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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #534415 it is the complementary color #ACBBEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #534415. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #534415 shade: #584410, #695623, #7A6836, #8B7A49 and #9C8C5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #534415. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #534415 shade: #534415, #423202, #312000, #200E00 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #534415 shade: #524314, #523214, #522214 and #521414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #534415 shade: #524314, #505214, #3F5214, #2F5214 and #1E5214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #534415 shade matches the following richer shades: #524314, #5A470C and #624B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #534415 shade: #524314, #493F1D, #413A25, #39362D and #313235

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #534415 shade: #522214, #523214, #524214, #515214 and #405214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #534415 shade: #100D04, #31280C, #524314, #735E1D and #947925

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #534415 shade: #534415, #175214 and #2A1452

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #534415 shade: #534415, #145242 and #421452

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #534415 shade: #534415, #175214, #142452 and #4F1452

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #534415 shade: #534415, #145224, #142452 and #521442

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 75 / 67

HEX #534415

RGB 83 68 21

HSL 45.48, 0.6%, 0.2%

LAB 29.48, 0.47, 29.75

 

Complementary color

CMYK 26 / 20 / 0 / 8

HEX #ACBBEA

RGB 172 187 234

HSL 225.48, 0.6%, 0.8%

LAB 76.22, 5.13, -25.09

 

CMYK 0 / 23 / 82 / 65

HEX #584410

RGB 88 68 16

HSL 43.33, 0.69%, 0.2%

LAB 30.03, 2.73, 32.84

 

CMYK 0 / 18 / 67 / 59

HEX #695623

RGB 105 86 35

HSL 43.71, 0.5%, 0.27%

LAB 37.44, 1.32, 31.88

 

CMYK 0 / 15 / 56 / 52

HEX #7A6836

RGB 122 104 54

HSL 44.12, 0.39%, 0.35%

LAB 44.67, 0.3, 30.52

 

CMYK 0 / 12 / 47 / 45

HEX #8B7A49

RGB 139 122 73

HSL 44.55, 0.31%, 0.42%

LAB 51.71, -0.49, 29.14

 

CMYK 0 / 10 / 41 / 39

HEX #9C8C5C

RGB 156 140 92

HSL 45, 0.26%, 0.49%

LAB 58.6, -1.1, 27.82

 

CMYK 0 / 18 / 75 / 67

HEX #534415

RGB 83 68 21

HSL 45.48, 0.6%, 0.2%

LAB 29.48, 0.47, 29.75

 

CMYK 0 / 24 / 97 / 74

HEX #423202

RGB 66 50 2

HSL 45, 0.94%, 0.13%

LAB 21.74, 2.05, 29.72

 

CMYK 0 / 35 / 100 / 81

HEX #312000

RGB 49 32 0

HSL 39.18, 1%, 0.1%

LAB 13.74, 4.65, 20.39

 

CMYK 0 / 56 / 100 / 87

HEX #200E00

RGB 32 14 0

HSL 26.25, 1%, 0.06%

LAB 5.61, 6.65, 8.53

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 18 / 76 / 68

HEX #524314

RGB 82 67 20

HSL 45.48, 0.61%, 0.2%

LAB 29.05, 0.52, 29.77

 

CMYK 0 / 39 / 76 / 68

HEX #523214

RGB 82 50 20

HSL 29.03, 0.61%, 0.2%

LAB 24.08, 11.36, 24.5

 

CMYK 0 / 59 / 76 / 68

HEX #522214

RGB 82 34 20

HSL 13.55, 0.61%, 0.2%

LAB 20, 21.3, 19.93

 

CMYK 0 / 76 / 76 / 68

HEX #521414

RGB 82 20 20

HSL 0, 0.61%, 0.2%

LAB 17.2, 28.7, 16.62

 

CMYK 0 / 18 / 76 / 68

HEX #524314

RGB 82 67 20

HSL 45.48, 0.61%, 0.2%

LAB 29.05, 0.52, 29.77

 

CMYK 2 / 0 / 76 / 68

HEX #505214

RGB 80 82 20

HSL 61.94, 0.61%, 0.2%

LAB 33.54, -9.58, 34.23

 

CMYK 23 / 0 / 76 / 68

HEX #3F5214

RGB 63 82 20

HSL 78.39, 0.61%, 0.2%

LAB 32.13, -17.71, 32.35

 

CMYK 43 / 0 / 76 / 68

HEX #2F5214

RGB 47 82 20

HSL 93.87, 0.61%, 0.2%

LAB 31.09, -24.59, 30.95

 

CMYK 63 / 0 / 76 / 68

HEX #1E5214

RGB 30 82 20

HSL 110.32, 0.61%, 0.2%

LAB 30.31, -30.46, 29.89

 

CMYK 0 / 18 / 76 / 68

HEX #524314

RGB 82 67 20

HSL 45.48, 0.61%, 0.2%

LAB 29.05, 0.52, 29.77

 

CMYK 0 / 21 / 87 / 65

HEX #5A470C

RGB 90 71 12

HSL 45.38, 0.76%, 0.2%

LAB 31.13, 1.7, 35.57

 

CMYK 0 / 23 / 96 / 62

HEX #624B04

RGB 98 75 4

HSL 45.32, 0.92%, 0.2%

LAB 33.22, 3.03, 40.47

 

CMYK 0 / 18 / 76 / 68

HEX #524314

RGB 82 67 20

HSL 45.48, 0.61%, 0.2%

LAB 29.05, 0.52, 29.77

 

