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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5347BACE it is the complementary color #ACB845CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5347BACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5347BACE shade: #5847B5CE, #6959C8CE, #7A6BDBCE, #8B7DEECE and #9C8FFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5347BACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5347BACE shade: #5347BACE, #4235A7CE, #312394CE, #201181CE and #0F006ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5347BACE shade: #5246B9, #7146B9, #9046B9, #AF46B9 and #B946A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5347BACE shade: #5246B9 and #4646B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5347BACE shade matches the following richer shades: #5246B9, #4231CE, #311DE2 and #2108F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5347BACE shade: #5246B9, #625BA4, #736F90, #83847B and #939966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5347BACE shade: #4678B9, #4659B9, #5246B9, #7046B9 and #8F46B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5347BACE shade: #382F7D, #453B9B, #5246B9, #6E64C4 and #8A82D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5347BACE shade: #5347BA, #B94696 and #69B946

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5347BACE shade: #5347BA, #B95246 and #46B952

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5347BACE shade: #5347BA, #B94696, #ADB946 and #46B969

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5347BACE shade: #5347BA, #B94674, #ADB946 and #46B98B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 50 / 0 / 22

HEX #5347BACE

RGBA 83 71 186 0.81

HSLA 246.26, 0.45%, 0.5%, 0.81

LABA 37.65, 37.06, -59.29, 0.81

 

Complementary color

CMYK 5 / 0 / 51 / 23

HEX #ACB845CE

RGBA 172 184 69 0.81

HSLA 66.26, 0.45%, 0.5%, 0.81

LABA 71.88, -19.64, 55.19, 0.81

 

CMYK 42 / 49 / 0 / 24

HEX #5847B5CE

RGBA 88 71 181 0.81

HSLA 249.27, 0.44%, 0.49%, 0.81

LABA 37.69, 36.45, -56.25, 0.81

 

CMYK 38 / 45 / 0 / 17

HEX #6959C8CE

RGBA 105 89 200 0.81

HSLA 248.65, 0.5%, 0.57%, 0.81

LABA 44.69, 34.94, -55.95, 0.81

 

CMYK 36 / 41 / 0 / 11

HEX #7A6BDBCE

RGBA 122 107 219 0.81

HSLA 248.04, 0.61%, 0.64%, 0.81

LABA 51.57, 33.6, -55.66, 0.81

 

CMYK 34 / 38 / 0 / 5

HEX #8B7DEECE

RGBA 139 125 238 0.81

HSLA 247.43, 0.77%, 0.71%, 0.81

LABA 58.35, 32.42, -55.4, 0.81

 

CMYK 31 / 36 / 0 / 0

HEX #9C8FFFCE

RGBA 156 143 255 0.81

HSLA 246.96, 1%, 0.78%, 0.81

LABA 64.91, 30.83, -54.23, 0.81

 

CMYK 45 / 50 / 0 / 22

HEX #5347BACE

RGBA 83 71 186 0.81

HSLA 246.26, 0.45%, 0.5%, 0.81

LABA 37.65, 37.06, -59.29, 0.81

 

CMYK 49 / 55 / 0 / 28

HEX #4235A7CE

RGBA 66 53 167 0.81

HSLA 246.84, 0.52%, 0.43%, 0.81

LABA 30.63, 38.89, -59.5, 0.81

 

CMYK 54 / 62 / 0 / 34

HEX #312394CE

RGBA 49 35 148 0.81

HSLA 247.43, 0.62%, 0.36%, 0.81

LABA 23.65, 40.79, -59.44, 0.81

 

CMYK 61 / 70 / 0 / 40

HEX #201181CE

RGBA 32 17 129 0.81

HSLA 248.04, 0.77%, 0.29%, 0.81

LABA 16.96, 42.23, -58.66, 0.81

 

CMYK 70 / 81 / 0 / 46

HEX #0F006ECE

RGBA 15 0 110 0.81

HSLA 248.18, 1%, 0.22%, 0.81

LABA 10.76, 42.88, -56.77, 0.81

 

