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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #536CCDCE it is the complementary color #AC9332CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #536CCDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #536CCDCE shade: #586CC8CE, #697EDBCE, #7A90EECE, #8BA2FFCE and #9CB4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #536CCDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #536CCDCE shade: #536CCDCE, #425ABACE, #3148A7CE, #203694CE and #0F2481CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #536CCDCE shade: #516ACD, #5951CD, #7A51CD, #9C51CD and #BD51CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #536CCDCE shade: #516ACD and #5151CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #536CCDCE shade matches the following richer shades: #516ACD, #3F60DF and #2D55F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #536CCDCE shade: #516ACD, #6375BA, #7580A8, #888B96 and #9A9584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #536CCDCE shade: #51AECD, #518DCD, #516CCD, #5751CD and #7851CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #536CCDCE shade: #2E459D, #3753BD, #516ACD, #7186D6 and #91A1DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #536CCDCE shade: #536CCD, #CA51CD and #9DCD51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #536CCDCE shade: #536CCD, #CD516C and #6CCD51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #536CCDCE shade: #536CCD, #CA51CD, #CDB251 and #53CD51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #536CCDCE shade: #536CCD, #CD51AA, #CDB251 and #51CD74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 38 / 0 / 16

HEX #536CCDCE

RGBA 83 108 205 0.81

HSLA 227.7, 0.55%, 0.56%, 0.81

LABA 48.22, 20.31, -53.22, 0.81

 

Complementary color

CMYK 0 / 12 / 57 / 26

HEX #AC9332CE

RGBA 172 147 50 0.81

HSLA 47.7, 0.55%, 0.44%, 0.81

LABA 61.54, -1.44, 52.42, 0.81

 

CMYK 45 / 37 / 0 / 17

HEX #586CC8CE

RGBA 88 108 200 0.81

HSLA 229.29, 0.5%, 0.56%, 0.81

LABA 48.22, 19.64, -50.34, 0.81

 

CMYK 42 / 34 / 0 / 11

HEX #697EDBCE

RGBA 105 126 219 0.81

HSLA 228.95, 0.61%, 0.64%, 0.81

LABA 55.11, 18.36, -50.08, 0.81

 

CMYK 39 / 32 / 0 / 5

HEX #7A90EECE

RGBA 122 144 238 0.81

HSLA 228.62, 0.77%, 0.71%, 0.81

LABA 61.88, 17.28, -49.86, 0.81

 

CMYK 37 / 30 / 0 / 0

HEX #8BA2FFCE

RGBA 139 162 255 0.81

HSLA 228.1, 1%, 0.77%, 0.81

LABA 68.42, 15.78, -48.75, 0.81

 

CMYK 31 / 24 / 0 / 0

HEX #9CB4FFCE

RGBA 156 180 255 0.81

HSLA 225.45, 1%, 0.81%, 0.81

LABA 74.15, 9.84, -39.71, 0.81

 

CMYK 48 / 38 / 0 / 16

HEX #536CCDCE

RGBA 83 108 205 0.81

HSLA 227.7, 0.55%, 0.56%, 0.81

LABA 48.22, 20.31, -53.22, 0.81

 

CMYK 52 / 42 / 0 / 22

HEX #425ABACE

RGBA 66 90 186 0.81

HSLA 228, 0.48%, 0.49%, 0.81

LABA 41.24, 22.06, -53.52, 0.81

 

CMYK 57 / 46 / 0 / 28

HEX #3148A7CE

RGBA 49 72 167 0.81

HSLA 228.31, 0.55%, 0.42%, 0.81

LABA 34.14, 24.22, -53.81, 0.81

 

CMYK 63 / 51 / 0 / 34

HEX #203694CE

RGBA 32 54 148 0.81

HSLA 228.62, 0.64%, 0.35%, 0.81

LABA 26.97, 26.93, -54.02, 0.81

 

