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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5375DF3F it is the complementary color #AC8A203F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5375DF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5375DF3F shade: #5875DA3F, #6987ED3F, #7A99FF3F, #8BABFF3F and #9CBDFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5375DF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5375DF3F shade: #5375DF3F, #4263CC3F, #3151B93F, #203FA63F and #0F2D933F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5375DF3F shade: #5375DF, #5653DF, #7C53DF, #A253DF and #C853DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5375DF3F shade: #5375DF and #5353DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5375DF3F shade matches the following richer shades: #5375DF and #426CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5375DF3F shade: #5375DF, #637DCF, #7486BE, #848EAE and #95979D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5375DF3F shade: #53C1DF, #539BDF, #5376DF, #5553DF and #7B53DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5375DF3F shade: #2348BD, #3059D9, #5375DF, #7591E6 and #98ADEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5375DF3F shade: #5375DF, #D853DF and #AEDF53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5375DF3F shade: #5375DF, #DF5376 and #76DF53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5375DF3F shade: #5375DF, #D853DF, #DFBC53 and #5ADF53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5375DF3F shade: #5375DF, #DF53BC, #DFBC53 and #53DF76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 12 / 0 / 3

HEX #5375DF3F

RGBA 83 117 223 0.25

HSLA 225.43, 0.69%, 0.6%, 0.25

LABA 51.71, 20.83, -57.84, 0.25

 

Complementary color

CMYK 0 / 5 / 20 / 8

HEX #AC8A203F

RGBA 172 138 32 0.25

HSLA 45.43, 0.69%, 0.4%, 0.25

LABA 59.02, 2.7, 56.79, 0.25

 

CMYK 15 / 12 / 0 / 4

HEX #5875DA3F

RGBA 88 117 218 0.25

HSLA 226.62, 0.64%, 0.6%, 0.25

LABA 51.68, 20.05, -55.06, 0.25

 

CMYK 14 / 11 / 0 / 2

HEX #6987ED3F

RGBA 105 135 237 0.25

HSLA 226.36, 0.79%, 0.67%, 0.25

LABA 58.46, 18.64, -54.8, 0.25

 

CMYK 13 / 10 / 0 / 0

HEX #7A99FF3F

RGBA 122 153 255 0.25

HSLA 226.02, 1%, 0.74%, 0.25

LABA 65.07, 17.16, -54.12, 0.25

 

CMYK 11 / 8 / 0 / 0

HEX #8BABFF3F

RGBA 139 171 255 0.25

HSLA 223.45, 1%, 0.77%, 0.25

LABA 70.76, 10.66, -45.09, 0.25

 

CMYK 10 / 6 / 0 / 0

HEX #9CBDFF3F

RGBA 156 189 255 0.25

HSLA 220, 1%, 0.81%, 0.25

LABA 76.49, 4.86, -36.08, 0.25

 

CMYK 16 / 12 / 0 / 3

HEX #5375DF3F

RGBA 83 117 223 0.25

HSLA 225.43, 0.69%, 0.6%, 0.25

LABA 51.71, 20.83, -57.84, 0.25

 

CMYK 17 / 13 / 0 / 5

HEX #4263CC3F

RGBA 66 99 204 0.25

HSLA 225.65, 0.58%, 0.53%, 0.25

LABA 44.86, 22.7, -58.11, 0.25

 

CMYK 18 / 14 / 0 / 7

HEX #3151B93F

RGBA 49 81 185 0.25

HSLA 225.88, 0.58%, 0.46%, 0.25

LABA 37.92, 25, -58.36, 0.25

 

CMYK 20 / 16 / 0 / 9

HEX #203FA63F

RGBA 32 63 166 0.25

HSLA 226.12, 0.68%, 0.39%, 0.25

LABA 30.91, 27.82, -58.51, 0.25

 

CMYK 22 / 17 / 0 / 11

HEX #0F2D933F

RGBA 15 45 147 0.25

HSLA 226.36, 0.81%, 0.32%, 0.25

LABA 23.95, 31.24, -58.39, 0.25

 

CMYK 63 / 48 / 0 / 13

HEX #5375DF

RGB 83 117 223

HSL 225.43, 0.69%, 0.6%

LAB 51.71, 20.83, -57.84

 

CMYK 61 / 63 / 0 / 13

HEX #5653DF

RGB 86 83 223

HSL 241.29, 0.69%, 0.6%

LAB 43.5, 42.18, -71.14

 

CMYK 44 / 63 / 0 / 13

HEX #7C53DF

RGB 124 83 223

HSL 257.57, 0.69%, 0.6%

LAB 46.71, 48.88, -65.76

 

CMYK 27 / 63 / 0 / 13

HEX #A253DF

RGB 162 83 223

HSL 273.86, 0.69%, 0.6%

LAB 50.92, 56.9, -58.76

 

CMYK 10 / 63 / 0 / 13

HEX #C853DF

RGB 200 83 223

HSL 290.14, 0.69%, 0.6%

LAB 55.88, 65.59, -50.54

 

CMYK 63 / 48 / 0 / 13

HEX #5375DF

RGB 83 117 223

HSL 225.43, 0.69%, 0.6%

LAB 51.71, 20.83, -57.84

 

CMYK 63 / 63 / 0 / 13

HEX #5353DF

RGB 83 83 223

HSL 240, 0.69%, 0.6%

LAB 43.29, 41.73, -71.48

 

CMYK 63 / 48 / 0 / 13

HEX #5375DF

RGB 83 117 223

HSL 225.43, 0.69%, 0.6%

LAB 51.71, 20.83, -57.84

 

CMYK 73 / 55 / 0 / 6

HEX #426CF0

RGB 66 108 240

HSL 225.52, 0.85%, 0.6%

LAB 49.71, 29.87, -70.66

 

