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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #532F5E it is the complementary color #ACD0A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #532F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #532F5E shade: #582F59, #69416C, #7A537F, #8B6592 and #9C77A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #532F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #532F5E shade: #532F5E, #421D4B, #310B38, #200025 and #0F0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #532F5E shade: #54305F, #5F305D, #5F3051, #5F3044 and #5F3037

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #532F5E shade: #54305F, #47305F, #3B305F and #30305F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #532F5E shade matches the following richer shades: #54305F, #5A246B, #601976, #660D82 and #6D028D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #532F5E shade: #54305F, #4E3B53, #484748, #41523C and #3B5E31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #532F5E shade: #3A305F, #47305F, #53305F, #5F305E and #5F3052

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #532F5E shade: #231428, #3C2244, #54305F, #6C3E7A and #844B96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #532F5E shade: #532F5E, #5F3032 and #305F40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #532F5E shade: #532F5E, #5F5330 and #305F53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #532F5E shade: #532F5E, #5F3032, #3C5F30 and #305F5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #532F5E shade: #532F5E, #5F3C30, #3C5F30 and #30535F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 50 / 0 / 63

HEX #532F5E

RGB 83 47 94

HSL 285.96, 0.33%, 0.28%

LAB 25.8, 25.37, -21.48

 

Complementary color

CMYK 17 / 0 / 23 / 18

HEX #ACD0A1

RGB 172 208 161

HSL 105.96, 0.33%, 0.72%

LAB 79.87, -20.67, 19.49

 

CMYK 1 / 47 / 0 / 65

HEX #582F59

RGB 88 47 89

HSL 298.57, 0.31%, 0.27%

LAB 26.24, 25.94, -17.47

 

CMYK 3 / 40 / 0 / 58

HEX #69416C

RGB 105 65 108

HSL 295.81, 0.25%, 0.34%

LAB 33.7, 25.08, -17.96

 

CMYK 4 / 35 / 0 / 50

HEX #7A537F

RGB 122 83 127

HSL 293.18, 0.21%, 0.41%

LAB 40.99, 24.27, -18.35

 

CMYK 5 / 31 / 0 / 43

HEX #8B6592

RGB 139 101 146

HSL 290.67, 0.18%, 0.48%

LAB 48.1, 23.52, -18.71

 

CMYK 5 / 28 / 0 / 35

HEX #9C77A5

RGB 156 119 165

HSL 288.26, 0.2%, 0.56%

LAB 55.05, 22.83, -19.05

 

CMYK 12 / 50 / 0 / 63

HEX #532F5E

RGB 83 47 94

HSL 285.96, 0.33%, 0.28%

LAB 25.8, 25.37, -21.48

 

CMYK 12 / 61 / 0 / 71

HEX #421D4B

RGB 66 29 75

HSL 288.26, 0.44%, 0.2%

LAB 18.12, 26.21, -21.06

 

CMYK 13 / 80 / 0 / 78

HEX #310B38

RGB 49 11 56

HSL 290.67, 0.67%, 0.13%

LAB 10.39, 26.54, -20.19

 

CMYK 14 / 100 / 0 / 85

HEX #200025

RGB 32 0 37

HSL 291.89, 1%, 0.07%

LAB 3.98, 20.81, -16.37

 

CMYK 17 / 100 / 0 / 93

HEX #0F0012

RGB 15 0 18

HSL 290, 1%, 0.04%

LAB 1.31, 6.89, -6.09

 

CMYK 12 / 49 / 0 / 63

HEX #54305F

RGB 84 48 95

HSL 285.96, 0.33%, 0.28%

LAB 26.23, 25.32, -21.45

 

CMYK 0 / 49 / 2 / 63

HEX #5F305D

RGB 95 48 93

HSL 302.55, 0.33%, 0.28%

LAB 27.67, 28.58, -17.78

 

CMYK 0 / 49 / 15 / 63

HEX #5F3051

RGB 95 48 81

HSL 317.87, 0.33%, 0.28%

LAB 27.13, 26.25, -10.75

 

