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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #534C4A it is the complementary color #ACB3B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #534C4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #534C4A shade: #584C45, #695E58, #7A706B, #8B827E and #9C9491

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #534C4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #534C4A shade: #534C4A, #423A37, #312824, #201611 and #0F0400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #534C4A shade: #544C4A and #544A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #534C4A shade: #544C4A, #544F4A, #54524A, #53544A and #51544A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #534C4A shade matches the following richer shades: #544C4A, #61453E, #6D3E31, #7A3724 and #873017

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #534C4A shade: #544C4A, #475457, #3A5B64, #2D6271 and #21697D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #534C4A shade: #544A4D, #544A4B, #544C4A, #544F4A and #54514A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #534C4A shade: #282524, #3E3837, #544C4A, #6A605E and #807471

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #534C4A shade: #534C4A, #50544A and #4A4C54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #534C4A shade: #534C4A, #4A544C and #4C4A54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #534C4A shade: #534C4A, #50544A, #4A5254 and #4E4A54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #534C4A shade: #534C4A, #4D544A, #4A5254 and #514A54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 11 / 67

HEX #534C4A

RGB 83 76 74

HSL 13.33, 0.06%, 0.31%

LAB 32.92, 2.5, 2.23

 

Complementary color

CMYK 5 / 1 / 0 / 29

HEX #ACB3B5

RGB 172 179 181

HSL 193.33, 0.06%, 0.69%

LAB 72.46, -2.05, -1.88

 

CMYK 0 / 14 / 22 / 65

HEX #584C45

RGB 88 76 69

HSL 22.11, 0.12%, 0.31%

LAB 33.29, 3.72, 6

 

CMYK 0 / 10 / 16 / 59

HEX #695E58

RGB 105 94 88

HSL 21.18, 0.09%, 0.38%

LAB 40.76, 3.3, 5.04

 

CMYK 0 / 8 / 12 / 52

HEX #7A706B

RGB 122 112 107

HSL 20, 0.07%, 0.45%

LAB 47.99, 2.95, 4.17

 

CMYK 0 / 6 / 9 / 45

HEX #8B827E

RGB 139 130 126

HSL 18.46, 0.05%, 0.52%

LAB 55.03, 2.65, 3.37

 

CMYK 0 / 5 / 7 / 39

HEX #9C9491

RGB 156 148 145

HSL 16.36, 0.05%, 0.59%

LAB 61.91, 2.39, 2.63

 

CMYK 0 / 8 / 11 / 67

HEX #534C4A

RGB 83 76 74

HSL 13.33, 0.06%, 0.31%

LAB 32.92, 2.5, 2.23

 

CMYK 0 / 12 / 17 / 74

HEX #423A37

RGB 66 58 55

HSL 16.36, 0.09%, 0.24%

LAB 25.14, 2.88, 3.13

 

CMYK 0 / 18 / 27 / 81

HEX #312824

RGB 49 40 36

HSL 18.46, 0.15%, 0.17%

LAB 16.98, 3.38, 4.19

 

CMYK 0 / 31 / 47 / 87

HEX #201611

RGB 32 22 17

HSL 20, 0.31%, 0.1%

LAB 8.32, 4.14, 4.95

 

CMYK 0 / 73 / 100 / 94

HEX #0F0400

RGB 15 4 0

HSL 16, 1%, 0.03%

LAB 1.7, 2.51, 2.6

 

CMYK 0 / 10 / 12 / 67

HEX #544C4A

RGB 84 76 74

HSL 12, 0.06%, 0.31%

LAB 33.02, 2.93, 2.39

 

CMYK 0 / 12 / 12 / 67

HEX #544A4A

RGB 84 74 74

HSL 0, 0.06%, 0.31%

LAB 32.43, 4.19, 1.53

 

CMYK 0 / 10 / 12 / 67

HEX #544C4A

RGB 84 76 74

HSL 12, 0.06%, 0.31%

LAB 33.02, 2.93, 2.39

 

CMYK 0 / 6 / 12 / 67

HEX #544F4A

RGB 84 79 74

HSL 30, 0.06%, 0.31%

LAB 33.92, 1.05, 3.68

 

CMYK 0 / 2 / 12 / 67

HEX #54524A

RGB 84 82 74

HSL 48, 0.06%, 0.31%

LAB 34.83, -0.8, 4.98

 

CMYK 1 / 0 / 12 / 67

HEX #53544A

RGB 83 84 74

HSL 66, 0.06%, 0.31%

LAB 35.35, -2.45, 5.71

 

CMYK 4 / 0 / 12 / 67

HEX #51544A

RGB 81 84 74

HSL 78, 0.06%, 0.31%

LAB 35.17, -3.29, 5.43

 

CMYK 0 / 10 / 12 / 67

HEX #544C4A

RGB 84 76 74

HSL 12, 0.06%, 0.31%

LAB 33.02, 2.93, 2.39

 

CMYK 0 / 29 / 36 / 62

HEX #61453E

RGB 97 69 62

HSL 12, 0.22%, 0.31%

LAB 32.14, 10.98, 8.98

 

CMYK 0 / 43 / 55 / 57

HEX #6D3E31

RGB 109 62 49

HSL 13, 0.38%, 0.31%

LAB 31.62, 19.07, 16.81

 

CMYK 0 / 55 / 70 / 52

HEX #7A3724

RGB 122 55 36

HSL 13.26, 0.54%, 0.31%

LAB 31.8, 27.71, 25.51

 

CMYK 0 / 64 / 83 / 47

HEX #873017

RGB 135 48 23

HSL 13.39, 0.71%, 0.31%

LAB 32.54, 35.93, 34.35

 

