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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #534C21 it is the complementary color #ACB3DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #534C21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #534C21 shade: #584C1C, #695E2F, #7A7042, #8B8255 and #9C9468

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #534C21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #534C21 shade: #534C21, #423A0E, #312800, #201600 and #0F0400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #534C21 shade: #544D21, #543F21, #543221, #542421 and #542121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #534C21 shade: #544D21, #4D5421, #405421, #325421 and #255421

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #534C21 shade matches the following richer shades: #544D21, #5D5418, #675A0E and #706105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #534C21 shade: #544D21, #4A462B, #413F34, #37383E and #2E3147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #534C21 shade: #543121, #543F21, #544C21, #4E5421 and #415421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #534C21 shade: #19170A, #363216, #544D21, #71682D and #8F8339

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #534C21 shade: #534C21, #215424 and #382154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #534C21 shade: #534C21, #21544C and #4C2154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #534C21 shade: #534C21, #215424, #212954 and #542151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #534C21 shade: #534C21, #215433, #212954 and #542142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 60 / 67

HEX #534C21

RGB 83 76 33

HSL 51.6, 0.43%, 0.23%

LAB 32.07, -3.52, 26.24

 

Complementary color

CMYK 23 / 19 / 0 / 13

HEX #ACB3DE

RGB 172 179 222

HSL 231.6, 0.43%, 0.77%

LAB 73.73, 6.7, -22.39

 

CMYK 0 / 14 / 68 / 65

HEX #584C1C

RGB 88 76 28

HSL 48, 0.52%, 0.23%

LAB 32.54, -1.47, 29.6

 

CMYK 0 / 10 / 55 / 59

HEX #695E2F

RGB 105 94 47

HSL 48.62, 0.38%, 0.3%

LAB 39.94, -2.41, 28.29

 

CMYK 0 / 8 / 46 / 52

HEX #7A7042

RGB 122 112 66

HSL 49.29, 0.3%, 0.37%

LAB 47.13, -3.1, 26.91

 

CMYK 0 / 6 / 39 / 45

HEX #8B8255

RGB 139 130 85

HSL 50, 0.24%, 0.44%

LAB 54.14, -3.62, 25.6

 

CMYK 0 / 5 / 33 / 39

HEX #9C9468

RGB 156 148 104

HSL 50.77, 0.21%, 0.51%

LAB 61, -4.03, 24.37

 

CMYK 0 / 8 / 60 / 67

HEX #534C21

RGB 83 76 33

HSL 51.6, 0.43%, 0.23%

LAB 32.07, -3.52, 26.24

 

CMYK 0 / 12 / 79 / 74

HEX #423A0E

RGB 66 58 14

HSL 50.77, 0.65%, 0.16%

LAB 24.37, -2.47, 27.35

 

CMYK 0 / 18 / 100 / 81

HEX #312800

RGB 49 40 0

HSL 48.98, 1%, 0.1%

LAB 16.36, -0.85, 23.74

 

CMYK 0 / 31 / 100 / 87

HEX #201600

RGB 32 22 0

HSL 41.25, 1%, 0.06%

LAB 7.96, 1.83, 11.95

 

CMYK 0 / 73 / 100 / 94

HEX #0F0400

RGB 15 4 0

HSL 16, 1%, 0.03%

LAB 1.7, 2.51, 2.6

 

CMYK 0 / 8 / 61 / 67

HEX #544D21

RGB 84 77 33

HSL 51.76, 0.44%, 0.23%

LAB 32.49, -3.64, 26.74

 

CMYK 0 / 25 / 61 / 67

HEX #543F21

RGB 84 63 33

HSL 35.29, 0.44%, 0.23%

LAB 28.25, 5.09, 21.74

 

CMYK 0 / 40 / 61 / 67

HEX #543221

RGB 84 50 33

HSL 20, 0.44%, 0.23%

LAB 24.56, 13.39, 17.19

 

