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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #533AE4 it is the complementary color #ACC51B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #533AE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #533AE4 shade: #583ADF, #694CF2, #7A5EFF, #8B70FF and #9C82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #533AE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #533AE4 shade: #533AE4, #4228D1, #3116BE, #2004AB and #0F0098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #533AE4 shade: #533AE4, #813AE4, #AF3AE4, #DD3AE4 and #E43ABE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #533AE4 shade: #533AE4 and #3A3AE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #533AE4 shade matches the following richer shades: #533AE4 and #4627F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #533AE4 shade: #533AE4, #5F4CD2, #6C5EC0, #7970AE and #86829B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #533AE4 shade: #3A7EE4, #3A50E4, #503AE4, #7E3AE4 and #AB3AE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #533AE4 shade: #2F18B3, #391DD7, #533AE4, #725EE9 and #9282EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #533AE4 shade: #533AE4, #E43AAB and #67E43A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #533AE4 shade: #533AE4, #E4503A and #3AE450

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #533AE4 shade: #533AE4, #E43AAB, #CDE43A and #3AE472

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #533AE4 shade: #533AE4, #E43A78, #CDE43A and #3AE4A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 75 / 0 / 11

HEX #533AE4

RGB 83 58 228

HSL 248.82, 0.76%, 0.56%

LAB 38.67, 57.15, -81.91

 

Complementary color

CMYK 13 / 0 / 86 / 23

HEX #ACC51B

RGB 172 197 27

HSL 68.82, 0.76%, 0.44%

LAB 75.32, -27.94, 71.99

 

CMYK 61 / 74 / 0 / 13

HEX #583ADF

RGB 88 58 223

HSL 250.91, 0.72%, 0.55%

LAB 38.6, 56.27, -79.16

 

CMYK 57 / 69 / 0 / 5

HEX #694CF2

RGB 105 76 242

HSL 250.48, 0.86%, 0.62%

LAB 45.06, 54.76, -79.27

 

CMYK 52 / 63 / 0 / 0

HEX #7A5EFF

RGB 122 94 255

HSL 250.43, 1%, 0.68%

LAB 51.11, 51.47, -76.58

 

CMYK 45 / 56 / 0 / 0

HEX #8B70FF

RGB 139 112 255

HSL 251.33, 1%, 0.72%

LAB 56.38, 44.64, -67.96

 

CMYK 39 / 49 / 0 / 0

HEX #9C82FF

RGB 156 130 255

HSL 252.48, 1%, 0.75%

LAB 61.87, 38.23, -59.07

 

CMYK 64 / 75 / 0 / 11

HEX #533AE4

RGB 83 58 228

HSL 248.82, 0.76%, 0.56%

LAB 38.67, 57.15, -81.91

 

CMYK 68 / 81 / 0 / 18

HEX #4228D1

RGB 66 40 209

HSL 249.23, 0.68%, 0.49%

LAB 32.43, 58.48, -81.33

 

CMYK 74 / 88 / 0 / 25

HEX #3116BE

RGB 49 22 190

HSL 249.64, 0.79%, 0.42%

LAB 26.58, 59.02, -79.96

 

CMYK 81 / 98 / 0 / 33

HEX #2004AB

RGB 32 4 171

HSL 250.06, 0.95%, 0.34%

LAB 21.34, 58.1, -77.36

 

CMYK 90 / 100 / 0 / 40

HEX #0F0098

RGB 15 0 152

HSL 245.92, 1%, 0.3%

LAB 17.31, 53.98, -72.49

 

CMYK 64 / 75 / 0 / 11

HEX #533AE4

RGB 83 58 228

HSL 248.82, 0.76%, 0.56%

LAB 38.67, 57.15, -81.91

 

CMYK 43 / 75 / 0 / 11

HEX #813AE4

RGB 129 58 228

HSL 265.06, 0.76%, 0.56%

LAB 43.2, 63.32, -74.29

 

CMYK 23 / 75 / 0 / 11

HEX #AF3AE4

RGB 175 58 228

HSL 281.29, 0.76%, 0.56%

LAB 49.18, 71.16, -64.31

 

CMYK 3 / 75 / 0 / 11

HEX #DD3AE4

RGB 221 58 228

HSL 297.53, 0.76%, 0.56%

LAB 56.09, 79.94, -52.84

 

CMYK 0 / 75 / 17 / 11

HEX #E43ABE

RGB 228 58 190

HSL 313.41, 0.76%, 0.56%

LAB 55.32, 75.85, -32.31

 

CMYK 64 / 75 / 0 / 11

HEX #533AE4

RGB 83 58 228

HSL 248.82, 0.76%, 0.56%

LAB 38.67, 57.15, -81.91

 

CMYK 75 / 75 / 0 / 11

HEX #3A3AE4

RGB 58 58 228

HSL 240, 0.76%, 0.56%

LAB 36.98, 54.79, -84.76

 

CMYK 64 / 75 / 0 / 11

HEX #533AE4

RGB 83 58 228

HSL 248.82, 0.76%, 0.56%

LAB 38.67, 57.15, -81.91

 

CMYK 72 / 84 / 0 / 4

HEX #4627F6

RGB 70 39 246

HSL 248.99, 0.92%, 0.56%

LAB 36.76, 69.43, -95.31

 

CMYK 64 / 75 / 0 / 11

HEX #533AE4

RGB 83 58 228

HSL 248.82, 0.76%, 0.56%

LAB 38.67, 57.15, -81.91

 