CMYK 63 / 48 / 0 / 13

HEX #5375DF

RGB 83 117 223

HSL 225.43, 0.69%, 0.6%

LAB 51.71, 20.83, -57.84

 

CMYK 52 / 40 / 0 / 19

HEX #637DCF

RGB 99 125 207

HSL 225.56, 0.53%, 0.6%

LAB 53.84, 13.85, -45.35

 

CMYK 39 / 29 / 0 / 25

HEX #7486BE

RGB 116 134 190

HSL 225.41, 0.36%, 0.6%

LAB 56.57, 7.67, -31.34

 

CMYK 24 / 18 / 0 / 32

HEX #848EAE

RGB 132 142 174

HSL 225.71, 0.21%, 0.6%

LAB 59.26, 3.6, -18

 

CMYK 5 / 4 / 0 / 38

HEX #95979D

RGB 149 151 157

HSL 225, 0.04%, 0.6%

LAB 62.47, 0.47, -3.4

 

CMYK 63 / 13 / 0 / 13

HEX #53C1DF

RGB 83 193 223

HSL 192.86, 0.69%, 0.6%

LAB 73.09, -22.41, -24.32

 

CMYK 63 / 30 / 0 / 13

HEX #539BDF

RGB 83 155 223

HSL 209.14, 0.69%, 0.6%

LAB 62.18, -1.88, -41.22

 

CMYK 63 / 47 / 0 / 13

HEX #5376DF

RGB 83 118 223

HSL 225, 0.69%, 0.6%

LAB 51.98, 20.21, -57.42

 

CMYK 62 / 63 / 0 / 13

HEX #5553DF

RGB 85 83 223

HSL 240.86, 0.69%, 0.6%

LAB 43.43, 42.03, -71.25

 

CMYK 45 / 63 / 0 / 13

HEX #7B53DF

RGB 123 83 223

HSL 257.14, 0.69%, 0.6%

LAB 46.61, 48.68, -65.93

 

CMYK 81 / 62 / 0 / 26

HEX #2348BD

RGB 35 72 189

HSL 225.58, 0.69%, 0.44%

LAB 35.33, 30.92, -64.94

 

CMYK 78 / 59 / 0 / 15

HEX #3059D9

RGB 48 89 217

HSL 225.44, 0.69%, 0.52%

LAB 42.43, 31.57, -69.53

 

CMYK 63 / 48 / 0 / 13

HEX #5375DF

RGB 83 117 223

HSL 225.43, 0.69%, 0.6%

LAB 51.71, 20.83, -57.84

 

CMYK 49 / 37 / 0 / 10

HEX #7591E6

RGB 117 145 230

HSL 225.13, 0.69%, 0.68%

LAB 61.43, 13.14, -46.16

 

CMYK 36 / 27 / 0 / 7

HEX #98ADEC

RGB 152 173 236

HSL 225, 0.69%, 0.76%

LAB 71.3, 7.66, -33.87

 

CMYK 63 / 48 / 0 / 13

HEX #5375DF

RGB 83 117 223

HSL 225.43, 0.69%, 0.6%

LAB 51.71, 20.83, -57.84

 

CMYK 3 / 63 / 0 / 13

HEX #D853DF

RGB 216 83 223

HSL 297, 0.69%, 0.6%

LAB 58.14, 69.33, -46.81

 

CMYK 22 / 0 / 63 / 13

HEX #AEDF53

RGB 174 223 83

HSL 81, 0.69%, 0.6%

LAB 83.12, -36.4, 61.48

 

CMYK 63 / 48 / 0 / 13

HEX #5375DF

RGB 83 117 223

HSL 225.43, 0.69%, 0.6%

LAB 51.71, 20.83, -57.84

 

CMYK 0 / 63 / 47 / 13

HEX #DF5376

RGB 223 83 118

HSL 345, 0.69%, 0.6%

LAB 55.26, 57.25, 9.79

 

CMYK 47 / 0 / 63 / 13

HEX #76DF53

RGB 118 223 83

HSL 105, 0.69%, 0.6%

LAB 80.32, -55.37, 57.61

 

CMYK 63 / 48 / 0 / 13

HEX #5375DF

RGB 83 117 223

HSL 225.43, 0.69%, 0.6%

LAB 51.71, 20.83, -57.84

 

CMYK 3 / 63 / 0 / 13

HEX #D853DF

RGB 216 83 223

HSL 297, 0.69%, 0.6%

LAB 58.14, 69.33, -46.81

 

CMYK 0 / 16 / 63 / 13

HEX #DFBC53

RGB 223 188 83

HSL 45, 0.69%, 0.6%

LAB 77.45, 0.77, 56.37

 

CMYK 60 / 0 / 63 / 13

HEX #5ADF53

RGB 90 223 83

HSL 117, 0.69%, 0.6%

LAB 79.37, -62.65, 56.29

 

CMYK 63 / 48 / 0 / 13

HEX #5375DF

RGB 83 117 223

HSL 225.43, 0.69%, 0.6%

LAB 51.71, 20.83, -57.84

 

CMYK 0 / 63 / 16 / 13

HEX #DF53BC

RGB 223 83 188

HSL 315, 0.69%, 0.6%

LAB 57.56, 65.56, -27.73

 

CMYK 0 / 16 / 63 / 13

HEX #DFBC53

RGB 223 188 83

HSL 45, 0.69%, 0.6%

LAB 77.45, 0.77, 56.37

 

CMYK 63 / 0 / 47 / 13

HEX #53DF76

RGB 83 223 118

HSL 135, 0.69%, 0.6%

LAB 79.57, -59.72, 40.41

 

Description

Color code: HEX #5375DF3F | qconv.com Color code: HEX #5375DF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 117 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 117 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 12 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 12% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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