CMYK 0 / 49 / 28 / 63

HEX #5F3044

RGB 95 48 68

HSL 334.47, 0.33%, 0.28%

LAB 26.63, 24.01, -2.89

 

CMYK 0 / 49 / 42 / 63

HEX #5F3037

RGB 95 48 55

HSL 351.06, 0.33%, 0.28%

LAB 26.22, 22.11, 5.2

 

CMYK 12 / 49 / 0 / 63

HEX #54305F

RGB 84 48 95

HSL 285.96, 0.33%, 0.28%

LAB 26.23, 25.32, -21.45

 

CMYK 25 / 49 / 0 / 63

HEX #47305F

RGB 71 48 95

HSL 269.36, 0.33%, 0.28%

LAB 24.58, 21.06, -24.17

 

CMYK 38 / 49 / 0 / 63

HEX #3B305F

RGB 59 48 95

HSL 254.04, 0.33%, 0.28%

LAB 23.24, 17.3, -26.38

 

CMYK 49 / 49 / 0 / 63

HEX #30305F

RGB 48 48 95

HSL 240, 0.33%, 0.28%

LAB 22.19, 14.12, -28.1

 

CMYK 12 / 49 / 0 / 63

HEX #54305F

RGB 84 48 95

HSL 285.96, 0.33%, 0.28%

LAB 26.23, 25.32, -21.45

 

CMYK 16 / 66 / 0 / 58

HEX #5A246B

RGB 90 36 107

HSL 285.63, 0.5%, 0.28%

LAB 25.25, 36.67, -30.73

 

CMYK 19 / 79 / 0 / 54

HEX #601976

RGB 96 25 118

HSL 285.81, 0.65%, 0.28%

LAB 25.23, 45.37, -37.78

 

CMYK 22 / 90 / 0 / 49

HEX #660D82

RGB 102 13 130

HSL 285.64, 0.82%, 0.28%

LAB 25.93, 52.53, -44.2

 

CMYK 23 / 99 / 0 / 45

HEX #6D028D

RGB 109 2 141

HSL 286.19, 0.97%, 0.28%

LAB 27.35, 57.83, -48.74

 

CMYK 12 / 49 / 0 / 63

HEX #54305F

RGB 84 48 95

HSL 285.96, 0.33%, 0.28%

LAB 26.23, 25.32, -21.45

 

CMYK 6 / 29 / 0 / 67

HEX #4E3B53

RGB 78 59 83

HSL 287.5, 0.17%, 0.28%

LAB 27.77, 13.34, -11.3

 

CMYK 0 / 1 / 0 / 72

HEX #484748

RGB 72 71 72

HSL 300, 0.01%, 0.28%

LAB 30.28, 0.64, -0.46

 

CMYK 21 / 0 / 27 / 68

HEX #41523C

RGB 65 82 60

HSL 106.36, 0.15%, 0.28%

LAB 32.89, -11.49, 10.79

 

CMYK 37 / 0 / 48 / 63

HEX #3B5E31

RGB 59 94 49

HSL 106.67, 0.31%, 0.28%

LAB 36.28, -22.37, 21.84

 

CMYK 39 / 49 / 0 / 63

HEX #3A305F

RGB 58 48 95

HSL 252.77, 0.33%, 0.28%

LAB 23.13, 16.99, -26.55

 

CMYK 25 / 49 / 0 / 63

HEX #47305F

RGB 71 48 95

HSL 269.36, 0.33%, 0.28%

LAB 24.58, 21.06, -24.17

 

CMYK 13 / 49 / 0 / 63

HEX #53305F

RGB 83 48 95

HSL 284.68, 0.33%, 0.28%

LAB 26.1, 24.99, -21.67

 

CMYK 0 / 49 / 1 / 63

HEX #5F305E

RGB 95 48 94

HSL 301.28, 0.33%, 0.28%

LAB 27.72, 28.79, -18.36

 