CMYK 0 / 10 / 12 / 67

HEX #544C4A

RGB 84 76 74

HSL 12, 0.06%, 0.31%

LAB 33.02, 2.93, 2.39

 

CMYK 18 / 3 / 0 / 66

HEX #475457

RGB 71 84 87

HSL 191.25, 0.1%, 0.31%

LAB 34.74, -4.35, -3.46

 

CMYK 42 / 9 / 0 / 61

HEX #3A5B64

RGB 58 91 100

HSL 192.86, 0.27%, 0.31%

LAB 36.56, -9.39, -8.97

 

CMYK 60 / 13 / 0 / 56

HEX #2D6271

RGB 45 98 113

HSL 193.24, 0.43%, 0.31%

LAB 38.7, -12.79, -13.81

 

CMYK 74 / 16 / 0 / 51

HEX #21697D

RGB 33 105 125

HSL 193.04, 0.58%, 0.31%

LAB 41.07, -14.92, -17.54

 

CMYK 0 / 12 / 8 / 67

HEX #544A4D

RGB 84 74 77

HSL 342, 0.06%, 0.31%

LAB 32.52, 4.79, -0.26

 

CMYK 0 / 12 / 11 / 67

HEX #544A4B

RGB 84 74 75

HSL 354, 0.06%, 0.31%

LAB 32.46, 4.39, 0.93

 

CMYK 0 / 10 / 12 / 67

HEX #544C4A

RGB 84 76 74

HSL 12, 0.06%, 0.31%

LAB 33.02, 2.93, 2.39

 

CMYK 0 / 6 / 12 / 67

HEX #544F4A

RGB 84 79 74

HSL 30, 0.06%, 0.31%

LAB 33.92, 1.05, 3.68

 

CMYK 0 / 4 / 12 / 67

HEX #54514A

RGB 84 81 74

HSL 42, 0.06%, 0.31%

LAB 34.53, -0.19, 4.55

 

CMYK 0 / 7 / 10 / 84

HEX #282524

RGB 40 37 36

HSL 15, 0.05%, 0.15%

LAB 14.96, 1.16, 1.16

 

CMYK 0 / 10 / 11 / 76

HEX #3E3837

RGB 62 56 55

HSL 8.57, 0.06%, 0.23%

LAB 24.09, 2.41, 1.57

 

CMYK 0 / 10 / 12 / 67

HEX #544C4A

RGB 84 76 74

HSL 12, 0.06%, 0.31%

LAB 33.02, 2.93, 2.39

 

CMYK 0 / 9 / 11 / 58

HEX #6A605E

RGB 106 96 94

HSL 10, 0.06%, 0.39%

LAB 41.59, 3.61, 2.58

 

CMYK 0 / 9 / 12 / 50

HEX #807471

RGB 128 116 113

HSL 12, 0.06%, 0.47%

LAB 49.82, 4.08, 3.33

 

CMYK 0 / 8 / 11 / 67

HEX #534C4A

RGB 83 76 74

HSL 13.33, 0.06%, 0.31%

LAB 32.92, 2.5, 2.23

 

CMYK 5 / 0 / 12 / 67

HEX #50544A

RGB 80 84 74

HSL 84, 0.06%, 0.31%

LAB 35.08, -3.7, 5.3

 

CMYK 12 / 10 / 0 / 67

HEX #4A4C54

RGB 74 76 84

HSL 228, 0.06%, 0.31%

LAB 32.4, 1.04, -5

 

CMYK 0 / 8 / 11 / 67

HEX #534C4A

RGB 83 76 74

HSL 13.33, 0.06%, 0.31%

LAB 32.92, 2.5, 2.23

 

CMYK 12 / 0 / 10 / 67

HEX #4A544C

RGB 74 84 76

HSL 132, 0.06%, 0.31%

LAB 34.64, -5.74, 3.34

 

CMYK 10 / 12 / 0 / 67

HEX #4C4A54

RGB 76 74 84

HSL 252, 0.06%, 0.31%

LAB 31.98, 3.09, -5.62

 

CMYK 0 / 8 / 11 / 67

HEX #534C4A

RGB 83 76 74

HSL 13.33, 0.06%, 0.31%

LAB 32.92, 2.5, 2.23

 

CMYK 5 / 0 / 12 / 67

HEX #50544A

RGB 80 84 74

HSL 84, 0.06%, 0.31%

LAB 35.08, -3.7, 5.3

 

CMYK 12 / 2 / 0 / 67

HEX #4A5254

RGB 74 82 84

HSL 192, 0.06%, 0.31%

LAB 34.25, -2.71, -2.26

 

CMYK 7 / 12 / 0 / 67

HEX #4E4A54

RGB 78 74 84

HSL 264, 0.06%, 0.31%

LAB 32.16, 3.87, -5.32

 

CMYK 0 / 8 / 11 / 67

HEX #534C4A

RGB 83 76 74

HSL 13.33, 0.06%, 0.31%

LAB 32.92, 2.5, 2.23

 

CMYK 8 / 0 / 12 / 67

HEX #4D544A

RGB 77 84 74

HSL 102, 0.06%, 0.31%

LAB 34.83, -4.94, 4.9

 

CMYK 12 / 2 / 0 / 67

HEX #4A5254

RGB 74 82 84

HSL 192, 0.06%, 0.31%

LAB 34.25, -2.71, -2.26

 

CMYK 4 / 12 / 0 / 67

HEX #514A54

RGB 81 74 84

HSL 282, 0.06%, 0.31%

LAB 32.45, 5.07, -4.86

 

Description

Color code: HEX #534C4A | qconv.com Color code: HEX #534C4A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 76 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 76 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 11 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 11% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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