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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #535EBACE it is the complementary color #ACA145CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #535EBACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #535EBACE shade: #585EB5CE, #6970C8CE, #7A82DBCE, #8B94EECE and #9CA6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #535EBACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #535EBACE shade: #535EBACE, #424CA7CE, #313A94CE, #202881CE and #0F166ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #535EBACE shade: #545FBB, #6454BB, #8054BB, #9C54BB and #B854BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #535EBACE shade: #545FBB and #5454BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #535EBACE shade matches the following richer shades: #545FBB, #404FCE, #2D40E1 and #1931F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #535EBACE shade: #545FBB, #676EA7, #7A7D94, #8E8C81 and #A19C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #535EBACE shade: #5497BB, #547BBB, #5460BB, #6354BB and #7F54BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #535EBACE shade: #363E86, #414CA4, #545FBB, #717AC6 and #8F96D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #535EBACE shade: #535EBA, #BB54B2 and #89BB54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #535EBACE shade: #535EBA, #BB5460 and #60BB54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #535EBACE shade: #535EBA, #BB54B2, #BBAF54 and #54BB5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #535EBACE shade: #535EBA, #BB5493, #BBAF54 and #54BB7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 40 / 0 / 22

HEX #535EBACE

RGBA 83 94 186 0.81

HSLA 233.59, 0.43%, 0.53%, 0.81

LABA 43.34, 22.75, -50.08, 0.81

 

Complementary color

CMYK 0 / 5 / 49 / 26

HEX #ACA145CE

RGBA 172 161 69 0.81

HSLA 53.59, 0.43%, 0.47%, 0.81

LABA 65.51, -7.77, 48.23, 0.81

 

CMYK 42 / 39 / 0 / 24

HEX #585EB5CE

RGBA 88 94 181 0.81

HSLA 236.13, 0.39%, 0.53%, 0.81

LABA 43.38, 22.21, -47.08, 0.81

 

CMYK 38 / 36 / 0 / 17

HEX #6970C8CE

RGBA 105 112 200 0.81

HSLA 235.58, 0.46%, 0.6%, 0.81

LABA 50.41, 20.97, -46.79, 0.81

 

CMYK 36 / 33 / 0 / 11

HEX #7A82DBCE

RGBA 122 130 219 0.81

HSLA 235.05, 0.57%, 0.67%, 0.81

LABA 57.29, 19.92, -46.56, 0.81

 

CMYK 34 / 31 / 0 / 5

HEX #8B94EECE

RGBA 139 148 238 0.81

HSLA 234.55, 0.74%, 0.74%, 0.81

LABA 64.03, 19.03, -46.38, 0.81

 

CMYK 31 / 28 / 0 / 0

HEX #9CA6FFCE

RGBA 156 166 255 0.81

HSLA 233.94, 1%, 0.81%, 0.81

LABA 70.57, 17.71, -45.31, 0.81

 

CMYK 45 / 40 / 0 / 22

HEX #535EBACE

RGBA 83 94 186 0.81

HSLA 233.59, 0.43%, 0.53%, 0.81

LABA 43.34, 22.75, -50.08, 0.81

 

CMYK 49 / 44 / 0 / 28

HEX #424CA7CE

RGBA 66 76 167 0.81

HSLA 234.06, 0.43%, 0.46%, 0.81

LABA 36.21, 24.44, -50.42, 0.81

 

CMYK 54 / 49 / 0 / 34

HEX #313A94CE

RGBA 49 58 148 0.81

HSLA 234.55, 0.5%, 0.39%, 0.81

LABA 28.95, 26.52, -50.76, 0.81

 

CMYK 61 / 56 / 0 / 40

HEX #202881CE

RGBA 32 40 129 0.81

HSLA 235.05, 0.6%, 0.32%, 0.81

LABA 21.61, 29.09, -50.97, 0.81

 

CMYK 70 / 65 / 0 / 46

HEX #0F166ECE

RGBA 15 22 110 0.81

HSLA 235.58, 0.76%, 0.25%, 0.81

LABA 14.41, 32.02, -50.7, 0.81

 

