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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #536366 it is the complementary color #AC9C99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #536366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #536366 shade: #586361, #697574, #7A8787, #8B999A and #9CABAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #536366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #536366 shade: #536366, #425153, #313F40, #202D2D and #0F1B1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #536366 shade: #536265, #535D65, #535865, #535365 and #575365

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #536366 shade: #536265, #535D65, #535865 and #535365

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #536366 shade matches the following richer shades: #536265, #446C74, #357683, #268192 and #178BA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #536366 shade: #536265, #615856, #704E47, #7F4438 and #8E392A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #536366 shade: #53655E, #536563, #536265, #535D65 and #535865

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #536366 shade: #2D3638, #404C4E, #536265, #65787C and #798D91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #536366 shade: #536366, #595365 and #656053

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #536366 shade: #536366, #655362 and #626553

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #536366 shade: #536366, #595365, #655553 and #5F6553

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #536366 shade: #536366, #5F5365, #655553 and #596553

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 3 / 0 / 60

HEX #536366

RGB 83 99 102

HSL 189.47, 0.1%, 0.36%

LAB 40.77, -5.34, -3.74

 

Complementary color

CMYK 0 / 9 / 11 / 33

HEX #AC9C99

RGB 172 156 153

HSL 9.47, 0.1%, 0.64%

LAB 65.63, 5.34, 3.69

 

CMYK 11 / 0 / 2 / 61

HEX #586361

RGB 88 99 97

HSL 169.09, 0.06%, 0.37%

LAB 41, -4.66, -0.31

 

CMYK 10 / 0 / 1 / 54

HEX #697574

RGB 105 117 116

HSL 175, 0.05%, 0.44%

LAB 48.24, -4.69, -0.98

 

CMYK 10 / 0 / 0 / 47

HEX #7A8787

RGB 122 135 135

HSL 180, 0.05%, 0.5%

LAB 55.29, -4.72, -1.62

 

CMYK 10 / 1 / 0 / 40

HEX #8B999A

RGB 139 153 154

HSL 184, 0.07%, 0.57%

LAB 62.17, -4.77, -2.24

 

CMYK 10 / 1 / 0 / 32

HEX #9CABAD

RGB 156 171 173

HSL 187.06, 0.09%, 0.65%

LAB 68.9, -4.82, -2.83

 

CMYK 19 / 3 / 0 / 60

HEX #536366

RGB 83 99 102

HSL 189.47, 0.1%, 0.36%

LAB 40.77, -5.34, -3.74

 

CMYK 20 / 2 / 0 / 67

HEX #425153

RGB 66 81 83

HSL 187.06, 0.11%, 0.29%

LAB 33.28, -5.35, -3.14

 

CMYK 23 / 2 / 0 / 75

HEX #313F40

RGB 49 63 64

HSL 184, 0.13%, 0.22%

LAB 25.5, -5.39, -2.5

 

CMYK 29 / 0 / 0 / 82

HEX #202D2D

RGB 32 45 45

HSL 180, 0.17%, 0.15%

LAB 17.34, -5.47, -1.8

 

CMYK 44 / 0 / 4 / 89

HEX #0F1B1A

RGB 15 27 26

HSL 175, 0.29%, 0.08%

LAB 8.65, -5.54, -1.01

 

CMYK 18 / 3 / 0 / 60

HEX #536265

RGB 83 98 101

HSL 190, 0.1%, 0.36%

LAB 40.43, -4.99, -3.63

 

CMYK 18 / 8 / 0 / 60

HEX #535D65

RGB 83 93 101

HSL 206.67, 0.1%, 0.36%

LAB 38.91, -1.98, -5.89

 

CMYK 18 / 13 / 0 / 60

HEX #535865

RGB 83 88 101

HSL 223.33, 0.1%, 0.36%

LAB 37.4, 1.08, -8.14

 

CMYK 18 / 18 / 0 / 60

HEX #535365

RGB 83 83 101

HSL 240, 0.1%, 0.36%

LAB 35.92, 4.2, -10.38

 

CMYK 14 / 18 / 0 / 60

HEX #575365

RGB 87 83 101

HSL 253.33, 0.1%, 0.36%

LAB 36.28, 5.67, -9.81

 

CMYK 18 / 3 / 0 / 60

HEX #536265

RGB 83 98 101

HSL 190, 0.1%, 0.36%

LAB 40.43, -4.99, -3.63

 

CMYK 18 / 8 / 0 / 60

HEX #535D65

RGB 83 93 101

HSL 206.67, 0.1%, 0.36%

LAB 38.91, -1.98, -5.89

 

CMYK 18 / 13 / 0 / 60

HEX #535865

RGB 83 88 101

HSL 223.33, 0.1%, 0.36%

LAB 37.4, 1.08, -8.14

 

CMYK 18 / 18 / 0 / 60

HEX #535365

RGB 83 83 101

HSL 240, 0.1%, 0.36%

LAB 35.92, 4.2, -10.38

 

CMYK 18 / 3 / 0 / 60

HEX #536265

RGB 83 98 101

HSL 190, 0.1%, 0.36%

LAB 40.43, -4.99, -3.63

 

CMYK 41 / 7 / 0 / 55

HEX #446C74

RGB 68 108 116

HSL 190, 0.26%, 0.36%

LAB 43.09, -11.77, -8.9

 

CMYK 60 / 10 / 0 / 49

HEX #357683

RGB 53 118 131

HSL 190, 0.42%, 0.36%

LAB 46.11, -16.59, -13.39

 

CMYK 74 / 12 / 0 / 43

HEX #268192

RGB 38 129 146

HSL 189.44, 0.59%, 0.36%

LAB 49.72, -20.25, -16.79

 

