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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5347A2CE it is the complementary color #ACB85DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5347A2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5347A2CE shade: #58479DCE, #6959B0CE, #7A6BC3CE, #8B7DD6CE and #9C8FE9CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5347A2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5347A2CE shade: #5347A2CE, #42358FCE, #31237CCE, #201169CE and #0F0056CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5347A2CE shade: #5448A3, #6C48A3, #8548A3, #9E48A3 and #A34890

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5347A2CE shade: #5448A3 and #4848A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5347A2CE shade matches the following richer shades: #5448A3, #4635B6, #3822C9 and #2A0FDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5347A2CE shade: #5448A3, #625B90, #706E7D, #7E806A and #8C9357

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5347A2CE shade: #486EA3, #4855A3, #5248A3, #6B48A3 and #8348A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5347A2CE shade: #362E6A, #453B86, #5448A3, #685CB8 and #8379C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5347A2CE shade: #5347A2, #A34886 and #61A348

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5347A2CE shade: #5347A2, #A35248 and #48A352

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5347A2CE shade: #5347A2, #A34886, #98A348 and #48A365

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5347A2CE shade: #5347A2, #A3486B, #98A348 and #48A380

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 46 / 0 / 30

HEX #5347A2CE

RGBA 83 71 162 0.81

HSLA 247.91, 0.39%, 0.46%, 0.81

LABA 35.9, 29.51, -47.87, 0.81

 

Complementary color

CMYK 5 / 0 / 40 / 23

HEX #ACB85DCE

RGBA 172 184 93 0.81

HSLA 67.91, 0.39%, 0.54%, 0.81

LABA 72.12, -17.64, 44.42, 0.81

 

CMYK 36 / 44 / 0 / 31

HEX #58479DCE

RGBA 88 71 157 0.81

HSLA 251.86, 0.38%, 0.45%, 0.81

LABA 36.01, 29.14, -44.65, 0.81

 

CMYK 33 / 40 / 0 / 25

HEX #6959B0CE

RGBA 105 89 176 0.81

HSLA 251.03, 0.36%, 0.52%, 0.81

LABA 43.19, 27.89, -44.38, 0.81

 

CMYK 30 / 37 / 0 / 19

HEX #7A6BC3CE

RGBA 122 107 195 0.81

HSLA 250.23, 0.42%, 0.59%, 0.81

LABA 50.21, 26.8, -44.16, 0.81

 

CMYK 28 / 34 / 0 / 13

HEX #8B7DD6CE

RGBA 139 125 214 0.81

HSLA 249.44, 0.52%, 0.66%, 0.81

LABA 57.09, 25.85, -43.98, 0.81

 

CMYK 27 / 31 / 0 / 7

HEX #9C8FE9CE

RGBA 156 143 233 0.81

HSLA 248.67, 0.67%, 0.74%, 0.81

LABA 63.83, 25.01, -43.85, 0.81

 

CMYK 40 / 46 / 0 / 30

HEX #5347A2CE

RGBA 83 71 162 0.81

HSLA 247.91, 0.39%, 0.46%, 0.81

LABA 35.9, 29.51, -47.87, 0.81

 

CMYK 44 / 51 / 0 / 36

HEX #42358FCE

RGBA 66 53 143 0.81

HSLA 248.67, 0.46%, 0.38%, 0.81

LABA 28.61, 31.12, -48.17, 0.81

 

CMYK 49 / 58 / 0 / 42

HEX #31237CCE

RGBA 49 35 124 0.81

HSLA 249.44, 0.56%, 0.31%, 0.81

LABA 21.25, 32.92, -48.36, 0.81

 

CMYK 56 / 68 / 0 / 48

HEX #201169CE

RGBA 32 17 105 0.81

HSLA 250.23, 0.72%, 0.24%, 0.81

LABA 13.99, 34.61, -48.08, 0.81

 

CMYK 67 / 81 / 0 / 54

HEX #0F0056CE

RGBA 15 0 86 0.81

HSLA 250.47, 1%, 0.17%, 0.81

LABA 6.99, 36.06, -47.02, 0.81

 

