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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5336CACE it is the complementary color #ACC935CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5336CACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5336CACE shade: #5836C5CE, #6948D8CE, #7A5AEBCE, #8B6CFECE and #9C7EFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5336CACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5336CACE shade: #5336CACE, #4224B7CE, #3112A4CE, #200091CE and #0F007ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5336CACE shade: #5336C9, #7A36C9, #A236C9, #C936C9 and #C936A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5336CACE shade: #5336C9 and #3636C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5336CACE shade matches the following richer shades: #5336C9, #4621DE and #390CF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5336CACE shade: #5336C9, #5F4AB5, #6C5FA0, #78738C and #858877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5336CACE shade: #3669C9, #3642C9, #5136C9, #7836C9 and #A036C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5336CACE shade: #382488, #452DA9, #5336C9, #6E56D2 and #8A77DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5336CACE shade: #5336CA, #C93691 and #56C936

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5336CACE shade: #5336CA, #C95136 and #36C951

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5336CACE shade: #5336CA, #C93691, #AEC936 and #36C96E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5336CACE shade: #5336CA, #C93664, #AEC936 and #36C99B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 59 / 0 / 17

HEX #5336CACE

RGBA 83 54 202 0.81

HSLA 251.76, 0.58%, 0.5%, 0.81

LABA 35.48, 51.54, -72.19, 0.81

 

Complementary color

CMYK 12 / 0 / 60 / 17

HEX #ACC935CE

RGBA 172 201 53 0.81

HSLA 71.76, 0.58%, 0.5%, 0.81

LABA 76.56, -28.87, 66.04, 0.81

 

CMYK 45 / 59 / 0 / 18

HEX #5836C5CE

RGBA 88 54 197 0.81

HSLA 254.27, 0.57%, 0.49%, 0.81

LABA 35.49, 50.78, -69.24, 0.81

 

CMYK 42 / 54 / 0 / 12

HEX #6948D8CE

RGBA 105 72 216 0.81

HSLA 253.75, 0.65%, 0.56%, 0.81

LABA 42.15, 49.4, -69.27, 0.81

 

CMYK 39 / 50 / 0 / 6

HEX #7A5AEBCE

RGBA 122 90 235 0.81

HSLA 253.24, 0.78%, 0.64%, 0.81

LABA 48.82, 47.98, -69.13, 0.81

 

CMYK 37 / 47 / 0 / 0

HEX #8B6CFECE

RGBA 139 108 254 0.81

HSLA 252.74, 0.99%, 0.71%, 0.81

LABA 55.45, 46.61, -68.91, 0.81

 

CMYK 31 / 41 / 0 / 0

HEX #9C7EFFCE

RGBA 156 126 255 0.81

HSLA 253.95, 1%, 0.75%, 0.81

LABA 60.97, 40.5, -60.52, 0.81

 

CMYK 48 / 59 / 0 / 17

HEX #5336CACE

RGBA 83 54 202 0.81

HSLA 251.76, 0.58%, 0.5%, 0.81

LABA 35.48, 51.54, -72.19, 0.81

 

CMYK 52 / 65 / 0 / 23

HEX #4224B7CE

RGBA 66 36 183 0.81

HSLA 252.24, 0.67%, 0.43%, 0.81

LABA 29, 52.78, -71.74, 0.81

 

CMYK 57 / 72 / 0 / 29

HEX #3112A4CE

RGBA 49 18 164 0.81

HSLA 252.74, 0.8%, 0.36%, 0.81

LABA 22.88, 53.19, -70.51, 0.81

 

CMYK 63 / 81 / 0 / 35

HEX #200091CE

RGBA 32 0 145 0.81

HSLA 253.24, 1%, 0.28%, 0.81

LABA 17.23, 52.54, -68.26, 0.81

 

CMYK 71 / 81 / 0 / 41

HEX #0F007ECE

RGBA 15 0 126 0.81

HSLA 247.14, 1%, 0.25%, 0.81

LABA 13.28, 47.18, -62.91, 0.81

 