CMYK 86 / 13 / 0 / 37

HEX #178BA0

RGB 23 139 160

HSL 189.2, 0.75%, 0.36%

LAB 53.15, -22.39, -19.72

 

CMYK 18 / 3 / 0 / 60

HEX #536265

RGB 83 98 101

HSL 190, 0.1%, 0.36%

LAB 40.43, -4.99, -3.63

 

CMYK 0 / 9 / 11 / 62

HEX #615856

RGB 97 88 86

HSL 10.91, 0.06%, 0.36%

LAB 38.19, 3.26, 2.48

 

CMYK 0 / 30 / 37 / 56

HEX #704E47

RGB 112 78 71

HSL 10.24, 0.22%, 0.36%

LAB 36.65, 13.32, 9.86

 

CMYK 0 / 46 / 56 / 50

HEX #7F4438

RGB 127 68 56

HSL 10.14, 0.39%, 0.36%

LAB 35.85, 24.04, 18.47

 

CMYK 0 / 60 / 70 / 44

HEX #8E392A

RGB 142 57 42

HSL 9, 0.54%, 0.36%

LAB 35.68, 35.09, 27.32

 

CMYK 18 / 0 / 7 / 60

HEX #53655E

RGB 83 101 94

HSL 156.67, 0.1%, 0.36%

LAB 41.14, -8.38, 1.69

 

CMYK 18 / 0 / 2 / 60

HEX #536563

RGB 83 101 99

HSL 173.33, 0.1%, 0.36%

LAB 41.29, -7.24, -1.14

 

CMYK 18 / 3 / 0 / 60

HEX #536265

RGB 83 98 101

HSL 190, 0.1%, 0.36%

LAB 40.43, -4.99, -3.63

 

CMYK 18 / 8 / 0 / 60

HEX #535D65

RGB 83 93 101

HSL 206.67, 0.1%, 0.36%

LAB 38.91, -1.98, -5.89

 

CMYK 18 / 13 / 0 / 60

HEX #535865

RGB 83 88 101

HSL 223.33, 0.1%, 0.36%

LAB 37.4, 1.08, -8.14

 

CMYK 20 / 4 / 0 / 78

HEX #2D3638

RGB 45 54 56

HSL 190.91, 0.11%, 0.2%

LAB 21.88, -3.26, -2.53

 

CMYK 18 / 3 / 0 / 69

HEX #404C4E

RGB 64 76 78

HSL 188.57, 0.1%, 0.28%

LAB 31.37, -4.27, -2.8

 

CMYK 18 / 3 / 0 / 60

HEX #536265

RGB 83 98 101

HSL 190, 0.1%, 0.36%

LAB 40.43, -4.99, -3.63

 

CMYK 19 / 3 / 0 / 51

HEX #65787C

RGB 101 120 124

HSL 190.43, 0.1%, 0.44%

LAB 49.07, -6.03, -4.53

 

CMYK 17 / 3 / 0 / 43

HEX #798D91

RGB 121 141 145

HSL 190, 0.1%, 0.52%

LAB 57.23, -6.25, -4.54

 

CMYK 19 / 3 / 0 / 60

HEX #536366

RGB 83 99 102

HSL 189.47, 0.1%, 0.36%

LAB 40.77, -5.34, -3.74

 

CMYK 12 / 18 / 0 / 60

HEX #595365

RGB 89 83 101

HSL 260, 0.1%, 0.36%

LAB 36.46, 6.42, -9.51

 

CMYK 0 / 5 / 18 / 60

HEX #656053

RGB 101 96 83

HSL 43.33, 0.1%, 0.36%

LAB 40.83, -0.47, 8.14

 

CMYK 19 / 3 / 0 / 60

HEX #536366

RGB 83 99 102

HSL 189.47, 0.1%, 0.36%

LAB 40.77, -5.34, -3.74

 

CMYK 0 / 18 / 3 / 60

HEX #655362

RGB 101 83 98

HSL 310, 0.1%, 0.36%

LAB 37.54, 10.36, -5.89

 

CMYK 3 / 0 / 18 / 60

HEX #626553

RGB 98 101 83

HSL 70, 0.1%, 0.36%

LAB 42.04, -4.68, 9.81

 

CMYK 19 / 3 / 0 / 60

HEX #536366

RGB 83 99 102

HSL 189.47, 0.1%, 0.36%

LAB 40.77, -5.34, -3.74

 

CMYK 12 / 18 / 0 / 60

HEX #595365

RGB 89 83 101

HSL 260, 0.1%, 0.36%

LAB 36.46, 6.42, -9.51

 

CMYK 0 / 16 / 18 / 60

HEX #655553

RGB 101 85 83

HSL 6.67, 0.1%, 0.36%

LAB 37.64, 6.21, 3.61

 

CMYK 6 / 0 / 18 / 60

HEX #5F6553

RGB 95 101 83

HSL 80, 0.1%, 0.36%

LAB 41.79, -5.92, 9.42

 

CMYK 19 / 3 / 0 / 60

HEX #536366

RGB 83 99 102

HSL 189.47, 0.1%, 0.36%

LAB 40.77, -5.34, -3.74

 

CMYK 6 / 18 / 0 / 60

HEX #5F5365

RGB 95 83 101

HSL 280, 0.1%, 0.36%

LAB 37.04, 8.69, -8.58

 

CMYK 0 / 16 / 18 / 60

HEX #655553

RGB 101 85 83

HSL 6.67, 0.1%, 0.36%

LAB 37.64, 6.21, 3.61

 

CMYK 12 / 0 / 18 / 60

HEX #596553

RGB 89 101 83

HSL 100, 0.1%, 0.36%

LAB 41.3, -8.35, 8.67

 

Description

Color code: HEX #536366 | qconv.com Color code: HEX #536366 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 99 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 99 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 3 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 3% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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