CMYK 48 / 56 / 0 / 36

HEX #5448A3

RGB 84 72 163

HSL 247.91, 0.39%, 0.46%

LAB 36.3, 29.42, -47.81

 

CMYK 34 / 56 / 0 / 36

HEX #6C48A3

RGB 108 72 163

HSL 263.74, 0.39%, 0.46%

LAB 38.67, 35.24, -43.88

 

CMYK 18 / 56 / 0 / 36

HEX #8548A3

RGB 133 72 163

HSL 280.22, 0.39%, 0.46%

LAB 41.64, 41.87, -38.97

 

CMYK 3 / 56 / 0 / 36

HEX #9E48A3

RGB 158 72 163

HSL 296.7, 0.39%, 0.46%

LAB 45.01, 48.74, -33.42

 

CMYK 0 / 56 / 12 / 36

HEX #A34890

RGB 163 72 144

HSL 312.53, 0.39%, 0.46%

LAB 44.85, 46.81, -22.25

 

CMYK 48 / 56 / 0 / 36

HEX #5448A3

RGB 84 72 163

HSL 247.91, 0.39%, 0.46%

LAB 36.3, 29.42, -47.81

 

CMYK 56 / 56 / 0 / 36

HEX #4848A3

RGB 72 72 163

HSL 240, 0.39%, 0.46%

LAB 35.31, 26.83, -49.45

 

CMYK 48 / 56 / 0 / 36

HEX #5448A3

RGB 84 72 163

HSL 247.91, 0.39%, 0.46%

LAB 36.3, 29.42, -47.81

 

CMYK 62 / 71 / 0 / 29

HEX #4635B6

RGB 70 53 182

HSL 247.91, 0.55%, 0.46%

LAB 32.32, 44.25, -65.68

 

CMYK 72 / 83 / 0 / 21

HEX #3822C9

RGB 56 34 201

HSL 247.9, 0.71%, 0.46%

LAB 29.92, 58.01, -80.87

 

CMYK 81 / 93 / 0 / 14

HEX #2A0FDC

RGB 42 15 220

HSL 247.9, 0.87%, 0.46%

LAB 29.42, 68.58, -92.76

 

CMYK 48 / 56 / 0 / 36

HEX #5448A3

RGB 84 72 163

HSL 247.91, 0.39%, 0.46%

LAB 36.3, 29.42, -47.81

 

CMYK 32 / 37 / 0 / 44

HEX #625B90

RGB 98 91 144

HSL 247.92, 0.23%, 0.46%

LAB 41.36, 15.62, -28.27

 

CMYK 10 / 12 / 0 / 51

HEX #706E7D

RGB 112 110 125

HSL 248, 0.06%, 0.46%

LAB 47.08, 3.97, -8.01

 

CMYK 2 / 0 / 17 / 50

HEX #7E806A

RGB 126 128 106

HSL 65.45, 0.09%, 0.46%

LAB 52.86, -4.82, 11.71

 

CMYK 5 / 0 / 41 / 42

HEX #8C9357

RGB 140 147 87

HSL 67, 0.26%, 0.46%

LAB 59.1, -12.25, 30.88

 

CMYK 56 / 33 / 0 / 36

HEX #486EA3

RGB 72 110 163

HSL 214.95, 0.39%, 0.46%

LAB 45.87, 2.67, -32.63

 

CMYK 56 / 48 / 0 / 36

HEX #4855A3

RGB 72 85 163

HSL 231.43, 0.39%, 0.46%

LAB 38.76, 18.46, -43.91

 

CMYK 50 / 56 / 0 / 36

HEX #5248A3

RGB 82 72 163

HSL 246.59, 0.39%, 0.46%

LAB 36.12, 28.97, -48.1

 

CMYK 34 / 56 / 0 / 36

HEX #6B48A3

RGB 107 72 163

HSL 263.08, 0.39%, 0.46%

LAB 38.56, 34.98, -44.06

 

