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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #533D58 it is the complementary color #ACC2A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #533D58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #533D58 shade: #583D53, #694F66, #7A6179, #8B738C and #9C859F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #533D58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #533D58 shade: #533D58, #422B45, #311932, #20071F and #0F000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #533D58 shade: #523D57, #573D55, #573D4E, #573D47 and #573D3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #533D58 shade: #523D57, #4B3D57, #443D57 and #3D3D57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #533D58 shade matches the following richer shades: #523D57, #5A3163, #61256F, #69197B and #700D87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #533D58 shade: #523D57, #4B494B, #43553F, #3C6133 and #346C27

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #533D58 shade: #443D57, #4B3D57, #523D57, #573D55 and #573D4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #533D58 shade: #241B27, #3B2C3F, #523D57, #694E70 and #805E88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #533D58 shade: #533D58, #573D3D and #3D5747

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #533D58 shade: #533D58, #57523D and #3D5752

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #533D58 shade: #533D58, #573D3D, #42573D and #3D5757

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #533D58 shade: #533D58, #57453D, #42573D and #3D4F57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 31 / 0 / 65

HEX #533D58

RGB 83 61 88

HSL 288.89, 0.18%, 0.29%

LAB 29.11, 15.12, -12.46

 

Complementary color

CMYK 11 / 0 / 14 / 24

HEX #ACC2A7

RGB 172 194 167

HSL 108.89, 0.18%, 0.71%

LAB 76.16, -12.56, 11.08

 

CMYK 0 / 31 / 6 / 65

HEX #583D53

RGB 88 61 83

HSL 311.11, 0.18%, 0.29%

LAB 29.5, 15.95, -8.56

 

CMYK 0 / 25 / 3 / 59

HEX #694F66

RGB 105 79 102

HSL 306.92, 0.14%, 0.36%

LAB 37.03, 15.23, -9.11

 

CMYK 0 / 20 / 1 / 52

HEX #7A6179

RGB 122 97 121

HSL 302.4, 0.11%, 0.43%

LAB 44.33, 14.6, -9.62

 

CMYK 1 / 18 / 0 / 45

HEX #8B738C

RGB 139 115 140

HSL 297.6, 0.1%, 0.5%

LAB 51.43, 14.05, -10.11

 

CMYK 2 / 16 / 0 / 38

HEX #9C859F

RGB 156 133 159

HSL 293.08, 0.12%, 0.57%

LAB 58.36, 13.56, -10.58

 

CMYK 6 / 31 / 0 / 65

HEX #533D58

RGB 83 61 88

HSL 288.89, 0.18%, 0.29%

LAB 29.11, 15.12, -12.46

 

CMYK 4 / 38 / 0 / 73

HEX #422B45

RGB 66 43 69

HSL 293.08, 0.23%, 0.22%

LAB 21.27, 15.93, -12.06

 

CMYK 2 / 50 / 0 / 80

HEX #311932

RGB 49 25 50

HSL 297.6, 0.33%, 0.15%

LAB 13.1, 16.85, -11.59

 

CMYK 0 / 78 / 3 / 87

HEX #20071F

RGB 32 7 31

HSL 302.4, 0.64%, 0.08%

LAB 5.04, 15.83, -10.08

 

CMYK 0 / 100 / 20 / 94

HEX #0F000C

RGB 15 0 12

HSL 312, 1%, 0.03%

LAB 1.16, 5.8, -3.14

 

CMYK 6 / 30 / 0 / 66

HEX #523D57

RGB 82 61 87

HSL 288.46, 0.18%, 0.29%

LAB 28.95, 14.5, -12.06

 

CMYK 0 / 30 / 2 / 66

HEX #573D55

RGB 87 61 85

HSL 304.62, 0.18%, 0.29%

LAB 29.46, 15.98, -9.93

 

CMYK 0 / 30 / 10 / 66

HEX #573D4E

RGB 87 61 78

HSL 320.77, 0.18%, 0.29%

LAB 29.19, 14.53, -5.78

 