CMYK 59 / 73 / 0 / 21

HEX #5336C9

RGB 83 54 201

HSL 251.84, 0.58%, 0.5%

LAB 35.39, 51.25, -71.76

 

CMYK 39 / 73 / 0 / 21

HEX #7A36C9

RGB 122 54 201

HSL 267.76, 0.58%, 0.5%

LAB 39.57, 57.32, -64.75

 

CMYK 19 / 73 / 0 / 21

HEX #A236C9

RGB 162 54 201

HSL 284.08, 0.58%, 0.5%

LAB 44.99, 64.81, -55.7

 

CMYK 0 / 73 / 0 / 21

HEX #C936C9

RGB 201 54 201

HSL 300, 0.58%, 0.5%

LAB 51, 72.78, -45.74

 

CMYK 0 / 73 / 20 / 21

HEX #C936A1

RGB 201 54 161

HSL 316.33, 0.58%, 0.5%

LAB 49.04, 66.9, -25.44

 

CMYK 59 / 73 / 0 / 21

HEX #5336C9

RGB 83 54 201

HSL 251.84, 0.58%, 0.5%

LAB 35.39, 51.25, -71.76

 

CMYK 73 / 73 / 0 / 21

HEX #3636C9

RGB 54 54 201

HSL 240, 0.58%, 0.5%

LAB 33.22, 47.96, -75.4

 

CMYK 59 / 73 / 0 / 21

HEX #5336C9

RGB 83 54 201

HSL 251.84, 0.58%, 0.5%

LAB 35.39, 51.25, -71.76

 

CMYK 68 / 85 / 0 / 13

HEX #4621DE

RGB 70 33 222

HSL 251.75, 0.74%, 0.5%

LAB 33.27, 65.15, -87.44

 

CMYK 77 / 95 / 0 / 5

HEX #390CF3

RGB 57 12 243

HSL 251.69, 0.91%, 0.5%

LAB 33.14, 75.29, -99.65

 

CMYK 59 / 73 / 0 / 21

HEX #5336C9

RGB 83 54 201

HSL 251.84, 0.58%, 0.5%

LAB 35.39, 51.25, -71.76

 

CMYK 48 / 59 / 0 / 29

HEX #5F4AB5

RGB 95 74 181

HSL 251.78, 0.42%, 0.5%

LAB 39.01, 36.1, -54.08

 

CMYK 33 / 41 / 0 / 37

HEX #6C5FA0

RGB 108 95 160

HSL 252, 0.25%, 0.5%

LAB 44.1, 20.54, -33.46

 

CMYK 14 / 18 / 0 / 45

HEX #78738C

RGB 120 115 140

HSL 252, 0.1%, 0.5%

LAB 49.68, 7.26, -12.93

 

CMYK 2 / 0 / 13 / 47

HEX #858877

RGB 133 136 119

HSL 70.59, 0.07%, 0.5%

LAB 56.01, -4.31, 8.75

 

CMYK 73 / 48 / 0 / 21

HEX #3669C9

RGB 54 105 201

HSL 219.18, 0.58%, 0.5%

LAB 45.78, 16.07, -54.93

 

CMYK 73 / 67 / 0 / 21

HEX #3642C9

RGB 54 66 201

HSL 235.1, 0.58%, 0.5%

LAB 35.79, 40.92, -71.18

 

CMYK 60 / 73 / 0 / 21

HEX #5136C9

RGB 81 54 201

HSL 251.02, 0.58%, 0.5%

LAB 35.21, 50.98, -72.05

 

CMYK 40 / 73 / 0 / 21

HEX #7836C9

RGB 120 54 201

HSL 266.94, 0.58%, 0.5%

LAB 39.32, 56.97, -65.16

 

CMYK 20 / 73 / 0 / 21

HEX #A036C9

RGB 160 54 201

HSL 283.27, 0.58%, 0.5%

LAB 44.7, 64.42, -56.19

 

