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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #534F90 it is the complementary color #ACB06F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #534F90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #534F90 shade: #584F8B, #69619E, #7A73B1, #8B85C4 and #9C97D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #534F90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #534F90 shade: #534F90, #423D7D, #312B6A, #201957 and #0F0744

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #534F90 shade: #545091, #655091, #775091, #885091 and #915088

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #534F90 shade: #545091 and #505091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #534F90 shade matches the following richer shades: #545091, #443EA3, #342BB5, #2419C7 and #1407D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #534F90 shade: #545091, #64627F, #74746C, #83865A and #939848

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #534F90 shade: #506F91, #505E91, #535091, #645091 and #765091

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #534F90 shade: #35325C, #444176, #545091, #6661A8 and #807CB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #534F90 shade: #534F90, #915080 and #669150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #534F90 shade: #534F90, #915350 and #509153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #534F90 shade: #534F90, #915080, #8D9150 and #509160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #534F90 shade: #534F90, #91506D, #8D9150 and #509173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 45 / 0 / 44

HEX #534F90

RGB 83 79 144

HSL 243.69, 0.29%, 0.44%

LAB 36.83, 18.86, -35.51

 

Complementary color

CMYK 2 / 0 / 37 / 31

HEX #ACB06F

RGB 172 176 111

HSL 63.69, 0.29%, 0.56%

LAB 70.15, -11.59, 32.84

 

CMYK 37 / 43 / 0 / 45

HEX #584F8B

RGB 88 79 139

HSL 249, 0.28%, 0.43%

LAB 36.99, 18.77, -32.18

 

CMYK 34 / 39 / 0 / 38

HEX #69619E

RGB 105 97 158

HSL 247.87, 0.24%, 0.5%

LAB 44.26, 17.88, -32.04

 

CMYK 31 / 35 / 0 / 31

HEX #7A73B1

RGB 122 115 177

HSL 246.77, 0.28%, 0.57%

LAB 51.35, 17.12, -31.97

 

CMYK 29 / 32 / 0 / 23

HEX #8B85C4

RGB 139 133 196

HSL 245.71, 0.35%, 0.65%

LAB 58.27, 16.46, -31.96

 

CMYK 27 / 30 / 0 / 16

HEX #9C97D7

RGB 156 151 215

HSL 244.69, 0.44%, 0.72%

LAB 65.05, 15.88, -31.98

 

CMYK 42 / 45 / 0 / 44

HEX #534F90

RGB 83 79 144

HSL 243.69, 0.29%, 0.44%

LAB 36.83, 18.86, -35.51

 

CMYK 47 / 51 / 0 / 51

HEX #423D7D

RGB 66 61 125

HSL 244.69, 0.34%, 0.36%

LAB 29.35, 20.08, -35.79

 

CMYK 54 / 59 / 0 / 58

HEX #312B6A

RGB 49 43 106

HSL 245.71, 0.42%, 0.29%

LAB 21.66, 21.62, -36.13

 

CMYK 63 / 71 / 0 / 66

HEX #201957

RGB 32 25 87

HSL 246.77, 0.55%, 0.22%

LAB 13.77, 23.55, -36.44

 

CMYK 78 / 90 / 0 / 73

HEX #0F0744

RGB 15 7 68

HSL 247.87, 0.81%, 0.15%

LAB 6.06, 24.99, -36.03

 

CMYK 42 / 45 / 0 / 43

HEX #545091

RGB 84 80 145

HSL 243.69, 0.29%, 0.44%

LAB 37.24, 18.8, -35.46

 

CMYK 30 / 45 / 0 / 43

HEX #655091

RGB 101 80 145

HSL 259.38, 0.29%, 0.44%

LAB 38.81, 23.64, -32.87

 

CMYK 18 / 45 / 0 / 43

HEX #775091

RGB 119 80 145

HSL 276, 0.29%, 0.44%

LAB 40.74, 29.11, -29.69

 

CMYK 6 / 45 / 0 / 43

HEX #885091

RGB 136 80 145

HSL 291.69, 0.29%, 0.44%

LAB 42.79, 34.44, -26.35

 

CMYK 0 / 45 / 6 / 43

HEX #915088

RGB 145 80 136

HSL 308.31, 0.29%, 0.44%

LAB 43.56, 35.58, -19.63

 

CMYK 42 / 45 / 0 / 43

HEX #545091

RGB 84 80 145

HSL 243.69, 0.29%, 0.44%

LAB 37.24, 18.8, -35.46

 

CMYK 45 / 45 / 0 / 43

HEX #505091

RGB 80 80 145

HSL 240, 0.29%, 0.44%

LAB 36.91, 17.73, -36

 

CMYK 42 / 45 / 0 / 43

HEX #545091

RGB 84 80 145

HSL 243.69, 0.29%, 0.44%

LAB 37.24, 18.8, -35.46

 

CMYK 58 / 62 / 0 / 36

HEX #443EA3

RGB 68 62 163

HSL 243.56, 0.45%, 0.44%

LAB 32.52, 32.41, -53.99

 

CMYK 71 / 76 / 0 / 29

HEX #342BB5

RGB 52 43 181

HSL 243.91, 0.62%, 0.44%

LAB 28.89, 47.35, -70.78

 

CMYK 82 / 87 / 0 / 22

HEX #2419C7

RGB 36 25 199

HSL 243.79, 0.78%, 0.44%

LAB 27.28, 59.91, -84.11

 

CMYK 91 / 97 / 0 / 15

HEX #1407D9

RGB 20 7 217

HSL 243.71, 0.94%, 0.44%

LAB 27.6, 68.94, -94.08

 