CMYK 0 / 57 / 61 / 67

HEX #542421

RGB 84 36 33

HSL 3.53, 0.44%, 0.23%

LAB 21.04, 22.04, 12.66

 

CMYK 0 / 61 / 61 / 67

HEX #542121

RGB 84 33 33

HSL 0, 0.44%, 0.23%

LAB 20.37, 23.77, 11.78

 

CMYK 0 / 8 / 61 / 67

HEX #544D21

RGB 84 77 33

HSL 51.76, 0.44%, 0.23%

LAB 32.49, -3.64, 26.74

 

CMYK 8 / 0 / 61 / 67

HEX #4D5421

RGB 77 84 33

HSL 68.24, 0.44%, 0.23%

LAB 34.04, -11.17, 28.35

 

CMYK 24 / 0 / 61 / 67

HEX #405421

RGB 64 84 33

HSL 83.53, 0.44%, 0.23%

LAB 33.01, -17.15, 26.89

 

CMYK 40 / 0 / 61 / 67

HEX #325421

RGB 50 84 33

HSL 100, 0.44%, 0.23%

LAB 32.1, -23.01, 25.6

 

CMYK 56 / 0 / 61 / 67

HEX #255421

RGB 37 84 33

HSL 115.29, 0.44%, 0.23%

LAB 31.45, -27.64, 24.68

 

CMYK 0 / 8 / 61 / 67

HEX #544D21

RGB 84 77 33

HSL 51.76, 0.44%, 0.23%

LAB 32.49, -3.64, 26.74

 

CMYK 0 / 10 / 74 / 64

HEX #5D5418

RGB 93 84 24

HSL 52.17, 0.59%, 0.23%

LAB 35.47, -4.1, 34.79

 

CMYK 0 / 13 / 86 / 60

HEX #675A0E

RGB 103 90 14

HSL 51.24, 0.76%, 0.23%

LAB 38.25, -3.19, 41.67

 

CMYK 0 / 13 / 96 / 56

HEX #706105

RGB 112 97 5

HSL 51.59, 0.91%, 0.23%

LAB 41.22, -3.11, 46.95

 

CMYK 0 / 8 / 61 / 67

HEX #544D21

RGB 84 77 33

HSL 51.76, 0.44%, 0.23%

LAB 32.49, -3.64, 26.74

 

CMYK 0 / 5 / 42 / 71

HEX #4A462B

RGB 74 70 43

HSL 52.26, 0.26%, 0.23%

LAB 29.44, -3.05, 16.89

 

CMYK 0 / 3 / 20 / 75

HEX #413F34

RGB 65 63 52

HSL 50.77, 0.11%, 0.23%

LAB 26.53, -1.39, 7.06

 

CMYK 11 / 10 / 0 / 76

HEX #37383E

RGB 55 56 62

HSL 231.43, 0.06%, 0.23%

LAB 23.63, 1.02, -3.87

 

CMYK 35 / 31 / 0 / 72

HEX #2E3147

RGB 46 49 71

HSL 232.8, 0.21%, 0.23%

LAB 20.95, 4.86, -14.08

 

CMYK 0 / 42 / 61 / 67

HEX #543121

RGB 84 49 33

HSL 18.82, 0.44%, 0.23%

LAB 24.29, 14.03, 16.85

 

CMYK 0 / 25 / 61 / 67

HEX #543F21

RGB 84 63 33

HSL 35.29, 0.44%, 0.23%

LAB 28.25, 5.09, 21.74

 

CMYK 0 / 10 / 61 / 67

HEX #544C21

RGB 84 76 33

HSL 50.59, 0.44%, 0.23%

LAB 32.18, -3.03, 26.38

 

CMYK 7 / 0 / 61 / 67

HEX #4E5421

RGB 78 84 33

HSL 67.06, 0.44%, 0.23%

LAB 34.13, -10.7, 28.47

 