CMYK 0 / 30 / 18 / 66

HEX #573D47

RGB 87 61 71

HSL 336.92, 0.18%, 0.29%

LAB 28.95, 13.17, -1.57

 

CMYK 0 / 30 / 28 / 66

HEX #573D3F

RGB 87 61 63

HSL 355.38, 0.18%, 0.29%

LAB 28.7, 11.75, 3.3

 

CMYK 6 / 30 / 0 / 66

HEX #523D57

RGB 82 61 87

HSL 288.46, 0.18%, 0.29%

LAB 28.95, 14.5, -12.06

 

CMYK 14 / 30 / 0 / 66

HEX #4B3D57

RGB 75 61 87

HSL 272.31, 0.18%, 0.29%

LAB 28.17, 11.86, -13.32

 

CMYK 22 / 30 / 0 / 66

HEX #443D57

RGB 68 61 87

HSL 256.15, 0.18%, 0.29%

LAB 27.45, 9.27, -14.5

 

CMYK 30 / 30 / 0 / 66

HEX #3D3D57

RGB 61 61 87

HSL 240, 0.18%, 0.29%

LAB 26.79, 6.77, -15.57

 

CMYK 6 / 30 / 0 / 66

HEX #523D57

RGB 82 61 87

HSL 288.46, 0.18%, 0.29%

LAB 28.95, 14.5, -12.06

 

CMYK 9 / 51 / 0 / 61

HEX #5A3163

RGB 90 49 99

HSL 289.2, 0.34%, 0.29%

LAB 27.49, 27.62, -22.01

 

CMYK 13 / 67 / 0 / 56

HEX #61256F

RGB 97 37 111

HSL 288.65, 0.5%, 0.29%

LAB 26.77, 38.9, -30.82

 

CMYK 15 / 80 / 0 / 52

HEX #69197B

RGB 105 25 123

HSL 288.98, 0.66%, 0.29%

LAB 27.1, 48.28, -37.88

 

CMYK 17 / 90 / 0 / 47

HEX #700D87

RGB 112 13 135

HSL 288.69, 0.82%, 0.29%

LAB 28.07, 55.19, -43.8

 

CMYK 6 / 30 / 0 / 66

HEX #523D57

RGB 82 61 87

HSL 288.46, 0.18%, 0.29%

LAB 28.95, 14.5, -12.06

 

CMYK 0 / 3 / 0 / 71

HEX #4B494B

RGB 75 73 75

HSL 300, 0.01%, 0.29%

LAB 31.28, 1.26, -0.9

 

CMYK 21 / 0 / 26 / 67

HEX #43553F

RGB 67 85 63

HSL 109.09, 0.15%, 0.29%

LAB 34.09, -11.83, 10.6

 

CMYK 38 / 0 / 47 / 62

HEX #3C6133

RGB 60 97 51

HSL 108.26, 0.31%, 0.29%

LAB 37.39, -23.21, 22.1

 

CMYK 52 / 0 / 64 / 58

HEX #346C27

RGB 52 108 39

HSL 108.7, 0.47%, 0.29%

LAB 40.58, -32.84, 32.29

 

CMYK 22 / 30 / 0 / 66

HEX #443D57

RGB 68 61 87

HSL 256.15, 0.18%, 0.29%

LAB 27.45, 9.27, -14.5

 

CMYK 14 / 30 / 0 / 66

HEX #4B3D57

RGB 75 61 87

HSL 272.31, 0.18%, 0.29%

LAB 28.17, 11.86, -13.32

 

CMYK 6 / 30 / 0 / 66

HEX #523D57

RGB 82 61 87

HSL 288.46, 0.18%, 0.29%

LAB 28.95, 14.5, -12.06

 

CMYK 0 / 30 / 2 / 66

HEX #573D55

RGB 87 61 85

HSL 304.62, 0.18%, 0.29%

LAB 29.46, 15.98, -9.93

 

