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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5345D4 it is the complementary color #ACBA2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5345D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5345D4 shade: #5845CF, #6957E2, #7A69F5, #8B7BFF and #9C8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5345D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5345D4 shade: #5345D4, #4233C1, #3121AE, #200F9B and #0F0088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5345D4 shade: #5345D3, #7945D3, #A045D3, #C645D3 and #D345BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5345D4 shade: #5345D3 and #4545D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5345D4 shade matches the following richer shades: #5345D3, #4433E6 and #3520F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5345D4 shade: #5345D3, #6258C1, #716AAE, #807D9C and #8F8F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5345D4 shade: #4585D3, #455FD3, #5145D3, #7745D3 and #9D45D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5345D4 shade: #3226A0, #3C2DC2, #5345D3, #7267DB and #9188E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5345D4 shade: #5345D4, #D345AB and #72D345

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5345D4 shade: #5345D4, #D35145 and #45D351

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5345D4 shade: #5345D4, #D345AB, #C8D345 and #45D36D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5345D4 shade: #5345D4, #D34580, #C8D345 and #45D398

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 67 / 0 / 17

HEX #5345D4

RGB 83 69 212

HSL 245.87, 0.62%, 0.55%

LAB 39.32, 46.41, -71.67

 

Complementary color

CMYK 8 / 0 / 77 / 27

HEX #ACBA2B

RGB 172 186 43

HSL 65.87, 0.62%, 0.45%

LAB 72.27, -22.07, 65.25

 

CMYK 57 / 67 / 0 / 19

HEX #5845CF

RGB 88 69 207

HSL 248.26, 0.59%, 0.54%

LAB 39.3, 45.61, -68.81

 

CMYK 54 / 62 / 0 / 11

HEX #6957E2

RGB 105 87 226

HSL 247.77, 0.71%, 0.61%

LAB 46.06, 43.92, -68.61

 

CMYK 50 / 57 / 0 / 4

HEX #7A69F5

RGB 122 105 245

HSL 247.29, 0.88%, 0.69%

LAB 52.77, 42.35, -68.33

 

CMYK 45 / 52 / 0 / 0

HEX #8B7BFF

RGB 139 123 255

HSL 247.27, 1%, 0.74%

LAB 58.86, 38.36, -63.98

 

CMYK 39 / 45 / 0 / 0

HEX #9C8DFF

RGB 156 141 255

HSL 247.89, 1%, 0.78%

LAB 64.43, 31.97, -54.99

 

CMYK 61 / 67 / 0 / 17

HEX #5345D4

RGB 83 69 212

HSL 245.87, 0.62%, 0.55%

LAB 39.32, 46.41, -71.67

 

CMYK 66 / 74 / 0 / 24

HEX #4233C1

RGB 66 51 193

HSL 246.34, 0.58%, 0.48%

LAB 32.65, 48.3, -71.64

 

CMYK 72 / 81 / 0 / 32

HEX #3121AE

RGB 49 33 174

HSL 246.81, 0.68%, 0.41%

LAB 26.15, 49.97, -71.13

 

CMYK 79 / 90 / 0 / 39

HEX #200F9B

RGB 32 15 155

HSL 247.29, 0.82%, 0.33%

LAB 20.1, 50.74, -69.66

 

CMYK 89 / 100 / 0 / 47

HEX #0F0088

RGB 15 0 136

HSL 246.62, 1%, 0.27%

LAB 14.84, 49.82, -66.64

 

CMYK 61 / 67 / 0 / 17

HEX #5345D3

RGB 83 69 211

HSL 245.92, 0.62%, 0.55%

LAB 39.24, 46.1, -71.23

 

CMYK 43 / 67 / 0 / 17

HEX #7945D3

RGB 121 69 211

HSL 261.97, 0.62%, 0.55%

LAB 42.8, 52.48, -65.27

 

CMYK 24 / 67 / 0 / 17

HEX #A045D3

RGB 160 69 211

HSL 278.45, 0.62%, 0.55%

LAB 47.54, 60.33, -57.38

 

CMYK 6 / 67 / 0 / 17

HEX #C645D3

RGB 198 69 211

HSL 294.51, 0.62%, 0.55%

LAB 52.91, 68.62, -48.47

 

CMYK 0 / 67 / 12 / 17

HEX #D345BA

RGB 211 69 186

HSL 310.56, 0.62%, 0.55%

LAB 53.65, 67.64, -32.79

 

CMYK 61 / 67 / 0 / 17

HEX #5345D3

RGB 83 69 211

HSL 245.92, 0.62%, 0.55%

LAB 39.24, 46.1, -71.23

 

CMYK 67 / 67 / 0 / 17

HEX #4545D3

RGB 69 69 211

HSL 240, 0.62%, 0.55%

LAB 38.24, 44.22, -72.91

 

CMYK 61 / 67 / 0 / 17

HEX #5345D3

RGB 83 69 211

HSL 245.92, 0.62%, 0.55%

LAB 39.24, 46.1, -71.23

 

CMYK 70 / 78 / 0 / 10

HEX #4433E6

RGB 68 51 230

HSL 245.7, 0.78%, 0.55%

LAB 36.57, 59.72, -86.55

 

CMYK 79 / 87 / 0 / 2

HEX #3520F9

RGB 53 32 249

HSL 245.81, 0.95%, 0.55%

LAB 35.26, 71.83, -99.51

 

CMYK 61 / 67 / 0 / 17

HEX #5345D3

RGB 83 69 211

HSL 245.92, 0.62%, 0.55%

LAB 39.24, 46.1, -71.23

 