CMYK 55 / 64 / 0 / 18

HEX #5F4CD2

RGB 95 76 210

HSL 248.51, 0.6%, 0.56%

LAB 41.62, 43.67, -66.73

 

CMYK 44 / 51 / 0 / 25

HEX #6C5EC0

RGB 108 94 192

HSL 248.57, 0.44%, 0.56%

LAB 45.63, 30.25, -49.79

 

CMYK 30 / 36 / 0 / 32

HEX #7970AE

RGB 121 112 174

HSL 248.71, 0.28%, 0.56%

LAB 50.35, 17.82, -31.81

 

CMYK 14 / 16 / 0 / 39

HEX #86829B

RGB 134 130 155

HSL 249.6, 0.11%, 0.56%

LAB 55.48, 6.73, -12.81

 

CMYK 75 / 45 / 0 / 11

HEX #3A7EE4

RGB 58 126 228

HSL 216, 0.76%, 0.56%

LAB 53.41, 13.34, -57.98

 

CMYK 75 / 65 / 0 / 11

HEX #3A50E4

RGB 58 80 228

HSL 232.24, 0.76%, 0.56%

LAB 41.59, 42.13, -77.16

 

CMYK 65 / 75 / 0 / 11

HEX #503AE4

RGB 80 58 228

HSL 247.76, 0.76%, 0.56%

LAB 38.43, 56.83, -82.31

 

CMYK 45 / 75 / 0 / 11

HEX #7E3AE4

RGB 126 58 228

HSL 264, 0.76%, 0.56%

LAB 42.86, 62.86, -74.87

 

CMYK 25 / 75 / 0 / 11

HEX #AB3AE4

RGB 171 58 228

HSL 279.88, 0.76%, 0.56%

LAB 48.62, 70.43, -65.25

 

CMYK 74 / 87 / 0 / 30

HEX #2F18B3

RGB 47 24 179

HSL 248.9, 0.76%, 0.4%

LAB 25.3, 55.13, -75.54

 

CMYK 73 / 87 / 0 / 16

HEX #391DD7

RGB 57 29 215

HSL 249.03, 0.76%, 0.48%

LAB 31.01, 63.88, -87.19

 

CMYK 64 / 75 / 0 / 11

HEX #533AE4

RGB 83 58 228

HSL 248.82, 0.76%, 0.56%

LAB 38.67, 57.15, -81.91

 

CMYK 51 / 60 / 0 / 9

HEX #725EE9

RGB 114 94 233

HSL 248.63, 0.76%, 0.64%

LAB 48.84, 43.62, -68

 

CMYK 39 / 45 / 0 / 7

HEX #9282EE

RGB 146 130 238

HSL 248.89, 0.76%, 0.72%

LAB 60.11, 31.22, -52.55

 

CMYK 64 / 75 / 0 / 11

HEX #533AE4

RGB 83 58 228

HSL 248.82, 0.76%, 0.56%

LAB 38.67, 57.15, -81.91

 

CMYK 0 / 75 / 25 / 11

HEX #E43AAB

RGB 228 58 171

HSL 320.12, 0.76%, 0.56%

LAB 54.51, 73.43, -22.51

 

CMYK 55 / 0 / 75 / 11

HEX #67E43A

RGB 103 228 58

HSL 104.12, 0.76%, 0.56%

LAB 81.11, -63.3, 67.63

 

CMYK 64 / 75 / 0 / 11

HEX #533AE4

RGB 83 58 228

HSL 248.82, 0.76%, 0.56%

LAB 38.67, 57.15, -81.91

 

CMYK 0 / 65 / 75 / 11

HEX #E4503A

RGB 228 80 58

HSL 7.76, 0.76%, 0.56%

LAB 54.59, 56.23, 43.64

 

CMYK 75 / 0 / 65 / 11

HEX #3AE450

RGB 58 228 80

HSL 127.76, 0.76%, 0.56%

LAB 80.16, -70.55, 58.2

 

CMYK 64 / 75 / 0 / 11

HEX #533AE4

RGB 83 58 228

HSL 248.82, 0.76%, 0.56%

LAB 38.67, 57.15, -81.91

 

CMYK 0 / 75 / 25 / 11

HEX #E43AAB

RGB 228 58 171

HSL 320.12, 0.76%, 0.56%

LAB 54.51, 73.43, -22.51

 

CMYK 10 / 0 / 75 / 11

HEX #CDE43A

RGB 205 228 58

HSL 68.12, 0.76%, 0.56%

LAB 86.39, -28.03, 74.53

 

CMYK 75 / 0 / 50 / 11

HEX #3AE472

RGB 58 228 114

HSL 139.76, 0.76%, 0.56%

LAB 80.52, -66.29, 43.41

 

CMYK 64 / 75 / 0 / 11

HEX #533AE4

RGB 83 58 228

HSL 248.82, 0.76%, 0.56%

LAB 38.67, 57.15, -81.91

 

CMYK 0 / 75 / 47 / 11

HEX #E43A78

RGB 228 58 120

HSL 338.12, 0.76%, 0.56%

LAB 52.81, 68.14, 5.23

 

CMYK 10 / 0 / 75 / 11

HEX #CDE43A

RGB 205 228 58

HSL 68.12, 0.76%, 0.56%

LAB 86.39, -28.03, 74.53

 

CMYK 75 / 0 / 27 / 11

HEX #3AE4A6

RGB 58 228 166

HSL 158.12, 0.76%, 0.56%

LAB 81.37, -56.69, 18.27

 

Description

Color code: HEX #533AE4 | qconv.com Color code: HEX #533AE4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 58 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 58 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 75 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 75% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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