CMYK 56 / 62 / 0 / 27

HEX #5246B9

RGB 82 70 185

HSL 246.26, 0.45%, 0.5%

LAB 37.26, 37.16, -59.34

 

CMYK 39 / 62 / 0 / 27

HEX #7146B9

RGB 113 70 185

HSL 262.43, 0.45%, 0.5%

LAB 40.24, 43.44, -54.37

 

CMYK 22 / 62 / 0 / 27

HEX #9046B9

RGB 144 70 185

HSL 278.61, 0.45%, 0.5%

LAB 43.96, 50.61, -48.17

 

CMYK 5 / 62 / 0 / 27

HEX #AF46B9

RGB 175 70 185

HSL 294.78, 0.45%, 0.5%

LAB 48.26, 58.19, -41.08

 

CMYK 0 / 62 / 11 / 27

HEX #B946A4

RGB 185 70 164

HSL 310.96, 0.45%, 0.5%

LAB 48.73, 57.21, -27.9

 

CMYK 56 / 62 / 0 / 27

HEX #5246B9

RGB 82 70 185

HSL 246.26, 0.45%, 0.5%

LAB 37.26, 37.16, -59.34

 

CMYK 62 / 62 / 0 / 27

HEX #4646B9

RGB 70 70 185

HSL 240, 0.45%, 0.5%

LAB 36.34, 35.11, -60.87

 

CMYK 56 / 62 / 0 / 27

HEX #5246B9

RGB 82 70 185

HSL 246.26, 0.45%, 0.5%

LAB 37.26, 37.16, -59.34

 

CMYK 68 / 76 / 0 / 19

HEX #4231CE

RGB 66 49 206

HSL 246.5, 0.62%, 0.5%

LAB 33.59, 53.34, -77.68

 

CMYK 78 / 87 / 0 / 11

HEX #311DE2

RGB 49 29 226

HSL 246.09, 0.77%, 0.5%

LAB 31.86, 66.49, -92.13

 

CMYK 87 / 97 / 0 / 3

HEX #2108F7

RGB 33 8 247

HSL 246.28, 0.94%, 0.5%

LAB 32.29, 76.33, -103.37

 

CMYK 56 / 62 / 0 / 27

HEX #5246B9

RGB 82 70 185

HSL 246.26, 0.45%, 0.5%

LAB 37.26, 37.16, -59.34

 

CMYK 40 / 45 / 0 / 36

HEX #625BA4

RGB 98 91 164

HSL 245.75, 0.29%, 0.5%

LAB 42.4, 21.33, -38.59

 

CMYK 20 / 23 / 0 / 44

HEX #736F90

RGB 115 111 144

HSL 247.27, 0.13%, 0.5%

LAB 48.29, 8.87, -17.43

 

CMYK 1 / 0 / 7 / 48

HEX #83847B

RGB 131 132 123

HSL 66.67, 0.04%, 0.5%

LAB 54.82, -2.1, 4.72

 

CMYK 4 / 0 / 33 / 40

HEX #939966

RGB 147 153 102

HSL 67.06, 0.2%, 0.5%

LAB 61.61, -10.68, 26.13

 

CMYK 62 / 35 / 0 / 27

HEX #4678B9

RGB 70 120 185

HSL 213.91, 0.45%, 0.5%

LAB 49.78, 3.58, -39.29

 

CMYK 62 / 52 / 0 / 27

HEX #4659B9

RGB 70 89 185

HSL 230.09, 0.45%, 0.5%

LAB 41.14, 23.05, -53.09

 

CMYK 56 / 62 / 0 / 27

HEX #5246B9

RGB 82 70 185

HSL 246.26, 0.45%, 0.5%

LAB 37.26, 37.16, -59.34

 

CMYK 39 / 62 / 0 / 27

HEX #7046B9

RGB 112 70 185

HSL 261.91, 0.45%, 0.5%

LAB 40.13, 43.22, -54.55

 