CMYK 49 / 54 / 0 / 24

HEX #6258C1

RGB 98 88 193

HSL 245.71, 0.46%, 0.55%

LAB 43.4, 31.91, -54.01

 

CMYK 35 / 39 / 0 / 32

HEX #716AAE

RGB 113 106 174

HSL 246.18, 0.3%, 0.55%

LAB 48.1, 19.12, -35.38

 

CMYK 18 / 20 / 0 / 39

HEX #807D9C

RGB 128 125 156

HSL 245.81, 0.14%, 0.55%

LAB 53.66, 7.83, -16.19

 

CMYK 0 / 0 / 4 / 44

HEX #8F8F89

RGB 143 143 137

HSL 60, 0.03%, 0.55%

LAB 59.24, -1.14, 3.18

 

CMYK 67 / 37 / 0 / 17

HEX #4585D3

RGB 69 133 211

HSL 212.96, 0.62%, 0.55%

LAB 54.81, 4.56, -46.17

 

CMYK 67 / 55 / 0 / 17

HEX #455FD3

RGB 69 95 211

HSL 229.01, 0.62%, 0.55%

LAB 44.45, 28.18, -62.78

 

CMYK 62 / 67 / 0 / 17

HEX #5145D3

RGB 81 69 211

HSL 245.07, 0.62%, 0.55%

LAB 39.09, 45.81, -71.49

 

CMYK 44 / 67 / 0 / 17

HEX #7745D3

RGB 119 69 211

HSL 261.13, 0.62%, 0.55%

LAB 42.58, 52.11, -65.63

 

CMYK 26 / 67 / 0 / 17

HEX #9D45D3

RGB 157 69 211

HSL 277.18, 0.62%, 0.55%

LAB 47.14, 59.7, -58.04

 

CMYK 69 / 76 / 0 / 37

HEX #3226A0

RGB 50 38 160

HSL 245.9, 0.62%, 0.39%

LAB 25.57, 43.12, -63.62

 

CMYK 69 / 77 / 0 / 24

HEX #3C2DC2

RGB 60 45 194

HSL 246.04, 0.62%, 0.47%

LAB 31.19, 51.13, -74.64

 

CMYK 61 / 67 / 0 / 17

HEX #5345D3

RGB 83 69 211

HSL 245.92, 0.62%, 0.55%

LAB 39.24, 46.1, -71.23

 

CMYK 48 / 53 / 0 / 14

HEX #7267DB

RGB 114 103 219

HSL 245.69, 0.62%, 0.63%

LAB 49.97, 34.19, -58.28

 

CMYK 36 / 40 / 0 / 11

HEX #9188E3

RGB 145 136 227

HSL 245.93, 0.62%, 0.71%

LAB 60.93, 24.52, -45.15

 

CMYK 61 / 67 / 0 / 17

HEX #5345D4

RGB 83 69 212

HSL 245.87, 0.62%, 0.55%

LAB 39.32, 46.41, -71.67

 

CMYK 0 / 67 / 19 / 17

HEX #D345AB

RGB 211 69 171

HSL 316.9, 0.62%, 0.55%

LAB 53, 65.5, -25.08

 

CMYK 46 / 0 / 67 / 17

HEX #72D345

RGB 114 211 69

HSL 100.99, 0.62%, 0.55%

LAB 76.43, -53.11, 59.04

 

CMYK 61 / 67 / 0 / 17

HEX #5345D4

RGB 83 69 212

HSL 245.87, 0.62%, 0.55%

LAB 39.32, 46.41, -71.67

 

CMYK 0 / 62 / 67 / 17

HEX #D35145

RGB 211 81 69

HSL 5.07, 0.62%, 0.55%

LAB 52.02, 50.54, 33.88

 

CMYK 67 / 0 / 62 / 17

HEX #45D351

RGB 69 211 81

HSL 125.07, 0.62%, 0.55%

LAB 75.11, -63.07, 52.2

 

CMYK 61 / 67 / 0 / 17

HEX #5345D4

RGB 83 69 212

HSL 245.87, 0.62%, 0.55%

LAB 39.32, 46.41, -71.67

 

CMYK 0 / 67 / 19 / 17

HEX #D345AB

RGB 211 69 171

HSL 316.9, 0.62%, 0.55%

LAB 53, 65.5, -25.08

 

CMYK 5 / 0 / 67 / 17

HEX #C8D345

RGB 200 211 69

HSL 64.65, 0.62%, 0.55%

LAB 81.45, -21.37, 65.81

 

CMYK 67 / 0 / 48 / 17

HEX #45D36D

RGB 69 211 109

HSL 136.9, 0.62%, 0.55%

LAB 75.43, -59.38, 39.54

 

CMYK 61 / 67 / 0 / 17

HEX #5345D4

RGB 83 69 212

HSL 245.87, 0.62%, 0.55%

LAB 39.32, 46.41, -71.67

 

CMYK 0 / 67 / 39 / 17

HEX #D34580

RGB 211 69 128

HSL 335.07, 0.62%, 0.55%

LAB 51.45, 60.27, -1.91

 

CMYK 5 / 0 / 67 / 17

HEX #C8D345

RGB 200 211 69

HSL 64.65, 0.62%, 0.55%

LAB 81.45, -21.37, 65.81

 

CMYK 67 / 0 / 28 / 17

HEX #45D398

RGB 69 211 152

HSL 155.07, 0.62%, 0.55%

LAB 76.14, -51.46, 18.4

 

Description

Color code: HEX #5345D4 | qconv.com Color code: HEX #5345D4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 69 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 69 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 67 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 67% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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