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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #537DF8CE it is the complementary color #AC8207CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #537DF8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #537DF8CE shade: #587DF3CE, #698FFFCE, #7AA1FFCE, #8BB3FFCE and #9CC5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #537DF8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #537DF8CE shade: #537DF8CE, #426BE5CE, #3159D2CE, #2047BFCE and #0F35ACCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #537DF8CE shade: #547DF8, #5654F8, #8254F8, #AF54F8 and #DB54F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #537DF8CE shade: #547DF8 and #5454F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #537DF8CE shade matches the following richer shades: #547DF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #537DF8CE shade: #547DF8, #6285E9, #718CDB, #7F93CD and #8D9ABE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #537DF8CE shade: #54D7F8, #54ABF8, #547FF8, #5454F8 and #7F54F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #537DF8CE shade: #0A44EF, #2C5FF6, #547DF8, #7B9BFA and #A3B9FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #537DF8CE shade: #537DF8, #ED54F8 and #C1F854

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #537DF8CE shade: #537DF8, #F8547F and #7FF854

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #537DF8CE shade: #537DF8, #ED54F8, #F8CC54 and #5FF854

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #537DF8CE shade: #537DF8, #F854D2, #F8CC54 and #54F87A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 40 / 0 / 2

HEX #537DF8CE

RGBA 83 125 248 0.81

HSLA 224.73, 0.92%, 0.65%, 0.81

LABA 55.36, 24.47, -65.92, 0.81

 

Complementary color

CMYK 0 / 20 / 78 / 26

HEX #AC8207CE

RGBA 172 130 7 0.81

HSLA 44.73, 0.92%, 0.35%, 0.81

LABA 56.83, 6.57, 61.03, 0.81

 

CMYK 52 / 39 / 0 / 4

HEX #587DF3CE

RGBA 88 125 243 0.81

HSLA 225.68, 0.87%, 0.65%, 0.81

LABA 55.29, 23.55, -63.26, 0.81

 

CMYK 48 / 36 / 0 / 0

HEX #698FFFCE

RGBA 105 143 255 0.81

HSLA 224.8, 1%, 0.71%, 0.81

LABA 61.54, 19.66, -59.8, 0.81

 

CMYK 42 / 30 / 0 / 0

HEX #7AA1FFCE

RGBA 122 161 255 0.81

HSLA 222.41, 1%, 0.74%, 0.81

LABA 67.16, 12.52, -50.81, 0.81

 

CMYK 37 / 24 / 0 / 0

HEX #8BB3FFCE

RGBA 139 179 255 0.81

HSLA 219.31, 1%, 0.77%, 0.81

LABA 72.86, 6.16, -41.8, 0.81

 

CMYK 31 / 18 / 0 / 0

HEX #9CC5FFCE

RGBA 156 197 255 0.81

HSLA 215.15, 1%, 0.81%, 0.81

LABA 78.59, 0.5, -32.83, 0.81

 

CMYK 54 / 40 / 0 / 2

HEX #537DF8CE

RGBA 83 125 248 0.81

HSLA 224.73, 0.92%, 0.65%, 0.81

LABA 55.36, 24.47, -65.92, 0.81

 

CMYK 58 / 43 / 0 / 8

HEX #426BE5CE

RGBA 66 107 229 0.81

HSLA 224.91, 0.76%, 0.58%, 0.81

LABA 48.67, 26.58, -66.16, 0.81

 

CMYK 62 / 47 / 0 / 14

HEX #3159D2CE

RGBA 49 89 210 0.81

HSLA 225.09, 0.64%, 0.51%, 0.81

LABA 41.92, 29.09, -66.35, 0.81

 

CMYK 67 / 51 / 0 / 20

HEX #2047BFCE

RGBA 32 71 191 0.81

HSLA 225.28, 0.71%, 0.44%, 0.81

LABA 35.15, 32.1, -66.41, 0.81

 

CMYK 74 / 56 / 0 / 26

HEX #0F35ACCE

RGBA 15 53 172 0.81

HSLA 225.48, 0.84%, 0.37%, 0.81

LABA 28.45, 35.6, -66.18, 0.81

 

CMYK 66 / 50 / 0 / 3

HEX #547DF8

RGB 84 125 248

HSL 225, 0.92%, 0.65%

LAB 55.41, 24.63, -65.85

 

CMYK 65 / 66 / 0 / 3

HEX #5654F8

RGB 86 84 248

HSL 240.73, 0.92%, 0.65%

LAB 45.77, 49.58, -81.52

 

CMYK 48 / 66 / 0 / 3

HEX #8254F8

RGB 130 84 248

HSL 256.83, 0.92%, 0.65%

LAB 49.33, 56.24, -75.55

 

CMYK 29 / 66 / 0 / 3

HEX #AF54F8

RGB 175 84 248

HSL 273.29, 0.92%, 0.65%

LAB 54.27, 64.77, -67.3

 

CMYK 12 / 66 / 0 / 3

HEX #DB54F8

RGB 219 84 248

HSL 289.39, 0.92%, 0.65%

LAB 60.05, 74.01, -57.72

 

CMYK 66 / 50 / 0 / 3

HEX #547DF8

RGB 84 125 248

HSL 225, 0.92%, 0.65%

LAB 55.41, 24.63, -65.85

 

CMYK 66 / 66 / 0 / 3

HEX #5454F8

RGB 84 84 248

HSL 240, 0.92%, 0.65%

LAB 45.64, 49.33, -81.74

 

CMYK 66 / 50 / 0 / 3

HEX #547DF8

RGB 84 125 248

HSL 225, 0.92%, 0.65%

LAB 55.41, 24.63, -65.85

 

