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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53331F it is the complementary color #ACCCE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53331F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53331F shade: #58331A, #69452D, #7A5740, #8B6953 and #9C7B66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53331F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53331F shade: #53331F, #42210C, #310F00, #200000 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53331F shade: #52321E, #52241E and #521E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53331F shade: #52321E, #52401E, #524E1E, #48521E and #3A521E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53331F shade matches the following richer shades: #52321E, #5B3015, #642E0C and #6D2C03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53331F shade: #52321E, #493427, #403630, #37383A and #2E3B43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53331F shade: #521E26, #52241E, #52321E, #52401E and #524E1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53331F shade: #160D08, #342013, #52321E, #704529 and #8E5735

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53331F shade: #53331F, #34521E and #1E1F52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53331F shade: #53331F, #1E5232 and #321E52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53331F shade: #53331F, #34521E, #1E3E52 and #3C1E52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53331F shade: #53331F, #24521E, #1E3E52 and #4C1E52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 63 / 67

HEX #53331F

RGB 83 51 31

HSL 23.08, 0.46%, 0.22%

LAB 24.66, 12.08, 18.55

 

Complementary color

CMYK 23 / 9 / 0 / 12

HEX #ACCCE0

RGB 172 204 224

HSL 203.08, 0.46%, 0.78%

LAB 80.37, -6.29, -13.44

 

CMYK 0 / 42 / 70 / 65

HEX #58331A

RGB 88 51 26

HSL 24.19, 0.54%, 0.22%

LAB 25.31, 14.09, 22.6

 

CMYK 0 / 34 / 57 / 59

HEX #69452D

RGB 105 69 45

HSL 24, 0.4%, 0.29%

LAB 32.81, 12.58, 20.7

 

CMYK 0 / 29 / 48 / 52

HEX #7A5740

RGB 122 87 64

HSL 23.79, 0.31%, 0.36%

LAB 40.12, 11.41, 19.06

 

CMYK 0 / 24 / 40 / 45

HEX #8B6953

RGB 139 105 83

HSL 23.57, 0.25%, 0.44%

LAB 47.26, 10.48, 17.63

 

CMYK 0 / 21 / 35 / 39

HEX #9C7B66

RGB 156 123 102

HSL 23.33, 0.21%, 0.51%

LAB 54.23, 9.72, 16.36

 

CMYK 0 / 39 / 63 / 67

HEX #53331F

RGB 83 51 31

HSL 23.08, 0.46%, 0.22%

LAB 24.66, 12.08, 18.55

 

CMYK 0 / 50 / 82 / 74

HEX #42210C

RGB 66 33 12

HSL 23.33, 0.69%, 0.15%

LAB 16.86, 13.84, 19.97

 

CMYK 0 / 69 / 100 / 81

HEX #310F00

RGB 49 15 0

HSL 18.37, 1%, 0.1%

LAB 8.95, 16.12, 13.76

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 39 / 63 / 68

HEX #52321E

RGB 82 50 30

HSL 23.08, 0.46%, 0.22%

LAB 24.22, 12.14, 18.62

 

CMYK 0 / 56 / 63 / 68

HEX #52241E

RGB 82 36 30

HSL 6.92, 0.46%, 0.22%

LAB 20.63, 20.88, 14.1

 

CMYK 0 / 63 / 63 / 68

HEX #521E1E

RGB 82 30 30

HSL 0, 0.46%, 0.22%

LAB 19.29, 24.34, 12.36

 

CMYK 0 / 39 / 63 / 68

HEX #52321E

RGB 82 50 30

HSL 23.08, 0.46%, 0.22%

LAB 24.22, 12.14, 18.62

 

CMYK 0 / 22 / 63 / 68

HEX #52401E

RGB 82 64 30

HSL 39.23, 0.46%, 0.22%

LAB 28.26, 3.18, 23.47

 

CMYK 0 / 5 / 63 / 68

HEX #524E1E

RGB 82 78 30

HSL 55.38, 0.46%, 0.22%

LAB 32.56, -5.49, 28.4

 

CMYK 12 / 0 / 63 / 68

HEX #48521E

RGB 72 82 30

HSL 71.54, 0.46%, 0.22%

LAB 32.93, -12.67, 28.56

 

CMYK 29 / 0 / 63 / 68

HEX #3A521E

RGB 58 82 30

HSL 87.69, 0.46%, 0.22%

LAB 31.87, -19.03, 27.08

 

CMYK 0 / 39 / 63 / 68

HEX #52321E

RGB 82 50 30

HSL 23.08, 0.46%, 0.22%

LAB 24.22, 12.14, 18.62

 

CMYK 0 / 47 / 77 / 64

HEX #5B3015

RGB 91 48 21

HSL 23.14, 0.63%, 0.22%

LAB 24.93, 17.06, 25.24

 

CMYK 0 / 54 / 88 / 61

HEX #642E0C

RGB 100 46 12

HSL 23.18, 0.79%, 0.22%

LAB 25.83, 22.03, 31.36

 

CMYK 0 / 60 / 97 / 57

HEX #6D2C03

RGB 109 44 3

HSL 23.21, 0.95%, 0.22%

LAB 26.9, 26.87, 36.63

 

CMYK 0 / 39 / 63 / 68

HEX #52321E

RGB 82 50 30

HSL 23.08, 0.46%, 0.22%

LAB 24.22, 12.14, 18.62

 

CMYK 0 / 29 / 47 / 71

HEX #493427

RGB 73 52 39

HSL 22.94, 0.3%, 0.22%

LAB 23.73, 7.47, 11.92

 

