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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #533DBE it is the complementary color #ACC241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #533DBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #533DBE shade: #583DB9, #694FCC, #7A61DF, #8B73F2 and #9C85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #533DBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #533DBE shade: #533DBE, #422BAB, #311998, #200785 and #0F0072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #533DBE shade: #533DBD, #753DBD, #983DBD, #BA3DBD and #BD3D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #533DBE shade: #533DBD and #3D3DBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #533DBE shade matches the following richer shades: #533DBD, #4629D1, #3815E5 and #2B01F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #533DBE shade: #533DBD, #6051A8, #6E6694, #7B7A80 and #888E6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #533DBE shade: #3D6CBD, #3D4ABD, #523DBD, #743DBD and #963DBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #533DBE shade: #38297E, #45339E, #533DBD, #6D5AC9 and #8879D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #533DBE shade: #533DBE, #BD3D8E and #5BBD3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #533DBE shade: #533DBE, #BD523D and #3DBD52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #533DBE shade: #533DBE, #BD3D8E, #A7BD3D and #3DBD6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #533DBE shade: #533DBE, #BD3D68, #A7BD3D and #3DBD92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 68 / 0 / 25

HEX #533DBE

RGB 83 61 190

HSL 250.23, 0.51%, 0.49%

LAB 35.78, 44.16, -64.68

 

Complementary color

CMYK 11 / 0 / 66 / 24

HEX #ACC241

RGB 172 194 65

HSL 70.23, 0.51%, 0.51%

LAB 74.66, -24.83, 59.75

 

CMYK 52 / 67 / 0 / 27

HEX #583DB9

RGB 88 61 185

HSL 253.06, 0.5%, 0.48%

LAB 35.82, 43.5, -61.65

 

CMYK 49 / 61 / 0 / 20

HEX #694FCC

RGB 105 79 204

HSL 252.48, 0.55%, 0.55%

LAB 42.7, 42, -61.48

 

CMYK 45 / 57 / 0 / 13

HEX #7A61DF

RGB 122 97 223

HSL 251.9, 0.66%, 0.63%

LAB 49.51, 40.6, -61.24

 

CMYK 43 / 52 / 0 / 5

HEX #8B73F2

RGB 139 115 242

HSL 251.34, 0.83%, 0.7%

LAB 56.25, 39.31, -60.98

 

CMYK 39 / 48 / 0 / 0

HEX #9C85FF

RGB 156 133 255

HSL 251.31, 1%, 0.76%

LAB 62.56, 36.53, -57.97

 

CMYK 56 / 68 / 0 / 25

HEX #533DBE

RGB 83 61 190

HSL 250.23, 0.51%, 0.49%

LAB 35.78, 44.16, -64.68

 

CMYK 61 / 75 / 0 / 33

HEX #422BAB

RGB 66 43 171

HSL 250.78, 0.6%, 0.42%

LAB 28.97, 45.78, -64.62

 

CMYK 68 / 84 / 0 / 40

HEX #311998

RGB 49 25 152

HSL 251.34, 0.72%, 0.35%

LAB 22.36, 47.03, -64.04

 

CMYK 76 / 95 / 0 / 48

HEX #200785

RGB 32 7 133

HSL 251.9, 0.9%, 0.27%

LAB 16.27, 47.07, -62.34

 

CMYK 87 / 100 / 0 / 55

HEX #0F0072

RGB 15 0 114

HSL 247.89, 1%, 0.22%

LAB 11.39, 43.96, -58.32

 

CMYK 56 / 68 / 0 / 26

HEX #533DBD

RGB 83 61 189

HSL 250.31, 0.51%, 0.49%

LAB 35.7, 43.86, -64.23

 

CMYK 38 / 68 / 0 / 26

HEX #753DBD

RGB 117 61 189

HSL 266.25, 0.51%, 0.49%

LAB 39.23, 50.08, -58.32

 

CMYK 20 / 68 / 0 / 26

HEX #983DBD

RGB 152 61 189

HSL 282.66, 0.51%, 0.49%

LAB 43.78, 57.49, -50.75

 

CMYK 2 / 68 / 0 / 26

HEX #BA3DBD

RGB 186 61 189

HSL 298.59, 0.51%, 0.49%

LAB 48.82, 65.15, -42.41

 

CMYK 0 / 68 / 17 / 26

HEX #BD3D9D

RGB 189 61 157

HSL 315, 0.51%, 0.49%

LAB 47.74, 60.86, -25.24

 

CMYK 56 / 68 / 0 / 26

HEX #533DBD

RGB 83 61 189

HSL 250.31, 0.51%, 0.49%

LAB 35.7, 43.86, -64.23

 

CMYK 68 / 68 / 0 / 26

HEX #3D3DBD

RGB 61 61 189

HSL 240, 0.51%, 0.49%

LAB 33.99, 40.67, -67.09

 

CMYK 56 / 68 / 0 / 26

HEX #533DBD

RGB 83 61 189

HSL 250.31, 0.51%, 0.49%

LAB 35.7, 43.86, -64.23

 

CMYK 67 / 80 / 0 / 18

HEX #4629D1

RGB 70 41 209

HSL 250.36, 0.67%, 0.49%

LAB 32.9, 58.38, -80.55

 

CMYK 76 / 91 / 0 / 10

HEX #3815E5

RGB 56 21 229

HSL 250.1, 0.83%, 0.49%

LAB 31.88, 69.92, -93.79

 

CMYK 83 / 100 / 0 / 2

HEX #2B01F9

RGB 43 1 249

HSL 250.16, 0.99%, 0.49%

LAB 32.65, 78.02, -103.89

 

CMYK 56 / 68 / 0 / 26

HEX #533DBD

RGB 83 61 189

HSL 250.31, 0.51%, 0.49%

LAB 35.7, 43.86, -64.23

 