CMYK 66 / 50 / 0 / 3

HEX #547DF8

RGB 84 125 248

HSL 225, 0.92%, 0.65%

LAB 55.41, 24.63, -65.85

 

CMYK 58 / 43 / 0 / 9

HEX #6285E9

RGB 98 133 233

HSL 224.44, 0.75%, 0.65%

LAB 57.32, 17.17, -54.41

 

CMYK 48 / 36 / 0 / 14

HEX #718CDB

RGB 113 140 219

HSL 224.72, 0.6%, 0.65%

LAB 59.33, 11.83, -43.38

 

CMYK 38 / 28 / 0 / 20

HEX #7F93CD

RGB 127 147 205

HSL 224.62, 0.44%, 0.65%

LAB 61.47, 7.28, -32.13

 

CMYK 26 / 19 / 0 / 25

HEX #8D9ABE

RGB 141 154 190

HSL 224.08, 0.27%, 0.65%

LAB 63.75, 3.5, -20.14

 

CMYK 66 / 13 / 0 / 3

HEX #54D7F8

RGB 84 215 248

HSL 192.07, 0.92%, 0.65%

LAB 80.33, -25.8, -26.69

 

CMYK 66 / 31 / 0 / 3

HEX #54ABF8

RGB 84 171 248

HSL 208.17, 0.92%, 0.65%

LAB 67.86, -2.55, -46.01

 

CMYK 66 / 49 / 0 / 3

HEX #547FF8

RGB 84 127 248

HSL 224.27, 0.92%, 0.65%

LAB 55.93, 23.4, -65.01

 

CMYK 66 / 66 / 0 / 3

HEX #5454F8

RGB 84 84 248

HSL 240, 0.92%, 0.65%

LAB 45.64, 49.33, -81.74

 

CMYK 49 / 66 / 0 / 3

HEX #7F54F8

RGB 127 84 248

HSL 255.73, 0.92%, 0.65%

LAB 49.04, 55.72, -76.03

 

CMYK 96 / 72 / 0 / 6

HEX #0A44EF

RGB 10 68 239

HSL 224.8, 0.92%, 0.49%

LAB 38.6, 50.55, -88.36

 

CMYK 82 / 61 / 0 / 4

HEX #2C5FF6

RGB 44 95 246

HSL 224.85, 0.92%, 0.57%

LAB 46.14, 38.05, -79.86

 

CMYK 66 / 50 / 0 / 3

HEX #547DF8

RGB 84 125 248

HSL 225, 0.92%, 0.65%

LAB 55.41, 24.63, -65.85

 

CMYK 51 / 38 / 0 / 2

HEX #7B9BFA

RGB 123 155 250

HSL 224.88, 0.93%, 0.73%

LAB 65.4, 14.69, -50.87

 

CMYK 35 / 26 / 0 / 2

HEX #A3B9FB

RGB 163 185 251

HSL 225, 0.92%, 0.81%

LAB 75.73, 7.88, -35.07

 

CMYK 67 / 50 / 0 / 3

HEX #537DF8

RGB 83 125 248

HSL 224.73, 0.92%, 0.65%

LAB 55.36, 24.47, -65.92

 

CMYK 4 / 66 / 0 / 3

HEX #ED54F8

RGB 237 84 248

HSL 295.98, 0.92%, 0.65%

LAB 62.61, 77.91, -53.48

 

CMYK 22 / 0 / 66 / 3

HEX #C1F854

RGB 193 248 84

HSL 80.12, 0.92%, 0.65%

LAB 91.29, -40.39, 70.08

 

CMYK 67 / 50 / 0 / 3

HEX #537DF8

RGB 83 125 248

HSL 224.73, 0.92%, 0.65%

LAB 55.36, 24.47, -65.92

 

CMYK 0 / 66 / 49 / 3

HEX #F8547F

RGB 248 84 127

HSL 344.27, 0.92%, 0.65%

LAB 59.73, 65.3, 11.39

 

CMYK 49 / 0 / 66 / 3

HEX #7FF854

RGB 127 248 84

HSL 104.27, 0.92%, 0.65%

LAB 88.11, -62.18, 65.76

 

CMYK 67 / 50 / 0 / 3

HEX #537DF8

RGB 83 125 248

HSL 224.73, 0.92%, 0.65%

LAB 55.36, 24.47, -65.92

 

CMYK 4 / 66 / 0 / 3

HEX #ED54F8

RGB 237 84 248

HSL 295.98, 0.92%, 0.65%

LAB 62.61, 77.91, -53.48

 

CMYK 0 / 18 / 66 / 3

HEX #F8CC54

RGB 248 204 84

HSL 43.9, 0.92%, 0.65%

LAB 83.85, 3.01, 63.55

 

CMYK 62 / 0 / 66 / 3

HEX #5FF854

RGB 95 248 84

HSL 115.98, 0.92%, 0.65%

LAB 87.1, -70.05, 64.38

 

CMYK 67 / 50 / 0 / 3

HEX #537DF8

RGB 83 125 248

HSL 224.73, 0.92%, 0.65%

LAB 55.36, 24.47, -65.92

 

CMYK 0 / 66 / 15 / 3

HEX #F854D2

RGB 248 84 210

HSL 313.9, 0.92%, 0.65%

LAB 62.47, 74.66, -32.36

 

CMYK 0 / 18 / 66 / 3

HEX #F8CC54

RGB 248 204 84

HSL 43.9, 0.92%, 0.65%

LAB 83.85, 3.01, 63.55

 

CMYK 66 / 0 / 51 / 3

HEX #54F87A

RGB 84 248 122

HSL 133.9, 0.92%, 0.65%

LAB 87.2, -67.87, 48

 

Description

Color code: HEX #537DF8CE | qconv.com Color code: HEX #537DF8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 125 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 125 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 40 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 40% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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