CMYK 72 / 58 / 0 / 40

HEX #0F2481CE

RGBA 15 36 129 0.81

HSLA 228.95, 0.79%, 0.28%, 0.81

LABA 19.84, 30.23, -53.92, 0.81

 

CMYK 60 / 48 / 0 / 20

HEX #516ACD

RGB 81 106 205

HSL 227.9, 0.55%, 0.56%

LAB 47.58, 21.19, -54.26

 

CMYK 57 / 60 / 0 / 20

HEX #5951CD

RGB 89 81 205

HSL 243.87, 0.55%, 0.56%

LAB 41.87, 38.12, -63.46

 

CMYK 40 / 60 / 0 / 20

HEX #7A51CD

RGB 122 81 205

HSL 259.84, 0.55%, 0.56%

LAB 44.84, 44.68, -58.5

 

CMYK 24 / 60 / 0 / 20

HEX #9C51CD

RGB 156 81 205

HSL 276.29, 0.55%, 0.56%

LAB 48.71, 52.46, -52.08

 

CMYK 8 / 60 / 0 / 20

HEX #BD51CD

RGB 189 81 205

HSL 292.26, 0.55%, 0.56%

LAB 53.07, 60.48, -44.87

 

CMYK 60 / 48 / 0 / 20

HEX #516ACD

RGB 81 106 205

HSL 227.9, 0.55%, 0.56%

LAB 47.58, 21.19, -54.26

 

CMYK 60 / 60 / 0 / 20

HEX #5151CD

RGB 81 81 205

HSL 240, 0.55%, 0.56%

LAB 41.28, 36.75, -64.44

 

CMYK 60 / 48 / 0 / 20

HEX #516ACD

RGB 81 106 205

HSL 227.9, 0.55%, 0.56%

LAB 47.58, 21.19, -54.26

 

CMYK 72 / 57 / 0 / 13

HEX #3F60DF

RGB 63 96 223

HSL 227.63, 0.71%, 0.56%

LAB 45.29, 30.98, -68.27

 

CMYK 81 / 65 / 0 / 5

HEX #2D55F1

RGB 45 85 241

HSL 227.76, 0.88%, 0.56%

LAB 43.37, 42.52, -81.61

 

CMYK 60 / 48 / 0 / 20

HEX #516ACD

RGB 81 106 205

HSL 227.9, 0.55%, 0.56%

LAB 47.58, 21.19, -54.26

 

CMYK 47 / 37 / 0 / 27

HEX #6375BA

RGB 99 117 186

HSL 227.59, 0.39%, 0.56%

LAB 50.59, 12.17, -38.48

 

CMYK 30 / 24 / 0 / 34

HEX #7580A8

RGB 117 128 168

HSL 227.06, 0.23%, 0.56%

LAB 54.08, 5.51, -22.58

 

CMYK 9 / 7 / 0 / 41

HEX #888B96

RGB 136 139 150

HSL 227.14, 0.06%, 0.56%

LAB 57.94, 1.17, -6.23

 

CMYK 0 / 3 / 14 / 40

HEX #9A9584

RGB 154 149 132

HSL 46.36, 0.1%, 0.56%

LAB 61.68, -1.2, 9.63

 

CMYK 60 / 15 / 0 / 20

HEX #51AECD

RGB 81 174 205

HSL 195, 0.55%, 0.56%

LAB 66.85, -18.38, -24.02

 

CMYK 60 / 31 / 0 / 20

HEX #518DCD

RGB 81 141 205

HSL 210.97, 0.55%, 0.56%

LAB 57.28, -0.09, -38.86

 

CMYK 60 / 47 / 0 / 20

HEX #516CCD

RGB 81 108 205

HSL 226.94, 0.55%, 0.56%

LAB 48.11, 19.94, -53.41

 

CMYK 58 / 60 / 0 / 20

HEX #5751CD

RGB 87 81 205

HSL 242.9, 0.55%, 0.56%

LAB 41.72, 37.77, -63.71

 

CMYK 41 / 60 / 0 / 20

HEX #7851CD

RGB 120 81 205

HSL 258.87, 0.55%, 0.56%

LAB 44.64, 44.25, -58.84

 