CMYK 43 / 52 / 0 / 34

HEX #6051A8

RGB 96 81 168

HSL 250.34, 0.35%, 0.49%

LAB 39.91, 28.2, -44.93

 

CMYK 26 / 31 / 0 / 42

HEX #6E6694

RGB 110 102 148

HSL 250.43, 0.18%, 0.49%

LAB 45.57, 13.67, -24.03

 

CMYK 4 / 5 / 0 / 50

HEX #7B7A80

RGB 123 122 128

HSL 250, 0.02%, 0.49%

LAB 51.48, 1.6, -3.14

 

CMYK 4 / 0 / 24 / 44

HEX #888E6C

RGB 136 142 108

HSL 70.59, 0.14%, 0.49%

LAB 57.72, -8.29, 17.43

 

CMYK 68 / 43 / 0 / 26

HEX #3D6CBD

RGB 61 108 189

HSL 217.97, 0.51%, 0.49%

LAB 46.17, 10.81, -47.37

 

CMYK 68 / 61 / 0 / 26

HEX #3D4ABD

RGB 61 74 189

HSL 233.91, 0.51%, 0.49%

LAB 37.05, 32.6, -62.09

 

CMYK 57 / 68 / 0 / 26

HEX #523DBD

RGB 82 61 189

HSL 249.84, 0.51%, 0.49%

LAB 35.61, 43.7, -64.38

 

CMYK 39 / 68 / 0 / 26

HEX #743DBD

RGB 116 61 189

HSL 265.78, 0.51%, 0.49%

LAB 39.11, 49.88, -58.52

 

CMYK 21 / 68 / 0 / 26

HEX #963DBD

RGB 150 61 189

HSL 281.72, 0.51%, 0.49%

LAB 43.5, 57.05, -51.21

 

CMYK 56 / 67 / 0 / 51

HEX #38297E

RGB 56 41 126

HSL 250.59, 0.51%, 0.33%

LAB 23.45, 31.13, -46

 

CMYK 56 / 68 / 0 / 38

HEX #45339E

RGB 69 51 158

HSL 250.09, 0.51%, 0.41%

LAB 29.67, 37.69, -55.62

 

CMYK 56 / 68 / 0 / 26

HEX #533DBD

RGB 83 61 189

HSL 250.31, 0.51%, 0.49%

LAB 35.7, 43.86, -64.23

 

CMYK 46 / 55 / 0 / 21

HEX #6D5AC9

RGB 109 90 201

HSL 250.27, 0.51%, 0.57%

LAB 45.33, 35.52, -55.47

 

CMYK 36 / 43 / 0 / 17

HEX #8879D3

RGB 136 121 211

HSL 250, 0.51%, 0.65%

LAB 55.7, 26.59, -44.5

 

CMYK 56 / 68 / 0 / 25

HEX #533DBE

RGB 83 61 190

HSL 250.23, 0.51%, 0.49%

LAB 35.78, 44.16, -64.68

 

CMYK 0 / 68 / 25 / 26

HEX #BD3D8E

RGB 189 61 142

HSL 322.03, 0.51%, 0.49%

LAB 47.12, 58.79, -17.21

 

CMYK 52 / 0 / 68 / 26

HEX #5BBD3D

RGB 91 189 61

HSL 105.94, 0.51%, 0.49%

LAB 68.72, -52, 53.77

 

CMYK 56 / 68 / 0 / 25

HEX #533DBE

RGB 83 61 190

HSL 250.23, 0.51%, 0.49%

LAB 35.78, 44.16, -64.68

 

CMYK 0 / 57 / 68 / 26

HEX #BD523D

RGB 189 82 61

HSL 9.84, 0.51%, 0.49%

LAB 48.5, 41.69, 33.35

 

CMYK 68 / 0 / 57 / 26

HEX #3DBD52

RGB 61 189 82

HSL 129.84, 0.51%, 0.49%

LAB 68.02, -56.81, 43.49

 

CMYK 56 / 68 / 0 / 25

HEX #533DBE

RGB 83 61 190

HSL 250.23, 0.51%, 0.49%

LAB 35.78, 44.16, -64.68

 

CMYK 0 / 68 / 25 / 26

HEX #BD3D8E

RGB 189 61 142

HSL 322.03, 0.51%, 0.49%

LAB 47.12, 58.79, -17.21

 

CMYK 12 / 0 / 68 / 26

HEX #A7BD3D

RGB 167 189 61

HSL 70.31, 0.51%, 0.49%

LAB 72.86, -24.7, 59.36

 

CMYK 68 / 0 / 43 / 26

HEX #3DBD6C

RGB 61 189 108

HSL 142.03, 0.51%, 0.49%

LAB 68.37, -52.84, 31

 

CMYK 56 / 68 / 0 / 25

HEX #533DBE

RGB 83 61 190

HSL 250.23, 0.51%, 0.49%

LAB 35.78, 44.16, -64.68

 

CMYK 0 / 68 / 45 / 26

HEX #BD3D68

RGB 189 61 104

HSL 339.84, 0.51%, 0.49%

LAB 45.85, 54.43, 4.04

 

CMYK 12 / 0 / 68 / 26

HEX #A7BD3D

RGB 167 189 61

HSL 70.31, 0.51%, 0.49%

LAB 72.86, -24.7, 59.36

 

CMYK 68 / 0 / 23 / 26

HEX #3DBD92

RGB 61 189 146

HSL 159.84, 0.51%, 0.49%

LAB 69.09, -45.07, 11.71

 

Description

Color code: HEX #533DBE | qconv.com Color code: HEX #533DBE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 61 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 61 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 68 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 68% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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