CMYK 0 / 16 / 25 / 75

HEX #403630

RGB 64 54 48

HSL 22.5, 0.14%, 0.22%

LAB 23.48, 3.28, 5.41

 

CMYK 5 / 3 / 0 / 77

HEX #37383A

RGB 55 56 58

HSL 220, 0.03%, 0.22%

LAB 23.49, 0.04, -1.4

 

CMYK 31 / 12 / 0 / 74

HEX #2E3B43

RGB 46 59 67

HSL 202.86, 0.19%, 0.22%

LAB 24.04, -3.09, -6.68

 

CMYK 0 / 63 / 54 / 68

HEX #521E26

RGB 82 30 38

HSL 350.77, 0.46%, 0.22%

LAB 19.48, 25.13, 7.04

 

CMYK 0 / 56 / 63 / 68

HEX #52241E

RGB 82 36 30

HSL 6.92, 0.46%, 0.22%

LAB 20.63, 20.88, 14.1

 

CMYK 0 / 39 / 63 / 68

HEX #52321E

RGB 82 50 30

HSL 23.08, 0.46%, 0.22%

LAB 24.22, 12.14, 18.62

 

CMYK 0 / 22 / 63 / 68

HEX #52401E

RGB 82 64 30

HSL 39.23, 0.46%, 0.22%

LAB 28.26, 3.18, 23.47

 

CMYK 0 / 5 / 63 / 68

HEX #524E1E

RGB 82 78 30

HSL 55.38, 0.46%, 0.22%

LAB 32.56, -5.49, 28.4

 

CMYK 0 / 41 / 64 / 91

HEX #160D08

RGB 22 13 8

HSL 21.43, 0.47%, 0.06%

LAB 4.3, 2.71, 3.2

 

CMYK 0 / 38 / 63 / 80

HEX #342013

RGB 52 32 19

HSL 23.64, 0.46%, 0.14%

LAB 14.46, 7.9, 12.66

 

CMYK 0 / 39 / 63 / 68

HEX #52321E

RGB 82 50 30

HSL 23.08, 0.46%, 0.22%

LAB 24.22, 12.14, 18.62

 

CMYK 0 / 38 / 63 / 56

HEX #704529

RGB 112 69 41

HSL 23.66, 0.46%, 0.3%

LAB 33.69, 15.47, 24.41

 

CMYK 0 / 39 / 63 / 44

HEX #8E5735

RGB 142 87 53

HSL 22.92, 0.46%, 0.38%

LAB 42.5, 19.29, 29.04

 

CMYK 0 / 39 / 63 / 67

HEX #53331F

RGB 83 51 31

HSL 23.08, 0.46%, 0.22%

LAB 24.66, 12.08, 18.55

 

CMYK 37 / 0 / 63 / 68

HEX #34521E

RGB 52 82 30

HSL 94.62, 0.46%, 0.22%

LAB 31.48, -21.56, 26.53

 

CMYK 63 / 62 / 0 / 68

HEX #1E1F52

RGB 30 31 82

HSL 238.85, 0.46%, 0.22%

LAB 14.76, 17.05, -31.45

 

CMYK 0 / 39 / 63 / 67

HEX #53331F

RGB 83 51 31

HSL 23.08, 0.46%, 0.22%

LAB 24.66, 12.08, 18.55

 

CMYK 63 / 0 / 39 / 68

HEX #1E5232

RGB 30 82 50

HSL 143.08, 0.46%, 0.22%

LAB 30.74, -25.7, 13.75

 

CMYK 39 / 63 / 0 / 68

HEX #321E52

RGB 50 30 82

HSL 263.08, 0.46%, 0.22%

LAB 16.58, 22.72, -28.41

 

CMYK 0 / 39 / 63 / 67

HEX #53331F

RGB 83 51 31

HSL 23.08, 0.46%, 0.22%

LAB 24.66, 12.08, 18.55

 

CMYK 37 / 0 / 63 / 68

HEX #34521E

RGB 52 82 30

HSL 94.62, 0.46%, 0.22%

LAB 31.48, -21.56, 26.53

 

CMYK 63 / 24 / 0 / 68

HEX #1E3E52

RGB 30 62 82

HSL 203.08, 0.46%, 0.22%

LAB 24.74, -4.9, -15.64

 

CMYK 27 / 63 / 0 / 68

HEX #3C1E52

RGB 60 30 82

HSL 274.62, 0.46%, 0.22%

LAB 17.91, 25.56, -26.2

 

CMYK 0 / 39 / 63 / 67

HEX #53331F

RGB 83 51 31

HSL 23.08, 0.46%, 0.22%

LAB 24.66, 12.08, 18.55

 

CMYK 56 / 0 / 63 / 68

HEX #24521E

RGB 36 82 30

HSL 113.08, 0.46%, 0.22%

LAB 30.65, -27.46, 25.35

 

CMYK 63 / 24 / 0 / 68

HEX #1E3E52

RGB 30 62 82

HSL 203.08, 0.46%, 0.22%

LAB 24.74, -4.9, -15.64

 

CMYK 7 / 63 / 0 / 68

HEX #4C1E52

RGB 76 30 82

HSL 293.08, 0.46%, 0.22%

LAB 20.34, 30.31, -22.2

 

Description

Color code: HEX #53331F | qconv.com Color code: HEX #53331F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 51 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 51 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 63 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 63% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - Y Combinator
Link: http://ycombinator.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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