CMYK 42 / 45 / 0 / 43

HEX #545091

RGB 84 80 145

HSL 243.69, 0.29%, 0.44%

LAB 37.24, 18.8, -35.46

 

CMYK 21 / 23 / 0 / 50

HEX #64627F

RGB 100 98 127

HSL 244.14, 0.13%, 0.44%

LAB 42.73, 7.44, -15.88

 

CMYK 0 / 0 / 7 / 55

HEX #74746C

RGB 116 116 108

HSL 60, 0.04%, 0.44%

LAB 48.62, -1.57, 4.41

 

CMYK 2 / 0 / 33 / 47

HEX #83865A

RGB 131 134 90

HSL 64.09, 0.2%, 0.44%

LAB 54.67, -8.57, 23.37

 

CMYK 3 / 0 / 53 / 40

HEX #939848

RGB 147 152 72

HSL 63.75, 0.36%, 0.44%

LAB 60.89, -13.53, 40.96

 

CMYK 45 / 23 / 0 / 43

HEX #506F91

RGB 80 111 145

HSL 211.38, 0.29%, 0.44%

LAB 45.8, -1.66, -22.08

 

CMYK 45 / 35 / 0 / 43

HEX #505E91

RGB 80 94 145

HSL 227.08, 0.29%, 0.44%

LAB 40.82, 8.81, -29.82

 

CMYK 43 / 45 / 0 / 43

HEX #535091

RGB 83 80 145

HSL 242.77, 0.29%, 0.44%

LAB 37.15, 18.53, -35.6

 

CMYK 31 / 45 / 0 / 43

HEX #645091

RGB 100 80 145

HSL 258.46, 0.29%, 0.44%

LAB 38.71, 23.34, -33.03

 

CMYK 19 / 45 / 0 / 43

HEX #765091

RGB 118 80 145

HSL 275.08, 0.29%, 0.44%

LAB 40.63, 28.8, -29.88

 

CMYK 42 / 46 / 0 / 64

HEX #35325C

RGB 53 50 92

HSL 244.29, 0.3%, 0.28%

LAB 23.04, 13.17, -24.76

 

CMYK 42 / 45 / 0 / 54

HEX #444176

RGB 68 65 118

HSL 243.4, 0.29%, 0.36%

LAB 30.2, 15.74, -30.03

 

CMYK 42 / 45 / 0 / 43

HEX #545091

RGB 84 80 145

HSL 243.69, 0.29%, 0.44%

LAB 37.24, 18.8, -35.46

 

CMYK 39 / 42 / 0 / 34

HEX #6661A8

RGB 102 97 168

HSL 244.23, 0.29%, 0.52%

LAB 44.52, 19.86, -37.57

 

CMYK 30 / 32 / 0 / 28

HEX #807CB7

RGB 128 124 183

HSL 244.07, 0.29%, 0.6%

LAB 54.47, 15.12, -30.53

 

CMYK 42 / 45 / 0 / 44

HEX #534F90

RGB 83 79 144

HSL 243.69, 0.29%, 0.44%

LAB 36.83, 18.86, -35.51

 

CMYK 0 / 45 / 12 / 43

HEX #915080

RGB 145 80 128

HSL 315.69, 0.29%, 0.44%

LAB 43.23, 34.14, -15.27

 

CMYK 30 / 0 / 45 / 43

HEX #669150

RGB 102 145 80

HSL 99.69, 0.29%, 0.44%

LAB 55.74, -27.22, 29.82

 

CMYK 42 / 45 / 0 / 44

HEX #534F90

RGB 83 79 144

HSL 243.69, 0.29%, 0.44%

LAB 36.83, 18.86, -35.51

 

CMYK 0 / 43 / 45 / 43

HEX #915350

RGB 145 83 80

HSL 2.77, 0.29%, 0.44%

LAB 42.44, 25.44, 12.99

 

CMYK 45 / 0 / 43 / 43

HEX #509153

RGB 80 145 83

HSL 122.77, 0.29%, 0.44%

LAB 54.64, -34.3, 26.57

 

CMYK 42 / 45 / 0 / 44

HEX #534F90

RGB 83 79 144

HSL 243.69, 0.29%, 0.44%

LAB 36.83, 18.86, -35.51

 

CMYK 0 / 45 / 12 / 43

HEX #915080

RGB 145 80 128

HSL 315.69, 0.29%, 0.44%

LAB 43.23, 34.14, -15.27

 

CMYK 3 / 0 / 45 / 43

HEX #8D9150

RGB 141 145 80

HSL 63.69, 0.29%, 0.44%

LAB 58.5, -11.56, 33.87

 

CMYK 45 / 0 / 34 / 43

HEX #509160

RGB 80 145 96

HSL 134.77, 0.29%, 0.44%

LAB 54.87, -32.02, 19.7

 

CMYK 42 / 45 / 0 / 44

HEX #534F90

RGB 83 79 144

HSL 243.69, 0.29%, 0.44%

LAB 36.83, 18.86, -35.51

 

CMYK 0 / 45 / 25 / 43

HEX #91506D

RGB 145 80 109

HSL 333.23, 0.29%, 0.44%

LAB 42.55, 31.01, -4.67

 

CMYK 3 / 0 / 45 / 43

HEX #8D9150

RGB 141 145 80

HSL 63.69, 0.29%, 0.44%

LAB 58.5, -11.56, 33.87

 

CMYK 45 / 0 / 21 / 43

HEX #509173

RGB 80 145 115

HSL 152.31, 0.29%, 0.44%

LAB 55.27, -28.12, 9.52

 

Description

Color code: HEX #534F90 | qconv.com Color code: HEX #534F90 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 79 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 79 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 45 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 45% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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