CMYK 55 / 49 / 0 / 27

HEX #545FBB

RGB 84 95 187

HSL 233.59, 0.43%, 0.53%

LAB 43.74, 22.66, -50.03

 

CMYK 47 / 55 / 0 / 27

HEX #6454BB

RGB 100 84 187

HSL 249.32, 0.43%, 0.53%

LAB 42.21, 32.97, -52.41

 

CMYK 32 / 55 / 0 / 27

HEX #8054BB

RGB 128 84 187

HSL 265.63, 0.43%, 0.53%

LAB 44.97, 39.69, -47.84

 

CMYK 17 / 55 / 0 / 27

HEX #9C54BB

RGB 156 84 187

HSL 281.94, 0.43%, 0.53%

LAB 48.26, 46.99, -42.41

 

CMYK 2 / 55 / 0 / 27

HEX #B854BB

RGB 184 84 187

HSL 298.25, 0.43%, 0.53%

LAB 51.97, 54.52, -36.3

 

CMYK 55 / 49 / 0 / 27

HEX #545FBB

RGB 84 95 187

HSL 233.59, 0.43%, 0.53%

LAB 43.74, 22.66, -50.03

 

CMYK 55 / 55 / 0 / 27

HEX #5454BB

RGB 84 84 187

HSL 240, 0.43%, 0.53%

LAB 40.92, 29.56, -54.57

 

CMYK 55 / 49 / 0 / 27

HEX #545FBB

RGB 84 95 187

HSL 233.59, 0.43%, 0.53%

LAB 43.74, 22.66, -50.03

 

CMYK 69 / 62 / 0 / 19

HEX #404FCE

RGB 64 79 206

HSL 233.66, 0.59%, 0.53%

LAB 39.81, 35.8, -67.46

 

CMYK 80 / 72 / 0 / 12

HEX #2D40E1

RGB 45 64 225

HSL 233.67, 0.75%, 0.53%

LAB 37.23, 49.53, -82.66

 

CMYK 90 / 80 / 0 / 4

HEX #1931F5

RGB 25 49 245

HSL 233.45, 0.92%, 0.53%

LAB 35.98, 62.99, -96.1

 

CMYK 55 / 49 / 0 / 27

HEX #545FBB

RGB 84 95 187

HSL 233.59, 0.43%, 0.53%

LAB 43.74, 22.66, -50.03

 

CMYK 38 / 34 / 0 / 35

HEX #676EA7

RGB 103 110 167

HSL 233.44, 0.27%, 0.53%

LAB 48.04, 11.87, -31.44

 

CMYK 18 / 16 / 0 / 42

HEX #7A7D94

RGB 122 125 148

HSL 233.08, 0.11%, 0.53%

LAB 52.89, 3.92, -12.76

 

CMYK 0 / 1 / 9 / 44

HEX #8E8C81

RGB 142 140 129

HSL 50.77, 0.05%, 0.53%

LAB 58.12, -1.31, 6.13

 

CMYK 0 / 3 / 32 / 37

HEX #A19C6D

RGB 161 156 109

HSL 54.23, 0.22%, 0.53%

LAB 63.72, -5.68, 25.32

 

CMYK 55 / 19 / 0 / 27

HEX #5497BB

RGB 84 151 187

HSL 200.97, 0.43%, 0.53%

LAB 59.53, -10.89, -25.19

 

CMYK 55 / 34 / 0 / 27

HEX #547BBB

RGB 84 123 187

HSL 217.28, 0.43%, 0.53%

LAB 51.43, 5.31, -37.81

 

CMYK 55 / 49 / 0 / 27

HEX #5460BB

RGB 84 96 187

HSL 233.01, 0.43%, 0.53%

LAB 44, 22.03, -49.61

 

CMYK 47 / 55 / 0 / 27

HEX #6354BB

RGB 99 84 187

HSL 248.74, 0.43%, 0.53%

LAB 42.13, 32.74, -52.56

 