CMYK 0 / 14 / 60 / 71

HEX #493F1D

RGB 73 63 29

HSL 46.36, 0.43%, 0.2%

LAB 26.91, -0.81, 22.2

 

CMYK 0 / 11 / 43 / 75

HEX #413A25

RGB 65 58 37

HSL 45, 0.27%, 0.2%

LAB 24.59, -0.64, 14.18

 

CMYK 0 / 5 / 21 / 78

HEX #39362D

RGB 57 54 45

HSL 45, 0.12%, 0.2%

LAB 22.65, -0.54, 6.14

 

CMYK 8 / 6 / 0 / 79

HEX #313235

RGB 49 50 53

HSL 225, 0.04%, 0.2%

LAB 20.79, 0.29, -2.05

 

CMYK 0 / 59 / 76 / 68

HEX #522214

RGB 82 34 20

HSL 13.55, 0.61%, 0.2%

LAB 20, 21.3, 19.93

 

CMYK 0 / 39 / 76 / 68

HEX #523214

RGB 82 50 20

HSL 29.03, 0.61%, 0.2%

LAB 24.08, 11.36, 24.5

 

CMYK 0 / 20 / 76 / 68

HEX #524214

RGB 82 66 20

HSL 44.52, 0.61%, 0.2%

LAB 28.75, 1.14, 29.45

 

CMYK 1 / 0 / 76 / 68

HEX #515214

RGB 81 82 20

HSL 60.97, 0.61%, 0.2%

LAB 33.64, -9.09, 34.35

 

CMYK 22 / 0 / 76 / 68

HEX #405214

RGB 64 82 20

HSL 77.42, 0.61%, 0.2%

LAB 32.2, -17.25, 32.45

 

CMYK 0 / 19 / 75 / 94

HEX #100D04

RGB 16 13 4

HSL 45, 0.6%, 0.04%

LAB 3.67, -0.29, 3.86

 

CMYK 0 / 18 / 76 / 81

HEX #31280C

RGB 49 40 12

HSL 45.41, 0.61%, 0.12%

LAB 16.49, 0.08, 18.97

 

CMYK 0 / 18 / 76 / 68

HEX #524314

RGB 82 67 20

HSL 45.48, 0.61%, 0.2%

LAB 29.05, 0.52, 29.77

 

CMYK 0 / 18 / 75 / 55

HEX #735E1D

RGB 115 94 29

HSL 45.35, 0.6%, 0.28%

LAB 40.8, 1, 38.66

 

CMYK 0 / 18 / 75 / 42

HEX #947925

RGB 148 121 37

HSL 45.41, 0.6%, 0.36%

LAB 51.95, 1.4, 47.46

 

CMYK 0 / 18 / 75 / 67

HEX #534415

RGB 83 68 21

HSL 45.48, 0.6%, 0.2%

LAB 29.48, 0.47, 29.75

 

CMYK 72 / 0 / 76 / 68

HEX #175214

RGB 23 82 20

HSL 117.1, 0.61%, 0.2%

LAB 30.08, -32.31, 29.58

 

CMYK 49 / 76 / 0 / 68

HEX #2A1452

RGB 42 20 82

HSL 261.29, 0.61%, 0.2%

LAB 13.24, 27.05, -33.87

 

CMYK 0 / 18 / 75 / 67

HEX #534415

RGB 83 68 21

HSL 45.48, 0.6%, 0.2%

LAB 29.48, 0.47, 29.75

 

CMYK 76 / 0 / 20 / 68

HEX #145242

RGB 20 82 66

HSL 164.52, 0.61%, 0.2%

LAB 30.82, -23.81, 3.8

 

CMYK 20 / 76 / 0 / 68

HEX #421452

RGB 66 20 82

HSL 284.52, 0.61%, 0.2%

LAB 16.83, 32.68, -27.88

 

CMYK 0 / 18 / 75 / 67

HEX #534415

RGB 83 68 21

HSL 45.48, 0.6%, 0.2%

LAB 29.48, 0.47, 29.75

 

CMYK 72 / 0 / 76 / 68

HEX #175214

RGB 23 82 20

HSL 117.1, 0.61%, 0.2%

LAB 30.08, -32.31, 29.58

 

CMYK 76 / 56 / 0 / 68

HEX #142452

RGB 20 36 82

HSL 224.52, 0.61%, 0.2%

LAB 15.59, 11.38, -30.14

 

CMYK 4 / 76 / 0 / 68

HEX #4F1452

RGB 79 20 82

HSL 297.1, 0.61%, 0.2%

LAB 19.11, 36, -24.12

 

CMYK 0 / 18 / 75 / 67

HEX #534415

RGB 83 68 21

HSL 45.48, 0.6%, 0.2%

LAB 29.48, 0.47, 29.75

 

CMYK 76 / 0 / 56 / 68

HEX #145224

RGB 20 82 36

HSL 135.48, 0.61%, 0.2%

LAB 30.18, -30.77, 21.33

 

CMYK 76 / 56 / 0 / 68

HEX #142452

RGB 20 36 82

HSL 224.52, 0.61%, 0.2%

LAB 15.59, 11.38, -30.14

 

CMYK 0 / 76 / 20 / 68

HEX #521442

RGB 82 20 66

HSL 315.48, 0.61%, 0.2%

LAB 18.75, 33.93, -13.68

 

Description

Color code: HEX #534415 | qconv.com Color code: HEX #534415 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 68 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 68 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 75 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 75% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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