CMYK 0 / 49 / 14 / 63

HEX #5F3052

RGB 95 48 82

HSL 316.6, 0.33%, 0.28%

LAB 27.17, 26.43, -11.35

 

CMYK 13 / 50 / 0 / 84

HEX #231428

RGB 35 20 40

HSL 285, 0.33%, 0.12%

LAB 9.08, 12.27, -10.67

 

CMYK 12 / 50 / 0 / 73

HEX #3C2244

RGB 60 34 68

HSL 285.88, 0.33%, 0.2%

LAB 18.02, 19.38, -16.48

 

CMYK 12 / 49 / 0 / 63

HEX #54305F

RGB 84 48 95

HSL 285.96, 0.33%, 0.28%

LAB 26.23, 25.32, -21.45

 

CMYK 11 / 49 / 0 / 52

HEX #6C3E7A

RGB 108 62 122

HSL 286, 0.33%, 0.36%

LAB 34.06, 30.93, -26.15

 

CMYK 12 / 50 / 0 / 41

HEX #844B96

RGB 132 75 150

HSL 285.6, 0.33%, 0.44%

LAB 41.44, 37.07, -31.51

 

CMYK 12 / 50 / 0 / 63

HEX #532F5E

RGB 83 47 94

HSL 285.96, 0.33%, 0.28%

LAB 25.8, 25.37, -21.48

 

CMYK 0 / 49 / 47 / 63

HEX #5F3032

RGB 95 48 50

HSL 357.45, 0.33%, 0.28%

LAB 26.09, 21.48, 8.35

 

CMYK 49 / 0 / 33 / 63

HEX #305F40

RGB 48 95 64

HSL 140.43, 0.33%, 0.28%

LAB 36.33, -23.91, 12.9

 

CMYK 12 / 50 / 0 / 63

HEX #532F5E

RGB 83 47 94

HSL 285.96, 0.33%, 0.28%

LAB 25.8, 25.37, -21.48

 

CMYK 0 / 13 / 49 / 63

HEX #5F5330

RGB 95 83 48

HSL 44.68, 0.33%, 0.28%

LAB 35.66, -0.44, 22.25

 

CMYK 49 / 0 / 13 / 63

HEX #305F53

RGB 48 95 83

HSL 164.68, 0.33%, 0.28%

LAB 36.81, -19.34, 1.91

 

CMYK 12 / 50 / 0 / 63

HEX #532F5E

RGB 83 47 94

HSL 285.96, 0.33%, 0.28%

LAB 25.8, 25.37, -21.48

 

CMYK 0 / 49 / 47 / 63

HEX #5F3032

RGB 95 48 50

HSL 357.45, 0.33%, 0.28%

LAB 26.09, 21.48, 8.35

 

CMYK 37 / 0 / 49 / 63

HEX #3C5F30

RGB 60 95 48

HSL 104.68, 0.33%, 0.28%

LAB 36.67, -22.65, 22.9

 

CMYK 49 / 0 / 2 / 63

HEX #305F5D

RGB 48 95 93

HSL 177.45, 0.33%, 0.28%

LAB 37.12, -16.56, -3.84

 

CMYK 12 / 50 / 0 / 63

HEX #532F5E

RGB 83 47 94

HSL 285.96, 0.33%, 0.28%

LAB 25.8, 25.37, -21.48

 

CMYK 0 / 37 / 49 / 63

HEX #5F3C30

RGB 95 60 48

HSL 15.32, 0.33%, 0.28%

LAB 29.1, 13.86, 13.76

 

CMYK 37 / 0 / 49 / 63

HEX #3C5F30

RGB 60 95 48

HSL 104.68, 0.33%, 0.28%

LAB 36.67, -22.65, 22.9

 

CMYK 49 / 13 / 0 / 63

HEX #30535F

RGB 48 83 95

HSL 195.32, 0.33%, 0.28%

LAB 33.22, -8.99, -10.93

 

Description

Color code: HEX #532F5E | qconv.com Color code: HEX #532F5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 47 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 47 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 50 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 50% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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