CMYK 32 / 55 / 0 / 27

HEX #7F54BB

RGB 127 84 187

HSL 265.05, 0.43%, 0.53%

LAB 44.86, 39.43, -48.02

 

CMYK 60 / 54 / 0 / 47

HEX #363E86

RGB 54 62 134

HSL 234, 0.43%, 0.37%

LAB 29.29, 19.7, -41.55

 

CMYK 60 / 54 / 0 / 36

HEX #414CA4

RGB 65 76 164

HSL 233.33, 0.43%, 0.45%

LAB 35.93, 23.2, -49.08

 

CMYK 55 / 49 / 0 / 27

HEX #545FBB

RGB 84 95 187

HSL 233.59, 0.43%, 0.53%

LAB 43.74, 22.66, -50.03

 

CMYK 43 / 38 / 0 / 22

HEX #717AC6

RGB 113 122 198

HSL 233.65, 0.43%, 0.61%

LAB 53.5, 16.3, -40.71

 

CMYK 32 / 29 / 0 / 18

HEX #8F96D2

RGB 143 150 210

HSL 233.73, 0.43%, 0.69%

LAB 63.59, 11.39, -31.54

 

CMYK 55 / 49 / 0 / 27

HEX #535EBA

RGB 83 94 186

HSL 233.59, 0.43%, 0.53%

LAB 43.34, 22.75, -50.08

 

CMYK 0 / 55 / 5 / 27

HEX #BB54B2

RGB 187 84 178

HSL 305.24, 0.43%, 0.53%

LAB 51.97, 53.76, -31.04

 

CMYK 27 / 0 / 55 / 27

HEX #89BB54

RGB 137 187 84

HSL 89.13, 0.43%, 0.53%

LAB 70.52, -33.7, 46.27

 

CMYK 55 / 49 / 0 / 27

HEX #535EBA

RGB 83 94 186

HSL 233.59, 0.43%, 0.53%

LAB 43.34, 22.75, -50.08

 

CMYK 0 / 55 / 49 / 27

HEX #BB5460

RGB 187 84 96

HSL 353.01, 0.43%, 0.53%

LAB 49.19, 42.64, 13.58

 

CMYK 49 / 0 / 55 / 27

HEX #60BB54

RGB 96 187 84

HSL 113.01, 0.43%, 0.53%

LAB 68.51, -47.39, 43.4

 

CMYK 55 / 49 / 0 / 27

HEX #535EBA

RGB 83 94 186

HSL 233.59, 0.43%, 0.53%

LAB 43.34, 22.75, -50.08

 

CMYK 0 / 55 / 5 / 27

HEX #BB54B2

RGB 187 84 178

HSL 305.24, 0.43%, 0.53%

LAB 51.97, 53.76, -31.04

 

CMYK 0 / 6 / 55 / 27

HEX #BBAF54

RGB 187 175 84

HSL 53.01, 0.43%, 0.53%

LAB 70.78, -7.57, 47.49

 

CMYK 55 / 0 / 51 / 27

HEX #54BB5C

RGB 84 187 92

HSL 124.66, 0.43%, 0.53%

LAB 68.17, -49.6, 38.99

 

CMYK 55 / 49 / 0 / 27

HEX #535EBA

RGB 83 94 186

HSL 233.59, 0.43%, 0.53%

LAB 43.34, 22.75, -50.08

 

CMYK 0 / 55 / 21 / 27

HEX #BB5493

RGB 187 84 147

HSL 323.3, 0.43%, 0.53%

LAB 50.7, 48.83, -14.78

 

CMYK 0 / 6 / 55 / 27

HEX #BBAF54

RGB 187 175 84

HSL 53.01, 0.43%, 0.53%

LAB 70.78, -7.57, 47.49

 

CMYK 55 / 0 / 34 / 27

HEX #54BB7B

RGB 84 187 123

HSL 142.72, 0.43%, 0.53%

LAB 68.65, -44.49, 23.6

 

Description

Color code: HEX #535EBACE | qconv.com Color code: HEX #535EBACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 94 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 94 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 40 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 40% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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