CMYK 20 / 56 / 0 / 36

HEX #8348A3

RGB 131 72 163

HSL 278.9, 0.39%, 0.46%

LAB 41.38, 41.32, -39.39

 

CMYK 49 / 57 / 0 / 58

HEX #362E6A

RGB 54 46 106

HSL 248, 0.39%, 0.3%

LAB 22.93, 20.8, -34.06

 

CMYK 49 / 56 / 0 / 47

HEX #453B86

RGB 69 59 134

HSL 248, 0.39%, 0.38%

LAB 29.7, 25.04, -40.83

 

CMYK 48 / 56 / 0 / 36

HEX #5448A3

RGB 84 72 163

HSL 247.91, 0.39%, 0.46%

LAB 36.3, 29.42, -47.81

 

CMYK 43 / 50 / 0 / 28

HEX #685CB8

RGB 104 92 184

HSL 247.83, 0.39%, 0.54%

LAB 44.32, 28.14, -47.27

 

CMYK 33 / 38 / 0 / 23

HEX #8379C4

RGB 131 121 196

HSL 248, 0.39%, 0.62%

LAB 54.54, 21.2, -37.84

 

CMYK 49 / 56 / 0 / 36

HEX #5347A2

RGB 83 71 162

HSL 247.91, 0.39%, 0.46%

LAB 35.9, 29.51, -47.87

 

CMYK 0 / 56 / 18 / 36

HEX #A34886

RGB 163 72 134

HSL 319.12, 0.39%, 0.46%

LAB 44.44, 45.21, -16.84

 

CMYK 40 / 0 / 56 / 36

HEX #61A348

RGB 97 163 72

HSL 103.52, 0.39%, 0.46%

LAB 60.96, -38.37, 40.24

 

CMYK 49 / 56 / 0 / 36

HEX #5347A2

RGB 83 71 162

HSL 247.91, 0.39%, 0.46%

LAB 35.9, 29.51, -47.87

 

CMYK 0 / 50 / 56 / 36

HEX #A35248

RGB 163 82 72

HSL 6.59, 0.39%, 0.46%

LAB 44.64, 32.44, 21.24

 

CMYK 56 / 0 / 50 / 36

HEX #48A352

RGB 72 163 82

HSL 126.59, 0.39%, 0.46%

LAB 60.05, -44.49, 33.89

 

CMYK 49 / 56 / 0 / 36

HEX #5347A2

RGB 83 71 162

HSL 247.91, 0.39%, 0.46%

LAB 35.9, 29.51, -47.87

 

CMYK 0 / 56 / 18 / 36

HEX #A34886

RGB 163 72 134

HSL 319.12, 0.39%, 0.46%

LAB 44.44, 45.21, -16.84

 

CMYK 7 / 0 / 56 / 36

HEX #98A348

RGB 152 163 72

HSL 67.25, 0.39%, 0.46%

LAB 64.43, -17.14, 45.16

 

CMYK 56 / 0 / 38 / 36

HEX #48A365

RGB 72 163 101

HSL 139.12, 0.39%, 0.46%

LAB 60.35, -41.33, 24.24

 

CMYK 49 / 56 / 0 / 36

HEX #5347A2

RGB 83 71 162

HSL 247.91, 0.39%, 0.46%

LAB 35.9, 29.51, -47.87

 

CMYK 0 / 56 / 34 / 36

HEX #A3486B

RGB 163 72 107

HSL 336.92, 0.39%, 0.46%

LAB 43.48, 41.38, -1.77

 

CMYK 7 / 0 / 56 / 36

HEX #98A348

RGB 152 163 72

HSL 67.25, 0.39%, 0.46%

LAB 64.43, -17.14, 45.16

 

CMYK 56 / 0 / 21 / 36

HEX #48A380

RGB 72 163 128

HSL 156.92, 0.39%, 0.46%

LAB 60.9, -35.72, 10.1

 

Description

Color code: HEX #5347A2CE | qconv.com Color code: HEX #5347A2CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 71 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 71 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 46 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 46% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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