CMYK 71 / 56 / 0 / 38

HEX #2E459D

RGB 46 69 157

HSL 227.57, 0.55%, 0.4%

LAB 32.42, 22.04, -50.61

 

CMYK 71 / 56 / 0 / 26

HEX #3753BD

RGB 55 83 189

HSL 227.46, 0.55%, 0.48%

LAB 39.02, 25.97, -58.89

 

CMYK 60 / 48 / 0 / 20

HEX #516ACD

RGB 81 106 205

HSL 227.9, 0.55%, 0.56%

LAB 47.58, 21.19, -54.26

 

CMYK 47 / 37 / 0 / 16

HEX #7186D6

RGB 113 134 214

HSL 227.52, 0.55%, 0.64%

LAB 57.48, 13.87, -43.49

 

CMYK 35 / 28 / 0 / 13

HEX #91A1DF

RGB 145 161 223

HSL 227.69, 0.55%, 0.72%

LAB 67.15, 9.08, -33.21

 

CMYK 60 / 47 / 0 / 20

HEX #536CCD

RGB 83 108 205

HSL 227.7, 0.55%, 0.56%

LAB 48.22, 20.31, -53.22

 

CMYK 1 / 60 / 0 / 20

HEX #CA51CD

RGB 202 81 205

HSL 298.55, 0.55%, 0.56%

LAB 54.92, 63.69, -41.83

 

CMYK 23 / 0 / 60 / 20

HEX #9DCD51

RGB 157 205 81

HSL 83.23, 0.55%, 0.56%

LAB 76.94, -34.78, 55.25

 

CMYK 60 / 47 / 0 / 20

HEX #536CCD

RGB 83 108 205

HSL 227.7, 0.55%, 0.56%

LAB 48.22, 20.31, -53.22

 

CMYK 0 / 60 / 47 / 20

HEX #CD516C

RGB 205 81 108

HSL 346.94, 0.55%, 0.56%

LAB 51.78, 51.39, 10.42

 

CMYK 47 / 0 / 60 / 20

HEX #6CCD51

RGB 108 205 81

HSL 106.94, 0.55%, 0.56%

LAB 74.47, -51.44, 51.81

 

CMYK 60 / 47 / 0 / 20

HEX #536CCD

RGB 83 108 205

HSL 227.7, 0.55%, 0.56%

LAB 48.22, 20.31, -53.22

 

CMYK 1 / 60 / 0 / 20

HEX #CA51CD

RGB 202 81 205

HSL 298.55, 0.55%, 0.56%

LAB 54.92, 63.69, -41.83

 

CMYK 0 / 13 / 60 / 20

HEX #CDB251

RGB 205 178 81

HSL 46.94, 0.55%, 0.56%

LAB 73.16, -1.74, 52.05

 

CMYK 60 / 0 / 60 / 20

HEX #53CD51

RGB 83 205 81

HSL 119.03, 0.55%, 0.56%

LAB 73.61, -58.03, 50.6

 

CMYK 60 / 47 / 0 / 20

HEX #536CCD

RGB 83 108 205

HSL 227.7, 0.55%, 0.56%

LAB 48.22, 20.31, -53.22

 

CMYK 0 / 60 / 17 / 20

HEX #CD51AA

RGB 205 81 170

HSL 316.94, 0.55%, 0.56%

LAB 53.78, 58.89, -23.37

 

CMYK 0 / 13 / 60 / 20

HEX #CDB251

RGB 205 178 81

HSL 46.94, 0.55%, 0.56%

LAB 73.16, -1.74, 52.05

 

CMYK 60 / 0 / 43 / 20

HEX #51CD74

RGB 81 205 116

HSL 136.94, 0.55%, 0.56%

LAB 73.98, -53.67, 34.26

 

Description

Color code: HEX #536CCDCE | qconv.com Color code: HEX #536CCDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 108 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 108 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 38 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 38% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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