CMYK 23 / 62 / 0 / 27

HEX #8F46B9

RGB 143 70 185

HSL 278.09, 0.45%, 0.5%

LAB 43.83, 50.37, -48.39

 

CMYK 55 / 62 / 0 / 51

HEX #382F7D

RGB 56 47 125

HSL 246.92, 0.45%, 0.34%

LAB 24.81, 26.97, -43.15

 

CMYK 55 / 62 / 0 / 39

HEX #453B9B

RGB 69 59 155

HSL 246.25, 0.45%, 0.42%

LAB 31.25, 31.85, -51.21

 

CMYK 56 / 62 / 0 / 27

HEX #5246B9

RGB 82 70 185

HSL 246.26, 0.45%, 0.5%

LAB 37.26, 37.16, -59.34

 

CMYK 44 / 49 / 0 / 23

HEX #6E64C4

RGB 110 100 196

HSL 246.25, 0.45%, 0.58%

LAB 47.51, 28.27, -49.08

 

CMYK 34 / 38 / 0 / 18

HEX #8A82D0

RGB 138 130 208

HSL 246.15, 0.45%, 0.66%

LAB 57.96, 21.05, -39.23

 

CMYK 55 / 62 / 0 / 27

HEX #5347BA

RGB 83 71 186

HSL 246.26, 0.45%, 0.5%

LAB 37.65, 37.06, -59.29

 

CMYK 0 / 62 / 19 / 27

HEX #B94696

RGB 185 70 150

HSL 318.26, 0.45%, 0.5%

LAB 48.13, 55.09, -20.51

 

CMYK 43 / 0 / 62 / 27

HEX #69B946

RGB 105 185 70

HSL 101.74, 0.45%, 0.5%

LAB 68.13, -45.36, 49.48

 

CMYK 55 / 62 / 0 / 27

HEX #5347BA

RGB 83 71 186

HSL 246.26, 0.45%, 0.5%

LAB 37.65, 37.06, -59.29

 

CMYK 0 / 56 / 62 / 27

HEX #B95246

RGB 185 82 70

HSL 6.26, 0.45%, 0.5%

LAB 48, 40.76, 27.4

 

CMYK 62 / 0 / 56 / 27

HEX #46B952

RGB 70 185 82

HSL 126.26, 0.45%, 0.5%

LAB 66.98, -53.52, 42.32

 

CMYK 55 / 62 / 0 / 27

HEX #5347BA

RGB 83 71 186

HSL 246.26, 0.45%, 0.5%

LAB 37.65, 37.06, -59.29

 

CMYK 0 / 62 / 19 / 27

HEX #B94696

RGB 185 70 150

HSL 318.26, 0.45%, 0.5%

LAB 48.13, 55.09, -20.51

 

CMYK 6 / 0 / 62 / 27

HEX #ADB946

RGB 173 185 70

HSL 66.26, 0.45%, 0.5%

LAB 72.24, -19.65, 55.17

 

CMYK 62 / 0 / 43 / 27

HEX #46B969

RGB 70 185 105

HSL 138.26, 0.45%, 0.5%

LAB 67.29, -50.06, 31.2

 

CMYK 55 / 62 / 0 / 27

HEX #5347BA

RGB 83 71 186

HSL 246.26, 0.45%, 0.5%

LAB 37.65, 37.06, -59.29

 

CMYK 0 / 62 / 37 / 27

HEX #B94674

RGB 185 70 116

HSL 336, 0.45%, 0.5%

LAB 46.92, 50.66, -1.83

 

CMYK 6 / 0 / 62 / 27

HEX #ADB946

RGB 173 185 70

HSL 66.26, 0.45%, 0.5%

LAB 72.24, -19.65, 55.17

 

CMYK 62 / 0 / 25 / 27

HEX #46B98B

RGB 70 185 139

HSL 156, 0.45%, 0.5%

LAB 67.92, -43.37, 13.91

 

Description

Color code: HEX #5347BACE | qconv.com Color code: HEX #5347BACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 71 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 71 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 50 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 50% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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