAB 30.14, 43.71, 4.99

 

CMYK 36 / 0 / 75 / 49

HEX #538120

RGB 83 129 32

HSL 88.45, 0.6%, 0.32%

LAB 49.06, -31.87, 44.83

 

CMYK 75 / 0 / 3 / 49

HEX #21837F

RGB 33 131 127

HSL 177.55, 0.6%, 0.32%

LAB 49.6, -28, -5.84

 

CMYK 40 / 75 / 0 / 49

HEX #4E2183

RGB 78 33 131

HSL 267.55, 0.6%, 0.32%

LAB 24.78, 41.32, -46.87

 

CMYK 0 / 75 / 73 / 49

HEX #832124

RGB 131 33 36

HSL 358.16, 0.6%, 0.32%

LAB 29.51, 41.6, 23.22

 

Description

Color code: HEX #538120 | qconv.com Color code: HEX #538120 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 129 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 129 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 75 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 75% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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