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Color name
HEX #5338A6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5338A6 it is the complementary color #ACC759. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5338A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5338A6 shade: #5838A1, #694AB4, #7A5CC7, #8B6EDA and #9C80ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5338A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5338A6 shade: #5338A6, #422693, #311480, #20026D and #0F005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5338A6 shade: #5438A8, #7238A8, #9038A8, #A838A2 and #A83884

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5338A6 shade: #5438A8 and #3838A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5338A6 shade matches the following richer shades: #5438A8, #4A26BA, #4114CD and #3802DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5338A6 shade: #5438A8, #5D4A96, #665C84, #6F6F72 and #798160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5338A6 shade: #385AA8, #383CA8, #5238A8, #7038A8 and #8E38A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5338A6 shade: #35236A, #442E89, #5438A8, #6648C2 and #8067CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5338A6 shade: #5338A6, #A83878 and #4BA838

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5338A6 shade: #5338A6, #A85238 and #38A852

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5338A6 shade: #5338A6, #A83878, #8EA838 and #38A869

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5338A6 shade: #5338A6, #A83856, #8EA838 and #38A88A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 66 / 0 / 35

HEX #5338A6

RGB 83 56 166

HSL 254.73, 0.5%, 0.44%

LAB 32.75, 39.77, -55.37

 

Complementary color

CMYK 14 / 0 / 55 / 22

HEX #ACC759

RGB 172 199 89

HSL 74.73, 0.5%, 0.56%

LAB 76.28, -25.44, 51.19

 

CMYK 45 / 65 / 0 / 37

HEX #5838A1

RGB 88 56 161

HSL 258.29, 0.48%, 0.43%

LAB 32.87, 39.3, -52.14

 

CMYK 42 / 59 / 0 / 29

HEX #694AB4

RGB 105 74 180

HSL 257.55, 0.42%, 0.5%

LAB 39.91, 38.01, -51.99

 

CMYK 39 / 54 / 0 / 22

HEX #7A5CC7

RGB 122 92 199

HSL 256.82, 0.49%, 0.57%

LAB 46.86, 36.78, -51.8

 

CMYK 36 / 50 / 0 / 15

HEX #8B6EDA

RGB 139 110 218

HSL 256.11, 0.59%, 0.64%

LAB 53.71, 35.66, -51.6

 

CMYK 34 / 46 / 0 / 7

HEX #9C80ED

RGB 156 128 237

HSL 255.41, 0.75%, 0.72%

LAB 60.45, 34.64, -51.42

 

CMYK 50 / 66 / 0 / 35

HEX #5338A6

RGB 83 56 166

HSL 254.73, 0.5%, 0.44%

LAB 32.75, 39.77, -55.37

 

CMYK 55 / 74 / 0 / 42

HEX #422693

RGB 66 38 147

HSL 255.41, 0.59%, 0.36%

LAB 25.72, 41.18, -55.36

 

CMYK 62 / 84 / 0 / 50

HEX #311480

RGB 49 20 128

HSL 256.11, 0.73%, 0.29%

LAB 18.85, 42.15, -54.84

 

CMYK 71 / 98 / 0 / 57

HEX #20026D

RGB 32 2 109

HSL 256.82, 0.96%, 0.22%

LAB 12.32, 42.33, -53.48

 

CMYK 83 / 100 / 0 / 65

HEX #0F005A

RGB 15 0 90

HSL 250, 1%, 0.18%

LAB 7.59, 37.35, -48.74

 

CMYK 50 / 67 / 0 / 34

HEX #5438A8

RGB 84 56 168

HSL 255, 0.5%, 0.44%

LAB 33.01, 40.56, -56.15

 

CMYK 32 / 67 / 0 / 34

HEX #7238A8

RGB 114 56 168

HSL 271.07, 0.5%, 0.44%

LAB 36.43, 46.72, -50.44

 

CMYK 14 / 67 / 0 / 34

HEX #9038A8

RGB 144 56 168

HSL 287.14, 0.5%, 0.44%

LAB 40.55, 53.57, -43.6

 

CMYK 0 / 67 / 4 / 34

HEX #A838A2

RGB 168 56 162

HSL 303.21, 0.5%, 0.44%

LAB 43.89, 58.25, -34.49

 

CMYK 0 / 67 / 21 / 34

HEX #A83884

RGB 168 56 132

HSL 319.29, 0.5%, 0.44%

LAB 42.49, 53.61, -18.54

 

CMYK 50 / 67 / 0 / 34

HEX #5438A8

RGB 84 56 168

HSL 255, 0.5%, 0.44%

LAB 33.01, 40.56, -56.15

 

CMYK 67 / 67 / 0 / 34

HEX #3838A8

RGB 56 56 168

HSL 240, 0.5%, 0.44%

LAB 30.63, 35.93, -60.12

 

CMYK 50 / 67 / 0 / 34

HEX #5438A8

RGB 84 56 168

HSL 255, 0.5%, 0.44%

LAB 33.01, 40.56, -56.15

 

CMYK 60 / 80 / 0 / 27

HEX #4A26BA

RGB 74 38 186

HSL 254.59, 0.66%, 0.44%

LAB 30.37, 53.59, -71.24

 

CMYK 68 / 90 / 0 / 20

HEX #4114CD

RGB 65 20 205

HSL 254.59, 0.82%, 0.44%

LAB 29.49, 64.46, -83.89

 

CMYK 75 / 99 / 0 / 13

HEX #3802DF

RGB 56 2 223

HSL 254.66, 0.98%, 0.44%

LAB 29.94, 72.01, -93.59

 