CMYK 0 / 30 / 10 / 66

HEX #573D4E

RGB 87 61 78

HSL 320.77, 0.18%, 0.29%

LAB 29.19, 14.53, -5.78

 

CMYK 8 / 31 / 0 / 85

HEX #241B27

RGB 36 27 39

HSL 285, 0.18%, 0.13%

LAB 11.31, 7.29, -6.48

 

CMYK 6 / 30 / 0 / 75

HEX #3B2C3F

RGB 59 44 63

HSL 287.37, 0.18%, 0.21%

LAB 20.4, 11.04, -9.38

 

CMYK 6 / 30 / 0 / 66

HEX #523D57

RGB 82 61 87

HSL 288.46, 0.18%, 0.29%

LAB 28.95, 14.5, -12.06

 

CMYK 6 / 30 / 0 / 56

HEX #694E70

RGB 105 78 112

HSL 287.65, 0.18%, 0.37%

LAB 37.16, 18, -15.16

 

CMYK 6 / 31 / 0 / 47

HEX #805E88

RGB 128 94 136

HSL 288.57, 0.18%, 0.45%

LAB 44.76, 21.72, -17.95

 

CMYK 6 / 31 / 0 / 65

HEX #533D58

RGB 83 61 88

HSL 288.89, 0.18%, 0.29%

LAB 29.11, 15.12, -12.46

 

CMYK 0 / 30 / 30 / 66

HEX #573D3D

RGB 87 61 61

HSL 0, 0.18%, 0.29%

LAB 28.64, 11.42, 4.52

 

CMYK 30 / 0 / 18 / 66

HEX #3D5747

RGB 61 87 71

HSL 143.08, 0.18%, 0.29%

LAB 34.53, -13.63, 6.18

 

CMYK 6 / 31 / 0 / 65

HEX #533D58

RGB 83 61 88

HSL 288.89, 0.18%, 0.29%

LAB 29.11, 15.12, -12.46

 

CMYK 0 / 6 / 30 / 66

HEX #57523D

RGB 87 82 61

HSL 48.46, 0.18%, 0.29%

LAB 34.8, -1.77, 13.09

 

CMYK 30 / 0 / 6 / 66

HEX #3D5752

RGB 61 87 82

HSL 168.46, 0.18%, 0.29%

LAB 34.84, -11, -0.26

 

CMYK 6 / 31 / 0 / 65

HEX #533D58

RGB 83 61 88

HSL 288.89, 0.18%, 0.29%

LAB 29.11, 15.12, -12.46

 

CMYK 0 / 30 / 30 / 66

HEX #573D3D

RGB 87 61 61

HSL 0, 0.18%, 0.29%

LAB 28.64, 11.42, 4.52

 

CMYK 24 / 0 / 30 / 66

HEX #42573D

RGB 66 87 61

HSL 108.46, 0.18%, 0.29%

LAB 34.62, -13.76, 12.57

 

CMYK 30 / 0 / 0 / 66

HEX #3D5757

RGB 61 87 87

HSL 180, 0.18%, 0.29%

LAB 35, -9.7, -3.16

 

CMYK 6 / 31 / 0 / 65

HEX #533D58

RGB 83 61 88

HSL 288.89, 0.18%, 0.29%

LAB 29.11, 15.12, -12.46

 

CMYK 0 / 21 / 30 / 66

HEX #57453D

RGB 87 69 61

HSL 18.46, 0.18%, 0.29%

LAB 30.92, 6.33, 7.75

 

CMYK 24 / 0 / 30 / 66

HEX #42573D

RGB 66 87 61

HSL 108.46, 0.18%, 0.29%

LAB 34.62, -13.76, 12.57

 

CMYK 30 / 9 / 0 / 66

HEX #3D4F57

RGB 61 79 87

HSL 198.46, 0.18%, 0.29%

LAB 32.42, -4.85, -7

 

Description

Color code: HEX #533D58 | qconv.com Color code: HEX #533D58 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 61 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 61 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 31 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 31% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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