CMYK 23 / 0 / 61 / 67

HEX #415421

RGB 65 84 33

HSL 82.35, 0.44%, 0.23%

LAB 33.08, -16.71, 27

 

CMYK 0 / 8 / 60 / 90

HEX #19170A

RGB 25 23 10

HSL 52, 0.43%, 0.07%

LAB 7.6, -1.54, 7.25

 

CMYK 0 / 7 / 59 / 79

HEX #363216

RGB 54 50 22

HSL 52.5, 0.42%, 0.15%

LAB 20.53, -2.92, 18.3

 

CMYK 0 / 8 / 61 / 67

HEX #544D21

RGB 84 77 33

HSL 51.76, 0.44%, 0.23%

LAB 32.49, -3.64, 26.74

 

CMYK 0 / 8 / 60 / 56

HEX #71682D

RGB 113 104 45

HSL 52.06, 0.43%, 0.31%

LAB 43.65, -4.68, 33.89

 

CMYK 0 / 8 / 60 / 44

HEX #8F8339

RGB 143 131 57

HSL 51.63, 0.43%, 0.39%

LAB 54.41, -5.22, 40.81

 

CMYK 0 / 8 / 60 / 67

HEX #534C21

RGB 83 76 33

HSL 51.6, 0.43%, 0.23%

LAB 32.07, -3.52, 26.24

 

CMYK 61 / 0 / 57 / 67

HEX #215424

RGB 33 84 36

HSL 123.53, 0.44%, 0.23%

LAB 31.33, -28.41, 22.83

 

CMYK 33 / 61 / 0 / 67

HEX #382154

RGB 56 33 84

HSL 267.06, 0.44%, 0.23%

LAB 18.23, 23.07, -27.08

 

CMYK 0 / 8 / 60 / 67

HEX #534C21

RGB 83 76 33

HSL 51.6, 0.43%, 0.23%

LAB 32.07, -3.52, 26.24

 

CMYK 61 / 0 / 10 / 67

HEX #21544C

RGB 33 84 76

HSL 170.59, 0.44%, 0.23%

LAB 32.23, -19.26, -0.46

 

CMYK 10 / 61 / 0 / 67

HEX #4C2154

RGB 76 33 84

HSL 290.59, 0.44%, 0.23%

LAB 21.07, 29.09, -22.38

 

CMYK 0 / 8 / 60 / 67

HEX #534C21

RGB 83 76 33

HSL 51.6, 0.43%, 0.23%

LAB 32.07, -3.52, 26.24

 

CMYK 61 / 0 / 57 / 67

HEX #215424

RGB 33 84 36

HSL 123.53, 0.44%, 0.23%

LAB 31.33, -28.41, 22.83

 

CMYK 61 / 51 / 0 / 67

HEX #212954

RGB 33 41 84

HSL 230.59, 0.44%, 0.23%

LAB 18.14, 11.22, -27.35

 

CMYK 0 / 61 / 4 / 67

HEX #542151

RGB 84 33 81

HSL 303.53, 0.44%, 0.23%

LAB 22.18, 30.96, -18.53

 

CMYK 0 / 8 / 60 / 67

HEX #534C21

RGB 83 76 33

HSL 51.6, 0.43%, 0.23%

LAB 32.07, -3.52, 26.24

 

CMYK 61 / 0 / 39 / 67

HEX #215433

RGB 33 84 51

HSL 141.18, 0.44%, 0.23%

LAB 31.59, -25.64, 14.29

 

CMYK 61 / 51 / 0 / 67

HEX #212954

RGB 33 41 84

HSL 230.59, 0.44%, 0.23%

LAB 18.14, 11.22, -27.35

 

CMYK 0 / 61 / 21 / 67

HEX #542142

RGB 84 33 66

HSL 321.18, 0.44%, 0.23%

LAB 21.45, 28.17, -9.49

 

Description

Color code: HEX #534C21 | qconv.com Color code: HEX #534C21 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 76 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 76 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 60 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 60% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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