CMYK 50 / 67 / 0 / 34

HEX #5438A8

RGB 84 56 168

HSL 255, 0.5%, 0.44%

LAB 33.01, 40.56, -56.15

 

CMYK 38 / 51 / 0 / 41

HEX #5D4A96

RGB 93 74 150

HSL 255, 0.34%, 0.44%

LAB 36.79, 26.5, -39.14

 

CMYK 23 / 30 / 0 / 48

HEX #665C84

RGB 102 92 132

HSL 255, 0.18%, 0.44%

LAB 41.45, 13.08, -20.86

 

CMYK 3 / 3 / 0 / 55

HEX #6F6F72

RGB 111 111 114

HSL 240, 0.01%, 0.44%

LAB 46.93, 0.62, -1.67

 

CMYK 6 / 0 / 26 / 49

HEX #798160

RGB 121 129 96

HSL 74.55, 0.15%, 0.44%

LAB 52.52, -9.03, 16.94

 

CMYK 67 / 46 / 0 / 34

HEX #385AA8

RGB 56 90 168

HSL 221.79, 0.5%, 0.44%

LAB 39.55, 13.85, -45.67

 

CMYK 67 / 64 / 0 / 34

HEX #383CA8

RGB 56 60 168

HSL 237.86, 0.5%, 0.44%

LAB 31.58, 33.42, -58.58

 

CMYK 51 / 67 / 0 / 34

HEX #5238A8

RGB 82 56 168

HSL 253.93, 0.5%, 0.44%

LAB 32.81, 40.18, -56.48

 

CMYK 33 / 67 / 0 / 34

HEX #7038A8

RGB 112 56 168

HSL 270, 0.5%, 0.44%

LAB 36.18, 46.28, -50.86

 

CMYK 15 / 67 / 0 / 34

HEX #8E38A8

RGB 142 56 168

HSL 286.07, 0.5%, 0.44%

LAB 40.26, 53.1, -44.08

 

CMYK 50 / 67 / 0 / 58

HEX #35236A

RGB 53 35 106

HSL 255.21, 0.5%, 0.28%

LAB 20.04, 27.79, -38.73

 

CMYK 50 / 66 / 0 / 46

HEX #442E89

RGB 68 46 137

HSL 254.51, 0.5%, 0.36%

LAB 26.7, 33.92, -47.55

 

CMYK 50 / 67 / 0 / 34

HEX #5438A8

RGB 84 56 168

HSL 255, 0.5%, 0.44%

LAB 33.01, 40.56, -56.15

 

CMYK 47 / 63 / 0 / 24

HEX #6648C2

RGB 102 72 194

HSL 254.75, 0.5%, 0.52%

LAB 40.17, 42.52, -59.79

 

CMYK 37 / 50 / 0 / 20

HEX #8067CC

RGB 128 103 204

HSL 254.85, 0.5%, 0.6%

LAB 50.27, 33.2, -49.18

 

CMYK 50 / 66 / 0 / 35

HEX #5338A6

RGB 83 56 166

HSL 254.73, 0.5%, 0.44%

LAB 32.75, 39.77, -55.37

 

CMYK 0 / 67 / 29 / 34

HEX #A83878

RGB 168 56 120

HSL 325.71, 0.5%, 0.44%

LAB 42.01, 51.98, -11.89

 

CMYK 55 / 0 / 67 / 34

HEX #4BA838

RGB 75 168 56

HSL 109.82, 0.5%, 0.44%

LAB 61.47, -48.83, 47.88

 

CMYK 50 / 66 / 0 / 35

HEX #5338A6

RGB 83 56 166

HSL 254.73, 0.5%, 0.44%

LAB 32.75, 39.77, -55.37

 

CMYK 0 / 51 / 67 / 34

HEX #A85238

RGB 168 82 56

HSL 13.93, 0.5%, 0.44%

LAB 45.14, 33.25, 31.4

 

CMYK 67 / 0 / 51 / 34

HEX #38A852

RGB 56 168 82

HSL 133.93, 0.5%, 0.44%

LAB 61.18, -50.1, 35.19

 

CMYK 50 / 66 / 0 / 35

HEX #5338A6

RGB 83 56 166

HSL 254.73, 0.5%, 0.44%

LAB 32.75, 39.77, -55.37

 

CMYK 0 / 67 / 29 / 34

HEX #A83878

RGB 168 56 120

HSL 325.71, 0.5%, 0.44%

LAB 42.01, 51.98, -11.89

 

CMYK 15 / 0 / 67 / 34

HEX #8EA838

RGB 142 168 56

HSL 73.93, 0.5%, 0.44%

LAB 65, -25.08, 52.69

 

CMYK 67 / 0 / 38 / 34

HEX #38A869

RGB 56 168 105

HSL 146.25, 0.5%, 0.44%

LAB 61.54, -46.11, 23.57

 

CMYK 50 / 66 / 0 / 35

HEX #5338A6

RGB 83 56 166

HSL 254.73, 0.5%, 0.44%

LAB 32.75, 39.77, -55.37

 

CMYK 0 / 67 / 49 / 34

HEX #A83856

RGB 168 56 86

HSL 343.93, 0.5%, 0.44%

LAB 40.94, 48.17, 7.71

 

CMYK 15 / 0 / 67 / 34

HEX #8EA838

RGB 142 168 56

HSL 73.93, 0.5%, 0.44%

LAB 65, -25.08, 52.69

 

CMYK 67 / 0 / 18 / 34

HEX #38A88A

RGB 56 168 138

HSL 163.93, 0.5%, 0.44%

LAB 62.24, -38.74, 6.36

 

Description

Color code: HEX #5338A6 | qconv.com Color code: HEX #5338A6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 56 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 56 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 66 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 66% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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