CMYK 59 / 74 / 0 / 47

HEX #382488

RGB 56 36 136

HSL 252, 0.58%, 0.34%

LAB 23.27, 37.33, -52.58

 

CMYK 59 / 73 / 0 / 34

HEX #452DA9

RGB 69 45 169

HSL 251.61, 0.58%, 0.42%

LAB 29.43, 44.51, -62.66

 

CMYK 59 / 73 / 0 / 21

HEX #5336C9

RGB 83 54 201

HSL 251.84, 0.58%, 0.5%

LAB 35.39, 51.25, -71.76

 

CMYK 48 / 59 / 0 / 18

HEX #6E56D2

RGB 110 86 210

HSL 251.61, 0.58%, 0.58%

LAB 45.11, 40.71, -60.99

 

CMYK 37 / 46 / 0 / 14

HEX #8A77DB

RGB 138 119 219

HSL 251.4, 0.58%, 0.66%

LAB 55.8, 30.45, -48.84

 

CMYK 59 / 73 / 0 / 21

HEX #5336CA

RGB 83 54 202

HSL 251.76, 0.58%, 0.5%

LAB 35.48, 51.54, -72.19

 

CMYK 0 / 73 / 28 / 21

HEX #C93691

RGB 201 54 145

HSL 322.86, 0.58%, 0.5%

LAB 48.39, 64.85, -16.9

 

CMYK 57 / 0 / 73 / 21

HEX #56C936

RGB 86 201 54

HSL 106.94, 0.58%, 0.5%

LAB 72.24, -58.33, 59.99

 

CMYK 59 / 73 / 0 / 21

HEX #5336CA

RGB 83 54 202

HSL 251.76, 0.58%, 0.5%

LAB 35.48, 51.54, -72.19

 

CMYK 0 / 60 / 73 / 21

HEX #C95136

RGB 201 81 54

HSL 11.02, 0.58%, 0.5%

LAB 50.18, 46.23, 39.66

 

CMYK 73 / 0 / 60 / 21

HEX #36C951

RGB 54 201 81

HSL 131.02, 0.58%, 0.5%

LAB 71.66, -62.28, 48.18

 

CMYK 59 / 73 / 0 / 21

HEX #5336CA

RGB 83 54 202

HSL 251.76, 0.58%, 0.5%

LAB 35.48, 51.54, -72.19

 

CMYK 0 / 73 / 28 / 21

HEX #C93691

RGB 201 54 145

HSL 322.86, 0.58%, 0.5%

LAB 48.39, 64.85, -16.9

 

CMYK 13 / 0 / 73 / 21

HEX #AEC936

RGB 174 201 54

HSL 71.02, 0.58%, 0.5%

LAB 76.7, -28.01, 65.88

 

CMYK 73 / 0 / 45 / 21

HEX #36C96E

RGB 54 201 110

HSL 142.86, 0.58%, 0.5%

LAB 72.02, -58.07, 34.65

 

CMYK 59 / 73 / 0 / 21

HEX #5336CA

RGB 83 54 202

HSL 251.76, 0.58%, 0.5%

LAB 35.48, 51.54, -72.19

 

CMYK 0 / 73 / 50 / 21

HEX #C93664

RGB 201 54 100

HSL 341.22, 0.58%, 0.5%

LAB 46.94, 60.22, 8.35

 

CMYK 13 / 0 / 73 / 21

HEX #AEC936

RGB 174 201 54

HSL 71.02, 0.58%, 0.5%

LAB 76.7, -28.01, 65.88

 

CMYK 73 / 0 / 23 / 21

HEX #36C99B

RGB 54 201 155

HSL 161.22, 0.58%, 0.5%

LAB 72.84, -48.97, 12.13

 

Description

Color code: HEX #5336CACE | qconv.com Color code: HEX #5336CACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 54 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 54 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 59 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 59% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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